Colour slide in a mount. Burnell'. 109 Albert St, East Melbourne built 1854-1877 and demolished in 1969. (See item AV103)Mount Made in England / Vict House (Handwritten) / Encircled 5 (Handwritten) / Encircled 19 (Handwritten) / B (Handwritten-Cancelled)melbourne, slide

In July 1909, a modest 12-page booklet was put together by members of the fledgling Old Ruytonians Association (ORA) and distributed to the Ruyton Girls' School community. It was one of their first projects, and their aim was to nurture continuing interest in the School among former and current students. They named it "The Ruytonian." At first, The Ruytonian was produced twice yearly, and always bore a plain cover with a simple name banner. Initially, it was the work of volunteer editors from the ORA, but in 1913 they handed the publication over to the first student editors, Esther Gibson and Lucy Tickell. Since that time, the style and content of The Ruytonian has continuously evolved. The biggest shifts occurred in 1942 when it transitioned to a yearly publication, and in 1969 when it moved to a larger A4 format with a cover image specifically selected for that year.The record has strong historic significance as it pertains to the fourth oldest girls' school in Victoria, Australia. Ruyton was founded in 1878 in the Bulleen Road, Kew, home of newly widowed Mrs Charlotte Anderson (now High Street South). Due to the age of the record dating back to 1919, we can infer it is one of the few remaining complete, intact and original examples of The Ruytonian from this period. Therefore, it can be considered an outstanding representation of its type, and is a reference example for research in early Victorian school history. The record's significance is further enhanced by its exceptionally well-documented provenance, having remained the property of Ruyton Girls' School since its production.Colour publication printed on papyrus coloured paper. 29 pages.Front Cover: THE / RUYTON / IAN / RECTE ET FIDELITER. / II III> B IV IV VIV / JUNE, 1919 /ruyton girls' school, the ruytonian, kew, old ruytonians association, yearbook, school, publication, girls school, junior school, senior school, journal, students, teacher

Colour photographs, b&w illustrations, games, word lists, CD-ROM (contains place and direction; about actions)wiradjuri

Acquired when "Classweave Industries" closed downGeelong Industrial Cricket Asstn/Federal Woollen Mills cricket team, B section winners/ season 1927-28woollen mills - history woollen mills textile mills - staff sporting teams, classweave industries pty ltd federal woollen mills ltd, sport, woollen mills - history, woollen mills, textile mills - staff, sporting teams

Early sound recording - exported from the USAThe cylinder is significant because of it's historical place in early history of communications and entertainment. These cyclinders provided entertainment opportunity for early settlers in the district.Moulded recording cylinder contained within cylindrical labed containerBox - 1398 "The Old Grey Coat (Hyson) Billy Williams" Cylinder "13958 THE OLD GREY COAT B. WILLIAMS"cylinder, recording, moulded cylinder,

One of a collection of 56 knitting pattern books donated by Mrs Hilma Carruthers. These books had been used by Mrs Carruthers, her mother and her two daughters. Book produced by Patons and Baldwins and containing knitting patterns for women's garments. It was sold by Buckley and Nunn Ltd, a Melbourne department store.Patons KNITTING BOOK NO. 341 / "LORRAINE" - See page 12 / P&B / WOOLS / 1'4d. BUCKLEY & NUNN LIMITEDhandicrafts - history knitting, patons and baldwins (australia) ltd buckley and nunn limited, handicrafts - history, knitting

This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was produced by Patons and Baldwins and contains knitting patterns for children.Patons / KNITTING BOOK / No. 402 / P&B / WOOLS / PATONS / DOUBLE QUICK / KNITTING / ALL PURE WOOL / 1'3d.knitting handicrafts - history, patons and baldwins (australia) ltd, knitting, handicrafts - history

This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was produced by Patons and Baldwins and contains knitting patterns for mens garments.Patons / KNITTING BOOK / NO. R.3 / P&B / WOOLS / "HUGH," See page 2 / Revised / Edition / 1'9d.knitting handicrafts - history, patons and baldwins (australia) ltd, knitting, handicrafts - history

Colour slide in a mount. Image of “featurism”, toilet doors and planterMade in Australia / 11 / MAR 65M / Encircled 8A (Handwritten) / A03456 / 16PC (Handwritten) / B (Handwritten) / G (Handwritten)melbourne, slide

Performers and crowds at the 1979 Carols by Candlelight performance.8 x Col. photographs of the 1980 Carols by Candlelight performance80004-H. 80006-K, 80006-M, 80003-D,80005-E, 80006-P, 80006-A, 80005-Bcarols by candlelight, rolf harris, margaret nisbett, brian naylor, thomas edmonds, linda george, paul meenie, franciscus henri, markeeta little wolf

