Showing 70 items
matching artist impression
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Clunes Museum
Container - ENGRAVING & BOX
INFORMATION ON BOX LID-THE ENCLOSED IMPRESSION EXHIBITS A LIKENESS OF THE REV. JOHN WESLEY, ENGRAVED ON A FOSSIL ECHINUS, OR SEA-EGG, IN THE POSSESSION OF MR. JOHN HEY OF LONDON. THE CLEVER ARTIST WHOSE WORK IT IS, PRONOUNCED THE STONE TO BE HARDEST HE HAD EVER ENGRAVED.A LIKENESS OF THE REV. JOHN WESLEY, ENGRAVED ON A FOSSIL ECHINUS, OR SEA-EGG. IN A SMALL BOX"THE WORLD IS MY PARISH"engraving, wesley, rev john wesley -
Moorabbin Air Museum
Painting (Item) - Artists impression of raid, Hamburg Bremen bombing raid
... Moorabbin melbourne Hamburg Bremen bombing raid Painting Artists ... -
Ballarat Tramway Museum
Drawing - Illustration/s, Andrew Foy, drawing of Ballarat 17, 1972
... Parade Ballarat Ballarat goldfields Demonstrates an artists ...Demonstrates an artists impression of Ballarat tramways at the time of the closure by the SEC. Prepared for sale by the BTPS.Print of an illustration of Ballarat No. 17 possibly in Wendouree Parade prepared for sale by the Ballarat Tramway Preservation Society (BTPS) by Andrew Foy c1972. Notes on the base of the illustration about the goals of the BTPS, membership and address. Printed on 130gsm embossed buff paper. 2230.1 - printed in red, with copyright notice on rear, signed by Andrew L. Foy and dated 25/1/1972. 2230.2 - printed in black, as above. See Reg Item 8223 for an illustration of No. 40 in the same style.Copy right notice on rear of 2230.1 - photocopied on.trams, tramways, ballarat, illustrations, sketches -
Ballarat Tramway Museum
Programme, Artistic Licence, "Transporting Art", 1983
.1 - Folded A2 (into A4 sheets) printed on gloss paper, featuring headlights from some of the Transporting Art program. Document acts as a catalogue for a 1983 Arts Exhibition. Gives a background to the project, lists the trams, notes on the artists, notes from the artists on their work, black and white images of the tram parts. Printed for the Victorian Ministry for the Arts Gallery, exhibition 12/9 to 14/10 1983 .2 - three page A4 document - stapled in the top left hand side "Transporting Art - Impressions of the Painted Trams Project" - listing photographs and photographers. See pdf file. trams, tramways, transporting art, decorated trams, exhibitions -
Gippsland Art Gallery
Work on Paper, Unknown Artist, Temple Impression, Undated
Donated by Mr & Mrs J. Wilson, 1980Ink on embossed papergippsland, artwork, permanent collection -
Federation University Art Collection
Painting - Oil Sketch, 'Evening Impression' by Gwen Graham, 1961
Gwen GRAHAM Gwen Graham was a member of the Ballarat Artists Society. She was active <1963-1970>. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed landscape painting.art, artwork, gwen graham, available, oil, oil painting, oil sketch -
City of Greater Bendigo - Civic Collection
Work on paper - Photograph, W H Robinson, Druids Sandhurst Lodge No. 247, 01 / 11/ 1910
Druids are known to exist from around the 3rd century B.C. Their name may have come from a Celtic word meaning “knower of the oak tree.” Many of their ceremonies were carried out in oak groves, which they considered sacred and members were, at that time a mix of priest, judge, doctor and philosopher. The Druids enjoyed a revival in the 19th century and were taken up enthusiastically during the Victorian era. Druidry was believed to have been introduced into Australia in 1851 with the setting up of the first lodge in Melbourne under the name United Ancient Order of Druids. Unlike the Freemasons, the Druids were not a secret society and were not selective in who they let in, as long as they paid their dues and acted more like a benevolent society than a spiritual movement. "They originally operated when there were few benefits available from the government or employers and the introduction of sick leave and other employer provided benefits, combined with the gradual introduction of government subsidised medicine, caused the need for them to diminish." Druids House — in Swanston Street, was opened by the Lord Mayor in 1927 and was designed to be the movement's national head office. It was completed at a cost of 19,000 pounds. This photograph was believed to have been commissioned by the Druids of Bendigo to the Licensees of the Queens Head pub where they regularly met, situated on the corner of the Bendigo-Maryborough Rd & the Calder Alternate Hwy ( Lockwood Cross Roads). The old Marong Council offices were situated opposite from 1864 until around 1908 when new offices were then built in Marong. It is believed that this photograph and a photo of the pub were given to Marong Shire by descendants of the publicans, probably in the 90’s. Framed black and white group photographic portrait of 37 members of the Sandhurst Chapter of the Druids staged and shot outdoors. Each of the gentlemen is carrying a bouquet of flowers. The photograph has a gold inner mount with the second mount cut to give the impression of a frame. The outer mount is hand painted with botanical motifs and elaborate text c.t. DRUIDS Sandhurst Lodge/ No 247. l.c Presented to Mr and Mrs Chadwick / Lockwood / in recognition for kindness rendered.W. G. Robinson / Photo and J.H. Gribble / Long Gully / 1,11,10robinson photographer, j.h.b. gribble artist, chadwick, shire of marong, city of greater bendigo portraits, city of greater bendigo community groups -
Bendigo Historical Society Inc.
