Showing 327 items
matching solo
-
Red Cliffs Military Museum
POW Camp Money, POW One Lira Camp Money WW11, (estimated); 1942-1945
Part of a collection of POW items by VX 8007 A.J. Roddy, AMMO Coy, A.A.S.C., 6 Division. POW in Greece CampaignLow Grade paper with printed information, camp commanders signature. For use in in Italian Prisoner of War Camp No 106Campo P.G. No106. PM 3100. No 2696. Buono per L. Una. Il Comandante. Vale solo presso lo spaccio del campocamp, ww11, pow, italian, money -
Rutherglen Historical Society
Certificate, Corowa Free Press, 1944 Corowa Eisteddfod, 1944
Mrs Grail was a well known social singerFirst prize certificate printed in black on medium blue background on light card, Awarded to Mrs William Grail at the Corowa Eisteddfod in 1944"First Prize Awarded to "Name: Mrs. W. Grail Item: Champion Vocal Solo (Ladies) Points: (a) 92 (b) 113 Adjudicator: Harold Rodgers"mrs grail, corowa, corowa eisteddfod, singing, vocal, first prize -
Ringwood and District Historical Society
Certificate, Lilydale, Ringwood & Districts combined Show - 1905. Certificate of First Prize
CertificateFirst Prize awarded to Miss Lizzie Herry Class - Instrumental Exhibit - Piano Solo (under 16 years) Held at Lilydale , February 23rd, 1905 -
Federation University Historical Collection
Programme, T.Evans & Sons, Grand Armistice Concert 1951 Polikoff Canteen 'The Rainbow', 11 November 1951
Frank Wright was a renown resident of Smeaton, where he was born on 2 August 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.A 12 page booklet with a buff cover containing information about the music - 'The Rainbow', the composer - Dr Thomas Wood, the guest conductor and music scorer - Frank Wright and the solo cornetist - Ken Smith. Along with the programme the booklet also contains the words of the work.frank wright, conductor, brass band, grand armistice concert, polikoff canteen, the rainbow, dr thomas wood, ken smith -
Kiewa Valley Historical Society
Book - Religious Education, Sacred Songs and Solos Compiled and Sung by Ira D. Sankey x2
At Sunday school sacred songs were sung / taught to students. Students attended Sunday School classes at the Kergunyah Presbyterian Church. Sunday school was held in a little 16 foot square wooden building which came from Rocky Valley after it was no longer needed there. Ewen Wallace's father initiated and organised the move. C2011 the building was knocked down because of white ants. The Presbyterian Church will be 125 years old in 2015.Historical: Religious Education: This book was used by students who attended the Sunday School classes at Kergunyah Presbyterian Church Religion: Presbyterian Church at Kergunyah, in the Kiewa Valley, celebrates its 125th anniversary in 2015 after being handed over to the Uniting Church in the 1970s.Royal blue linen cover book with faded black print and border. The title is in black within a ribbon shape. There is a black circle middle and slightly to the left with blue print 'New Hymns Solos'. At the bottom, on ribbon shape, in blue with black background - the author.religion, hymns, songs, kergunyah, sacred, ewen wallace, christian, sunday school, presbyterian church -
Flagstaff Hill Maritime Museum and Village
Gramophone cylinders, National Phonograph Co, Petite Mignon, April 1908
Gramophone cylinders, black, 6 grooves on interior stored in cardboard round container with detachable lid. Edison Record, made and sold by National Phonograph Co. at Orange N.J. U.S.A. 10011 Oboe Solo Petite Mignon Form No. 1330 April 1908flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, gramophone cylinder, edison record, national phonograph co, petite mignon, oboe solo petite mignon -
Flagstaff Hill Maritime Museum and Village
Gramophone cylinders, National Phonograph Co, Abide With Me Organ, April 1908
Gramophone cylinders, black, 6 grooves on interior stored in cardboard round container with detachable lid. Edison Record, made and sold by National Phonograph Co. at Orange N.J. U.S.A. 10180 Abide With Me Organ solo Benzler Form No. 1330 April 1908flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, gramophone cylinders, edison record, national phonograph co, abide with me organ -
Thompson's Foundry Band Inc. (Castlemaine)
Document - Sheet Music for Brass Band, Chappel & Co Ltd et al, Blue Sunset, 1936
This fox-trot was written by Kennedy, Arden, Saville & Royce around 1936 with this arrangement was published by Chappell & Co. Ltd and arranged by Frank Denham.We have been unable to trace the origins of this song - If you know anything let us know.. This fox-trot was written by Kennedy, Arden, Saville & Royce around 1936 with this arrangement was published by Chappell & Co. Ltd and arranged by Frank Denham. 17 Parts for Brass Band on Paper. Soprano Cornet Solo Cornet Repiano Cornet 2nd Cornet 3rd Cornet 1st Horn (Solo Horn) 2nd Horn (1st Tenor) 3rd Horn (2nd Tenor) Euphonium 1st Baritone 2nd Baritone 1st Trombone 2nd Trombone Bass Trombone Bass Eb Contre Bass Bb Drums This fox-trot was written by Kennedy, Arden, Saville & Royce around 1936 with this arrangement was published by Chappell & Co. Ltd and arranged by Frank Denham.blue sunset, foxtrot, kennedy, arden, saville, royce, frank denham, chappell & co -
Warrnambool and District Historical Society Inc.
