Fur hats were a necessary accoutrement for fashionable women who wore furs. Typically, the fur hat might be purchased from the furrier to match the colour and often the pelt of the coat or stole, rather than from a milliner. Hats, like coats and stoles were often dyed to achieve uniformity of colour. Tastes in the colour of furs also changed over time, so hats, coats and stoles could be updated to match prevailing tastes. Until the 1960s in Australia, there were many furriers, who usually brought from Europe experience in identifying fur types. With the decline in the fur industry, these skills are noticeably scarcer in Australia today.The Kew Historical Society’s fashion and design collection is comprised of costumes, hats, shoes and personal accessories. Many of these items were purchased or handmade in Victoria; some locally in Kew. The extensive hat collection comprises items dating from the 1860s to the 1970s. Most of the hats in the collection were created by milliners for women. There are however a number of early and important men’s hats in the collection. The headwear collection is particularly significant in that it includes the work of notable Australian and international milliners.Circular, brimless women's fur hat.Nilheadwear, women's hats, fur hats, furriers

Churchill Island has a large photograph collection dating from the late nineteenth century. This series shows the previous owner of the Island - Sister Campbell - with two other women and was probably taken in the 1950s. This is a contemporary reprint.Photograph of three women wearing red cardigans standing in a garden with a smaller blonde boy in the background.EASTER 1957/SISTER CAMPBELL/JOAN EVAN/ALMA TIMBLER(?)[written on reverse in pen] [catalogue number on reverse in pencil]churchill island, photograph, sister campbell

A group of Italian men, women and children near the barracks in Camp 3. Photograph taken by Private Herbert Cubbin.Black and white photograph on foam backing. Depicts a group of men, women and children with a hut side to the left and other huts in the background. italian internees, camp 3 italian internees

Typed booklet titled National Council of Women of Victoria Bendigo Branch 40th Annual Report and Highlights of History 1948-1988. List of Office Bearers on page 1.organisation, women, national council of women, national council of women of victoria bendigo branch collection, national council of women of victoria bendigo branch 40th annual report and highlights of history 1948-1988

Launch of Eureka Reminiscences, a publication by Ballarat Heritage Services. This book, a collection of memories about Eureka, was researched, created and printed by Ballarat Heritage Services. On the 50th anniversary of Eureka in 1904, men and women wrote about their experiences during the Eureka Rebellion on 3 December 1854. These were transcribed and recorded by Dorothy Wickham, Clare Gervasoni and Wayne Phillipson.Newspaper clipping with photograph of two women holding books and one man.eureka reminiscences, ballarat heritage services, memories, eureka, anniversary, 1904, experiences, eureka rebellion, dorothy wickham, clare gervasoni,wayne phillipson

Photo was considered for inclusion in the "Women of Port Melbourne" exhibition (October 2005). Ms Robieson was the first female Mayor of Port Melbourne.Black and White photo of Anna Louise ROBIESON. Mayor 1978-79. Enlarged copy of the original image. 3/4 seated position, wearing the Port Melbourne Mayoral chain.Handwriten note "not in use"local government - city of port melbourne, women, anna louise robieson

Women in photo, Mrs Hansen and Miss Bertha Hansen.Black and white photograph of two women standing at the corner of the veranda of the Venga Guest House, hydrangeas in garden. In the background Mrs Hehir's shop. Lakes Entrance Victoriaguesthouses, tourism, people

Female Relative Badges were issued to the nearest female relative (usually wives or mothers) of those who engaged in active service overseas during the First and Second World Wars. For active service abroad during the Second World War, a single badge was issued to the nearest female relative of members of the RAN, the Australian Imperial Force (including members of the Australian Army Nursing Service), and the Royal Australian Air Force. Stars displayed on a bar suspended below the badge represented the number of relatives involved in the war effort. Authority for the issue of the badge was given under AIF Order 200,14 February 1941. This medal was given to Veronica ( White ) Roper in 1942 because her husband Alfred William Roper was a member of the Australian Army Signals Corp serving in New Guinea. Emma Olymphia Roper of Balaclava/ Ripponlea would also have received a medal like this with 4 four stars because her 4 sons were serving in the Australian Army 1939-45 This Military Medal was given to the wives and mothers of Australian Soldiers serving during World War 2 1939-1945Silver medal, engraved wreath of leaves, crown and map of Australia and pin clasp on back . A bar with one star is suspendedAround medal : For the Women of Australia Back : Issued by the / C'wealth Govt. / A 135699 / Angus & Coote / 1942 Bar : star/ asteriskworld war 1939-1945, military medals, roper alfred william , roper veronica, moore joan catherine, roper arthur leopold, roper emma olymphia, war memorials, bentleigh, city of moorabbin, totally and permanently invalid, returned service league, victoria barracks, department of defence australia,