Student group.Names on reverse and, "(2nd Year Group)" and, "Photograph by Information Branch Victorian Dept of Agriculture Ref. No. D.1344.B."students, 1968, year group, publicity

Black and white photograph"Written on back of photograph" A B Carter at podium with gavel. Andy McLean alongside. Auction of land at Ringwood East.Circa 1970

Twenty page knitting pattern book featuring black and white text and images. The cover shows a woman wearing a knitted top tied with a ribbon at the neck.front: [printed] Patons / KNITTING BOOK / NO. 321 / P&B / WOOLS / "MORNING DEW" - See page 13 / 1'3d.fashion, design, knitwear, home made, wool, pattern book, patons

Donated by Helen Dudley (1945) 18 December 1991 for the Centenary Year.Black and white photographs of 1st and 2nd Years Relaxing on Lawn 1944 (a) On reverse, "1st & 2nd year boys relaxing on lawn." (b) On reverse, "1st & 2nd year students relaxing on lawn."helen dudley, centenary, 1991, students, lawn, male students, recreation

Elastic Cloth with leather attachments and metal clipsStamped or burnt in leather H & B 1957 DD Size 38 Police and Firemen engraved on silver metal clipsclothing

Black and white photograph (2 copies)Written on back of photograph, "1925, Ringwood/Warrandyte coach at Ringwood station. Will J. Hussey - b. Lilydale 1886 is the driver".

A faded green paperback reader or textbook with faded black lettering on the front cover at the top for the title Whitcombe's Human Geography Reader. Grade III. A cost of 1/1 is printed in the lower right hand corner. On the front cover is a black lined illustration inside a round shape of children in traditional costumes from different lands with many lined drawings of animals from around the world. The title page has the title and publisher details as well as a black and white photograph of two children sitting in a Dog-Cart in Summer. Throughout are black and white charts, maps, diagrams, photographs and illustrations. On the inside of the front cover is a Contents page and the back cover lists further Whitcombe's titles as well as on the outside of the back cover. Pp. 52.non-fictionWhitcombe's Human Geography Reader Grade III - Animals and Children of Many Lands is specially written to meet the requirements of the Social Studies (Geography) Course of Study in Victorian Elementary Schools. It is intended for the personal use of the pupil and has been written for juveniles. It aims to encourage world friendship with descriptions and pictures of the children from many lands. Many of the animals and birds of the world are illustrated and described. The topics are written in story form. Dramatization is encouraged as well as outdoor activities and the making of a pupil's geography picture book.children's books, handbooks, textbooks, geography, schools

(.2) Areas on map relate to : The Hindenburg line on the left, from the top, Bony to Bellicourt to Bellenglise, Estrees to Brancourt. (.3) The River Somme runs through from top corner left bottom corner right. Main areas are Belloy, Picquigny, Bertangles, Montieres. The map finishes just short of “Amiens” Items in the collection relating to F.A.W Hutson No 3539 AIF. refer Cat No 922 for his service history.(.1) Map on paper showing the “Battle of August 1918”, Map C, The Advance to “Lions & Proyart”. (.2) Trench map, gauze lined, sheet 62B N.W, trenches corrected to 8.2.1918, German trenches in blue, scale 1:20,000, France. (.3) Ordnance survey map, May 1918, France, Edition 1, sheet 62 E N.E, scale 1:20,000, a canal and river runs through the centre(.2) On rear hand written “62 B N.W” (.3) On rear hand written “D.M.F 62 E N.E”august 1918, maps, somme

Glass and metal vein seeker syringe with a 10cc total volume. The barrel and plunger are manufactured from glass; the needle point from metal. The barrel is connected to the plunger via a metallic clip and chain and intravenous drip is added to the syringe via a side tube that is blocked with a cork stopper.Etched on syringe barrel in brown lettering: "B-D Yale Kaufman' and '5942Y'. The serial number is also repeated on the plunger.syringe, glass, frosted glass, b-d yale kaufman, dr penn, anaesthesia, intravenous, becton dickinson & co, 5942y, 1955

Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and pencil landscape drawing on paper.Obverse: B'WORTH NEWTOWN / OLD HOUSE / E MARCUSE Reverse: B 11/ 023 / BEECHWORTH NOSTALGIA / BW - 04 ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program

BHS CollectionStudio posed black and white upper body photograph of Alice Harvey dressed in black clothing. Written ib pen on the back. Alice Harvey B 1868 Kapunda SA. D 30/11/1947 Bendigo eaglehawk, harvey town, alice harvey

