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The Foundling Archive
Photographs - R. Owen (Jack)
... Photographs - R. Owen (Jack).... Owen; Jack... melbourne Photographs - R. Owen (Jack) This item is part ...This item is part of the ‘Jack’ collection. Photographs, negatives, slides, glass plates, stereographs, postcards, letters and other ephemera obtained from Tyaab Packing House Antique Centre in December 2013. All items collected by long-time collector and camera enthusiast Jack Russo. This item is part of the ‘Jack’ collection. Photographs, negatives, slides, glass plates, stereographs, postcards, letters and other ephemera obtained from Tyaab Packing House Antique Centre in December 2013. All items collected by long-time collector and camera enthusiast Jack Russo. suburbia; house; 1970's; wedding; pregnant; australia; r. owen; jack -
Tramways/East Melbourne RSL Sub Branch - RSL Victoria Listing id: 27511
Print, Stretcher Bearers in the Owen Stanleys
... Stretcher Bearers in the Owen Stanleys...owen stanley... Stretcher Bearers in the Owen Stanleys Framed reproduction ...Framed reproduction of the print held at the Australian War Memorial of the same name. stretcher bearers, owen stanley, papua new guinea -
Heidelberg Theatre Company Inc..
Memorabilia - Program Photos Review Newsletter Poster Articles, Lost in yonkers by Neil Simon directed by Gayle Poor
... set design gayle poor & owen evans... poor & owen evans costumes wendy drowley costumes assistant ...2019, heidelberg theatre company inc, directed by gayle poor, 429, artspace artist - anne lucas, artspace curator - teresa schipano, arty played by henry smith, jay played by robbie nicholson, bella played by aimee sanderson, gert played by cat jardine, louis played by liam gillespie, eddie played by seth kannof, grandma played by lindy yeates, ass director catherine christensen, production coordinator maureen mcinerney, stage manager melanie belcher, ass. stage manager and rehearsal prompt bobby parish, stage assistant janine kerwood, lighting design emma fox, sound design rob wanless, set design gayle poor & owen evans, costumes wendy drowley, costumes assistant catherine christensen, props melanie belcher & maureen mcinerney, set decor mal cother, lighting operator jarrod catt, sound operators rob wanless & harry gravell, set construction: owen evans & dough mcnaughton & brett hunt & des harris & norm munks & paddy moriarty & tim scott & bib dyers & nicholas gugel & ben chapman and htc members, photographer david belton, program/poster design chris mclean, publicity jim thomson & toni tyers, box office toni tyers & june cherrey & jenni purdey & carol farr & brett hunt, front of house jenny gilbert and htc members, production review cheryl threadgold, htc 2018 awards: best performances in a main role claire benne (private lives) & claire abagia (blue stockings): best performances in a supporting role libby kaye (private lives) & juliet hayday (blue stockings), vdl awards: gold award for an actress in a minor role – venetia macken (angustias in the house of bermuda alba), 2018 bill cherrey award bob tyres -
Heidelberg Theatre Company Inc..
Memorabilia - Program Photos Review Newsletter Poster Articles articles special events, Tartuffe by Moliere directed by Joan Moriarty adapted by Christopher Hampton by arrangement with Origin Theatrical on behalf of Samuel French Limited
... Set Designers Marie Mackerell & Owen Evans... Marie Mackerell & Owen Evans Sound design Rob Wanless costumes ...433, artspace exhibitors downstairs eddie dix & sharon chang & jan bottcher & ann martin & sue norris & jaclyn wong, artspace exhibitor upstairs susan garrett, artspace curator - teresa schipano, madame pernelle played by catherine christensen, monsieur orgon played by jim thomson, elmire played by veneita macken, damis played by broderisck mcdonald, mariane played by emma warner collins, valere plated by alexander dimitrovski, cleante played by sam howard, tartuffe played by chris mclean, dorine played by maree barnett, officer played by david ruunnalls, monsieur loyal/laurent played by laurie jezard, flipote played by rebecca bassett, ass director liam gillespie, production coordinator tim scott, stage manager rebecca bassett, ass stage manager tamsin mackie, lightning designer craig pearcey, set designers marie mackerell & owen evans, sound design rob wanless, costumes wendy drowley, costumes assistant catherine christensen, props karen wakeham & melanie belcher, set construction: owen evans & dough mcnaughton & brett hunt & des harris & norm munks & paddy moriarty & tim scott & bib dyers & nicholas gugel & ben chapman and htc members, set painters marie mackrell & gaye billing & mal cother, sound/lighting operators john rowe & margaret hassall, technical assistant tom agar, rehearsal prompt bobby parish, photographer david belton, program/poster design chris mclean, publicity jim thomson & toni tyers, box office toni tyers & june cherrey & jenni purdey & carol farr & brett hunt, front of house jenny gilbert and htc members, production review by ken barnes -
Heidelberg Theatre Company Inc..
