The 'Tree of Knowledge' was planted on Arbor Day 1896 by Mrs Elizabeth Downing who lived on the farm that was originally the Mount Helen Site. When the site was purchased in 1966 the architects and planners inspected the site and decided 'The Big Tree' must remain as a central landmark in preparing the layout of the campus.Photograph of the 'Tree of Knowledge', a Tasmanian Blue Gum (Eucalyptus glubulus labillo), located at the Mount Helen Campus of Federation University. The tree is registered by the National Trust,federation university, federation university australia, feduni, university of ballarat, mount helen, tree of knowledge, big tree, blue gum, mount helen campus

Birmingham Museum and Art Gallery (BMAG) first opened in 1885. It is housed in a Grade II* listed city centre landmark building. There are over 40 galleries to explore that display art, applied art, social history, archaeology and ethnography.Black and white postcard showing a grand four storey building with clock tower. It is the new Art Gallery in Birmingham. chatham-holmes family collection, birmingham, birmingham art gallery, postcard, clock tower, world war one

The Albert Memorial Clock (more commonly referred to as the Albert Clock) is a clock tower situated at Queen's Square in Belfast, Northern Ireland. It was completed in 1869 and is one of the best known landmarks of Belfast.A street is lined with four storey buildings and has a double decker tram running down it, and a large clock tower in the middle of an intersection. chatham-holmes family collection, belfast, ireland, postcard

Cologne Cathedral is a renowned monument of German Catholicism and Gothic architecture and is a World Heritage Site. It is Germany's most visited landmark, attracting an average of 20,000 people a day. (Wikipedia) Though not targeted itself, the cathedral was very near to the central railway station and suffered fourteen hits by aerial bombs during World War II. Badly damaged, it nevertheless remained standing in an otherwise completely flattened city. The twin spires were an easily recognizable navigational landmark for Allied aircraft bombing deeper into Germany, which may explain why the cathedral was spared. Repairs were completed in 1956. An emergency repair on the northwest tower's base carried out in 1944 using poor-quality brick taken from a nearby ruined building remained visible until 2005 as a reminder of the war, when it was decided to restore the section its original appearance. (Wikipedia) Black and white photograph showing a grand cathedral from a waterway. It is Cologne (Koln) Cathedral from the Rhine. To the left of the photo bombed buildings are evident. The photograph is believed to have been taken by Frank Wright.cologne cathedral, koln, germany, rhine, bombing, world war two, frank wright

.1) Oversized photocopy of large plan depicting railway right of way where Mair and Humffray Streets meet. Main landmarks include Duke of Richmond Hotel, Prince of Wales Hotel, Duke of York Hotel, Welcome Nugget Claim and Shaft, Imperial Hotel, Union Hotel, Kingston St, Otway St, Wellington Claim, Gravel Pits Gold Working and Robert Burns Hotel. .2) Same of above. station reserve, bakery hill, railway, ballarat, mair street, humffray street north, duke of york hotel, duke of richmond hotel, union hotel, kingston st, otway st, wellington claim, gravel pits, gold workings, robert burns hotel

xii, 109 p.; 24 cmnon-fictionEumemmerring covers a large area on the south-eastern (Dandenong) perimeter of Melbourne. Jean Uhl traces the development of this once peaceful district into a thriving, modern, industrial zone with its noise, its buildings and its land speculations. Through it we can follow the evolution of Australia from a primary producing company in the nineteenth century to a rapidly expanding industrial nation in the twentieth century. Personalities, buildings and landmarks are presented and discussed with loving care, thus making this book one of the most noteable local histories to be published in recent time in Victoria. eumemmerring (vic.), dandenong (vic.), dandenong (vic.) - history

