‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981This strikingly designed envelope, with white characters on a vivid red ground, is designed for congratulatory gifts of money. For example, by companies to employees when profits have been unusually good. The characters read o-iri, an expression originally used in theatres meaning 'full house'. The festive colour scheme and the boldness of the design strike a refreshing note in the hectic business world of today. - Professor Hideyuki Oka, curator.japanese art, japanese packaging, tsutsumi, gift giving

‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981This strikingly designed envelope, with white characters on a vivid red ground, is designed for congratulatory gifts of money. For example, by companies to employees when profits have been unusually good. The characters read o-iri, an expression originally used in theatres meaning 'full house'. The festive colour scheme and the boldness of the design strike a refreshing note in the hectic business world of today. - Professor Hideyuki Oka, curator.japanese art, japanese packaging, tsutsumi, gift giving

Amsterdam, with trade at its heart, is the oldest city in The Netherlands . Its multi-faceted and colourful history has engendered unique personality and behavioural traits in its people. The book attempts to record expressions of these along with the city's architectural attractions. The sub-title (translated) reads "A declaration of love by Amsterdam Boek". (The publishers)The book is a significant record of the Amsterdammers' pride in their city, its history, its present (in the seventies) and its people.A soft cover book of 160pp commemorating Amsterdam's 700 years existence. While the cover is in colour the countless illustrations are in black and white. Published in 1975 the book explores the strongly individual character of the city and its people.

Entered for, and winner of, 2012 Expression: The Wool Quilt Prize. Artists statement: "Out there" refers to the wide view of the undulating land extending from our home acreage towards the escarpment and the coast. There are also the millions of small organisms that live out there. As well, out there is the vast Australian landscape which I find thrilling"Wool quilt in landscape orientation with three distinct design patterns, primarily orange/brown/red in colour. Top panel is a light brown background with paler circles inset. Middle panel is an ochre colour with horizontal uneven lines. Bottom panel is an orange colour with pale bordered square shapes. Artists panel on back bottom right corner.

Document, Spying on the Goldfields by Ralph Birrell, Dissatisfaction over the licence issue that festered on the Victorian Goldfields during the early 1850s, might be said to have its genisis at Reid's Creek on the Ovens goldfield. Soon it spread to other fields and particularly to Bendigo Creek where in 1853 it found overt expression in protest meetings and in the formation of the Red Ribbon Movement. Published in the Victorian Historical Journal, Vol.66, No.1, June 1995.Ralph Birrelldocument, names of bendigo pioneers, bendigo

This is a manuscript associated with the Royal Australian Institute of Architects Convention, "Civic Architecture, the Architect and Society" which discusses city development. Boyd argues that an Australian architectural style is growing with the contemporary generation of architects departing from international modern architectural influences from which they studied. Boyd explains how a pattern of Australian architecture can be seen through materiality and the expression of structure.Typewritten (c copy), foolscap, 4 pages (two copies)Minor handwritten edit on both copiesroyal australian institute of architects, convention, technology, australian cities, urbanism, australian architecture, international modern architecture, walkabout, robin boyd, manuscript

Winner of 2015 Expressions: the Wool Quilt PRize. Created by Lisa Davis. Artist statement: "The Art of Record Keeping" pays homage to the work of Ernst Haeckel, German zoologist and evolutionist from the late 1800s. Raw edge machine applique and intricate quilting combine to create texture and detail reminiscent of Haeckel's illustrations. Including parallel lines in the quilting echoes the idea of documentation"Black wool quilt with white wool shapes

All the names in this book are familiar and most of them slip into general conservation without a thought being given to the fact that they belong to real people. The real McCoy who gave his name to this expression was Norman Selby, a boxer born in Rush County, Indiana, in the United States, who changed his name on boxing to Charles 'Kid' McCoy to have a 'better' Irish name.The real McCoy. People behind the names you thought were fiction. Eileen Hellicar. 1st ed. Reader's Digest Services Pty Limited; Surrey Hills (NSW); 1984. 52 p.; illus. Soft cover. ISBN 0 949819 55 7 mccoy; norman selby; eileen hellicar;