Memorabilia - Program Photos Review Newsletter Poster Articles, Gaslight by Patrick Hamilton adapted by David Jacklin directed by Catherine Christensen
... Set construction owen evens & doug mcnaughton & paddy... gilbert and HTC members Set construction owen evens & doug ...2020, heidelberg theatre company inc, directed by catherine christensen, 435, art space exhibitor david belton, arts space coordinator teresa schipano, mrs bella manningham played by claire benne, mr jack manningam played by liam gillespie, elizabeth the housekeeper played by patricia alcock, nancy the maid played by elysia janssen, rough played by chris mclean, officers played by robert peel and charles field, production coordinator joan moriarty, stage manager melanie belcher, lighting design emma fox, sound design rob wanless, set design/decor costume design props wendy drowley, special props warren lane, scenic artists gaye billing and mal cother, ass. stage manager and rehearsal prompt bobby parish, sound/light operator tasmin mackie, photographer david belton, program/poster design chris mclean, publicity jim thomson & toni tyers, box office toni tyers & june cherrey & jenni purdey & carol farr & brett hunt, front of house jenny gilbert and htc members, set construction owen evens & doug mcnaughton & paddy moriarty & brett hunt &, des harris & norm munks & tim scott & bob tyres & david belton & noel purdey & dean christenssen & htc members, production review cheryl threadgold, foh helpers alicia curry & owen evans & diane dawson, 2019 agm christmas party and awards president john gilbert treasurer bruce akers represented by jim thomson awards adjudicators jill scott & leslie hardcastle & rodney charles, 2019 best male lead actor mark yeates as jake laurents in it's a wonderful life, 2019 best female lean actor catherine christensen as beatrice in a view from the bridge', 2019 best supporting male actor jack kenny as rodolpho in a view from the bridge, 2019 best supporting female actor aimee sanderson as bella in lost in yonkers, 2019 special award for body of work liam gillespie for louis in lost in yonkers & freddie filmore and others in it's a wonderful life, 2019 victorian drama league awards htc's nominated entry lost in yonkers: nominations: best actress in a minor role cat jardine as gert, best properties melanie belcher & maureen mcinerney: best costume design wendy drowley, best production: drama, best supporting actor in a drama liam gillespie as louis & best supporting actress in a drama lindy yeates as grandma, 2019 bill cherrey award john rowe, election of committee: returning committee all elected unopposed joan moriarty & jim tomson & ryan purdey & morgan thomas-connor & melanie belcher -
8th/13th Victorian Mounted Rifles Regimental Collection
Booklet - Owen, Owen Gun Instruction Book
... Owen...Owen Gun Instruction Book...owen...The Owen Machine Carbine was designed and manufactured...Natural covered booklet " Owen gun Instruction Book... melbourne Owen Booklet Owen Gun Instruction Book Natural covered ...The Owen Machine Carbine was designed and manufactured in Australia in 1942 when Australia was in desperate need of weapons.The OMC proved highly effective and remained in service till 1960s.Rare publication to accompanyweapon designed and manufactured in Australia during WW11Natural covered booklet " Owen gun Instruction Book " published by Lysaght's Port Kembla July 1942 to accompany weapons manufactured at te Company's plant. 42 pages and fold out sheet, stapled.military, owen, machine carbine, wwii, world war two, lithgow -
Kew Historical Society Inc
Plan - Subdivision Plan, Harvest Home Estate, 1919
... a subdivision in East Kew. Now, Campbell and Owen Streets on which...’ was advertised as being a subdivision in East Kew. Now, Campbell and Owen ...Pru Sanderson, in her groundbreaking ‘City of Kew Urban Conservation Study : Volume 2 - Development History’ (1988), summarised the periods of urban development and subdivisions of land in Kew. The periods that she identified included 1845-1880, 1880-1893, 1893-1921, 1921-1933, 1933-1943, and Post-War Development. These periods were selected as they represented periods of rapid growth or decline in urban development. An obvious starting point for Sanderson’s groupings involved population growth and the associated economic cycles. These cycles also highlighted urban expansion onto land that was predominantly rural, although in other cases it represented the decline and breakup of large estates. A number of the plans in the Kew Historical Society’s collection can also be found in other collections, such as those of the State Library of Victoria and the Boroondara Library Service. A number are however unique to the collection.The Kew Historical Society collection includes almost 100 subdivision plans pertaining to suburbs of the City of Melbourne. Most of these are of Kew, Kew East or Studley Park, although a smaller number are plans of Camberwell, Deepdene, Balwyn and Hawthorn. It is believed that the majority of the plans were gifted to the Society by persons connected with the real estate firm - J. R. Mathers and McMillan, 136 Cotham Road, Kew. The Plans in the collection are rarely in pristine form, being working plans on which the agent would write notes and record lots sold and the prices of these. The subdivision plans are historically significant examples of the growth of urban Melbourne from the beginning of the 20th Century up until the 1980s. A number of the plans are double-sided and often include a photograph on the reverse. A number of the latter are by noted photographers such as J.E. Barnes.The ‘Harvest Home Estate’ was advertised as being a subdivision in East Kew. Now, Campbell and Owen Streets on which the allotments were located are classed as being in Kew. The Estate included 11 residential allotments abutting the Outer Circle Railway line [at the end of Owen Street]. Understandably, the vendors focused on the availability of transport by tram, noting that the Estate was near the High Street tram terminus at the Harp of Erin. A small note on the subdivision advises that the Cotham Road tram was only 3 minutes away. The location – ‘The most elevated position in lovely Kew’ – was also promoted as an advantage.subdivision plans - east kew, harvest home estate -
Whitehorse Historical Society Inc.
