Showing 186 items
matching aboriginal australian -- juvenile literature. | readers (primary) | reading (primary) | yorta yorta
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Federation University Historical Collection
Book, Wrapped in a Possum Skin Cloak
... of the Maiden's Punt Yorta Yorta possum skin cloak collected in 1853... cloaks: a reproduction of the Maiden's Punt Yorta Yorta possum ...Soft covered book with the image of sewn possum skin pelts on the cover. The book outlines the Toolyn Koortakay collection (National Museum of Australia) comprising of artwork, possum skin dance ornaments, tools, and two cloaks: a reproduction of the Maiden's Punt Yorta Yorta possum skin cloak collected in 1853 and a reproduction of the Lake Condah Gunditjmara possum skin cloak. aboriginal, aborigine, possum skin cloak, possum skin rug, debra couzens, vicki couzens, lee darroch, trehna hamm, amanda reynolds -
Greensborough Historical Society
Book - Digital Image, Brown, Prior & Co. et al, The Federal Primer, or Second Steps at School [1927], 1927_
... schools. readers primary education Brown, Prior & Co. E. Pye ...Digital copy of a 'first reader', this Federal Primer is based around Australian themes, for use in Australian schools.Digital copy of a school 'primer' or first reader. 34 pages, illus. (some col.).Name of owner on cover.readers, primary education -
Otway Districts Historical Society
Book, Government Printer, The Victorian Readers, 1986
... Victoria; Education Department; Readers; Primary Education;.... Victoria; Education Department; Readers; Primary Education ...These eight books that make up The Victorian Readers, one for each of the grades that then comprised the primary school, were first published by the Victorian Education Department between 1928 and 1930. Second editions of all but the First Book, with a few changes in content, appeared some ten years later. One-quarter of the content was required to be Australian with the remainder from Britain, the United States and Europe. Beginning in the 1950s new Departmental publications gradually replaced the old books with the exception of the Fifth and Sixth books which survived until the late 1960s, when commercially-produced reading material finally took over in schools. The Victorian Readers: Books 1 to 8. Facsimile reprint. Ministry of Education (Schools Division); Melbourne (Vic); 1986. Various p.; illus; maps. Soft cover. ISBN 0 7306 0859 Xvictoria; education department; readers; primary education; -
Federation University Art Collection
Artwork, Troy Firebrace, 'A Galaxy Swirl' by Troy Firebrace, 2015
... Troy FIREBRACE (c1994-) Country/Language: Yorta Yorta Troy...-) Country/Language: Yorta Yorta Troy is a Shepparton born Yorta ...Troy FIREBRACE (c1994-) Country/Language: Yorta Yorta Troy is a Shepparton born Yorta Yorta man, whose career is on the rise after winning the prestigious Federation University Acquisitive Award for Work by a Victorian Regional Artist at the 10th Victorian Indigenous Art Awards. He completed Year Twelve at Shepparton Secondary College in 2010, and in 2015 Troy was studying Creative Arts at La Trobe University, Bendigo where he has pursued his interest in his Aboriginal identity and art. He is largely influenced by the art of his Uncle Chris Firebrace and he enjoys the design aspects of creating a painting. Usually Troyʼs works contain a narrative, or at least hint of a meaning that he would like to convey to people. Influenced by the imagery of his Aboriginal cultural background he works at bringing together references of landscape, environmental processes and concerns, looking at the way in which we as humans relate to the natural world. Troy seeks to find and demonstrate a connection between humanity and the environment, exploring the idea of harmonious co-existence. Artist's statement: "‘Stories are being told and shared like particles in the universe, a constant swirl of words filled with emotions creating a pattern — explosions — smashing into each other creating a layering effect — creating worlds, planets — well nourished and suited to sustain life, and from this life new stories will emerge, to be told, to be shared — a continuous galaxy swirl. I like the idea that we are a part of something bigger — yes, the earth is massive, but we are just a speck of something far beyond the Milky Way itself.” The work was inspired by the work of abstract expressionist painter Jackson Pollock, science and space. This work won the 2015 Victorian Indigenous Art Awards Federation University Acquisitive Award for work by a Victorian regional artist. His canvas 'A Galaxy Swirl' was described by judges as ‘‘a vibrant and dynamic painting that, as the artist explains, epitomises a bringing together of modernism and Aboriginal arts’’.victorian indigenous art awards, troy firebrace, artwork, artist, indigenous, aboriginal, painting, indigenous artist -
