The Department of Crown Lands and Survey (1857-1983) was responsible for the administration of survey and mapping and the sale, occupation and management of crown land throughout its existence. This aerial photograph shows parts of Brighton and Brighton East and was taken circa 1965-71.brighton, department of crown lands and survey, aerial photograph, bayside, port phillip bay, map, cartographic material, brighton east, dendy park, dendy street, centre road, nepean highway, south road, brighton golf course, golf

Crown Crystal Glass were an Australian glass manufacturer, who were the Australian vendors for Pyrex from 1926, importing from the UK. In 1961, Crown Crystal Glass began manufacturing their own Pyrex, under the name Agee Pyrex (until 1963), Crown Agee Pyrex (late 1960s), Crown Pyrex (1970s), Crown Ovenware (1970s) and Pyrex Ovenware (late 1970s until early 1980s). Source: That Retro Piece, 'PYREX | Australian', https://thatretropiece.com/collections/pyrex-australian "The use of pyrex bottles became more prevalent in Australia in the second half of the 20th century and baby’s bottles made of pyrex were popular as they were easily sterilised in the home environment." Source: Warrnambool and District Historical Society Inc., 'Bottle, The Perfect Agee Feeding Bottle, Mid 20th century', https://victoriancollections.net.au/items/592fe71ad0cdd520341b3954Octagonal glass bottle tapering to a narrow neck. Calibrations for ounces and mls imprinted on the sides of the bottle. Text inscribed on bottle reads " THE IDEAL AGEE/PYREX/FEEDER"."THE IDEAL AGEE/PYREX/FEEDER"infant feeding, infant care

Crown Crystal Glass were an Australian glass manufacturer, who were the Australian vendors for Pyrex from 1926, importing from the UK. In 1961, Crown Crystal Glass began manufacturing their own Pyrex, under the name Agee Pyrex (until 1963), Crown Agee Pyrex (late 1960s), Crown Pyrex (1970s), Crown Ovenware (1970s) and Pyrex Ovenware (late 1970s until early 1980s). Source: That Retro Piece, 'PYREX | Australian', https://thatretropiece.com/collections/pyrex-australian "The use of pyrex bottles became more prevalent in Australia in the second half of the 20th century and baby’s bottles made of pyrex were popular as they were easily sterilised in the home environment." Source: Warrnambool and District Historical Society Inc., 'Bottle, The Perfect Agee Feeding Bottle, Mid 20th century', https://victoriancollections.net.au/items/592fe71ad0cdd520341b3954 Clear glass bottle tapering to a short narrow neck. Calibrations embossed on the glass in ounces (0-8) and mls (0-240). Embossed on the side: "Agee/PYREX/Feeder"."Agee/PYREX/Feeder"infant feeding, infant care

The Department of Crown Lands and Survey (1857-1983) was responsible for the administration of survey and mapping and the sale, occupation and management of crown land throughout its existence. This aerial photograph shows parts of Brighton, Brighton East and Bentleigh and was taken circa 1965-71.brighton, department of crown lands and survey, aerial photograph, bayside, port phillip bay, map, cartographic material, bentleigh, brighton east, dendy park, dendy street, centre road, nepean highway, south road, football

Certificate of Title dated 5/11/1909 covering land in Shady Grove Nunawading purchased by Mary Higgins. Crown Land Allotment No. 116 Parish of Nunawading County of Bourke.land titles, higgins, mary, holmes, dave, shady grove nunawading no.76, helen

Small feeding bottles were used to feed milk to newborns or juice to older infants. Crown Crystal Glass were an Australian glass manufacturer, who were the Australian vendors for Pyrex from 1926, importing from the UK. In 1961, Crown Crystal Glass began manufacturing their own Pyrex, under the name Agee Pyrex (until 1963), Crown Agee Pyrex (late 1960s), Crown Pyrex (1970s), Crown Ovenware (1970s) and Pyrex Ovenware (late 1970s until early 1980s). Source: That Retro Piece, 'PYREX | Australian', https://thatretropiece.com/collections/pyrex-australian "The use of pyrex bottles became more prevalent in Australia in the second half of the 20th century and baby’s bottles made of pyrex were popular as they were easily sterilised in the home environment." Source: Warrnambool and District Historical Society Inc., 'Bottle, The Perfect Agee Feeding Bottle, Mid 20th century', https://victoriancollections.net.au/items/592fe71ad0cdd520341b3954Small clear glass bottle with a short narrow neck. Imprinted with calibrations for ounces (0-4) and millilitres (0-120). Embossed on side of bottle: "Agee/ PYREX/ Feeder".infant feeding, infant care