Ten letters mostly to the Secretary of the St. Paul's Red Cross. Some are apologies for non attendance at meetings, one is a list of members at a meeting. One refers to St Paul's Circle about to disband. One is an expression of sympathy from P R Smith. One mentions a meeting of St Paul's R C C held on 13/9/1939. One mentions inviting the members of the St Paul's Ladies Guild to the Annual Meeting of the Bendigo Branch.essential services, red cross, letter, john jones collection - letters to red cross, mrs jones, e m weeks, geetie wirth, r brooks, mrs chalmer, b marsh, i marsh, nellor, w malloy, c malloy, j malloy, e malloy, f henderson, t jones, w jones, j gall, cambridge, woolterton, a wallis, vains, willman, mrs pickford, anne harris, michell, g alexander, anthony, j rowe, muriel vains, s webster, gladys christie, edna pickford, vera c francis, p r smith, o williams, mrs secombe, e mallory, mrs maddern, mrs f jones

Photograph of male soldier in Tel-Aviv during 1942. WWII.Black and white photograph of male soldier holding a cigar and walking on a footpath in a city. He is in uniform and wearing a beret.Back: "Tel-Aviv, / December 1942 / I had a lot on my mind / at the .... and had just / taken a puff from a strong / cigar I'd purchased / against my better judgement, / hence the intense expression! / It's not my normal one, thank heaven - / But - phew! That cigar - / never again!"wwii, tel aviv, cigar, smoking, uniform, photograph

Local artist Graeme Drendel often depicts isolated individuals against stark Australian landscapes. Even when portrayed in group settings, Drendel’s figures exude solitude and introspection. Their expressions and attire hint at larger, obscured narratives, which the viewer is left to unravel or imagine. His paintings seamlessly blend the ordinary with the surreal, which creates a sense of uneasiness or forboding. Viewers grapple with the challenge of deciphering these compositions.

Orange 4 ring Binder presented to Mrs Vera Wigley, wife of builder Evan Wigley containing photographs of the previous Methodist Church, and of the construction, opening and completion of the replacement Methodist Church buildings in 1963. The photographs are separately catalogued under Registration Numbers 11002-01 to 11002-10Cover: Ringwood Methodist Church. E.A.Wigley Builder. Photographs Inside presentation sheet: Presented to Mrs Vera Wigley from the members of the Ringwood Methodist Property Board as an expression of their affection for Evan. and with appreciation for his devoted work as a member of the Board. its Secretary and Property Steward. The Church Buildings will be a constant memorial to him.

Wilfred Clarence Busse was born in Chiltern, Victoria in 1898. Busse attended secondary school at Wesley College before graduating and studying law at the University of Melbourne. After graduating from University, Busse went on to become a barrister, often in the chambers of Sir Leo Finn Bernard Cussen a judge of the Supreme Court of Victoria. Busse was also a fictional writer seen by his novels "The Blue Beyond; A Romance of the Early Days in South Eastern Australia" was written in 1928 and published in 1930 and "The Golden Plague: A Romance of the Early Fifties" written in 1930. "The Golden Plague: A Romance of the Early Fifties" won the T.E.Role gold medal for the best historical novel published that year and went on to become a best seller. Busse wrote a series of articles for "The Federal Standard" newspaper in Chiltern, about the history of Chiltern. Wilfred Clarence Busse was a member of the Chiltern Athenaeum upon his death in 1960. Clara Jane Busse was born in 1870 and was married to William Friedrich Busse. She was the mother of Wilfred Clarence Busse. She survived her son Wilfred by 8 years and died on the 15th of September 1968This memorial card is important to Chiltern Athenaeum as it is of a resident who spent many years in the region before being buried in a cemetery in Indigo Shire. It is also important as it is a familial extension of Wilfred Clarence Busse who was born and raised in Chiltern and drew inspiration for his novels from his life in Chiltern.Off white rectangular card with black cursive writing printed Obverse: Clara Jane Busse/ Passed away at Chiltern/ September, 23rd 1968/ Aged 98 years/ At rest/ Miss Claire Busse and/ Mrs Doreen Martin/ Wish to thank you sincerely for/ Your kind expressions of sympathy/ In their recent sad bereavement/ Reverse: With sincere thanks/ “Roseville”/ Main Street/ Chiltern wilfred clarence busse, chiltern, chiltern athenaeum, busse, "the golden plague: a romance of the early fifties., "the blue beyond, a romance of the early days in south eastern australia", clara jane busse, claire busse, doreen martin

