Rosalie Whalen, great grand-daughter of August and Wilhelmina Schwerkolt, spoke about her ancestors to a Meeting of the Nunawading & District Historical Society on 12 December 1998.Tape at NP1917Rosalie Whalen, great grand-daughter of August and Wilhelmina Schwerkolt, spoke about her ancestors to a Meeting of the Nunawading & District Historical Society on 12 December 1998.schwerkolt, johann august, schwerkolt, wilhelmina

Compiled to record the Maskell family history after a reunion, held in 2007, to celebrate 160 years of Maskell history in Australia and many links through marriage with Colliver familiesClear plastic cover, black plastic spine, white front cover. Black writing. Coat of Arms. A genealogical history of the ancestors and descendants of Isaac Maskell (1811-1892), EM Masavile (1818-1863)maskell families, colliver families, maskell r, tatura, maskell, colliver, books, history, local

Compiled to record the Maskell family history after a reunion, held in 2007, to celebrate 160 years of Maskell history in Australia and many links through marriage with Colliver familiesClear plastic cover, black plastic spine, white front cover. Black writing. Coat of Arms. A genealogical history of the ancestors and descendants of Isaac Maskell (1811-1892), EM Masavile (1818-1863)maskell families, colliver families, maskell r, tatura, maskell, colliver, books, history, local

Various partiesReference, Research, InformationKHS OrderSubject file containing correspondence from Francis Richard Bell, relating to his ancestor George Bell, first (sic) town clerk of Kew. The correspondence includes a schematized family tree and the descendants’ addresses in Kew.matthew richard bell, richard anketell bell, george bell, town clerks - kew (vic), arthur francis bell, francis richard bellmatthew richard bell, richard anketell bell, george bell, town clerks - kew (vic), arthur francis bell, francis richard bell

INFORMATION: W C VAHLAND Recollections of an old Bendigo pioneer - Jane Vahland One page article from the Ancestor, Summer 1993/94 Page 19 Article submitted to Betty Jackman, Bendigo Regional Geneological Society by a member of the Barrow Family.person, individual, w.c. vahland

Walala Tjapaltjarri (b. c1960) Language: Pintupi Region: Kiwirrkuru In late 1984 Walala Tjapaltjarri and several other members of the Pintupi Tribe walked out of the remote wilderness of the Gibson Desert in Western Australia and made contact for the first time with European society. Described as 'The Lost Tribe', he and his family created international headlines. Until that day in 1984, Walala and his family lived the traditional and nomadic life of a hunter-gatherer society. Their intimate knowledge of the land, its flora and fauna and waterholes allowed them to survive, as their ancestors had for thousands of years. It is this sacred landscape, and its significant sites, that Walala so strikingly describes in his paintings. His style is generally highlighted by a series of rectangles set against a monochrome background. He paints the Tingari Cycle (a series of sacred and secret mythological song cycles) which are associated with the artist's many dreaming sites - they are Wilkinkarra, Maruwa, Tarrku, Njami and Yarrawangu, to name a few. These Dreamings are the locations of significant rockholes, sandhills, sacred mountains and water soakages in the Gibson Desert. (http://www.kateowengallery.com/artists/Wal90/Walala-Tjapaltjarri.htm, accessed 18 May 2015) Walala Tjapaltjarri started painting in 1997. His earliest works were in a classical Tingari style usually reserved for body painting, ground painting and the decoration of traditional artifacts. Within a couple of months his painting had evolved into his own innovative style of work, including the abstraction of classical Pintupi designs which resulted in a highly graphic language to speak of his country and ceremonial sites. The rectangles so prominent in his paintings form both a physical and spiritual map establishing Walala as a discerning draughtsman for his ancient country. (http://www.kateowengallery.com/artists/Wal90/Walala-Tjapaltjarri.htm, accessed 18 May 2015) This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Tingari Cycle - During the Tjukurrpa (Creation Era) Tingari ancestors beings gathered at a series of sites for Malliera (Initiation) Ceremonies. They travelled vast stretches of the country, performing rituals at specific sites that in turn created the diverse natural features of the environment. The Tingari men were accompanied by novices and usually followed by Tingari Women. The creation stories and rituals are venerated in the song cycles and ceremonies of today, forming part of the teachings of the post initiatory youths, whilst also providing explanations for contemporary customs. Walala Tjapaltjarri uses a highly personalised and minimal style to represent aspects of the sacred Tingari Cycle, an epic journey of Ancestors of the TJukurrpa (Creation Era). He paints aspects of the Tingari Cycle which are associated with the artist's many sacred sites - such as Wilkinkarra, Maruwa, Tarrku, Njami and Yarrawangu, to name a few. These are locations of significant rockholes, sandhills, sacred mountains and water soakages in the Gibson Desert. (http://www.kateowengallery.com/artists/Wal90/Walala-Tjapaltjarri.htm, accessed 18 May 2015)art, artwork, walala tjapaltjarri, aboriginal, dreaming, creation era, acrylic on linen, pintupi, kiwirrkuru, tingari, wilkinkarra, tarrku, njami, yarrawangu