Article, Honour for the fallen, 2001
... Owen Spencer... Mosely Cox Fred Brian Loftus Owen Spencer Ross Street Mitcham ...Article on installation of plaques in five Mitcham streets commemorating Mitcham servicemen who died in World War 2.Article on installation of plaques in five Mitcham streets commemorating Mitcham servicemen who died in World War 2.Article on installation of plaques in five Mitcham streets commemorating Mitcham servicemen who died in World War 2.world war 1939-1945, till, alwyn, alwyn street mitcham, venton, william ross bremner, peake, ronald mosely, cox, fred brian, loftus, owen spencer, ross street mitcham, ronald street mitcham, brian street mitcham, owen street mitcham -
Orbost & District Historical Society
photograph, H.M.S. Rattlesnake, leaving Port Essington 1846-1849 BY STANLEY, OWEN
... STANLEY, OWEN ...h.m.s.-rattlesnake brierly-oswald stanley-owen... captain was a keen amateur artist and whose name, Owen Stanley...-1849 BY STANLEY, OWEN This is a copy of a picture of the H.M.S ..."The marine Hydrographers of the British Admiralty wanted desperately to chart a safe passage through the Great Barrier Reef and the gap between the northern tip of Australia and Papua New Guinea, which would open up the new colony to the East Indies trade. They commissioned the Rattlesnake, a 28 gun frigate of the Royal Navy, whose captain was a keen amateur artist and whose name, Owen Stanley, was given to the mountain ranges of PNG. After the passage out, Stanley brought aboard Oswald Brierly, later to be the marine painter to Queen Victoria, and together these men made two voyages through the Great Barrier Reef, painting and sketching all the while. They produced a visual record of 19th century contact between Europeans and the indigenous people of Northern Australia and New Guinea in an album which contains the original of this copy. It is held in the Mitchell Library in Sydney." (ref. State Library New South Wales) Sir Oswald Brierly, a young marine artist, arrived in Sydney in 1842 on the yacht Wanderer. Settling at the whaling station of Boyd Town in Twofold Bay, he painted extensively and left a vivid account of the whaling life during the five years he spent there. However it was the open sea and adventure that lead Brierly to accept a position on the HMS Rattlesnake as shipboard artist. This item is associated with the anchor of the The Rattlesnake. This anchor is in the main street of Orbost in front of what was once the museum.This is a copy of a picture of the H.M.S. Rattlesnake at sea with a canoe of Aborigines rowing towards it.h.m.s.-rattlesnake brierly-oswald stanley-owen -
Orbost & District Historical Society
ticket, 1975
... Aintree-Boy dressage equestrian Matthews-Owen... Owen 'Doc' Matthews is remembered for his spectacular... Wonder Horse "Aintree Boy". Monday, March 10th 1975 Owen 'Doc ...Owen 'Doc' Matthews is remembered for his spectacular Grand Prix dressage exhibitions with his horse Aintree Boy, performed to music under spotlights at Melbourne Royal Show from 1965-1975. He also performed at smaller country shows. Doc Matthews was born in the Melbourne suburb of Fitzroy in 1923, during the Great Depression. He and his brother Paddy were placed in a foster home and then in a Geelong orphanage before being put to work at a dairy farm. Doc was given an elderly piebald mare to ride, which ignited his passion for horses. When he was 16, he enlisted in World War 2 but captured by the Japanese and ended up working on the Burma Railway, spending years as a prisoner of war in the notorious Changi Prison. Doc joined Victoria Police in 1952 and by 1962 was chief horse master and riding instructor in the mounted branch. He drilled teams to perform musical rides and horses and riders were always turned out to perfection. Doc and Aintree Boy became a partnership after the horse had been used in the mounted branch for four years. Doc decided to try his hand at dressage and as there were few instructors, trained Aintree Boy with nothing to go by but a couple of books and film of a single dressage competition. Owen 'Doc' Matthews was truly a pioneer of Grand Prix dressage in Australia. ( ref. TOPHORSE )Agricultural shows are an important part of cultural life in small country towns and the Orbost Show is an integral part of Orbost 's agricultural history.A square shaped ticket for Orbost Show - Monday, March 10th 1975. It is on white card with blue print.Orbost Wonder Horse "Aintree Boy". Monday, March 10th 1975aintree-boy dressage equestrian matthews-owen -
Otway Districts Historical Society
Family History, James and Martha Robbins, c.1990
... james robbins; martha owen; beech forest; tatura; colac... Martha Owen (nee Burch) on 9 October, 1889, in Adelaide, South..., 1869. He married Martha Owen (nee Burch) on 9 October, 1889 ...James Robbins was born on 9 February, 1869. He married Martha Owen (nee Burch) on 9 October, 1889, in Adelaide, South Australia. After having two children by her first marriage James and Martha went on to have seven children of their own, all except one surviving. James settled in Beech Forest in 1887, travelling to and from Tatura for two years before finally settling in Beech Forest. He had a number of jobs including Director of the Beech Forest Butter Factory, farmer, bullock wagon driver, and butcher. He died in Colac. James' predecessors and his successors are spelt out.Ancestors and descendants of the family of James and Martha Robbins, 1760-1990. Doris Robbins. Self published; Colac (Vic); 1990. 67 p.; illus. Soft cover.james robbins; martha owen; beech forest; tatura; colac; rushworth; -
Eltham District Historical Society Inc
Photograph, Anthony Owen, Arson fire in early hours of the morning destroys the Adventure Playground at Eltham North, 16 December 2017, 16/12/2017
... by 2nd Lieutenant Anthony Owen of Eltham Fire Station...Anthony Owen... 2017 by 2nd Lieutenant Anthony Owen of Eltham Fire Station ...Taken at approx. 2am on the morning of 16 December 2017 by 2nd Lieutenant Anthony Owen of Eltham Fire StationDigital fileeltham north, north eltham adventure playground, arson -