Throughout its history, the YCW movement produced numerous publications for members and for the wider community. Some of these were regular papers or newsletters with high production values. Others were short lived efforts, produced 'in house' on low budgets. Reading across the collections, these public expressions of YCW communication provide insight into the movement's methods, the concerns of young women and men of the period, and how these shifted over time and across location.This four page document reveals the key concerns of the YCW movement in Melbourne in 1971; internal migration from regional Australia to the cities and road safety. It features photographs taken by chaplain Jim Nippard. Black and white printed newsletter with photos over four pages.

The Guirguis New Art Prize (GNAP) is a biennial national acquisitive $20,000 contemporary art prize. It is for Australia's contemporary artists with works that explore new ways of artistic expression, utilising existing mediums as well as new technologies. It was initiated and supported by local Ballarat surgeon Mr Mark Guirguis. The art prize is administered by the Federation University Australia (FedUni) and displayed at the Post Office Gallery in Ballarat. The prize was managed and curated by Shelley Hinton. .1) Large purple promotional banner made of maroon synthetic fabric printed with white lettering, hemmed on the long sides and 8 cm wide pockets on the ends. .2) Feather Flag in maroon shiny synthetic fabric printed with white lettering, hemmed and with a black 6.5 cm elastic pocket around the long side.Printed with GNAP, Guirguis New Art Prize and the date 11 April - 31 May 2015guirguis new art prize, mr mark guirguis, federation university australia, post office gallery exhibition, contemporary art, contemporary art prize, mark guirguis, shelley hinton, herbert werner frederick de nully

In 2006, the RAIA 25 Year Award was presented to Robin Boyd House II by Grounds Romberg and Boyd. The jury said: “This house, designed by the late Robin Boyd for his family, is an exemplary expression of modernity from an optimistic period of artistic endeavour.” “This award acknowledges the breathtaking skill and daring with which Boyd has exploited the opportunity to design his own home to reject domestic convention and contribute a house of programmatic and technical innovation and mastery.”Jury citation, section and plan drawings, two photographs in a black timber Ikea frame around two insets size, off white mount.

Cards were sent by John Coleman in response to letters of support received after he injured his knee in 1954. He never played again. Thank you card on cream cardboard with rounded corners and message in calligraphy script printed in blue ink; message reads: "Sincere thanks for your kind expressions of Sympathy and Good-will during my recent football injury. I can asssure you it is deeply appreciated. John Coleman." Handwritten message in blue ink on back of card reads: "Thanks, Ray, for your very nice letter. The "Dons" are going along well now, don't you think. (Should make the four). Kind regards, John Coleman. essendon football club, john coleman

BHS CollectionBritish flag signed by dignitaries and world leaders. The flag was manufactured in 1941/42 as part of the Red Cross drive to raise money. On the back a message to the Hon. Wiston Churchill sent by Australians as an expression of admiration, confidence and gratitude, inspired by the conduct of the citizens of Britain, whose patient endurance, high courage and will to win in the present crisis have proved their loyalty to the tradition of their country and their race and heartened their kinsmen in every corner of the British Empire. Following this message the back of the flag list the name and titles of the signatories and a brief history of the flag and the scroll of appreciation dedicated to the people of Britain. winston churchill, red cross, world war ii

Cutting from The Leader, March 29, 1941. Includes six photos of students working at Burnley. Captions are: (1) "Miss C. Allen working with a microscope in the classroom." (2)"A ride back to the college buildings in a dray is much more fun than walking." (3) "Miss Margaret Bowron with a pumpkin grown in the vegetable garden." (4) "The theoretical side of horticulture, is too, important - and interesting, to judge by the expression on the faces of these students." (5). "Miss Joan Hamborg disbudding begonias." (6)"Miss Joan Harrison is here seen among the rhubarb in the vegetable garden."the leader, c. allen, margaret bowron, microscope, cynthia allen, joan harrison, vegetables, rhubarb, orchard, students working outside, students in class, pumpkins, begonias