Certificate - Certificate, 1897, Warrnambool Industrial & Art Exhibition Order of Merit, pre December 1896
The following is an extract from Warrnambool and District Historical Society Website which explains briefly the Great Exhibition of 1896-97 The Great Industrial and Art Exhibition in Warrnambool in 1896-97 was an exciting affair for the town and the surrounding area. People came from far and wide to be enlightened, educated and entertained, with 70,000 visitors passing through the doors during the three months of the exhibition. Not bad for a town with a population of only 6,500 and a further 9,200 living in the surrounding shire! Planning began at a public meeting attended by 60 people in May 1896 and the exhibition opened in December the same year on the site of the current Light House Theatre. The architects submitted plans for four annexes, complete with turrets, a fernery and a giant flagpole. The site covered 1 acre and included a Marine court, industrial exhibits, an education court, defense and agriculture court, stalls, coach builders, dairy show, an art court and provision for a smorgasbord of various entertainment. (The Story of the Warrnambool Industrial & Art Exhibition 1896-97- E O’Callaghan) This certificate was one of many awards for competency and /or excellence in a wide range of activities and skills. Warrnambool Industrial & Art Exhibition 1896-1897 Competitions-Piano forte solo Gertrude Lewin- prizewinner W J Hickford- Mayor E Lyle Rossiter As a link to one of the biggest events ever held in Warrnambool this item has significant value to the history of Warrnambool. It has social significance also linking a number of names related to the event. Rectangular cardboard. pale cream and aqua background, multi linear gold and deeper aqua border with rounded and right angled corners. An interior border has a swag, linear vertical ribbons with four emblems related to science, labour, arts and industry. Four local black and white photographs, the town council crest and town officials, patron and councillors. An inscription of the prizewinner, event and signatures is written in a cream square in the middle of the certificate.Warrnambool/Industrial & Art Exhibition Opened Dec 21st 1896/ By the Chief Justice of Victoria/ Sir John Madden, K.C.M.G. upper L corner. Closed March 19th 1897/ By the Mayoress of Warrnambool/ Mrs WJ Hickford 'First Order of Merit/ Awarded to Gertrude Lewin/ of Parkville/ for Piano forte Solo (under 15) Signatures of WJ Hickford, President and E Lyle Rossiter, Secretary gertrude lewin, wj hickford, e lyle rossiter, the great warrnambool exhibitiion, warrnambool, pianoforte -
National Wool Museum
Coat, Lindsay and McKenzie, The Fleece That Would Not Die, 1968
This coat was produced from wool first shorn in c.1928. In 1928 Mr Mal Groves took over the Dutchman Station near Port Augusta in South Australia. Whilst out riding in some rough country he came across a sheep that had been left by the previous owner of the station. As he carried shears with him, he sheared the sheep and left the fleece rolled up and partially covered by rocks and wood, as he had no bag to carry it back with him. He intended to come back for the fleece, but forgot about it until he came across it some forty years later. It was still in good condition (despite having experienced extreme temperatures and rainfall whilst in the open), so he showed it to Elders who arranged to display it at agricultural shows in Adelaide, Melbourne and Geelong. The Gordon Institute of Technology, Geelong, offered to spin the fleece into a fabric