Certificate of Title dated 4/9/1885 covering land in Shady Grove Nunawading purchased by The Freehold Investment and Banking Company. Crown Allotment No. 116 Parish of Nunawading County of Bourkeland titles, shady grove nunawading no. 76, crown land allotment no. 116, the freehold investment and banking company of australia ltd., higgins, mary, holmes, dave, wilson, david duncan butchart, helen

Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and coloured pencil landscape drawing on paper.Obverse: Opposite Crown Hotel / Tanswell Hotel / BEECHWORTH / (on tape) Reverse: BEECHWORTH NOSTALGIA / BW – 05 (on masking tape) 004 (pencil) ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program

Certificate of Title dated 12/4/1904 covering land in Shady Grove, Nunawading purchased by David Duncan Butchart Wilson. Crown Land Allotment No. 116 Parish of Nunawading County of Bourkeland titles, wilson, david duncan butchart, shady grove nunawading no. 76, higgins, mary, alcock, horace, holmes, dave, thumberstone, henry, helen

Souvenir Queen Elizabeth 2 plate. Transfer printed head of monarch in centre of plate (sepia tone). Royal blue border with gold floral design on top. Some scratch marks - evidence of use.Back: Made Specially / By / Crown Ducal / Made in / England / to / Commemorate / Royal Tour Australia 1954 / Made in / England / A.G.R.queen elizabeth 2, royal tour australia 1954, crown ducal

Commercial Bank of Australia record of Crown Grants of land to Nelson Polak and Louis Laurence Smith in 1858. The land is between Canterbury Road, Heatherdale Road, 'Scoresby Road' (now Boronia Road) and the Dandenong Creek.Commercial Bank of Australia record of Crown Grants of land to Nelson Polak and Louis Laurence Smith in 1858. polak, nelson, smith, l l dr, canterbury road, vermont, boronia road, dandenong creek, heatherdale road, land sales

Historic building in 1980'sColour photo of Crown Hotel Buninyong from Learmonth St. in 1980's. Original polychrome brickwork painted dark blue in 1960, and then cream after alterations 1980. Chimneys unpainted, show original brickwork.buninyong, crown hotel

detail of historic buildingColour Photograph, Crown Hotel, rear view from DeSoza Park, Original 1885 slate roof surrounded by 1980's extensions, bottle shop on left, corner shop on other side of Warrenheip St. visible.buninyong, crown hotel, bottle shop

Original wooden hotel built 1852, burnt down 1884 and replaced by current brick building.Licensed premises since gold rushB/W photo of Crown Hotel, Buninyong, two-story, gabled hotel, brick painted white, viewed across intersection, large Chinese Elm tree to left, which was destroyed in truck accident 6 May 2022.buninyong, crown hotel, building, streetscape, chinese elm

Maori's Crown (The Contender Imp P 1.54.0 - Maori Mara Vic Tr 2.9.2 (Bravado Hanover)) Bay Mare. Foaled 1995 (9th Foal). Breeder/Owner: R McD Healy & Co Pty Ltd. Trainer: R McD Healy. Maori's Crown raced from 1998 (2yo) through to 2001 (5yo). Career: 8 wins 1 second 5 thirds 32 starts $57,060 2.06.2 Winning Drivers: BR Gath (4) BR Healy (3) MN Wishart (1). Won on 4 Tracks: Moonee Valley (5) Bendigo (1) Maryborough (1) Ballarat (1)Maori's Crown won the 1998 Vicbred Super Series Final 2yo Trotters at Moonee Valley over 1940m at a mile rate of 2.10.7. Driven by BR Gath. Defeating Claes 2nd and Mad Azz 3rd.Gold and Silver Trophy on a Wooden BaseVicbred / Super Series / Final / 2yo Trotters / Moonee Valley / Saturday 11 July 1998 / Won bytrotting, maoris crown, moonee valley, vicbred super series, 1998, ric healy, r healy, br healy, bryan healy, br gath, brian gath, b gath, b healy, r mcd healy