Chris Pittard is a painter who has been working with clay for over 15 years. Pittard studied Fine Arts at RMIT and VCA and has exhibited paintings for a number of years. Pittard divides his time between teaching, drawing and painting and working in the ceramics studio where he creates distinctive pieces. Chris Pittard's ceramic pieces translate the narrative to the vessel. His vessels speak to us about our place and even his personal stories become more universal expressions.In early 2005 there was a flood which raged through the creeks cutting through the Shire of Nillumbik (Eltham). Not usually affected by catastrophe, these surging waters destroyed bridges and threatened roads. When the water subsided along the banks of the creek, trees had fallen, flotsam and jetsam piled up and even weeks later the long grass flattened by the flood continued to map the raging waters flow. The combination of slightly threatening and destructive forces and eerie beauty interested me. This at a time when world events of a far more horrific and tragic nature where presented to us by strangely beautiful coloured photos in our daily papers. These connections may not be obvious but it was certainly something I was thinking about while making this ceramic piece.flood, chris pittard, eltham, nillumbik

Enba was a newsletter produced by the Melbourne Executive of the YCW (Girls) distributed to members in the Melbourne Diocese in 1963 - 1965.Throughout its history, the YCW movement produced numerous publications for members and for the wider community. Some of these were regular papers or newsletters with high production values. Others were short lived efforts, produced 'in house' on low budgets. Reading across the collections, these public expressions of YCW communication provide insight into the movement's methods, the concerns of young women and men of the period, and how these shifted over time and across location. Enba contains references to campaigns on work; reports from branches in the city of Melbourne including sport and social events; profiles of Diocesan Executive Members and Presidents; letters from Chaplains including a report from Fr Brian Burke; dates regarding Pre-Cana Seminars and Summer Schools. Five editions of newsletter

Bob (Herman) Hymans (a former member of the Royal Netherlands Navy) was born in Bloemendaal, Holland on 30th September 1922. During World War II he fought against the Japanese in the Dutch East Indies (now Indonesia) and was imprisoned in Changi and on the Burma Railway. After gaining qualifications as a Ski Instructor, Bob arrived in Falls Creek in July 1950. Working as an Instructor and Supervisor at Bogong Lodge, Bob decided his future was in accommodation. He was successful in negotiating an indenture for land from the State Electricity Commission (SEC). It took Bob two years to build his Grand Coeur Chalet but, tragically, it was burned down in August 1961. Bob also built the first Chairlift in Australia. This was a single chairlift and the structure was built from wooden electricity poles. He was constantly full of new ideas and proposals for the village. Bob Hymans died on 7th July 2007. This Collection of documents and letters tells the story of Bob's endeavours to develop Falls Creek into the ski village it is today.This item is significant because it documents actions taken by the Falls Creek Tourist Area Management Committee in their role overseeing the Tourist Area.The financial review conducted by a representative of the SEC has recommended the implementation of property rates for the coming year and information regarding this levy were included. Though several applicants were received there was no successful submission for the establishment of a hotel. An advisory committee has determined that any future development is dependant on augmentation of the sewerage and water systems. The Village T-Bar was very popular during the season but the need for improvement of the slopes was noted. Finally, an expression of thanks from the outgoing Committee to Mr. Jack Andrew for the excellent work he had done as Manager to maintain Falls Creek as the foremost ski resorts in the country.falls creek tourist area management committee, falls creek administration, bob hymans