and make a coat for Mrs Groves. The fabric was tailored into a coat by Lindsay and McKenzie of Geelong and presented to Mrs Groves in July 1968 by the South Australian manager of Elder Smith Goldsbrough Mort Ltd. It is not know how the coat came to Elders from the Groves family, but Elders displayed the coat under the heading "The Fleece That Would Not Die" before donating it to the National Wool Museum in 1997. A video giving the history of the coat and a text panel used by Elders were also donated at the same time.Coat, brown wool. Long sleeves, knee length with three circular brown buttons and two external pockets. Lined in brown satin, with a blue and red label at the base of the collar.Wording: Solo;Method: Embroidered;Location: Label at base of collar, inside coat Wording: PURE WOOL;Method: Printed;Location: Label on side seam, inside coatfashion wool - characteristics wool processing textile mills textile mills, lindsay and mckenzie elders limited gordon technical college, royal adelaide show - exhibition (31/08/2001 - 08/09/2001), groves, mr mal groves, mrs, dutchman station, south australia, fashion, wool - characteristics, wool processing, textile mills -
Victorian Bands' League
Notebook, Victorian Bands' League Contest Records (1939 - 1950)
This book contains some of the earliest details of competition results formalized in a notebook format. The competitions date from 1939 and proceed until 1950. As special interest it contains details of events held during the years of the Second World War when the South Street Competition was in recess. Basic details on the competitions covered by this book, and the pages they are listed on can be found below: Table of Contents: 2. 1939 Bendigo Contest – A Grade 4. 1939 Bendigo Contest – B Grade 5. 1939 Bendigo Contest – Street March 6. 1939 Bendigo Contest - C Grade 8. 1939 Bendigo Contest – D Grade 9. 21/05/1939 – Hawthorn Band Contest 11. 29/01/1940 – Kyneton Contest 13. 23/03/1940 – Bendigo Contest – C Grade 15. 12/10/1941 – Massed Bands M.C.G. – Oval March / Street March 16. 21/09/1941 / 05/10/1941 / 19/10/1941 / 09/11/1941 – Group Contest 17. 02/12/1944 - 03/12/1944 – Frankston – A Grade 18. 02/12/1944 - 03/12/1944 – Frankston – B Grade 19. 02/12/1944 – 03/12/1944 – Frankston – C Grade 20. 02/12/1944 – 03/12/1944 – Frankston – D Grade 21. 02/12/1944 – 03/12/1944 – Standard Newspapers Shield, Frankston – Full Results Table 23. 04/02/1945 – Williamstown 25. 27/04/1945 – Solo & Party Championships (Kelvin Hall) 26. 27/04/1945 – 28/04/1945 – Solo & Party Championships (Kelvin Hall) 27. 28/04/1945 – Solo & Party Championships (Kelvin Hall) 29. 26/12/1945 – Fern Tree Gully – D Grade & C Grade 30. 26/12/1945 – Fern Tree Gully – B Grade & A Grade 31. 29/12/1945 – Frankston – D Grade 32. 29/12/1945 – Frankston – C Grade 33. 29/12/1945 – Frankston – B Grade 34. 01/01/1946 – Frankston – A Grade (Australian Championship) 35. 01/01/1946 – Standard Newspapers Shield, Frankston – Full Results Table 36. 29/12/1945 – Frankston – Solo & Party Competitions – Events 1 - 6 37. 29/12/1945 – Frankston – Solo & Party Competitions – Events 7 – 10 38. 29/12/1945 – Frankston – Solo & Party Competitions – Events 11 – 13 39. 22/04/1946 – Colac Contest 41. 01/01/1948 – Maryborough Contest – D Grade 47. 28/03/1948 – 29/03/1948 – Bendigo Contest – B Grade 48. 28/03/1948 – 29/03/1948 – Bendigo Contest – C Grade 49. 28/03/1948 – 29/03/1948 – Bendigo Contest – D Grade 50. 28/03/1948 – 29/03/1948 – Bendigo Contest – Aggregates 52. 06/09/1948 – St Kilda 53. 05/09/1948 – Heidelberg 57. 28/10/1948 – Ballarat – D Grade 58. 