47 p.; 23 cmnon-fictionThe story of Gilwell in Victoria is deeply tied to the history of Scouting. Gilwell Park in Victoria was inspired by Gilwell in England, which was donated to the Chief Scout of the World, Baden-Powell, in 1919 as a training ground for Scout Leaders. In Victoria, the first Wood Badge course was held in 1925, and the property near Gembrook was later donated to the Scout Association, becoming a permanent training camp. The park has evolved over time, with landmarks like the Hoadley Gates and Somers Walk commemorating significant figures and events in Scouting history. [AI generated text] gilwell park (vic.) -- history, scouting -- victoria

The postcard shows a view just west of the intersection of Collines & Swanston St., looking east. The Melbourne Town Hall, Scots’ Church, and the Victorian Government Tourist Bureau are all visible. A cable tram is visible at the intersection.Depicts cityscape of the 1910s in the City of Melbourne, including cable trams and key landmarks.Colour Postcard“POST CARD,” “R.E.M. Series.,” and “Printed in Saxony.” on reverse. 1913 Australian Postage 1-penny stamp, ink stamp with “-3SE13 2.0P” on reverse.cable trams, collins st, swanston st, melbourne town hall

The Albion Explosives Factory was a major WWII-era munitions site in Sunshine, Victoria, operating from 1939 to 1986. Its legacy includes the Black Powder Mill, now a heritage landmark. War Time History - Established in 1939–40 in response to the looming threat of war in Europe. - Located in North Albion, opposite the ICIANZ chemical plant, which also helped design and operate the facility. - Initially known as Munitions Annexe No. 5, it became the Albion Explosives Factory, producing cordite, TNT, nitroglycerine, nitric acid, and other propellants for small arms and artillery. - By 1942–45, it was one of Australia’s three primary military explosives factories, employing thousands and contributing significantly to the war effort. Post War Time History - Continued production of explosives and fertilizers for commercial use after WWII. - Expanded in 1947–49 with the addition of the RDX plant north of Furlong Road. - Introduced new technologies like synthetic ammonia, DNT, and continuous TNT production through the 1950s–60s. Closure and Environmental Remediation - Closed in 1986, followed by extensive decontamination and cleanup. - The site was heavily contaminated with TNT, DNT, nitrates, ammonia, and metals, requiring years of environmental audits and remediation. - Eventually redeveloped into a housing estate and shopping complex, transforming the industrial site into a suburban community. A Blast from the Past Albion Explosive Factoryalbion explosive factory, deer park, cairnlea

The Albion Explosives Factory was a major WWII-era munitions site in Sunshine, Victoria, operating from 1939 to 1986. Its legacy includes the Black Powder Mill, now a heritage landmark. War Time History - Established in 1939–40 in response to the looming threat of war in Europe. - Located in North Albion, opposite the ICIANZ chemical plant, which also helped design and operate the facility. - Initially known as Munitions Annexe No. 5, it became the Albion Explosives Factory, producing cordite, TNT, nitroglycerine, nitric acid, and other propellants for small arms and artillery. - By 1942–45, it was one of Australia’s three primary military explosives factories, employing thousands and contributing significantly to the war effort. Post War Time History - Continued production of explosives and fertilizers for commercial use after WWII. - Expanded in 1947–49 with the addition of the RDX plant north of Furlong Road. - Introduced new technologies like synthetic ammonia, DNT, and continuous TNT production through the 1950s–60s. Closure and Environmental Remediation - Closed in 1986, followed by extensive decontamination and cleanup. - The site was heavily contaminated with TNT, DNT, nitrates, ammonia, and metals, requiring years of environmental audits and remediation. - Eventually redeveloped into a housing estate and shopping complex, transforming the industrial site into a suburban community. A Blast from the Past Albion Explosive Factoryalbion explosive factory, deer park, cairnlea

A pictorial book of the flora, fauna and waterfalls in the Marysville district affected by the 2009 Black Saturday bushfirePaperback. Front cover has a main photograph of Keppel's Hut on a misty day in the rainforest. There are also four small photographs along the lower edge of the front cover. They are of a Mountain Ash canopy, a Drosera Peltata, a Brown Tree Frog and a view of the smoke plume on Black Saturday.marysville, victoria, australia, landmarks, flora, fauna, waterfalls, black saturday, bushfire, nature

