The Air Force General Purpose Uniform was adopted by the RAAF in July 2014. It is worn as dress of the day for non-combat operations. These were worn by Bob Schouten.This jacket represents the every day experiences of Australian air force members since 2014.Blue/white/grey/green urban camouflage jacket. Made of cotton. With velcro sections to attach labels. Plastic buttons.'Australia' 'Air Force'military, raaf, air force, uniform, jacket, camouflage

Born: Mount Duneed, Victoria, Australia 1867; Lived and workd: England 1897-1919; Died: Olinda, Victoria, Australia 1943EdwardianGift of Mrs E.E. Ledger, 1982Sunny urban landscape with impressive building with large towers facing a street with figures and trees.Thin gold brushed timber frame.Recto: Signed "Arthur Streeton." in brown watercolour in l.l.c of composition; Not dated; Not titledwatercolour, building, sky, figures, trees, tower

Donald Clark Collection.An invitation addressed to Donald Clark for the Tarnagulla Urban Fire Brigade's 125th Anniversary Celebration, held on 19th November 1994.

WANGARATTA URBAN FIRE BRIGADE - 11th DECEMBER 2000 (in a box above the following text) framed colour photo of brigade members (inc. staff) mounted within in a navy coloured mat. The photo is mounted separately to the description of members below it. WANGARATTA URBAN FIRE BRIGADE - 11th DECEMBER 2000 (in a box above the following text) BACK ROW: R.KAINE, D.ROBINSON, J.ZAVEC, M.BERRY, A.MELOURY, A.MILLS, N.JENSEN, T.PHILP, D.BRAMBLY, B.GREEN, K.WISE, B.SANDERS MIDDLE ROW: N.McDONALD, J.MITCHELL, P.LANGFORD, W.BROWN, P.GRAHAM, K.HOWARD, J.KERR, B.COLLIER, S.BAILEY, J.BIGHMAM, D.SEARL, J.GRENFELL, A.McNANMARA FONT ROW: J.ROSSER,. Lt M.PRENTICE, F/O P. SCRAGG, F/O A. GASTON, O/O S. KRELTSZHEIM, Lt P. GRANT, F/O C. STIBLJ, CHAIRMAN T. POULTER, SECRETARY K. STILL ABSENT: F/O S. SUTTON, Lt T. McDONALD, J. MARTIN, T, SANDERS, S. SHELDRICK, D. WEATHERALL, A. WHITE. - Runners J. McDONALD, C. RYAN, M. RYAN, M. WYATTdecember 2000, r.kaine, d.robinson, j.zavec, m.berry, a.meloury, a.mills, n.jensen, t.philp, d.brambly, b.green, k.wise, b.sanders, n.mcdonald, j.mitchell, p.langford, w.brown, p.graham, k.howard, j.kerr, b.collier, s.bailey, j.bighmam, d.searl, j.grenfell, a.mcnanmara, j.rosser,. lt m.prentice, f/o p. scragg, f/o a. gaston, o/o s. kreltszheim, lt p. grant, f/o c. stiblj, chairman t. poulter, secretary k. still, absent: f/o s. sutton, lt t. mcdonald, j. martin, t, sanders, s. sheldrick, d. weatherall, a. white. - runners j. mcdonald, c. ryan, m. ryan, m. wyatt

Donald Clark Collection.Two tickets to 'War Years II', performed at Tarnagulla Hall on May 31, 1991 in aid of Tarnagulla Urban Fire Brigade.