28/10/1948 – Ballarat – C Grade 59. 30/10/1948 – Ballarat – B Grade 60. 30/10/1948 – Ballarat – B Grade (Cont.) 61. 30/10/1948 – Ballarat – A Grade 62. 30/10/1948 – Ballarat – A Grade (Cont.) 63. 28/10/1948 – Ballarat - D & C Grades – Street March 64. 28/10/1948 – Ballarat – B & A Grades – Street March 65. 30/10/1948 – Ballarat – A & B Grades – Trophy listing 66. 30/10/1948 – Ballarat – C & D Grades – Trophy listing 67. 26/10/1948 – Ballarat – Solo & Party Competition 68. 26/10/1948 – Ballarat – Solo & Party Competition (Cont.) 69. 27/10/1948 – Ballarat – Solo & Party Competition 70. 27/10/1948 – Ballarat – Solo & Party Competition (Cont.) 71. 27/10/1948 – Ballarat – Solo & Party Competition 72. 27/10/1948 – Ballarat – Solo & Party Competition (Cont.) 73. 27/10/1948 – Ballarat – Solo & Party Competition 79. 13/03/1949 – Bendigo Group Contest 81. 20/03/1949 – Gippsland Group Contest 83-84. 17/04/1949 – Bendigo Easter Contest – C Grade 85. 07/10/1949 – Heidelberg – C Grade 87. 27/10/1949 – Ballarat – D Grade 88. 27/10/1949 – Ballarat – D Grade (Cont.) 89. 28/10/1949 – Ballarat – C Grade 90. 28/10/1949 – Ballarat – C Grade (Cont.) 91. 29/10/1949 – Ballarat – B Grade 92. 29/10/1949 – Ballarat – B Grade (Cont.) 93. 29/10/1949 – Ballarat – A Grade 94. 29/10/1949 – Ballarat – A Grade (Cont.) 95. 25/10/1949 – Ballarat – Solos 96. 25/10/1949 – Ballarat – Solos (Cont.) 97. 25/10/1949 – 26/10/1949 – Ballarat – Solos 98. 26/10/1949 – Ballarat – Champion of Champions / Solos 99. 29/10/1949 – Ballarat – Special Quickstep 100. 29/10/1949 – Ballarat – Special Quickstep 101. 19/02/1950 – Leongatha – D Grade 102. 19/02/1950 – Leongatha – D Grade – Full Results Table 103. 12/03/1950 – Bendigo Easter Fair Contest 104. 12/03/1950 – Bendigo Easter Fair Contest – Full Results Table 105. 12/03/1950 – Bendigo Easter Fair Contest – Selection / Hymn / Aggregate 106. 28/08/1950 - 01/09/1950 – Solo & Party Competitions (Assembly Hall) – Events 1 - 2 107. 28/08/1950 - 01/09/1950 – Solo & Party Competitions (Assembly Hall) – Events 3 - 7 108. 28/08/1950 - 01/09/1950 – Solo & Party Competitions (Assembly Hall) – Events 8 – 11 109. 28/08/1950 - 01/09/1950 – Solo & Party Competitions (Assembly Hall) – Events 12 – 15 110. 28/08/1950 - 01/09/1950 – Solo & Party Competitions (Assembly Hall) – Events 16 – 20 111. 10/10/1950 – 12/10/1950 – Heidelberg Contest – Solos – Events 2 – 11 112. 13/10/1950 – Heidelberg Contest – C Grade 113. 24/10/1950 – South Street Victorian Championships – Solo & Party Competition 114. 25/10/1950 – South Street Victorian Championships – Solo & Party CompetitionThis book is very significant to the history of the Victorian Bands' League due to the richness of historical data that it contains and the amount of competitions that were covered. Leather bound notebook, 190. -
Vision Australia
Audio - Sound recording, RVIB Orchestra on radio, 1950s
RVIB Orchestra playing a medley of songs, with saxophone solo. They were advertised as being available to hire and had played at various dances and concerts.1 MP3 audio recording for use on radioroyal victorian institute for the blind, rvib orchestra -
Bendigo Historical Society Inc.
Programme - ERROLL BOIVARD COLLECTION: BENDIGO COMPETITIONS SOCIETY 1991
Bendigo Competitions Society Inc. Annual brass competitions, solos Saturday 25th May Bendigo City Hall. Brass bands Sunday 26th May Strathdale Community centre. Program $1.00. White cover with drawings of a lyra, the logo of the V.B.L. a French hornet and a trumpet. Eight pages.entertainment, music, bendigo competitions -
Bendigo Historical Society Inc.