The East Kew Women’s Club was formed on 20 July 1945 as an experiment amongst local women, who felt that there was a need for some organised group to give full scope to their various interests and hobbies. In the beginning, they met at the house of their founder, Mrs Eric Thake, 48 Harp Road, East Kew, but the growth and interest was so rapid that it was soon necessary to find a larger meeting place, so the group moved to the Harrier’s Pavilion in Victoria Park, Kew. At the fifth meeting of the group, a committee was formed, and a constitution adopted on 4 December 1945.The Club was aimed to be non-political, non-sectarian and open to women from any locality. The Club’s motto was “To Help others, Improve Ourselves, and Foster the Community Spirit”. The first twenty years of the Club was recorded in a small, nine-page publication “East Kew Women’s Club : Twenty Years 20-7-1945 - 30-7-1965”. Following the closure of the Club in 1973, after twenty-eight years, its records were deposited with the Kew Historical Society and are thus available for research into the history of women’s groups in the post war period in Australia. The Society holds the Club’s Minute Books of Meetings (1953-73), Attendance Registers (1959-73), Visitors Book, and sundry items of print ephemera published by the Club.Black and white photograph of Carlo Giardina, an Italian boy who was sponsored by the East Kew Women's Club. The photograph is stuck into one of their registers.east kew women's club, carlo giardina

The East Kew Women’s Club was formed on 20 July 1945 as an experiment amongst local women, who felt that there was a need for some organised group to give full scope to their various interests and hobbies. In the beginning, they met at the house of their founder, Mrs Eric Thake, 48 Harp Road, East Kew, but the growth and interest was so rapid that it was soon necessary to find a larger meeting place, so the group moved to the Harrier’s Pavilion in Victoria Park, Kew. At the fifth meeting of the group, a committee was formed, and a constitution adopted on 4 December 1945.The Club was aimed to be non-political, non-sectarian and open to women from any locality. The Club’s motto was “To Help others, Improve Ourselves, and Foster the Community Spirit”. The first twenty years of the Club was recorded in a small, nine-page publication “East Kew Women’s Club : Twenty Years 20-7-1945 - 30-7-1965”. Following the closure of the Club in 1973, after twenty-eight years, its records were deposited with the Kew Historical Society and are thus available for research into the history of women’s groups in the post war period in Australia. The Society holds the Club’s Minute Books of Meetings (1953-73), Attendance Registers (1959-73), Visitors Book, and sundry items of print ephemera published by the Club.Black and white photograph of Marlene Higgins, an Aboriginal girl who was sponsored by the East Kew Women's Club. The photograph is stuck into one of their registers.east kew women's club, community organisations -- kew east (vic.), aboriginal and torres straight islander

The East Kew Women’s Club was formed on 20 July 1945 as an experiment amongst local women, who felt that there was a need for some organised group to give full scope to their various interests and hobbies. In the beginning, they met at the house of their founder, Mrs Eric Thake, 48 Harp Road, East Kew, but the growth and interest was so rapid that it was soon necessary to find a larger meeting place, so the group moved to the Harrier’s Pavilion in Victoria Park, Kew. At the fifth meeting of the group, a committee was formed, and a constitution adopted on 4 December 1945.The Club was aimed to be non-political, non-sectarian and open to women from any locality. The Club’s motto was “To Help others, Improve Ourselves, and Foster the Community Spirit”. The first twenty years of the Club was recorded in a small, nine-page publication “East Kew Women’s Club : Twenty Years 20-7-1945 - 30-7-1965”. Following the closure of the Club in 1973, after twenty-eight years, its records were deposited with the Kew Historical Society and are thus available for research into the history of women’s groups in the post war period in Australia. The Society holds the Club’s Minute Books of Meetings (1953-73), Attendance Registers (1959-73), Visitors Book, and sundry items of print ephemera published by the Club.4 printed programs of meetings and activities of the East Kew Women's Club for the years 1953, 1969-70, 1970-71, 1971-72.clubs -- kew east (vic.), east kew women's club