Federation University Art Collection
Artwork, other - Artwork, 'Reconciliation' by Shanaya Sheridan and Josh Muir, 2018
... Sheridan and Josh Muir in 2018. Josh Muir was a proud Yorta Yorta... Yorta Yorta, Gunditjmara and Barkinji man, who holds his culture ...This artwork was created in collaboration by Shanaya Sheridan and Josh Muir in 2018. Josh Muir was a proud Yorta Yorta, Gunditjmara and Barkinji man, who holds his culture close to his heart as it gives him a voice and great sense of identity. Josh is a Ballarat-based multimedia artist. In 2015 Josh was the recipient of the Telstra National Indigenous and Torres Strait Islander Art Award – Youth Award and the Hutchinson Scholarship, through which he undertook a 12-month residency at the Victorian College of the Arts in Melbourne. Muir's work has been acquired by the Koorie Heritage Trust, The National Gallery of Australia, the Museum and Art Gallery of the Northern Territory, the National Gallery of Victoria and was commissioned as a major project artist by White Night. Shanaya Sheridan, is a proud Yorta Yorta, Dja Dja Wurrung and Boon Wurrung woman who has resided in Ballarat for 20 years, after living in Horsham, Shepparton and Melbourne. Growing up and watching her Elders, and their style of artworks, Shanaya is influenced by a traditional style of Aboriginal art, mixing it up with contemporary colours. This reconciliation piece is Shanaya’s first commission. Artists' Statement: '“This painting represents reconciliation across all lands, from the skies down to the waters including the mountains, grass and sand. The hands represent people of all cultures reaching for a brighter future, and the men and women in talks of how reconciliation can be achieved. Last but not least, the footprints represent our Aboriginal and Torres Strait Islander ancestors that have fought for reconciliation before us and their steps/progress towards reconciliation.' Digital prints of this artwork on aluminum are displayed at Federation University Australia campuses at Mt Helen, Gippsland (Churchill), Berwick, Brisbane and Horsham.reconciliation, josh muir, shanaya sheridan, aboriginal, reconciliation action plan -
Victorian Aboriginal Corporation for Languages
Sue Atkinson, Bartja and Mayila, 2012
... . Bartja and Mayila written by Sue Atkinson (Yorta Yorta... written by Sue Atkinson (Yorta Yorta) and illustrated by Annette ...When Bartja's best friend Mayila plans to leave the forest they live in to visit the ocean, Bartja wants to find her the perfect parting gift. With some advice from Uncle Ambrose and the forest animals, Bartja creates a gift that Mayila will treasure. Bartja and Mayila written by Sue Atkinson (Yorta Yorta) and illustrated by Annette Sax (Taungurung). This is the first book in the YSS series, giving young children insight into Indigenous Victorian culture. The Yarn Strong Sista series is supported by background notes and ideas for related activities. -
Federation University Art Collection
Artwork, other - Artwork, Josh Muir, [Eye] by Josh Muir, 2014
... Josh MUIR (1991- ) Yorta Yorta/Gunditjmara Muir's art... on stretched canvas. Josh MUIR (1991- ) Yorta Yorta/Gunditjmara Muir's ...Josh MUIR (1991- ) Yorta Yorta/Gunditjmara Muir's art draws on hip-hop and street art culture and often depicts the history of indigenous people and European settlers. He spent a lot of time in his teens researching and enjoying public art, especially graffiti. Inspired by the commitment of graffers he was inspired by the concepts they illustrate. He started expressing his own ideas with pen and pad and once the basic concept down and it was tangible and could be converted that to canvas or walls. Muir experimented with spray and stencil