Document - LYDIA CHANCELLOR COLLECTION; MELBOURNE SYMPHONY ORCHESTRA PROGRAM
A cream program with the following words on the cover, ' Direction: Australian Broadcasting Commission MELBOURNE SYMPHONY ORCHESTRA Conductor: Joseph Post. Solo violinist: Bertha Jorgensen. Capital Theatre, Bendigo. Wednesday, 30th June, 8 p.m. Programme 6d. On the inside is the program, advertisements and photos. C. 1930sprogram, music, orchestra, lydia chancellor, collection, music, concert, orchestra, entertainment, program -
Vision Australia
Image
A solo drummer boy is accompanied by smaller boys with drums, all dressed with red top hats, vests, shorts and ribbon ties with a white shirt.Col. photograph of boy drummers.carols by candlelight -
Bendigo Historical Society Inc.
Document - GUINEY COLLECTION: INVITATION, 1894
Invitation to a Cocert by the Pupils of Miss J Dais, Temperance Hall, Friday December 14 1894 Issued to Mts and Misses Kane. THE GOVERNORSHIP. Article - The Bendigo Independent (Vic. : 1891 - 1918)Saturday 15 December 1894 - Page 2 Last evening the pupils of Miss J. Dias gave a concert in the Temperance Hall. The hall, which was tastefully decorated, the platform being draped and set off with fairy lamps, was well filled. Mr D. B. Lazarus who was to have presided telegraphed from Melbourne an apology for unavoidable absence. The following pupils contributed:— Piano solos, Misses L. Job, Annie Hunter, Annie Taylor, Maggie McKnowne, M. Pound and Birdie Rickards ; piano duets, Misses M. Heine and M, McKnowne, A. and E. Taylor, Roeder and McCann ; vocal solos, Misses Taylor, Nicholls and Rickards; vocal duet, Misses Rickards and Dias. During the interval Miss Dias gave a pleasing piano solo. The manner in which the pupils performed showed the careful training which they have undergone at the hands of their instructress. -
Bendigo Historical Society Inc.
Book - MANLY PRAISE
A collection of solos, quartets & choruses for Evangelistic meetings, etc. Edited by Rev William Nelson, published by Bayley & Ferguson London & Glasgow. Grey soft cover with black print, contains words & music plus loose hand written pages.Embossed stamp on cover reads Flights pianos and organs Bendigo.books, music, religion -
Surrey Hills Historical Society Collection
Programme - Ephemera, Programme - A children's concert by students of Miss Patience Cornell, 1930
Donation is speculative based on the inclusion of Jocelyn and her sister Lynette Cerini in the list of performers.Beige program printed in black which details the acts of a concert given by the students of Miss Patience Cornell on 19 November 1930 in the Emulation Hall in Canterbury. The concert was a mix of piano solos, recitations and playlets and one-act plays. All dialogues and plays were the original work of Miss Patience Cornell.On the rear in lead pencil are various notes which do not appear to be related to the program: "Wr2861"; "C.H.H"; "Rev Chalmers" / "8 Charles St Burwood / E.13"; "19 Lithgow St / Burwood"; 'Enchanted Glen 8-15"; "Mantel 4'-6 x 6" with a diagram.emulation hall, entertainment, musical events and activities, miss patience cornell, mrs t walton, roma thomas, ross shepherd, helen graley, joan perrin, lynette cerini, marjorie smail, gwynneth ellis, audrey sutton, jocelyn cerini, grace manley, isabel king, jim thomas, violet sydenham, gwen shepherd, olga pearson, nora harley, lex anderson, jean ewen, jean fowler, margo smith, ray anderson, ian whittaker, ella anderson, 1930, john oswald -
Bendigo Historical Society Inc.