Eltham District Historical Society Inc
Document, Mary Owen, Mary Owen's speech at the unveiling of the Memorial Plaque to her grandfather, Walter Withers, at Walter Withers Reserve, cnr Arthur and Bible Streets, Eltham, 13 October 1990, 1990
... Dedication, Mary Owen (Walter Withers granddaughter...Mary Owen was the granddaughter of Walter Withers...Mary Owen... melbourne Document Mary Owen's speech at the unveiling ...Mary Owen was the granddaughter of Walter WithersA4 cream copy paper, typed, 5 pagesdedication, mary owen (walter withers granddaughter), walter withers rock -
Eltham District Historical Society Inc
Photograph, Mary Owen, granddaughter of Walter Withers, unveiling the commemorative plaque on Walter Withers Rock at the corner of Bible and Arthur Streets, Eltham, 13 Oct 1990, 13/10/1990
... Mary Owen, granddaughter of Walter Withers, unveiling the...Mary Owen... was performed by Mary Owen, a grand-daughter of Walter Withers. Her... melbourne Photograph Mary Owen, granddaughter of Walter Withers ...[from EDHS Newsletter No. 75, November 1990:] WALTER WITHERS PLAQUE At long last we have unveiled our plaque in the Walter Withers Reserve. The function was attended by a number of members and friends of the Society and descendants of the Withers family. Following the unveiling, the group proceeded to the Eltham Shire Office for afternoon tea and a small exhibition of Withers' paintings arranged by Andrew Mackenzie. The unveiling was performed by Mary Owen, a grand-daughter of Walter Withers. Her speech provided an interesting personal perspective on Withers and is repeated in full here: I feel somewhat overwhelmed by the responsibility of paying tribute to the man you have all come to honour today. I have the feeling that most of you probably know more about him and his work than I do. Walter Withers died nearly seven years before I was born and so I never knew him. Sadly, although other members of his family inherited some of his talent, I was not among them and I know very little about art. This is doubly hard to bear because my husband had some ability to draw and my second daughter also has some talent in this direction. My children are all artistic - mostly in the field of music inherited partly from their father - a Welshman who sang like a Welshman - and partly from my grandmother, Fanny Withers who, I believe was no mean pianist. However all this talent gave me a miss and for many years I felt a complete ignoramus in the fields of the arts. It was not until I was nearly fifty years old that I walked into a gallery in Brisbane and, as I wandered around the room, suddenly one picture leapt at me and I knew instantly that it had been painted by my grandfather. I had never seen the picture before and it gave me quite a shock to find that I had recognized the style of painting. I realized then that I had absorbed more than I realized simply by living with pictures and with people who painted them and talked about their painting and the painting of others. When I was a child I sometimes spent school holidays with my Aunt Margery Withers and her husband, Richard McCann. Aunt Marge painted me several times but I'm afraid I was a restless subject and used to sit reading a book and look up grudgingly when she wanted to paint my eyes. During the September holidays my aunt and uncle were busy preparing paintings far the annual exhibition of the Melbourne Twenty Painters, to which they both belonged. I remember how important I used to feel when they took me along to the Athenaeum Gallery on the Friday night before the opening to help hang their pictures. There were many artists there but the two I remember are perhaps surprisingly both women: Miss Bale and Miss Tweddle. I remember how cold it used to be up in that gallery at night. They used to heat water on a gas ring to make tea and Aunt Marge used to bring sandwiches and fruit for our evening meal. Everyone seemed to be poor in those days and no-one dreamed of going out for a meal. It was a case of make-do - even to cutting down frames to fit pictures or cutting pictures to fit the frames. They had to use the same frames from year to year if the pictures didn't sell. The opening was an exciting event for me. I felt I was privileged to meet important people - people who knew a lot more than I - and Uncle Dick would get quite merry after a couple of the tiny sweet sherries which were always distributed. I realise now that quite a lot of "art talk" rubbed off on me during my visits to the Athenaeum and during my stays with my aunt and uncle. I suspect that much of our most useful learning comes this way and those of us who have had the privilege of associating with artists, writers, philosophers and other thinkers have a richness in our lives of which we may be unaware. Walter Withers was a prolific painter and, although he painted for love of it, I suspect that the need to provide for his family drove him, like Mozart, to greater efforts than he might otherwise have achieved. Reading old letters and articles about the Heidelberg artists, I have come to realize something of the constant strain placed on many of them - particularly Withers and McCubbin - by poverty and the need to make ends meet. Withers was ever conscious of the need to provide for his wife and his five children and there are touching letters to his wife, regretting that he was not able to earn more for them. In addition to his painting, he worked hard at teaching and illustrating and, as he grew older, the strain began to tell and his health deteriorated. He seems never to have had a very strong constitution and suffered from rheumatism, which must have made painting quite painful at times. His eldest daughter, Gladys, was eventually confined to a wheelchair with rheumatoid arthritis and I have a tendency to arthritis