A pictorial book of the flora, fauna and waterfalls in the Marysville district affected by the 2009 Black Saturday bushfirePaperback. Front cover has a main photograph of Keppel's Hut on a misty day in the rainforest. There are also four small photographs along the lower edge of the front cover. They are of a Mountain Ash canopy, a Drosera Peltata, a Brown Tree Frog and a view of the smoke plume on Black Saturday.marysville, victoria, australia, landmarks, flora, fauna, waterfalls, black saturday, bushfire, nature

A pictorial book of the flora, fauna and waterfalls in the Marysville district affected by the 2009 Black Saturday bushfirePaperback. Front cover has a main photograph of Keppel's Hut on a misty day in the rainforest. There are also four small photographs along the lower edge of the front cover. They are of a Mountain Ash canopy, a Drosera Peltata, a Brown Tree Frog and a view of the smoke plume on Black Saturday.marysville, victoria, australia, landmarks, flora, fauna, waterfalls, black saturday, bushfire, nature

The Forest Fire Danger Index (FFDI) was originally invented by the grandfather of Australian bushfire science, Alan Grant McArthur, during the 1950s and ‘60s. Alan published his landmark paper, “Controlled burning in eucalypt forests” in 1962. Leaflet No. 80, as it was known, proved a turning point for forest and fire managers across Australia. More importantly, Alan was very practical forester and wanted his work to be useful to people in the field, so after several iterations he came up with the now familiar circular slide rule called the Forest Fire Danger Meter (FFDM). The Mk 4 version first appeared in operational use in 1967. This is the Mark 5 from 1973Alan McAthur's scientific legacy with the FFDI meter is unquestionably huge and has served forest firefighters very well over the decades.Cardboard fire danger meter Series of circular slide rules to calculate Forest Fire Danger Index (FFDI)forests commission victoria (fcv), bushfire

Alan McArthur from the CSIRO began his experimental burning program in the late 1950s near Canberra and published his landmark paper in 1962, “Controlled burning in eucalypt forests”. Leaflet No. 80, as it was known, proved a turning point for forest and fire managers across Australia. It led to the McArthur Forest Fire Danger Meter (FFDM) which first appeared in operational use in 1967 as the Mk 4. The CSIRO had developed its semi-automatic aerial incendiary machine dropping small capsules, with the first trial from a fixed-wing Cessna 337 at Manjimup in December 1965. In April 1969, the Forests Commission borrowed the second prototype of the CSIRO machine to carry out fuel reduction burning at Orbost. The success prompted the purchase of their own machine in 1970, which now sits in the Altona Museum. Pioneering machine in the development of aerial ignition in AustraliaAerial Incendiary Machineforests commission victoria (fcv), planned burning, bushfire aviation, bushfire

Alan McArthur from the CSIRO began his experimental burning program in the late 1950s near Canberra and published his landmark paper in 1962, “Controlled burning in eucalypt forests”. Leaflet No. 80, as it was known, proved a turning point for forest and fire managers across Australia. It led to the McArthur Forest Fire Danger Meter (FFDM) which first appeared in operational use in 1967 as the Mk 4. The CSIRO had developed its semi-automatic aerial incendiary machine dropping small capsules, with the first trial from a fixed-wing Cessna 337 at Manjimup in December 1965. Many technological and safety improvements followed including the Raindance machineAerial Incendiary Machine developed in Western Australia Rather than "ping pong balls" it uses a belt of incendiary "caplets" which are injected inside the machine before being ejected Raindance Systems R2forests commission victoria (fcv), planned burning, bushfire aviation, bushfire