'Lost Glories: a memorial to forgotten Australian buildings' was published by David Latta in 1986. It tells the story of a number of significant Australian buildings that had previously been demolished. A chapter in the book was devoted to Goathland, later known as Tara Hall. To supplement the text, he sourced photographs from a range of suppliers, chiefly the Royal Women's Hospital which had once owned Tara Hall, but had sold it in 1960. This is one of the photographs donated to KHS by the author. The Grand Staircase of Tara Hall, circa 1957. The central hallway and stairs of Tara Hall, (previously named Byram, Goathland and Lowan). Edward George Kilburn, of Ellerker & Kilburn, designed this Studley Park Road mansion, of which the hallway was a significant feature, for the industrialist George Ramsden in 1888. Tara Hall, one of the great houses in Kew was demolished in 1959-60. Possibly Marc Strizic, photographer (1928-2012). Typed inscription on reverse: "The Grand Staircase of Tara Hall (Royal Women's Hospital, Melbourne).byram, goathland, tara hall, lowan, studley park (kew), george ramsden, sir malcolm mceacharn, edward george kilburn (architect), studley park road (kew)

Sixteen page book with black and white printed text and graphics. The front cover features seven black and white images of women wearing different hats. front: [printed] Patons / KNITTING BOOK / No. 444 / Ladies’ and Girls’ / Gloves and Hats / No. 444 / Page 3 / Page 12 / Page 6 / Page 4 / Page 2 / Page 5 / Page 7 / 1’3 / P&B / WOOLSfashion, women, knitting, crochet, home life, patterns

Four page knitting pattern booklet featuring black and white printed graphics and text. The colour cover shows two women wearing knitted vests.front: [printed] 1082 / PRICE / CODE / G / PURE NEW WOOL / VillaWOOL / 5 PLY / Machinewash / THE GREAT AUSSIE YARNknitting, pattern, fashion, knitwear, women, villawool

Ladies doing light exercises on chairs at Legacy House. From 1928 until the 1980s, Melbourne Legacy ran an excellent exercise program for its widows. Classes were held weekly at Legacy House and there was often a waiting list for the water classes, which had both swimming instruction and water exercises. Some of the class members were in their 90s, many just learning to swim.A record of activities provided for Legacy widows.Black and white photo of three older women sitting in chairs doing light exercises.Stamped on the back: "Jul 15 3 29 AM '88", "COPYRIGHT / This photograph may not be / reproduced with permission / in writing from the / Pictoral Dept. of "The Age" / 250 Spencer Street, Melbourne, / Victoria, 3001, Australia" Taped to the back: "NEIL NEWITT 15/7/88 E.G. / SENIOR CITIZENS (WOMEN ONLY) AT / "AEROBICS" AT LEGACY HOUSE / STORY DAVID BRUCE."widows, exercise classes, activities

Photo of ladies doing light exercises at Legacy House. From 1928 until the 1980s, Melbourne Legacy ran an excellent exercise program for its widows. Classes were held weekly at Legacy House and there was often a waiting list for the water classes, which had both swimming instruction and water exercises. Some of the class members were in their 90s, many just learning to swim.A record of activities provided for Legacy widows.Black and white photo of several older women doing light exercises using chairs.Stamped on the back: "Jul 15 4 49 AM '88", "COPYRIGHT / This photograph may not be / reproduced with permission / in writing from the / Pictoral Dept. of "The Age" / 250 Spencer Street, Melbourne, / Victoria, 3001, Australia" Taped to the back: "NEIL NEWITT 15/7/88 E.G. / SENIOR CITIZENS (WOMEN ONLY) AT / "AEROBICS" AT LEGACY HOUSE / STORY DAVID BRUCE."widows, exercise classes, activities

A black and white photograph of the Church of England Women's Cricket eleven photo taken infront of the Rupertswood Gates.sport, cricket, church of england, churches, clarke, janet (lady), rupertswood gates, women, george evans collection

Wooden Plaque 15cm x 13cmWomens Auxilliary RSL

A large patchwork wall hanging made by women who attended patchwork classes at the Nunawading North Neighbourhood Centre was displayed at the Whitehorse Festival of Arts.A large patchwork wall hanging. nunawading north neighbourhood centre, patchwork, whitehorse festival of arts

Small monochrome photograph, depicting a small outdoor gathering of men and women, somewhat formally dressed and holding a variety of smaller boxes. Foundation day BrightonSmall monochrome photograph, depicting a small outdoor gathering of men and women, somewhat formally dressed and holding a variety of smaller boxesbrighton, foundation day, 26 january, lhlg, seamen, mission to seafarers, seamen's mission, mission to seamen, picnic, ladies, bowler hat