Document - AUSTRAL SOCIETY COMPETITION CERTIFICATE: MISS BRADBURY, 1901
Second Prize Certificate awarded to Miss W Bradbury for Girls Solo Under 16, by the Austral Literary & Debating Society.. Mounted on card in pinkish tones and showing cherubs, maidens and flora. Markings - D. G. Coope, Carver, Gilder and Picture Frame Manufacturer, New Lead, Mitchell St., Bendigo.person, individual, w bradbury -
National Wool Museum
Quilt, Light on Dark
This quilt was exhibited as part of the 'solo exhibition' component of the Expressions 2002: the Wool Quilt Prize exhibition. Paull exhibited 9 quilts in this series along with samples for the 'touch table'Woollen quilt made from grey army blankets and backed with hessian. Golden sheep motif attached with red wool on verso of quiltquilting, blankets -
Hymettus Cottage & Garden
Award Certificate, 1919
1919 Grand National Eisteddfod of Australasia: South Street Competition Ballarat Third place certificate awarded to M.J.Taffe for Champion Bugle Solo. Signed by the founder of the Competition W.D.Hill. -
Bendigo Historical Society Inc.
Document - HAMILTON COLLECTION: MALDON AND MUSIC COMPETITION PRIZE CE, 1901
Prize certificate on card awarded to Mr. Alexander John Hamilton by the Maldon branch of Australian Natives Association for first prize in their Second Annual Musical and Literary and Elocutionary Competition for Baritone Solo Printed in gold on off white card, bordered with butterflies, flowers and vines. Markings - Sands and McDougall Ltd. Printers Melbourne.performing arts, elocution, competition -
Bendigo Historical Society Inc.
Document - HAMILTON COLLECTION: MALDON AND MUSIC COMPETITION PRIZE CE, 1901
Prize certificate on card awarded to Mr. Alexander John Hamilton by the Maldon branch of Australian Natives Association for second prize in their Second Annual Musical and Literary and Elocutionary Competition for Bass Solo Printed in gold on off white card, bordered with butterflies, flowers and vines. Markings - Sands and McDougall Ltd. Printers Melbourne.performing arts, elocution, competition -
Australian Gliding Museum
Machine - Glider - Sailplane, 1961
The Scheibe Bergfalke II is a high performance (for its day) and relatively inexpensive two seat sailplane designed by Egon Scheibe. It appeared in 1953 as a derivative of the Scheibe Mu13 Bergfalke and incorporated design changes to resolve and simplify structural issues that affected the Mu13. The Bergfalke II-55 followed in 1955. About 300 of the Bergfalke II and II-55 types were built in Germany and Sweden. This aircraft of the Bergfalke II-55 type was built by Scheibe in 1961 (work number 339). After a long life at Fliegergruppe Leimen e.V. logging 6754 flights and 1588 hours in the air, the glider was imported into Australia from Germany in June 2004. The glider was registered as VH-GKZ in January 2005 by Thomas Dattler of Millumbindy and flown only a small number of occasions (probably at Byron Soaring Centre). The Mangalore Gliding Club appears to have taken an interest in the glider in 2006 and completed routine Form 2 inspections in 2006 and 2009. The amount of usage during this period is unclear as the logbook records held are incomplete. In January 2012 the glider was purchased by the Southern Riverina Gliding Club and flown at Tocumwal until it was damaged in 2013 due to being blown over while at rest on the airfield. The 10 year survey was due in March 2013 and a decision was made by the club to donate the glider to the Australian Gliding Museum instead of completing the necessary repairs for returning it to an airworthy condition. It is estimated that the glider was flown about 300 times and perhaps logged about 140 hours in the air in Australia. If restored this exhibit will be representative of the Scheibe Bergfalke II-55 sailplane type (a rarity in Australia).Tandem two seat sailplane of a wood and tubular steel construction covered with plywood and fabric. It has a fully enclosed cockpit under perspex (which is missing from this airframe). The wings which join the fuselage at shoulder height are swept forward such that the aircraft can be flown solo from the front seat and be properly balanced. The aircraft is in a damaged condition. Registration "GKZ" on sides of fuselage glider, sailplane, australian gliding, scheibe, bergfalke, byron soaring centre, mangalore gliding club, dattler, southern riverina gliding club, tocumwal -
Bendigo Historical Society Inc.
Document - LYDIA CHANCELLOR COLLECTION; MUSIC PROGRAMME
A photocopy of the programme of The Tour under the Direction J. & N. Tait. On the front page of the programme are the words, ' The Tour under the Direction of J. & N. Tait.. Artists Miss Amy Castles soprano, Mr. Anderson Nicol tenor, Mr. Peter Dawson Basso, Mr. Victor Busst solo pianoforte. On the inside and the back is the programme. Date unknown.program, music, singing, lydia chancellor, collection, ephemera, music, singing, event, concert, amy castles, anderson nicol, peter dawson, victor busst -
Bendigo Historical Society Inc.