The photo could be of some of the following: Percy Fullerton, B. Bevan. A. McPherson, A. Carter, C Eggleston, G. Libound, A. Hill, W Monan, J. Waugh, J. Slowe, J.Pearce,B. Canning, G. Ball, H. Evans. The man in the centre of the photo in the cap is Lieutenant Charles Denehy/later Colonel Denehy, the man extreme right front row is Joseph Nott.Black and white postcard photograph of group of men in uniform, 11 standing, 6 seated or kneeling in front.Written on back of photo: "Rutherglen Boys of the 7th Battalion. Sailed with the first Australian Contingent" On separate note: "Rutherglen Boys of the 7th Battalion sailed with the first Aust. Contingent. Henry Andrew (Harry) Clarkson 3rd from right, standing, back row. Back row: 5th from left - Major Gerry Chambers. Front row: 6th from left - Joseph Nott."percy fullerton, bevan, mcpherson, carter, eggleston, libound, hill, monan, waugh, slowe, pearce, cannign, ball evans, charles denehy, joseph nott, harry clarkson, gerry chambers, 7th battalion, world war 1, world war i, ww1, martin balsarini, 4th lighthorse

Empty box that contained an issued service medal to Pte G. B. Jackson. Refer 3446P for his Service details.Small yellow cardboard box with name label stuck on the front.Written on front - “ÄSC/77. 2172 Pte G.B. Jackson, 9/A.S.C. A.I.F., 3564/MD 3".passchendaele barracks trust, medallion box

This child's plate was owned by Elizabeth Morgan who was married to Mr P B Webb who was mayor of Warrnambool in 1917. A common item which has significance as it belonged to a local person who was Mayoress of Warrnambool Pale blue straight edged round baby's plate with wide flat rim. Transfer of lion in greenery surrounds is in centre of bottom of plate. Four small transfers of clowns around the edge of the larger transfer.. The alphabet and numbers 1-10 are around the flat edge of the plate. The side has a small ridge which has the remnants of gold paint. A break in the glaze of the bottom of the plate displays blue material.Alphabet and numbers warrnambool, baby plate, elizabeth morgan

Customs building: built 1884 to handle goods entering Victoria up to 1901. Building classified B by National Trust.Customs houses, of similar design, were built along the Murray river to collect taxes on goods transported from N. S. W. to Victoria. The taxes were collected up until Federation in 1901. The Victorian railways used it as an office until about the 1960 when it became a private dwelling. The Customs House at Echuca is now owned by The Port of Echuca and has been used to house a wine tasting businesses, cafe and local produce retail and art gallery.Colour photograph of Customs House at Echuca port.In ink on reverse: "8A"customs house, echuca, echuca historical buildings, echuca, port of (customs history)

Customs building: built 1884 to handle goods entering Victoria up to 1901. Building classified B by National Trust.Customs houses, of similar design, were built along the Murray river to collect taxes on goods transported from N. S. W. to Victoria. The taxes were collected up until Federation in 1901. The Victorian railways used it as an office until about the 1960 when it became a private dwelling. The Customs House at Echuca is now owned by The Port of Echuca and has been used to house a wine tasting businesses, cafe and local produce retail and art gallery.Colour photograph of Customs House at Echuca port.In ink on reverse: Dec.77-M: Print made by Kodak: Kodak. In pencil Customs Housecustoms house, echuca, echuca historical buildings, echuca, port of (customs history)

John William HARKIN. No. 170317, Enlisted 27.06.44, Age 18. Discharged 6.12.48. Rank of LAC in 381 (B)SQD.1. Dress coat - navy blue colour wool fabric, black colour, cotton lining with beige colour cotton lining to sleeves. Buttons - black colour bakelite with metal shank, emblazoned with the King's Crown and a Wedgetailed eagle in flight WW2. On sleeves - Australia shoulder patch with wings and a propeller patch. Right sleeve - gold, blue and red colour "British Commonwealth Forces" patch. Makers label back below collar. 2, Trousers - navy blue colour wool fabric, owners label inside back, 5 button fly. 3. Trousers - navy blue colour wool fabric, makers size label inside back, 4 button fly.1. Maker's label - red embroidery on cotton fabric "M TX/ Size 18". Handwritten black ink "HARKIN'. 2. Owner's label - black ink on cotton "HARKIN/JW/ R.A.A.F." 3. Maker's label - blue ink print on cotton "N384/1942/ SIZE 24". Maker's label on back of trousers - dark blue print on paper - "AIRMEN'S/ TROUSERS'/ 18oz/ Size 24/ Waist 37../ Height 5'9"to 5'10". Black ink stamp "I/ E.C."uniforms, raaf, ww2

Item souvenired by H. B. FIELD No. 7596, 13th Batt. A.I.F. Refer Cat No 890P for his service records.Rough shaped piece of metal shrapnel with slightly grooved surface.military history - army, metalcraft - iron, shrapnel