Document - LONG GULLY HISTORY GROUP COLLECTION: A VOICE FROM THE GOLDEN CITY - BENDIGO
BHS Collection Leaflet titled A Voice from the Golden City - Bendigo Artists, Architects and Visionaries. An exhibition held at the Bendigo Art Gallery until 4 July 1999. Mentioned are photographers and artists including Thomas Wright, John Carter Northcote, W E D Stuart, Alexander Fox, Nicholas Caire, George Rowe, Ludwig Becker, S T Gill and George Lacy who took photos and painted pictures of the City from local vantage points. Also included are local identities and buildings. Written by Karen Quinlan, Curator. The front has a faded out impression of the fountain, and the back has a photo taken by Nicholas Caire titled Sandhurst - North Part, as seen from the top of the Masonic Hall 1875 photograph: Bendigo Art Gallery.bendigo, history, long gully history group, the long gully history group - a voice from the golden city - bendigo, cassell's picturesque australasia, thomas wright, john carter northcote, w e d stewart, alexander fox, nicholas caire, george rowe, ludwig becker, s t gill, george lacy, james edwin meadows, c d richardson, dr backhaus, george lansell, william charles vahland, robert getzschmann, william beebe, cohn brothers, bolton brothers, bendigo pottery, bendigo advertiser, bendigo tramways, sandhurst trustees, sun loong chinese dragon, shamrock hotel, diamond lil, bendigo william thompson, knipe's castle, no 3 shaft of the garden gully mine, cascade in rosalind park, dame nellie melba, post office clock, alexandra fountain, town hall, post office, masonic hall, beehive store, princess theatre, bendigo art gallery, karen quinlan, australian unity, bendigo historical society, city of greater bendigo, national library of australia, national sound and film archive, the national trust, bendigo branch, north central goldfields library, coliban water, 3bo, ten victoria, albion chambers, albion hotel -
Melbourne Tram Museum
Document - Programme, Artistic Licence, "Transporting Art - Impressions of the Painted Trams Project", 1983
Poster features headlights from some of the Transporting Art program. Document acts as a catalogue for a 1983 Arts Exhibition. Gives a background to the project, lists the trams, notes on the artists, notes from the artists on their work, black and white images of the tram parts. Printed for the Victorian Ministry for the Arts Gallery, exhibition 12/9 to 14/10 1983Yields information about the first series of Transporting Art trams.Folded A2 (into A4 sheets) printed on gloss paper.Tram No. for 396 changed to "336" in ink.trams, tramways, transporting art, decorated trams, exhibitions, tram 234, tram 525, trtam 607, tram 345 -
Glenelg Shire Council Cultural Collection
Painting, Bruce Vinall, High Tide, 2003
Portland Library Exhibition, 2005Abstract painting with predominantly green, pink and yellow colours. Swirls and blotches giving the impression of movement. Mounted in cream double matt, in dark wood frame with glass glazing.Bottom right: Vinall 03bruce vinall, warrnambool artist, watercolour, abstract, seascape