Book - AILEEN AND JOHN ELLISON COLLECTION: FIVE VERY EASY PIANO SOLOS
William G. James - Five very easy piano solos - Imperial edition No.301. A name (possibly Betty Ames) on the top left hand corner. Contents: 1)Tiggy-Tiggy Touch Wood 2) The See-Saw 3) Dancing Pierrot 4) Priscella 5) Sleepy-Time. the book has 10 pages.books, music -
Bendigo Military Museum
Photograph - RAAF BARRACKS BOFU JAPAN, RAAF, 1946
Item is part of the BCOF Association Collection, refer Cat No 7625This is a large black and white photo. In the background are mountains. On right side of the photo, are some factories with tall chimneys. The middle ground is flat. It shows housing alongside roads. The foreground shows 10 major double storey buildings and three rows of single storey buildings The foreground, left bottom of the picture shows darkened devastated area. A solo tall chimney is on the right side.On rear - “81 fighter..... Occupation Forces. RAAF Camp (Barracks) Bofu, Japan 1946. This was previously a camp for Kamakazi pilots”ww2, bcof, japan -
National Wool Museum
Textile - Blanket, Collins Bros Mill Pty Ltd, 1950s
Collector says: "This pair of Physician blankets was found at the Mission op shop in Blackburn South. I remember having such a lovely chat with the solo staff member there as we shared some blanket appreciation, a regular occurence when rehoming a relinquished blanket."Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from."Queen sized checked blanket, corn and bluePhysician Blankets/Pure Virgin Lambswool/Mothproofed/Made in Australiawool, blanket, blanket fever, physician, collins bros, geelong -
National Wool Museum
Textile - Blanket, Collins Bros Mill Pty Ltd, 1950s
Collector says: "This pair of Physician blankets was found at the Mission op shop in Blackburn South. I remember having such a lovely chat with the solo staff member there as we shared some blanket appreciation, a regular occurrence when rehoming a relinquished blanket."Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Queen sized blanket, corn and bluePhysician Blankets/Pure Virgin Lambswool/Mothproofed/Made in Australiawool, blanket, blanket fever, physician, collins bros, geelong -
Thompson's Foundry Band Inc. (Castlemaine)
Document - Sheet Music for Brass Band, Harms Inc. et al, The Blue Room, 1926
The Blue Room is a Showtune written by Richard Rodgers (1902-1979) for the musical "The Girl Friend" with lyrics by Lorenz Hart. The New York American reviewer at the time of the release of the musical in 1926 wrote "There was a ditty called 'The Blue Room' which should be sung to exhaustion". The piece has become a well known jazz standard and has been released by many artists over the past century. Its simple melody makes it easy to adapt to introduce instrumental improvisation over the backing band.The Blue Room is a Showtune written by Richard Rodgers (1902-1979) for the musical "The Girl Friend" with lyrics by Lorenz Hart. The New York American reviewer at the time of the release of the musical in 1926 wrote "There was a ditty called 'The Blue Room' which should be sung to exhaustion". The piece has become a well known jazz standard and has been released by many artists over the past century. Its simple melody makes it easy to adapt to introduce instrumental improvisation over the backing band. 17 Parts for Brass Band: Soprano Cornet Solo Cornet Repiano 2nd Cornet 3rd Cornet Solo Horn Eb 1st Horn Eb 2nd Horn Eb Euphonium 1st baritone 2nd Baritone 1st Trombone 2nd Trombone Bass Trombone Eb Bass Bb Bass DrumsThe Blue Room is a Showtune written by Richard Rodgers (1902-1979) for the musical "The Girl Friend" with lyrics by Lorenz Hart. The New York American reviewer at the time of the release of the musical in 1926 wrote "There was a ditty called 'The Blue Room' which should be sung to exhaustion". The piece has become a well known jazz standard and has been released by many artists over the past century. Its simple melody makes it easy to adapt to introduce instrumental improvisation over the backing band.the blue room, richard rodgers, lorenz hart, showtune, 1926, the girl friend, musical, chappell & co, harms inc., robert h mcanally