work a lot in his teens and later branched out into acrylic paints, paint pens, and digital forms of Art. In 2016 Josh Muir's work 'Still Here', projected onto the front wall of the National Gallery of Victoria was critically acclaimed. At that time he stated: "‘I am a proud Yorta Yorta/ Gunditjmara man, born and living in Ballarat, Victoria. I hold my culture strong to my heart – it gives me a voice and a great sense of my identity. When I look around, I see empires built on aboriginal land. I cannot physically change or shift this, though I can make the most of my culture in a contemporary setting and use my art projects to address current issues of reconciliation." In 2016 Josh Muir was awarded the second recipient of HMS Trust’s Hutchinson Indigenous Fellowship at University of Melbourne, based at the Victorian College of the Arts (VCA). The Fellowship was created to enable Indigenous artists to undertake significant projects of their choice.Digital print on stretched canvas.josh muir, artist, artwork, aboriginal, hutchinson indigenous fellowship -
Federation University Art Collection
Artwork, other - artwork, Josh Muir, [Portrait] by Josh Muir, 2014
... Josh MUIR (1991- ) Yorta Yorta/Gunditjmara/Barkinjl Muir's... generated artwork on stretched canvas. Josh MUIR (1991- ) Yorta ...Josh MUIR (1991- ) Yorta Yorta/Gunditjmara/Barkinjl Muir's art draws on hip-hop and street art culture and often depicts the history of indigenous people and European settlers. He spent a lot of time in his teens researching and enjoying public art, especially graffiti. Inspired by the commitment of graffers he was inspired by the concepts they illustrate. He started expressing his own ideas with pen and pad and once the basic concept down and it was tangible and could be converted that to canvas or walls. Muir experimented with spray and stencil work a lot in his teens and later branched out into acrylic paints, paint pens, and digital forms of Art. In 2016 Josh Muir's work 'Still Here', projected onto the front wall of the National Gallery of Victoria was critically acclaimed. At that time he stated: "‘I am a proud Yorta Yorta/ Gunditjmara man, born and living in Ballarat, Victoria. I hold my culture strong to my heart – it gives me a voice and a great sense of my identity. When I look around, I see empires built on aboriginal land. I cannot physically change or shift this, though I can make the most of my culture in a contemporary setting and use my art projects to address current issues of reconciliation." In 2016 Josh Muir was awarded the second recipient of HMS Trust’s Hutchinson Indigenous Fellowship at University of Melbourne, based at the Victorian College of the Arts (VCA). The Fellowship was created to enable Indigenous artists to undertake significant projects of their choice.A computer generated artwork on stretched canvas.josh muir, artist, artwork, aboriginal, hutchinson indigenous fellowship -
Federation University Art Collection
Artwork - Painting, [Welcome] by Josh Muir, 2014
... Josh MUIR (1991- ) Yorta Yorta/Gunditjmara/Barkinjl Muir's...Josh MUIR (1991- ) Yorta Yorta/Gunditjmara/Barkinjl Muir's ...Josh MUIR (1991- ) Yorta Yorta/Gunditjmara/Barkinjl Muir's art draws on hip-hop and street art culture and often depicts the history of indigenous people and European settlers. He spent a lot of time in his teens researching and enjoying public art, especially graffiti. Inspired by the commitment of graffers he was inspired by the concepts they illustrate. He started expressing his own ideas with pen and pad and once the basic concept down and it was tangible and could be converted that to canvas or walls. Muir experimented with spray and stencil work a lot in his teens and later branched out into acrylic paints, paint pens, and digital forms of Art. In 2016 Josh Muir's work 'Still Here', projected onto the front wall of the National Gallery of Victoria was critically acclaimed. At that time he stated: "‘I am a proud Yorta Yorta/ Gunditjmara man, born and living in Ballarat, Victoria. I hold my culture strong to my heart – it gives me a voice and a great sense of my identity. When I look around, I see empires built on aboriginal land. I cannot physically change or shift this, though I can make the most of my culture in a contemporary setting and use my art projects to address current issues of reconciliation." In 2016 Josh Muir was awarded the second recipient of HMS Trust’s Hutchinson Indigenous Fellowship at University of Melbourne, based at the Victorian College of the Arts (VCA). The Fellowship was created to enable Indigenous artists to undertake significant projects of their choice. Computer generated image on canvas.josh muir, aboriginal, artwork, artist, hutchinson indigenous fellowship -