myself, so I am particularly aware of what this could have meant to him. Recently I found a short letter written by my mother to her mother, Fanny Withers on the anniversary of her father's birthday in 1919, in which she said: "Poor old Dad, I often think now what a lot he must have suffered. His life was too hard and too strenuous for him. He had too many chick-a-biddies, I think. He wasn't equal to so much town life and train journeys with so many delicacies as he had. Since I have been ill, I have realised what he must have felt like.” He certainly drove himself to produce. He travelled all over Victoria by train, buggy, bicycle and on foot and for a time he travelled from Eltham to Melbourne every day by train, although later he lived in Melbourne during the week and only returned to Eltham for the weekends. My mother died seven years after her father's death, when my twin sisters were 10 days old and I was 16 months. So I never knew my mother or my grandfather. But my two aunts, Gladys and Margery, sometimes took me to stay with Gan Withers at Southernwood in Bolton Street . No cars in those days and it seemed a very long hot and dusty walk from the Station. Three memories remain with me of Southernwood. One is the well at the back which I found quite terrifying; the second is Gan killing a snake - even more terrifying. She was a formidable woman, my grandmother and a great ally and support to her husband. I think she was the business end of the partnership. The third memory of Southernwood is my grandfather's studio – down what seemed like a toy staircase inside the room. This and the big walk-in fireplace stayed in my mind from the age of about six until I saw them again about forty years later when the house was being used as a Sunday School. I just wish that money could be found to purchase this old house for the City of Eltham so that a permanent museum could be established in memory of a man who did so much to put Eltham on the map of art history. Recently I have become interested in family history and spent some time in England, Ireland and Wales looking for traces of my ancestors. I realized then how important it is to have records of people who have contributed to our society. We forget so soon and it is amazing how often, within two generations, names, dates and many details are forgotten. We are fortunate that so many of Walter Withers' works have been bought by galleries and that people like Andrew Mackenzie have taken the trouble to search out people who knew him and to write about him and his work. And I am very grateful to the Historical Society of Eltham for recognizing the importance of having a permanent tribute in Eltham to the contribution made by Walter Withers, who loved Eltham so much and who has assured this lovely district a place in the annals of history. I am indebted to Kathleen Mangan; the daughter of another famous Australian painter , Fred McCubbin, - featured in The Age this morning (thanks again to Andrew Mackenzie) for the most apt tribute to Walter Withers. Kathleen is not well and she rang me a couple of days ago, regretting that she could not be present today “to pay tribute” as she said, “to Walter Withers for I always think Walter Withers is the spirit of Eltham.” Thank you, Kathleen. And now I have much pleasure in unveiling the plaque commissioned by the Eltham Historical Society from Bob McLellan of Charmac Industries to commemorate the life and work of Walter Withers, the spirit of Eltham. Mary Owen, 13 October 1990.Three colour photographswalter withers rock, walter withers reserve, mary owen -
Eltham District Historical Society Inc
Photograph, Mary Owen, granddaughter of Walter Withers, unveiling the commemorative plaque on Walter Withers Rock at the corner of Bible and Arthur Streets, Eltham, 13 Oct 1990, 13/10/1990
... Mary Owen, granddaughter of Walter Withers, unveiling the...mary owen... was performed by Mary Owen, a grand-daughter of Walter Withers. Her... melbourne Photograph Mary Owen, granddaughter of Walter Withers ...[from EDHS Newsletter No. 75, November 1990:] WALTER WITHERS PLAQUE At long last we have unveiled our plaque in the Walter Withers Reserve. The function was attended by a number of members and friends of the Society and descendants of the Withers family. Following the unveiling, the group proceeded to the Eltham Shire Office for afternoon tea and a small exhibition of Withers' paintings arranged by Andrew Mackenzie. The unveiling was performed by Mary Owen, a grand-daughter of Walter Withers. Her speech provided an interesting personal perspective on Withers and is repeated in full here: I feel somewhat overwhelmed by the responsibility of paying tribute to the man you have all come to honour today. I have the feeling that most of you probably know more about him and his work than I do. Walter Withers died nearly seven years before I was born and so I never knew him. Sadly, although other members of his family inherited some of his talent, I was not among them and I know very little about art. This is doubly hard to bear because my husband had some ability to draw and my second daughter also has some talent in this direction. My children are all artistic - mostly in the field of music inherited partly from their father - a Welshman who sang like a Welshman - and partly from my grandmother, Fanny Withers who, I believe was no mean pianist. However all this talent gave me a miss and for many years I felt a complete ignoramus in the fields of the arts. It was not until I was nearly fifty years old that I walked into a gallery in Brisbane and, as I wandered around the room, suddenly one picture leapt at me and I knew instantly that it had been painted by my grandfather. I had never seen the picture before and it gave me quite a shock to find that I had recognized the style of painting. I realized then that I had absorbed more than I realized simply by living with pictures and with people who painted them and talked