Maori's Crown (The Contender Imp P 1.54.0 - Maori Mara Vic Tr 2.9.2 (Bravado Hanover)) Bay Mare. Foaled 1995 (9th Foal). Breeder/Owner: R McD Healy & Co Pty Ltd. Trainer R McD Healy. Maori's Crown raced from 1998 (2yo) through to 2001 (5yo). Career: 8 wins 1 second 5 thirds 32 starts $57,060 2.06.2 Winning Drivers: BR Gath (4) BR Healy (3) MN Wishart (1). Won on 4 Tracks: Moonee Valley (5) Bendigo (1) Maryborough (1) Ballarat (1)Maori's Crown won the 1998 Edgar Tatlow Memorial 2yo Trotters at Moonee Valley over 1940m at a mile rate of 2.06.3. Driven by BR Gath. Defeating Heza Joule 2nd and Kellybrooke 3rd.Glass plaqueVicbred /Edgar Tatlow Memorial / 2yo Trotters / Moonee Valley 23 May 1998 / Won by / Harness Racing Victoria Designed and Handcrafted / in Australia by / Renown Silverwaretrotting, edgar tatlow, moonee valley, 1998, ric healy, r healy, br gath, brian gath, br healy, bryan healy, b gath, b healy, r mcd healy

gold rush era historic building, social historyB/W photo, Crown Hotel, Buninyong, from Learmonth St. around 1905, shows some adjoining buildings inc. Caffrey's Shoeing Forge. Clearly shows original polychrome brickwork, full width iron lace veranda and tall flagpole.buninyong, crown hotel, learmonth st., warrenheip st, caffrey's shoeing forge

In May 1884, George Smart of Bulleen Road Kew, brickmaker, bought the 23 acres one rood and twenty nine and three tenths perches, or 9.4834 hctares from Arthur Bailey Clements of Ringwood for the sum of 600 pound sterling. (Extract from The Story of the Crown Jewel Estate in Ringwood East pdf)Double sided folded page with black and red print on both sides advertising auction sale of residential and business sites and highlighting local facilities, services and layout of the estate.Subdivision includes Mount Dandenong Road, Valda Avenue, Evon Avenue, Mirabel Avenue, and Velma Grove. (Agent) T. Burkitt, Box 12 Ringwood, Phone Ringwood 157. Vendor: A. Marshall Miller, McDonald Street, Mordialloc. Solicitors: Russell, Bona and Russell, 19 Queen Street Melbourne, and Ringwood - Phone Cent. 4308.

This painting shows a historic depiction of Australian whalers in action at sea, and shows the scale of man to whale. Whaling was one of the first industries in early Victoria. John Dollery was born in London in 1933. As a child he loved to draw and was a frequent visitor to the National and Tate Galleries. In 1957 Dollery came to Australia, settling in Queensland in 1965. After receiving a prize in a drawing exhibition, he began painting in oils, and is entirely self-taught. Whilst in Queensland he painted most of his canvases strictly from life and in 1977 he moved to Melbourne where he established himself as a full-time artist. John was very interested in Australia’s history, and most of his work represents this theme. Many of his pieces are in collections both in Australia and overseas. Dollery’s daughter is also an artist and has exhibited both her father's and her own works together in an exhibition 'Now and Then, Father and Daughter'.The painting is a significant work by artist John Dollery. Its subject of whaling shows an early Australian industry and shows the scale of man to whale. The decorative frame is appropriate for the era in which the scene would have taken place.Painting in oil on canvas, in gilt carved timber frame. Seascape, depicting a whale hunt. A spouting whale is behind a whale boat with six whalers aboard. A tall ship with seamen aboard is behind the whale. Two other tall ships and another whale boat are in background. An embossed plaque in bottom centre of lower frame has inscription.. Artist is J. Dollery. Stamped on the sticker “John Dollery / ARTIST / Crown Lot 16 The Esplanade Corinella, Victoria 3984 / Telephone: (056) 78 0644 “ Hand written on sticker “THE CHASE $xxx” Embossed in the wooden frame “30 / ART / Specturm” Signed “J DOLLERY”flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, whales, whaling, industry, whale oil, blubber, john dollery, the chase, corinella, historic art work, australian art work, australian historic artwork

Brown marbled hardcover book of a French translation of the New Testament, Le Nouveau Testament De Notre Seigneur Jesus - Christ. No title on front cover or spine.non-fictionAn antique copy of the New Testament in French.religion, new testament