Federation University Art Collection
Artwork - Painting, [AMuir] by Josh Muir, 2014
... Josh MUIR (1991- ) Yorta Yorta/Gunditjmara Muir's art...Josh MUIR (1991- ) Yorta Yorta/Gunditjmara Muir's art ...Josh MUIR (1991- ) Yorta Yorta/Gunditjmara Muir's art draws on hip-hop and street art culture and often depicts the history of indigenous people and European settlers. He spent a lot of time in his teens researching and enjoying public art, especially graffiti. Inspired by the commitment of graffers he was inspired by the concepts they illustrate. He started expressing his own ideas with pen and pad and once the basic concept down and it was tangible and could be converted that to canvas or walls. Muir experimented with spray and stencil work a lot in his teens and later branched out into acrylic paints, paint pens, and digital forms of Art. In 2016 Josh Muir's work 'Still Here', projected onto the front wall of the National Gallery of Victoria was critically acclaimed. At that time he stated: "‘I am a proud Yorta Yorta/ Gunditjmara man, born and living in Ballarat, Victoria. I hold my culture strong to my heart – it gives me a voice and a great sense of my identity. When I look around, I see empires built on aboriginal land. I cannot physically change or shift this, though I can make the most of my culture in a contemporary setting and use my art projects to address current issues of reconciliation." In 2016 Josh Muir was awarded the second recipient of HMS Trust’s Hutchinson Indigenous Fellowship at University of Melbourne, based at the Victorian College of the Arts (VCA). The Fellowship was created to enable Indigenous artists to undertake significant projects of their choice.josh muir, artist, artwork, aboriginal, hutchinson indigenous fellowship -
Federation University Art Collection
Painting - Artwork - Painting, [Boost It] by Josh Muir, c2014
... Josh MUIR (14 August 1991- 05 February 2022 ) Yorta Yorta... ) Yorta Yorta/Gunditjmara/Barkinjl Muir's art draws on hip-hop ...Josh MUIR (14 August 1991- 05 February 2022 ) Yorta Yorta/Gunditjmara/Barkinjl Muir's art draws on hip-hop and street art culture and often depicts the history of indigenous people and European settlers. He spent a lot of time in his teens researching and enjoying public art, especially graffiti. Inspired by the commitment of graffers he was inspired by the concepts they illustrate. He started expressing his own ideas with pen and pad and once the basic concept down and it was tangible and could be converted that to canvas or walls. Muir experimented with spray and stencil work a lot in his teens and later branched out into acrylic paints, paint pens, and digital forms of Art. iN 2014 Josh Muir was THE Australian Indigenous Mentoring Experience'S (AIMe) Program Manager Assistant at Federation University Australia in Ballarat.Australian Indigenous Mentoring Experience Z In 2016 Josh Muir's work 'Still Here', projected onto the front wall of the National Gallery of Victoria was critically acclaimed. At that time he stated: "‘I am a proud Yorta Yorta/ Gunditjmara man, born and living in Ballarat, Victoria. I hold my culture strong to my heart – it gives me a voice and a great sense of my identity. When I look around, I see empires built on aboriginal land. I cannot physically change or shift this, though I can make the most of my culture in a contemporary setting and use my art projects to address current issues of reconciliation." In 2016 Josh Muir was awarded the second recipient of HMS Trust’s Hutchinson Indigenous Fellowship at University of Melbourne, based at the Victorian College of the Arts (VCA). The Fellowship was created to enable Indigenous artists to undertake significant projects of their choice.Signed lower right "jmuir"josh muir, artwork, artist, aboriginal, hutchinson indigenous fellowship -
Whitehorse Historical Society Inc.