about their painting and the painting of others. When I was a child I sometimes spent school holidays with my Aunt Margery Withers and her husband, Richard McCann. Aunt Marge painted me several times but I'm afraid I was a restless subject and used to sit reading a book and look up grudgingly when she wanted to paint my eyes. During the September holidays my aunt and uncle were busy preparing paintings far the annual exhibition of the Melbourne Twenty Painters, to which they both belonged. I remember how important I used to feel when they took me along to the Athenaeum Gallery on the Friday night before the opening to help hang their pictures. There were many artists there but the two I remember are perhaps surprisingly both women: Miss Bale and Miss Tweddle. I remember how cold it used to be up in that gallery at night. They used to heat water on a gas ring to make tea and Aunt Marge used to bring sandwiches and fruit for our evening meal. Everyone seemed to be poor in those days and no-one dreamed of going out for a meal. It was a case of make-do - even to cutting down frames to fit pictures or cutting pictures to fit the frames. They had to use the same frames from year to year if the pictures didn't sell. The opening was an exciting event for me. I felt I was privileged to meet important people - people who knew a lot more than I - and Uncle Dick would get quite merry after a couple of the tiny sweet sherries which were always distributed. I realise now that quite a lot of "art talk" rubbed off on me during my visits to the Athenaeum and during my stays with my aunt and uncle. I suspect that much of our most useful learning comes this way and those of us who have had the privilege of associating with artists, writers, philosophers and other thinkers have a richness in our lives of which we may be unaware. Walter Withers was a prolific painter and, although he painted for love of it, I suspect that the need to provide for his family drove him, like Mozart, to greater efforts than he might otherwise have achieved. Reading old letters and articles about the Heidelberg artists, I have come to realize something of the constant strain placed on many of them - particularly Withers and McCubbin - by poverty and the need to make ends meet. Withers was ever conscious of the need to provide for his wife and his five children and there are touching letters to his wife, regretting that he was not able to earn more for them. In addition to his painting, he worked hard at teaching and illustrating and, as he grew older, the strain began to tell and his health deteriorated. He seems never to have had a very strong constitution and suffered from rheumatism, which must have made painting quite painful at times. His eldest daughter, Gladys, was eventually confined to a wheelchair with rheumatoid arthritis and I have a tendency to arthritis myself, so I am particularly aware of what this could have meant to him. Recently I found a short letter written by my mother to her mother, Fanny Withers on the anniversary of her father's birthday in 1919, in which she said: "Poor old Dad, I often think now what a lot he must have suffered. His life was too hard and too strenuous for him. He had too many chick-a-biddies, I think. He wasn't equal to so much town life and train journeys with so many delicacies as he had. Since I have been ill, I have realised what he must have felt like.” He certainly drove himself to produce. He travelled all over Victoria by train, buggy, bicycle and on foot and for a time he travelled from Eltham to Melbourne every day by train, although later he lived in Melbourne during the week and only returned to Eltham for the weekends. My mother died seven years after her father's death, when my twin sisters were 10 days old and I was 16 months. So I never knew my mother or my grandfather. But my two aunts, Gladys and Margery, sometimes took me to stay with Gan Withers at Southernwood in Bolton Street . No cars in those days and it seemed a very long hot and dusty walk from the Station. Three memories remain with me of Southernwood. One is the well at the back which I found quite terrifying; the second is Gan killing a snake - even more terrifying. She was a formidable woman, my grandmother and a great ally and support to her husband. I think she was the business end of the partnership. The third memory of Southernwood is my grandfather's studio – down what seemed like a toy staircase inside the room. This and the big walk-in fireplace stayed in my mind from the age of about six until I saw them again about forty years later when the house was being used as a Sunday School. I just wish that money could be found to purchase this old house for the City of Eltham so that a permanent museum could be established in memory of a man who did so much to put Eltham on the map of art history. Recently I have become interested in family history and spent some time in England, Ireland and Wales looking for traces of my ancestors. I realized then how important it is to have records of people who have contributed to our society. We forget so soon and it is amazing how often, within two generations, names, dates and many details are forgotten. We are fortunate that so many of Walter Withers' works have been bought by galleries and that people like Andrew Mackenzie have taken the trouble to search out people who knew him and to write about him and his work. And I am very grateful to the Historical Society of Eltham for recognizing the importance of having a permanent tribute in Eltham to the contribution made by Walter Withers, who loved Eltham so much and who has assured this lovely district a place in the annals of history. I am indebted to Kathleen Mangan; the daughter of another famous Australian painter , Fred McCubbin, - featured in The Age this morning (thanks again to Andrew Mackenzie) for the most apt tribute to Walter Withers. Kathleen is not well and she rang me a couple of days ago, regretting that she could not be present today “to pay tribute” as she said, “to Walter Withers for I always think Walter Withers is the spirit of Eltham.” Thank you, Kathleen. And now I have much pleasure in unveiling the plaque commissioned by the Eltham Historical Society from Bob McLellan of Charmac Industries to commemorate the life and work of Walter Withers, the spirit of Eltham. Mary Owen, 13 October 1990.Two colour photographswalter withers rock, walter withers reserve, mary owen -