This tie pin has as its centerpiece a souvenir medal from the Warrnambool Industrial and Art Exhibition of 1896-7. This exhibition was held in the Town Hall and Council Buildings and the Mechanics’ Institute and temporary buildings at the corner of Liebig and Timor Streets, Warrnambool. It was held over three months and attracted many visitors and featured concerts, sports events, industrial exhibits and a variety of competitions. This is an interesting and important item. It is one of the more unusual mementoes from the Warrnambool Industrial and Art Exhibition and shows the use made of souvenirs from exhibitions around the world. This tiepin was purchased in an antique shop in England in the 20th century. This is a metal tie pin with three circular coins, soldered together at the edges. In the middle is a souvenir medal of the Warrnambool Industrial and Art Exhibition of 1896-7 showing an image of the Exhibition buildings at the corner of Timor and Liebig Streets on one side and a Coat of Arms on the other side. The two smaller coins on each side are imitation British half crowns. The clip at the back is soldered on to the two smaller coins Medal: Industrial Exhibition, Warrnambool 1896 Coins: 1889-90 warrnambool industrial and art exhibition 1896-7, warrnambool, tie pin

This map was produced for the State Regional Boundaries Committee Two colour map of Victoria showing the regions for planning and development. The regions are Central Highlands, Mallee, Wimmera, Glenelg, Corangamite, Barwon, Loddon, Goulburn, Upper Goulburn, Upper Murray, East Gippsland, West Gippsland, Port Phillip.central highlands, mallee, wimmera, glenelg, corangamite, barwon, loddon, goulburn, upper goulburn, upper murray, east gippsland, west gippsland, port phillip, victoria, m4486

Ferdinand Krause taught at the Ballarat School of MinesGeological Map of Haddon in the County of Grenville surveyed by Ferdinand Krause. haddon, grenville, krause, ferdinand krause, cgt, lake burrumbeet, windermere, chepstowe, bailies creek, snake valley lead, nentingbool preemptice right, cardigan state forest, haddon state forest

Drawing, coloured with water based drawing wash, titled "Plan of Survey of Part of Crown Allotments 15 and 16 at Hawthorn, Parish of Boroondara, County of Bourke". Shows the tram track, Wallen Road, changes around the intersection with Power St, buildings. A note at the bottom notes who owns what - MMTB and City of Hawthorn. Prepared by H. S. McComb, licensed Surveyor 6-9-1922. Stored folded.Stamped "Drawing Office" "Office Copy" and in red pencil "Hawthorn" in the bottom right hand corner, and on the rear "Drawing Office" "Office Copy" and "Hawthorn Depot" in pencil.trams, tramways, htt, mmtb, hawthorn depot, plans

ink and watercolor on watermarked laid paper dated 1928text and measurementsballaraat, ballarat, plan, plan of survey, armstrong street, skipton street

Crown Portion 3 of Eltham, Parish of Nillumbik, County of Evelyn, Lots 26, 26A and 26B were part of the Greensborough Railway Station Estate. The land detailed is bounded by present-day Rattray Road, Reichelt Avenue, Wooded Way and Ryrie Court, Montmorency. Originally purchased in September 1913 by George William Miller, signwriter of Greensborough and Harry Frederick Miller, the land was sold to Mrs Margaret Barr Honeyman, 24 June 1918 on mortgage for £400, deposit paid £150. In February 1920, Mr Honeyman called for the title and paid off the loan early, settlement occuring 11 October 1920. Contents: 1. Handwritten payment plan (Sep 1913 to Mar 1923) for Lots 26, 26A and 26B being parts of Crown Portion 3, Parish of Nillumbik, County of Evelyn on the plan of subdivision making up the Greensborough Railway Station Estate situated on Rattray Road; purchased for £179.2.0 with a deposit of £18.0.0. 2. Receipt: From Messrs G.W. and H.F. Miller for £11.15.8 being instalment and interest, 9 Sep 1913 3. Invoice: To Messrs G.W. and H.F. Miller for £11.12.0 being instalment and interest due 15 Sep 1914 4. Contract of Sale: George William Miller and Harry Frederick Miller to Mrs. Margaret Barr Honeyman, in respect of sale of Lots 26, 26A and 26B for £400.0.0, 24 June 1918. Deposit of £150.0.0 balance to be paid half yearly instalments of £15 with interest at 5% per annum added. 5. Letter: Percy J. Russell, Solicitor to G.W. Miller, 5 Feb 1920 advising Mr Honeyman has called for the title and wishes to pay off mortgage. 6. Letter: Percy J. Russell, Solicitor to G.W. Miller, 11 Oct 1920 advising settlement and payment of Miller to Honeyman.contract of sale, george william miller, greensborough railway station estate, harry frederick miller, land sale, margaret barr honeyman, montmorency, rattray road, reichelt avenue, ryrie court, wooded way