Book - Second Infant Reader, Approx 1920's
... Reader for primary school students... Readers Reader for primary school students education author e pye ...Reader for primary school studentsRobertson's Federal Readers Second Infant Reader. Grey book with sketch of three children, a koala and have trees on the cover.Robertson's Federal Readerseducation, author e pye -
Anglesea and District Historical Society
Victorian Readers, H. J. Green, Fourth Book, 1930
... primary readers.... Printed 1930. books primary readers victorian education H. J ...Fourth Book of Victorian Readers (First Edition). Fabric covered cardboard cover. Printed 1930.books, primary readers, victorian education -
Federation University Art Collection
Artwork, other - Artwork, [Heart of a Champ] by Josh Muir, 2014
... Josh MUIR (1991-05 February 2022) Yorta Yorta/Gunditjmara... 2022) Yorta Yorta/Gunditjmara/Barkinjl Born Ballarat, Victoria ...Josh MUIR (1991-05 February 2022) Yorta Yorta/Gunditjmara/Barkinjl Born Ballarat, Victoria Muir's art draws on hip-hop and street art culture and often depicts the history of indigenous people and European settlers. He spent a lot of time in his teens researching and enjoying public art, especially graffiti. Inspired by the commitment of graffers he was inspired by the concepts they illustrate. He started expressing his own ideas with pen and pad and once the basic concept down and it was tangible and could be converted that to canvas or walls. Muir experimented with spray and stencil work a lot in his teens and later branched out into acrylic paints, paint pens, and digital forms of Art. In 2016 Josh Muir's work 'Still Here', projected onto the front wall of the National Gallery of Victoria was critically acclaimed. At that time he stated: "‘I am a proud Yorta Yorta/ Gunditjmara man, born and living in Ballarat, Victoria. I hold my culture strong to my heart – it gives me a voice and a great sense of my identity. When I look around, I see empires built on Aboriginal land. I cannot physically change or shift this, though I can make the most of my culture in a contemporary setting and use my art projects to address current issues of reconciliation." In 2016 Josh Muir was awarded the second recipient of HMS Trust’s Hutchinson Indigenous Fellowship at University of Melbourne, based at the Victorian College of the Arts (VCA). The Fellowship was created to enable Indigenous artists to undertake significant projects of their choice. He was also a Telstra National Indigenous and Torres Strait Islander Youth Art Award winner. The Koorie Heritage Trust, the National Gallery of Australia, the National Gallery of Victoria, the Art Gallery of the Northern Territory and Federation University Australia all own his work. Digital output on stretched canvas.josh muir, artist, artwork, aboriginal, hutchinson indigenous fellowship -
Ballarat Diocesan Historical Commission
Primary-school Reader, Approved Readers for the Catholic Schools of Australasia, 1908
... Primary-school Reader...Cloth bound primary readers, covers block printed... Ballarat goldfields Primary-school Reader Approved Readers ...Two of a set of Australian Catholic school readers c. 1908. This books were produced for Catholic schools under the direction of Bishop Higgins of Ballarat in the early twentieth century. They reflect the culture of Irish Catholic Australians in design work and content.Cloth bound primary readers, covers block printed with symbols representing Australia, Ireland and the Catholic church.schoolbooks, catholic, irish, higgins, ballarat. -
Federation University Art Collection
Work on paper - Printmaking - Silkscreen, Lin Onus, 'Walawala Garrkman' by Lin Onus, 2001
... Lin ONUS (1948-1996) Language: Wiradjuri / Yorta Yorta Lin...Lin ONUS (1948-1996) Language: Wiradjuri / Yorta Yorta Lin ...Lin ONUS (1948-1996) Language: Wiradjuri / Yorta Yorta Lin Onus played a pivotal role in the recognition of Aboriginal art as an expression of a contemporary and dynamic living culture. Prior to his premature death at just 47 years of age he was a prominent, strident, yet non-confrontational agent in renegotiating the history of colonial and Aboriginal Australia. His father, Bill Onus, was the founder of the Aboriginal Advancement League in Victoria and a prominent maker of artefacts in Melbourne. As a young Koori growing up, Lin lived in a cultural environment that included exposure to visiting Aboriginal artists, including Albert Namatjira. He began his artistic life assisting his father in decorating artifacts, went on to develop skills working with metal and painting with air brush as a panel beater; and by 1974 he was painting watercolors and