Jan Senbergs was born in Riga, Latvia, in 1939 and came to Australia when he was ten. Senbergs’ work has been characterised by a simple and bold aesthetic. From lush landscapes to barren urban spaces, his body of work signifies an artist who has continually experimented with shape, form and motif, a fundamental humanist vision, a finely-honed sense of the absurd, and a rigorous studio practice spanning printmaking, drawing and painting. Senbergs is Baldessin's exact contemporary. He was also born in Europe and fled his homeland because of the war, arriving in Melbourne in 1950. Like George, Senbergs also worked at the RMIT and in 1973 represented Australia at the Bienal de Sao Paulo. Senbergs first met George when he was living in St. Kilda. George asked if he could screen print his 'Argus' catalogue for a show at the gallery in the Argus building. George Baldessin (1939-1978) was born in San Biagio di Callalta, in the Veneto in Northern Italy and arrived in Australia ten years later. A printmaker and sculptor he built his bluestone studio at St Andrews (Nillumbik) in 1971. The bluestone studio was hand built by George, his partner Tess and the three Hails brothers, Rob, Doug and Don. Made of recycled materials the studio today contains all of George’s equipment including the large press, which he modelled himself with the help of Neil Jeffrey (Enjay Presses). George won many prizes throughout his career and is represented in many of Australia's public art collections including his famous 'Pears' sculpture in front of the National Gallery of Australia, Canberra. In 1975 he represented Australia in the Sao Paulo Biennale, before living and working in Paris until his return to St Andrews in 1977. In 1978 George was killed in a car accident aged 39 years. In 2001 Tess returned to St Andrews to reclaim the run-down studio and reconstitute it as The Baldessin Press & Studio - a printmaking retreat. It operates in George’s memory, so that artists may continue to create, perpetuating the generous spirit of George.'New Jersey - rust belt' is one of eight prints in the 'Baldessin & Friends commemorative folio. The folio was conceived by Tess Edwards as a fundraising initiative in celebration of the The Baldessin Press & Studio's fifteen year anniversary, and as a way to honour George Baldessin's memory. The Baldessin Press & Studio is a not-for-profit organisation created in memory of the late George Baldessin (1939-1978), whose original studio is now open to the public for creative use and as a practical legacy to living artists. The Studio is located in St Andrews, Nillumbik. The folio is a unique coming together of seven very different and acclaimed artists who are connected by their friendship to the missing eighth member, George Baldessin. This print finds its' origins in the time Senbergs spent at Harvard in America in 1989-90. In the context of Baldessin it explores an industrial urban surreal vision that was common to both artist. The image captures the life force of the city revealing the keen and observant eye of Jan Senbergs. Similar in sensibility to his large scale charcoal drawings of the 1990s, the artwork is not only a record of what the artist sees, but of what interest him. By following the movement of each line the viewer can witness the artist's eye travelling through, over and around each element of the urban landscape. The scale is deceptive with the image bled to the full-size of the sheet of paper like a microcosm of a much bigger whole. sugar lift etching of an urban (cityscape - New Jersey) scene - bridges, roads, buildings, in thick black brushstrokes. The image is busy; full of energy and movement. A bleed print in which the paper barely contains the city scape. In pencil (handwritten): top centre: left '14/25' (edition); centre 'New Jersey-Rustbelt' (title); right 'Jan Senbergs' (signature); print, sugarlift etching, urban landscape, ekphrasis2018, new jersey, line, rust belt

CLUNES FIRE BRIGADE DISPLAY IN CLUNES MUSEUM IN 19COLOURED PHOTOGRAPH CLUNES URBAN FIRE BRIGADE 125TH. ANNIVERSARY OF VOLUNTEER SERVICE OF CLUNES & DISTRICT. MR TONY BATLEY INSPECTING DISPLAY ?local history, photography, photographs, exhibitions, activities and current events in clunes museum.

Eva Fisher was a valued member of the AFB and wished to commission a sculpture for the grounds in the front of Paterson Hall. Noted sculptor Ian Bow was commissioned and created Urban Cycle, a seven panel metal sculpture that follows the development of the local area. Prior to receiving the commission, Ian Bow went through a period of temporary vision loss, which gave him insight into how the sculpture could be appreciated by the blind and low vision community. The different stages are: Harmony - Two pelicans amongst reeds. Intrusion - Frog, kookaburra, mice, fish, lizard and butterfly. Expansion - Doors, windows and roofs under tree canopies. Industry - A factory with large chimney blowing smoke. Density - Multiple boxes, some with figures inside, are crowded beneath a bridge and dome. Decay - Boxes with broken doors and unfinished concrete. Renewal - A church with a Calvary cross over roughened surface.Heptagonal cast aluminium sculpture with seven panels arranged around a central metal pole.Thanks to the generosity of Evangeline Annie Fisher this sculpture, entitled 'Urban Cycle', was created by Ian Bow in 1975 and depicts stages of development of a city through the use of tactile forms. Further information is available at Reception. Vision Australia. Blindness, Low Vision, Opportunity.association for the blind, eva fisher, ian bow, sculpture