This is a photo of a sewing class for young girls in Ithaca. The women are proud to show off their sewing machines as the acquisition of these items would allow them to make many personal and household items more quickly and efficiently than they could be made by hand. Sewing was considered an important skill for young women and dressmaking was also a means to earn money to help support their families. A black and white scanned photograph taken outdoors of fourteen women sitting behind their treadle machines and posing with their needlework. Three women and a man are standing behind the group and two boys and a girl are sitting in the front on stools. A building with four large security windows/entrances in the background. 29 pas 7 is written on the back

Olympic brand, Striped yellow, orange, brown and white A4 Lecture Pad containing the Minutes for Committee Meetings and Executive Meetings for the National Council of Women of Victoria, Bendigo Branch from 18/2/86 to 16/3/1994.organisation, women, national council of women, national council of women of victoria bendigo branch collection - minute book 1986-1993

This tea towel was manufactured in 1978 in Ireland and shipped to Australia. This was in a period when the C.W.A. was the major women's organisation which had the greatest influence amongst rural women (especially in isolated areas). This was a period when broad based communications were mainly by radio,women orientated magazines and the telephone. The relay of television to "remote" rural areas was not yet established. The CWA was therefore a very important organisation that catered exclusively to women's needs. The C.W.A. motto "Honour our God, Loyalty to the throne, Service to the country, Through country women, For country women, By country women." The atmosphere was one of "sisterhood" and covered nearly all the needs of rural based women. This one organisation incorporated knowledge and learning targeting women who physically may be isolated but not mentally. On the tea towel are portrayed all the activities that would be beneficial to rural women.This tea towel with its respective motifs is very significant to the Kiewa Valley as it related especially to women who felt the limitations of social interactions within a rural area. This tea towel represents a era where communications was relatively based on radio, magazines, books and limited telephone access. Within these restrictive interactive communication levels, the isolation of a "back o' Bourke" location applied tremendous mental fatigue on women more than on men.This CWA Victoria Golden Jubilee (1928-1978) tea towel is made from Irish flax at the Blackstaff Flax Spinning and Weaving factory. It is therefore of high quality and very durable. The major colours projecting from a light blue background are red, yellow, green, orange and black. The motives portrayed the activities of the CWA in 1978. These activities are embroidery, crocheting, dress making, knitting, cooking, art, macrame, drama, music, patchwork, toy making and community relief, pennies for friendship, emergency relief and welfare, residential club flats, the thanks giving and Papua New Guinea.The main or central theme of this tea towel is presented in the central area within three rings. "1928" on the left and "1978" on the right. On the top part "GOLDEN JUBILEE" and at the bottom "COUNTRY WOMEN'S ASSOCIATION OF VICTORIA" There are various shapes representing the activities listed above.cwa promotional material, cwa golden jubilee, women only organisations, country women's association

From left to right the women are: Miss Vine (dark dress, draw cord at waist with pom-poms on end), Miss Hocking (dress with large spots), Mrs Thomson (light coloured dress with dark sash at waist) and Mrs Paddy Smith (light coloured blouse and dark skirt).The photo shows four women, standing in line from shortest to tallest, standing in front of bushes.people

The Hamilton-Smith collection was donated by the children of Grace Mary Hamilton-Smith nee Ellwood (1911-2004) and John Hamilton-Smith (1909-1984) who settled in Wodonga in the 1940s. The Ellwood family had lived in north-east Victoria since the late 1800s. Grace’s mother, Rosina Ellwood nee Smale, was the first teacher at Baranduda in 1888, and a foundation member of the C.W.A. Rosina and her husband Mark retired to Wodonga in 1934. Grace and John married at St. David’s Church, Albury in 1941. John was a grazier, and actively involved in Agricultural Societies. The collection contains significant items which reflect the local history of Wodonga, including handmade needlework, books, photographs, a wedding dress, maps, and material relating to the world wars. This item has well documented provenance and a known owner. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of social and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history and social history. Two small round badges. The NSW CWA badge has a light and dark blue design with orange. The Victorian badge has a yellow, green and gold design.On Victorian badge: "VICTORIA/CWA". On NSW Badge: "COUNTRY WOMENS ASSOCIATION N.S.W./CWA".hamilton-smith collection, hamilton-smith, ellwood, charity, volunteer, voluntering, cwa, country women's association, rural, women, women's history, domestic, cooking, food, community