photo-realist landscapes. In the 1970's he completed a set of paintings on the first Aboriginal guerrilla fighter Mosquito, which holds pride of place on the walls of the Advancement League in Melbourne, to this day. Lin Onus was a largely self-taught artist. Particularly important in his development was his visits to Garmedi (Arnhem Land) starting in 1986. Jack Wunuwun, the Yolngu artist, introduced him into the Murrungun-Djinang clan and gave him permission to use some of traditional images in his paintings. His cultural education on the Aboriginal side was also provided by visits to Cummeragunja with his father, and stories told by his uncle Aaron Briggs, known as 'the old man of the forest' who gave him his Koori name - Burrinja, meaning 'star'. They would sit on the banks of the Murray River within view of the Barmah Forest, Lin's spiritual home, the subject of many of his later paintings and his final resting place. Lin's father had been of the Yorta Yorta people from the Barmah Forest country, and Lin also used images from this area in his paintings. The images in his works include haunting photorealist portrayals of the Barmah red gum forests of his father's ancestral country, and the use of rarrk cross-hatching-based based painting style that he learned (and was given permission to use when in Arnhemland). His painting Barmah Forest won Canberra's national Aboriginal Heritage Award in 1994. (http://www.cooeeart.com.au/aboriginal_artist/lin_onus/A, accessed 18 May 2015) This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed limited edition silkscreen.Signed 'Onus' lower right (posthumously by Tiriki Onus) Edition 68/80art, artwork, lin onus, onus, printmaking, screenprint, aboriginal, dreaming, frogs, available -
Hume City Civic Collection
Book, Gather Round/Fourth Book
... reader in primary schools from 1965. It was a revised edition... cloth bound book was used as a fourth grade reader in primary ...This green cloth bound book was used as a fourth grade reader in primary schools from 1965. It was a revised edition of earlier reader.A green cloth bound book used as a fourth grade reader."Gather Round..."education department, schools, george evans collection -
Old School House Museum
Book, Second Book The Victorian Readers, 1937
... Primary school reader pre world war II... Readers Light Brown Primary school reader pre world war II school ...Primary school reader pre world war IILight Brownschool book, frankston -
Dutch Australian Heritage Centre Victoria
Dutch Primary School Reader, Derde Leesboekje, 1962
... Dutch Primary School Reader...aap; noot; mies; reader; primary school...Book: "Derde Leesboekje", a soft cover reader used in Dutch... Carnegie melbourne Dutch Primary School Reader Derde Leesboekje ...This reader contains stories about two sisters: Zus and Jet. The "Derde Leesboekje" is the third reader in this series.The stories in this book and in some of the other readers had as subjects the people, animals and objects used in the "aap, noot, mies" reading board shown as item number 6389. The reading boards and readers were used in the Netherlands for a long time (from many years before WW II, till the late 1960s) to teach reading and spelling.Book: "Derde Leesboekje", a soft cover reader used in Dutch Primary schools in the decades around the 2nd World Warsome silverfish type damage on front and back cover aap; noot; mies; reader; primary school -
Glenelg Shire Council Cultural Collection
Book - Book - The Primer, n.d
... Fifty-six page book, primary school reader, called... Fifty-six page book, primary school reader, called 'The Primer ...Fifty-six page book, primary school reader, called 'The Primer'. Cover and front page missing - page 3 is first page. Black and white print and illustrations -
Kiewa Valley Historical Society
Book - English Reader, Victorian Readers Fourth Book, second edition, 1940
... A reader for use in Primary Schools in Victoria in the 1940... questions on the content, in the 1940's. primary school reader ...A reader for use in Primary Schools in Victoria in the 1940's. It contains both poetry and prose with a section on notes and exercises to be undertaken by the students. User is unknown.An historical record of the type of literature that students were expected to read, and be able to answer questions on the content, in the 1940's.A Victorian Primary school book. Has a hard grey cover. Title: Victorian Readers Fourth Book, Second Edition. Inside the cover is a stamp, oval in shape, with the words "State School 1563 Ardmona" and written in ink in the centre of stamp is '11/46'.primary school, reader, education -
Southern Sherbrooke Historical Society Inc.