Booklet of 30 pages. Table of Contents: Editorial, Theatre party, Economic Geology of Victoria, Obituary - Andrew Anderson Esq., J. P., Our President, Coal, History of roasting at Kalgoorlie, Melbourne electric supply co, Australian coinage, Pilbarite, Liquid air, What is the "Expression" for "Success in the electrical engineering professions?", Students' annual excursion to Melbourne, Melbourne city council's electric light station, Modern tunneling, Estimation of copper, Oxozone - a fume destroyer, News and notes, Sporting notes, Answers to correspondents, Past Students, Editorial notes. Images.Pink coloured booklet of 32 pages. Page 25 outline the whereabouts of past Ballarat School of Mines Students: A.R. Booth, W.T. Lakeland, Lewis Westcott, Leo M. Seward, Reginald Williamson, Stanley White, Clyde Allan, Charles Laird, W.E. Eyres, Virgil Tucker, H. Hawkesworth, H.J. Saw, H. Meadows, Fred G. Brinsden, C. Stevenson, Fred Treloar, J. Peart, E.M. Weston, Dick Galloway, Richard Galloway, G.R. Curry, H. Meadows, Will Watson, Don Cameron, Eric Bieske, Cliff Garrard ballarat school of mines, staff, obituary - andrew anderson, esq., j.p., l. w. g. buchner, a. r. booth, w. t. lakeland, lewis westcott, leo. m. seward, reginald williamson, stanley white, clyde allan, charles laird, w. e. eyres, virgil tucker, h. hawkesworth, h. j. saw, h. meadows, fred. g. brinsden, c. stevenson, fred treloar, j. peart, e. m. weston, dick galloway, h. b. bennetts, g. r. curry, will watson, don. cameron, eric bieske, cliff. garrard, lindsay d. cameron, phil brown, w. p. avery, j. foster, j. bickett, f. h. inglis, g. davenport, l. c. courbould, t. lennon, h. wilkins, g. h. reid, c. hesselmann, e. fraser, reginald callister, a.r. booth, w.t. lakeland, leo m. seward, w.e. eyres, h.j. saw, fred g. brinsden, e.m. weston, richard galloway, g.r. curry, don cameron, cliff garrard

Time heals all wounds. Federation is now a fact, and Sean O'Day, managing partner in Gooloora Station can look far across the rolling country in which his children will grow up as individual members of a single nation. There is still much to be done, and the miles, and the years, and the future are calling him to the task, while the Mona Lisa-like expression of his young bride seems to say, "Yes, you have your dreams of a world to run, but I can find all my happiness in running a home for you!" FINIS.The album and images are significant because they document literature written by a prominent member of the Wodonga community. The presentation of this precis was supported by several significant district families and individuals.Ringer's River Album Coloured photo - Final Scene.des martin, many a mile, ringer's river, northeast victoria stories

Neville FRENCH (1955- ) Born Maryborough, Victoria In 1977 Neville French graduated from Ballarat College of Advanced Education after studying a Diploma in Fine Art (Ceramics) between 1974 and 1976, and was a tutor there for six months in 1978. He holds a Master of Arts, Research (Ceramics) from RMIT Universiy, and was awarded the Vitrify Alcorso National Ceramics Award in 2012. Neville has an international reputation as a ceramics artists and educator. From 1982 to 2012 Neville French was teach and coordinator of the Ceramics department at the Ballarat School of Mines and University of Ballarat (now Federation University). From 1982 to 2012 Neville French taught Ceramics at the Ballarat School of Mines TAFE, which later merged with the University of Ballarat (now Federation University Australia). He completed a Graduate Diploma of Education at Hawthorn State College in 1980, a Certificate of Stoneware Glazes from Brisbane College of Advanced Education in 1983 and a Master of Arts Fine Art (Ceramics) at RMIT University in 2000. Between 2010 and 2012 Neville French taught post graduate honours and masters Ceramics students. During his time as a student at Ballarat Neville Bunning would collect clay from the Enfield clay pit. He described following white tyre tracks to find the location. He described the clay as silky smooth and and fired to a beautiful grey colour at stoneware tempreture. When blended with terracotta clay from Nerrina or fireclay from Bacchus Marsh a wide range of different bodies could be created. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Two vessels made as a sculptural pair. Statement: "My work involves an exploration of elemental vessels - extending porcelain to develop taut contours and spatial dynamics. I seek to distill an essence of purity to evoke notions of quietude and transendence through the expressive use of glaze and its relationship to form, tactility, weight and light. Forms are wheel-thrown, altered and slowly scraped to develip a soft line and solidity. Coloured matt glazes are layered and fused to the porcelain body through multiple firings to give expression and luminosity to the surface,. The iodosyncratice nature of glaze stimulates the imagination. It evokes associations with the natural environement and alludes to a meditative infinity."Signed on base 'f.'art, artwork, neville french, french, ceramics, porcelain, wheelthrown, thrown and altered, alumni