Pamphlet - 12 fold sheet, full colour, titled "St Kilda grid urban maps" showing a map of St Kilda area, public transport routes, locations, description of attractions, festivals, events, and retail and food outlets with a small entry for each advertiser. Has Metlink logo. Published by Grid Urban Maps - www.gridmaps.com.au - not functioning at 15/1/2019.trams, tramways, st kilda, maps, events, public transport

A large framed colour map showing the urban area of Bendigo. The map dates to 19 August 1996. It is the first edition and has the scale 1:12500

2-page Maroondah City Council notice for workshop on Tuesday 3 July 2007 at Urban Life, 143 Maroondah Highway, Ringwood - light refreshments served.A key initiative of the Precinct Plan is the significant street upgrade which may include creative water features along Larissa Avenue to better connect recreational paths along Mullum Mullum Creek and Ringwood Lake.

Bendigo Advertiser ''The way we were'' from 2000. Tall order: Elmore urban water tower, built 1891 by Elmore Water Trust. The clip is in a folder.newspaper, bendigo advertiser, the way we were

Article on the development of 'Banksia Estate', former site of Blackburn South Primary School, Branksome Grove, by the Urban Land Authority. In Nunawading Gazette, 6 October 1992.Article on the development of 'Banksia Estate', banksia estate, victoria. urban land authority, blackburn south primary school, no. 4035, xeriscope, water supply, canterbury road, blackburn south, branksome grove, land subdivision

Article on the development of 'Banksia Estate', former site of the Blackburn South Primary School, Branksome Grove, by the Urban Land Authority. In Nunawading Post, 4 October 1992.Article on the development of 'Banksia Estate',banksia estate, victoria. urban land authority, blackburn south primary school, no. 4035, xeriscope, water supply, canterbury road, blackburn south, branksome grove, land subdivision

CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition Part of Angela Gee Residency 1983 ans 1984Laminated screenprint with three panels separated by a green border. The panels vary in size and are predominantly various shades of green. Within all panels the foreground illustrates gum tree foliage and the background shows a cloudy sky.Front: Artists Proof (lower left) Urban Gums (lower centre) R.Davies 84' (lower right) Back: 3

This painting was sparked by a US studio residency at Yellowstone National Park, shortly after Trump’s election. In America, Chin witnessed conservative nationalism and divisiveness, but also an equal reaction promoting diversity and challenging structural inequality. Developing this work in Australia, Chin examined how a sense of place forms fluidly in the consciousness, to surpass geographic borderlines.Kevin Chin is a local artist. He has been a finalist in the Nillumbik Prize for Contemporary Art (2015, 2019). In this painting Chin explores economic, cultural and social structures that shape the world in which we live, questioning who has built what, who takes ownership, and who has the right to the land. Landscape painting depicting a house (upside down) and a half finished urban structure sitting amongst mountain peaks and land that has been cleared and immersed in fog/smoke.N/Alandscape, kevin, chin, structural, inequality, castle, trump, painting, nillumbik, residency, yellowstone, realism, oils

CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition Part of Angela Gee Residency 1983 and 1984Laminated screenprint with green and orange grassy foreground. Centre of image shows a grey body of water with black swans and ducks. Top half of work features a blue/grey cloud with ducks in flight on the right side.Front: Artists Proof (lower left) Urban Lagoon (lower centre) R. Davies '84 (lower right) Back: 4