Photograph - Last day of school before its closure, December 1987
... of the school building which has a sign on its wall reading "NARRE... of the school building which has a sign on its wall reading "NARRE ...Black and white photo ten students at Narre Warren East School on its last day before closing permanently in December 1987. The children are sitting and standing in front of the school building which has a sign on its wall reading "NARRE WARREN/EAST/PRIMARY SCHOOL". An outside light is on the wall above the sign. On the right is a short flight of steps to the classroom entrance and on the left is a water tank. Photo copied from Edna Boothroyd whose family lived next door to the school. -
Kiewa Valley Historical Society
Book - School Reader for Infants, John and Betty, 1951
... This primary school reader has an orange cover with "John... - School Reader for Infants John and Betty This primary school ...This "first reader" for children in a Victorian Primary school was fashioned by the period that it was printed in (1951), and the associated educational principles was applied by the Victorian Educators. It defines the role play of young children, at this point, in their educational development and contained within the(1950's) "society's" mores and expectations. This book was widely used by state schools in Victoria including Mt Beauty and Tawonga Primary Schools.This reader is significant to the Kiewa Valley because it demonstrates that there was still a very marked "one book" fits all school environmental approach by State educators which the local schools were apart of. This book is one of the KVHS children's school book collection, which many were donated by local families whose children went to Mt Beauty Primary School. Therefore this reader represents a social history significance for the period from 1950's and 60's. The book is in good condition, consequently making it suitable for exhibitions, and highlighting schools in the Kiewa Valley along with what local children read in these schools. This primary school reader has an orange cover with "John and Betty" printed in green. Below this is the green outline of a young boy leading his dog(Scottish Terrier) on a lead. Behind him is the red outline of a young girl (bow tied waist belt) in front of a cat(tail up). A thick green line is situated below the figures. The cover is 180 gsm thick. Inside the book are colored sketches of a boy and a girl playing well defined "boy" and "girl" activities (gender specific for the period of print 1951) Below these activities are simple descriptive words for the above activities.On the front page "John and Betty" below this "The earliest Reader for the Little Ones". Below this "Illustrations by Marjorie Howden" Further down the page and in smaller print is "Education Department of Victoria 1951". Below this and under a fine line "A.C. Brookes, Government Printer, Melbourne"first grader reader, primary education 1950's style -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Schools, leather satchel c1950, c1950
This brown leather school bag / satchel was used by Carol Poole (nee Smith) whilst attending Ormond State Primary School 3074 c 1952. Most school children used these bags to carry their exercise books, readers, pens and pencils and lunch to and from daily Classes The bag had 2 shoulder straps that enabled it to be carried on the child’s back Mrs Carol Poole , a member of CMHS, grew up in McKinnon and attended the Ormond State Primary School c1952.A brown leather school bag/ satchel with 2 fastening straps and metal buckles, but minus shoulder straps No 13schools, pupils, ormond state primary school, moorabbin, ormond, mckinnon, bentleigh, satchels, schoolbags -
Greensborough Historical Society
Book, Government Printer, Melbourne, The Victorian readers, books 1-8, 1928-1930
These readers were used in Victorian state primary schools from 1928 to the mid 1950s.Facsimile reprints of eight cloth bound paperbacks, in presentation box. Black and white and colour illustrationsschool readers -
Federation University Historical Collection
Magazine - Booklet, Ballarat School of Mines Students' Magazine, 1952-1961