Photocopied handwritten booklet titled National Council of Women Bendigo 1948-1998 Summary of 50 Years. Listed at the front is the names of Past Presidents. Mentioned in the book are the highlights and achievements of the NCW over this time.organisation, women, national council of women, national council of women of victoria bendigo branch collection, national council of women bendigo summary of 50 years 1948-1998

The East Kew Women’s Club was formed on 20 July 1945 as an experiment amongst local women, who felt that there was a need for some organised group to give full scope to their various interests and hobbies. In the beginning, they met at the house of their founder, Mrs Eric Thake, 48 Harp Road, East Kew, but the growth and interest was so rapid that it was soon necessary to find a larger meeting place, so the group moved to the Harrier’s Pavilion in Victoria Park, Kew. At the fifth meeting of the group, a committee was formed, and a constitution adopted on 4 December 1945.The Club was aimed to be non-political, non-sectarian and open to women from any locality. The Club’s motto was “To Help others, Improve Ourselves, and Foster the Community Spirit”. The first twenty years of the Club was recorded in a small, nine-page publication “East Kew Women’s Club : Twenty Years 20-7-1945 - 30-7-1965”.Following the closure of the Club in 1973, after twenty-eight years, its records were deposited with the Kew Historical Society and are thus available for research into the history of women’s groups in the post war period in Australia. The Society holds the Club’s Minute Books of Meetings (1953-73), Attendance Registers (1959-73), Visitors Book, and sundry items of print ephemera published by the Club.Stapled self-published history of the East Kew Women’s Club, entitled - "Twenty Years 20/7/1945 - 30/7/1965". 9pp & covers.east kew women's club, community clubs -- kew (vic.) -- histories

'Lost Glories: a memorial to forgotten Australian buildings' was published by David Latta in 1986. It tells the story of a number of significant Australian buildings that had previously been demolished. A chapter in the book was devoted to Goathland, later known as Tara Hall. To supplement the text, he sourced photographs from a range of suppliers, chiefly the Royal Women's Hospital which had once owned Tara Hall, but had sold it in 1960. This is one of the photographs donated to KHS by the author. Porte-cochere, Tara Hall, circa 1957. The main entrance to Tara Hall (previously named Byram, Goathland and Lowan). The entrance, through a porte-cochère, was located on the side of the house facing east. During construction, commentators described the house as being in the ‘Elizabethan style’. The architectural style of the exterior, with its innovatory use of red brick and Italian tiles was more influenced by American models. Edward George Kilburn, of Ellerker & Kilburn, designed Byram for the industrialist George Ramsden in 1888. Typed inscription on reverse: "Goathland, also known as Tara Hall (Royal Women's Hospital, Melbourne)."goathland -- kew (vic), byram -- kew (vic), tara hall - kew (vic), studley park road

Photo of ladies doing light exercises on chairs at Legacy House. From 1928 until the 1980s, Melbourne Legacy ran an excellent exercise program for its widows. Classes were held weekly at Legacy House and there was often a waiting list for the water classes, which had both swimming instruction and water exercises. Some of the class members were in their 90s, many just learning to swim.A record of activities provided for Legacy widows.Black and white photo of four older women sitting in chairs doing light exercises.Stamped on the back: "Jul 15 3 29 AM '88", "COPYRIGHT / This photograph may not be / reproduced with permission / in writing from the / Pictoral Dept. of "The Age" / 250 Spencer Street, Melbourne, / Victoria, 3001, Australia" Taped to the back: " PHOTOGRAPHER: NEIL NEWITT DATE: 15/7/88 DEPT: FOR E.G. / SENIOR CITIZENS (WOMEN ONLY) AT / "AEROBICS" AT LEGACY HOUSE / STORY DAVID BRUCE."widows, exercise classes, activities

(1) Group photograph of Staff/Admin Staff? (2) Group photograph of 5 women and 2 men. (1) On reverse, "Bert Daly-front row 2nd left." (2) Identified by R. Hamley Garden Instructor on reverse but handwriting hard to read: "Facing photo Judith ?A?geen, Kitty Comben, Bert Daly, Kerry Wilson, Norma Baring?, Alison Rowie? seated Rosemary Hamley." staff, bert daly, women, men, kitty comben, kerry wilson, norma baring, alison rowie, rosemary hamley, garden instructor