Waverley RSL Sub Branch
Colour Patches
... Collected by Lt.Clifford John Owens VX108037 who... shoulder flash RAAOC Collected by Lt.Clifford John Owens VX108037 ...Collected by Lt.Clifford John Owens VX108037 who was a member of "Z" force during WWII.6 Regimental colour patched and one shoulder flash RAAOCr.a.a.o.c., lt. c. j. owens, colour patches, color patches -
Port Melbourne Historical & Preservation Society
Photograph - Port Melbourne Football Club, Swiss Studios, 1909
... Owen PAMPERIN... 1909 Back Row; Owen Pamperin (far left), Martin Pash (far right... 1909 Back Row; Owen Pamperin (far left), Martin Pash (far right ...Capstan Cigarettes photo of Port Melbourne Football side 1909 Back Row; Owen Pamperin (far left), Martin Pash (far right) Centre row; Syd Anderson (fourth from left), then Frank Sinclair (sec), Joolen and John Jackson Front row; Harry Clarke (third from left, then Ted Brown (captain), Rob Franklin and Artie Treglown Received from Library, 1973 Plus names in pencil of players' surnamessport - australian rules football, owen pamperin, sydney sims anderson, joolen, brown, john jackson, rob franklin, treglowen, martin pash, frank sinclair, harry clarke -
Ballaarat Mechanics' Institute (BMI Ballarat)
Owen Williams Sturt St
... Owen Williams Sturt St...Owen Williams... Ballarat goldfields Owen Williams Sturt St This photograph is from ...This photograph is from the Max Harris Collection held by the Ballaraat Mechanics' Institute. Please contact BMI for all print and usage inquiries.ballarat, sturt, owen williams -
Monbulk RSL Sub Branch
Book, Wayne Wardman, The Owen gun, 1991
... The Owen gun...owen submachine gun...-and-the-dandenong-ranges Book The Owen gun Index. bibliography, ill (b/w) p ...The Owen gun had a great influence on Australia's role on world war two. This book explains its evolution and the role of Evelyn Owen, its inventor.Index. bibliography, ill (b/w) p.193.non-fictionThe Owen gun had a great influence on Australia's role on world war two. This book explains its evolution and the role of Evelyn Owen, its inventor.submachine guns, owen submachine gun -
Cockatoo History & Heritage Group
Plaque, Cockatoo Kindergarten - Official Opening Plaque
... Kindergarten by the Shire of Pakenham Shire President - Cr Owen... by Cr E A Owen J.P Shire President 22nd November 1977... Kindergarten by the Shire of Pakenham Shire President - Cr Owen Shire ...In 1977 residents of Cockatoo built a kindergarten in McBride Street Cockatoo to service the growing population in the area. The building was officially opened on the 22nd of November of that year. Residents formed a Co-op, raised all the money to build the kinder along with lawn bowls and tennis sporting facilities for the town. No small feat, let alone for a town with a population of around 3000. The land was provided by the council for the kinder to use and that was their sole contribution to the building of the kinder. The unique building, was designed by Richard Allen and depicted a children's carousel. The design was to provide a feeling of enjoyment and friendship to the children who used the building. The large glass windows that were installed on the north-eastern side of the building made up 1/3 of the exterior wall. This overlooked the playground of the kinder making it easy to see the children at play from inside. The site of the building is in a dominant position and is highly visible to all who travel through Cockatoo. It was used as a child care facility right up until 2005. The kindergarten has recently been granted heritage listing after Cardinia Council started demolishing the building. The local community were successful in putting a halt to the demolition and saved the building. It will become an integral part of the Cockatoo Ash Wednesday memorial. Details on the fight to save the kinder building can be found at https://sites.google.com/site/cockatoosheritageashwednesday/ Brass Plaque, depicting the opening of the Cockatoo Kindergarten by the Shire of Pakenham Shire President - Cr OwenShire of Pakenham Cockatoo Kindergarten Officially Opened by Cr E A Owen J.P Shire President 22nd November 1977cockatoo, kindergarten opening, -
City of Whittlesea
Photograph - Photographs - Schools, Scrubby Creek School 1916, 1916
... Dawson, Bill Beattie, Charlie Callander. Middle Row: Lorna Owen...: Lorna Owen, Minnie Parker, Charlie Thomas, Ettienne Roussac? Tom ...Digital version of school group photograph of Scrubby Creek School 1916 with namesBack row: Olive Dawson, Jean Callander, Doris Wisler, Leigh Dawson, Bill Beattie, Charlie Callander. Middle Row: Lorna Owen, Minnie Parker, Charlie Thomas, Ettienne Roussac? Tom Dawson, Mick Parker, Hector? Owen, Jack Dawson. Front Row: Dulcie Owen, Willie Parker, Dud? Owen, Frances Dawson, Mary Parker, Maggie Patterson, Doris Beattieclass photos, scrubby creek, school photos -
Melbourne Legacy
Letter, (H22), 1954
... These two letters, one to President Owen from James G... by President C Owen.... by President C Owen. These two letters, one to President Owen from ...These two letters, one to President Owen from James G Gillespie with a donation of a copy of 'Legacy' by Claude Blatchford, and a yellow file copy of a reply letter from President Owen. Legatee Gillespie suggests document called 'Legacy' by Blatchford should be inscribed and handed to succeeding presidents. The reply agrees and that the Board had expressed their appreciation of the fine gesture. The notation H22 in red pen shows that it was part of the archive project that was trying to capture the history of Legacy. A record of correspondence in the 1950s about Legacy appreciating the work of Blatchford.White quarto letterhead of L/ Gillespie and a buff file copy of a reply from Legacy about Claude Blatchford's book.Handwritten H22 in red pen. 01494.2 handwritten in pencil 'File History of Legacy 1953' in top right corner. Initialed by President C Owen.history, blatchford -