1957 - Art Lending Library, Neville Bunning, Dana Street Primary School - The Original Ballarat Junior Technical School, ATC, Flight Cadets; Ballarat Junior Girls' Technical School, Ballarat North Junior Technical School, Roll Call 1960 - Ballarat School of MNes Literary Sociaty, begonia parade, Efficient reading, enter the modern, Lois Morris, sheetmetal, G. Cornell Obituary, I. Menz Obituary, metallurgists' Society, Olympic games 1961- Red, black and white soft covered magazine of the Ballarat School of Mines Information outlined in the magazine includes: The Richard W. Richards Medal, Philips Electrical Industries scholarship, A.F. Heseltine scholarship, Hong Kong To-Day (by Daniel Yung), A Treatise on Mount Morgan, Bath Push, The Stud Room, A Gentlemen's Excursion to Beaufort House, Electrical Laboratory, Metallurgical Laboratory, The Australian Aboriginal in Modern Civilization (J. Kavanagh) , The history of Electricity ballarat school of mines, ballarat junior technical school, cadets, flight cadets, airforce cadets, ballarat school of mines students' association, noel delosa, noel whiticher, bob coutts, noel kelly, les dobie, noel murphy, malcolm peel, peter agrums, ian weir, sue mole, val baker, neil bromley, kevin oscar rogers, h.e. arblaster, richard w. richards, dick richards medal, keith hindson, james tinney, walter tooth, john bethune, vilma sansom, betty clark, travers duncn, joyce wilson, lex lockhart, jim beattie, joyce stevens, slim ingleton, john skuja, murray gillan, graeme willey, diana mainwaring, eureka stockade, east africa, canada, sumatra, chris sanos, greece, malaya, bee-keeping, worshipful company of plumbers, hong kong, daniel yung, mount morgan, history of electricity, peter robinson, john clelland, davis schmist, harry brue, harry brew, rex hollioake, broken hill, excusions, john wolfe, beverly selkirk, barry singleton, mara jekabsons, bill widdop, frank pomeroy, art lending library, nevill bunning, john mckenzie, ballarat girls' technical school, robert norton, graeme williams, alan bethuse, janis erdmanis, alan rock, gail trewanack, tony white, ching thung tay, jack tay, noel whitcher, norm nash, helen ross, eric mcgrath, g. cornell death, i menz death, john wolffe, brian duthie, bill durant, w.g. durant, heather walton, heather durant -
Federation University Historical Collection
Book, Patricia Smith, Exercise Books used by Teacher's College Student Patricia Smith, 1951
Ballarat Teacher's College is a predecessor of Federation University2 x soft covered exercise books used by teaching student Patricia Smith for Observations and notes of lessonsPatricia Smith written on front coverballarat teachers' college, patricia smith, urqhart street primary school, mathematics, social studies, literature and reading, spelling and dictation, grammar and composition, music and speech, health, physical education, nature study, art and handcraft -
Federation University Historical Collection
Book, The Teaching of Reading, 1956
... Book The Teaching of Reading Blue hard covered book of 96 pages ...The happy Trio primers were widely used in Victorian Primary School (c1960s).Blue hard covered book of 96 pages. The book is divided into two parts. Part one is teacher instructions, and part two is a copy of the 'Happy Trio' Reading Scheme primer. Bookplate - "Mary Egan Memorial Collection - Miss Mary Egan, who died on April 4, 1981, spent 23 years as a greatly-respected lecturer in English Curriculum at the Ballarat Teachers' College, the SCV Ballarat, and Ballarat CAE.'reading, happy trio, mary egan, egan, ballarat teachers' college, ballarat college of advanced education, ballarat university college. -
Ringwood and District Historical Society
Report book, Department of Education, Ringwood State School 2997 Inspector's Report Book Feb 1923-May 1933, 1923-1933
Collected from Ringwood Primary State School No.2997 when it closed in 1998. The handwritten 80 pages cover assessment of the subjects taught, discipline and classroom layouts.Inspector's report book labelled 7 orange invoices for Victorian Reading Books - grey covers with cream cloth spine, 80 pages all used -
Ringwood and District Historical Society
Books, Ringwood Primary School Mothers Club, Ringwood Primary School Mothers Club books and documents. 1. Minute book 1936-1938. Soft black cover. 2. Visitors Book 1946-1988. Annual Birthday Party. 3. Victorian Reading Book Account 1931-1933. One page foolscap. From 1932. 4. Victorian Reading Books: Invoice 1937, < 1931
Documents created and used by the Ringwood Primary School Mothers ClubRingwood Primary School Mothers Club documents comprising one bound book; one stapled book; two single sheets of paper.; 1. Minute book 1936-1938. Soft black cover.; 2. Visitors Book 1946-1988. Annual Birthday Party. Red hard cover. Black spine.; 3. Victorian Reading Book Account 1931-1933. One page foolscap. From 1932.; 4. Victorian Reading Books: Invoice 1937. One page foolscap.