A proposal letter written by Mark Strizic for a grant from the Commonwealth Art Advisory Board to fund a series of art books. Strizic proposes a series of books illustrated by Strizic's own photography, under the series title Expressions. Strizic seeks a grant of $4900 from the board for the publication of two books, one of furniture maker Schulim Krimper, another on John Perceval's Cherubs. Budgets for these books are included, proposing to use the profit from sales to fund subsequent books, including one on the Centre 5 group of sculptors and one with Australian poets with graphics by artist Stan Ostoja-Kotkowski.Typewritten, carbon copy, foolscap, 4 pagesRobin Boyd pencil noterobin boyd, meriel wilmot-wright, myer foundation, mark strizic, schulim krimper, brian lewis, margaret garlick, inge king, clifford last, lenton parr, teisutis zikaras, julius kane, centre 5, time riders, john perceval, vincas jomantas, stan ostoja kotkowski, judith wright, roland robinson, kenneth slessor, max harris, claude wischik, commonwealth art advisory board, andrew grimwade, national gallery of victoria, joseph brown, brian stonier

'Interweave One' is a quilt made by Judy Turner in 2000. It consists of a woollen background and coloured woollen yarn which have been machine couched to the background. The techniques used to make it include quilting and machine couching. This quilt was an entrant in "Expressions 2000: the wool quilt prize"; an acquisitive exhibition held by the National Wool Museum from 16 Sept. 2000 to 3 Dec. 2000 (extended until 2 Feb. 2001) for contemporary art quilts, with the first prize winning $2000. 'Interweave 1' was selected as a highly commended entrant of this exhibition. It was catalogue entry no. 21.Quilt, black woollen background with coloured woollen yarn couched to the surface in a cross pattern.INTERWEAVE ONE / 76 X 126 CM / 2000 / JUDY TURNER / 31 BERTEL CRES / CHAPMAN / ACT 2611 / AUSTRALIA / PH 02 62886465quilting handicrafts, quilting, handicrafts, judy turner, expressions, wool quilt prize, national wool museum, quilt

'Earth Blanket' is a quilt made by Pamela Farmer of Shoreham, Victoria in 2000. It is made from a wool blanket with merino and alpaca felt. The techniques used to make it include: felting, applique, quilting, machine and hand embroidery and it has been dyed with eucalyptus leaves. This quilt was an entrant in "Expressions 2000: the wool quilt prize"; an acquisitive exhibition held by the National Wool Museum from 16 Sept. 2000 to 3 Dec. 2000 (extended until 2 Feb. 2001) for contemporary art quilts, with the first prize winning $2000. 'Earth Blanket' was selected as the winner of this exhibition and was purchased for $2000. It was catalogue entry no. 5.Quilt, woollen felt with appliqued, quilted, dyed and embroidered surface. This quilt is mostly in brown and brown tones.P.F.quilting handicrafts, masters of technique: creators on cloth - exhibition (15/06/2001 - 22/07/2001) expressions 2000: the wool quilt prize - exhibition (16/09/2000 - 04/02/2001) highlights of the national wool museum: from waggas to the wool quilt prize - exhibition (22/09/2001 - 02/12/2001), farmer, ms pamela, quilting, handicrafts

Photocopy of an A4 document - 24 pages, stapled in the top left hand corner - titled "Expressions of Interest for Design of Tramway Museum At Hawthorn Depot" dated 28 Jan 1993. Issued by the Public Transport Corporation, providing an information brochure, description of work, general information, selection criteria, mandatory information, conditions of registration and decisions. Had a number of response forms at rear. Technical Queries were to Bob Roberts. .2 - newspaper advertisement - same title - advertising for EOI for design services. Advert not dated, gives closing date of 19/2/1993. Also has a an advert for a EOI for Provision of Design Maintenance and construction services for the PTC.trams, tramways, hawthorn, ptc, museum, construction, tenders, eoi