Charlton RSL Sub Branch
Certificate - William Owen discharge certificate, Discharge certificate for William Owen dated 24.12.1918
... William Owen discharge certificate...Discharge certificate for William Owen dated 24.12.1918... Charlton, 3525 goldfields William Owen discharge certificate ...Paper certificateDetailed certificate giving details of military service. -
Charlton RSL Sub Branch
Photograph - Framed photograph Edward Owen, Black and white photograph Edward Owen
... Framed photograph Edward Owen...Black and white photograph Edward Owen...' Owen in military uniform....Ted Owen... Charlton, 3525 goldfields Framed photograph Edward Owen Photograph ...Small frame with black and white photograph Edward 'Ted' Owen in military uniform.Ted Owen -
Truganina Explosives Reserve Preservation Society Inc (TERPS)
Digitised Oral History – Truganina Explosives Reserve - Tape 3 Owen Hyde, 2018
... - Tape 3 Owen Hyde... 2004). Owen and Clive Hyde are the sons of Joe and Joyce Hyde... – Truganina Explosives Reserve - Tape 3 Owen Hyde Digital copy ...The interviews were recorded in 2000 by Bronwen Gray and Alan Young for the production of Unreserved, Stories from Truganina Explosives Reserve, animated stories from past residents, workers and interested people of the Reserve (subject to copyright 2004). Owen and Clive Hyde are the sons of Joe and Joyce Hyde. Joe was the last Officer in charge of the Truganina Explosives Reserve. The family moved to the reserve on 11 December 1952 and continued to live there after the Reserve closed in 1962. Owen lived at the house until his early twenties. He discusses growing up at the Reserve. The voice of Joyce Hyde can also be heard during the interview. A primary source of information on memories of the Truganina Explosives Reserve and Altona,VictoriaDigital copy of original cassette recorded in 2000 and digitised in 2018hobsons bay, draught horses, explosives reserve pier, myxomatosis, pine trees, queen street altona, edwardian garden, government superintendent houses, mcdonald, commonwealth bank, dr john lewin, altona, summer of the seventeenth doll, leslie george hyde, joe hyde, george grant, clive hyde, williamstown technical, mrs cronin, angus and robertson, pier fire, dutch migrants, communist party, laboratory, brass nails -
Dandenong/Cranbourne RSL Sub Branch
WW2 Medals
... to Mavis Owen-Holmes 110411 WRAAF....110411 Owen-Holmes M on both medals... Medal 1939-1945 awarded to Mavis Owen-Holmes 110411 WRAAF ...WW2War Medal and Australian Service Medal 1939-1945 awarded to Mavis Owen-Holmes 110411 WRAAF.110411 Owen-Holmes M on both medals -
City of Ballarat Libraries
Postcard - Card Box Photographs, Owen Sports Store, Sturt Street. Ballarat
... Owen Sports Store, Sturt Street. Ballarat....W. Owen...W. Owen. Wholesale Tobacconist. Sports Depot. Plate 398... Ballarat East goldfields Card Box Photographs Postcard Owen Sports ...W. Owen. Wholesale Tobacconist. Sports Depot. Plate 398 Chuck Photo Series.w. owen, owen's sports store, sturt street, building, commerical -
Whitehorse Historical Society Inc.
Document - Report, Memorial Window - Second World War, 1995
... loftus owen spencer... remembered. Gordon Crawford, Ross Fenton, Owen Loftus, Ron Peake... on the five men remembered. Gordon Crawford, Ross Fenton, Owen Loftus... on the five men remembered. Gordon Crawford, Ross Fenton, Owen Loftus ...A history of the second world war memorial window at Christ Church, Mitcham.A history of the second world war memorial window at Christ Church, Mitcham. It includes material on the history of the window, the dedication service and photographs and information on the five men remembered. Gordon Crawford, Ross Fenton, Owen Loftus, Ron Peake and Alwyn Till. Also included is an essay by Alwyn Till on Wood Carters in the district, a letter to his mother from Britain and a letter regarding his service and death with the Belgian Marquis. Colour photograph of window 25 pagesA history of the second world war memorial window at Christ Church, Mitcham.christ church anglican church mitcham;, stained glass windows, world war, 1939 - 1945, crawford, gordon douglas, fenton, william ross, bremner, loftus owen spencer, peake, ronald mosely, till, alwyn, wood carters -
Whitehorse Historical Society Inc.
Document, Statutory Declaration, 1/6/1888
... owen alfred...Statutory Declaration dated 1/6/1888 by Owen Alfred Kefford... Statutory Declaration dated 1/6/1888 by Owen Alfred Kefford ...Statutory Declaration dated 1/6/1888 by Owen Alfred Kefford of Spencer Street, Melbournekefford, owen alfred, richard, land subdivision, canterbury road, forest hill, fisher, james, coley, morgan, collier, robert, cuttle, thomas nathaniel, forest hill heights pty. ltd. -
Whitehorse Historical Society Inc.
Photograph, 58 Lucknow Street, Mitcham, Taken 1998
... Owen Loftus and his mother lived in this house in the 1930... in the sunshine with grey roof. Wooden eaves over windows Owen Loftus ...Owen Loftus and his mother lived in this house in the 1930's. Owen was a postman and also ran a taxi service.He died in the second World War and is remembered in the memorial window at Christ Church, Mitcham. Present owners (1998) are Anna and Gorden Seward. The previous owners were the Rev and Mrs Barnsley, a retired Church of England vicar. They came to Australia to be near Anna, who was their daughter.Coloured photograph of a house in Lucknow Street, Mitcham. Flowers in the sunshine with grey roof. Wooden eaves over windowslucknow street, mitcham no 58, streets, houses