The pupils of Falconer Street Central School No.3918 in North Fitzroy rehearse with conductress Miss Ida Park for their performance at the Temperance Hall, Russell Street Melbourne with proceeds going to the Lord Mayor’s Fund. The house on the right of the photograph is Jubilee House, 126 Michael Street North Fitzroy and is extant. Photographer notations on slide: Choir At Fitzroy State School 1933 B5 While this photograph appears not to have been published, a photograph taken from a different angle of the same event was published in The Age 21 July 1933. SCHOOL CHILDREN SING IN THE OPEN AIR. “A choir of children at North Fitzroy practise their songs for a Pantomime, to be given in the Temperance Hall for the Lord Mayor's Fund on Wednesday next. On the extreme left is the conductress of the Choir (Miss Ida Park).” Reference: http://nla.gov.au/nla.news-article204368572 Research by project volunteer, Fiona Collyer: Children of The Falconer Street Central School Choral Society, trained by conductress Miss Ida Park, along with dance and gymnastics pupils of Misses Dorothy Gibb and Inez Ellis, performed in the “Cinderella” pantomime at the Temperance Hall in Russell Street, Melbourne on 26 July, 1933. The proceeds went to the Lord Mayor’s Fund. Conductress Miss Ida Park (1904- 1952) lived in the North Fitzroy and Clifton Hill area all her life. She was immersed in the music world of Melbourne and was a member of the Musical Society of Victoria. Ida graduated from Melbourne University Conservatorium with a Bachelor of Music degree in 1929 before departing for London where she studied piano and organ at the Royal Academy of Music. Ida returned to Melbourne in 1931, and billed as “The Gifted Young Australian Pianist”, held pianoforte recitals of classical music at Assembly Hall, Collins Street. She also played the organ for services at St Paul’s Independent Church in Delbridge Street, North Fitzroy and later St Luke’s, North Fitzroy. Ida conducted the children of the Falconer Street Central School Choral Society as they competed in the State School Choral Championships and the 85 children of the Fitzroy City Centenary Choir who sang at Melbourne’s Centenary celebrations of 1934/35. In 1945, Ida married Charles Hazeldine, a tenor and returned digger who had served in two world wars. The pair performed together in many concerts over the years. Tragically, both Ida and Charles were badly injured when struck by a car while crossing Queens Parade Clifton Hill in June 1952, with Ida dying from head injuries at St Vincent’s Hospital soon after. She was 48 years old. Charles wrote on Ida’s death notice - “Called home.” The choir were pupils of Falconer Street Central School No. 3918 in North Fitzroy which was built in 1915 to provide upper primary education for grades 5 to 8 for the area. In 1957 it became Fitzroy High School. In 1992, the Kennett Government swept to power, embarking on a program of fiscal austerity and privatisation of government services. 390 government schools were closed, with the land proposed to be sold to developers. 7000 teachers were sacked: 10% of Victoria’s public school teachers. Auxiliary school staff also lost their jobs. Amongst the first to close was Fitzroy High School. Fearful that the land would be sold, hundreds of students, parents, teachers and local residents occupied the building around-the-clock in four hour shifts and overnight for 14 months, sleeping on gym mats in the principal’s office and administrators’ wing. The blockade was lifted when a arrangement was reached to allow Kangan Batman TAFE to use the school from 1993 until 1998. With the election of the Bracks Government in 1999, and construction of new buildings, Fitzroy High School was reopened in 2004 after a 12 year battle. Temperance Hall, at 172 Russell Street, where the children performed “Cinderella”, was built in 1872 by the Melbourne Total Abstinence Society as a venue for lectures, meetings and alcohol-free community concerts and events. From 1934, Temperance Hall was fitted out as a cinema and renamed the Imperial Theatre, showing popular Hollywood films, before closing in 1939 for renovations and reopening as the Savoy Theatre, Melbourne’s first “Continental” talkies cinema. At this time, Australian cinema programming was dominated by American and British films. The lessees, Continental Film Art Theatre began negotiating for theatre properties in Melbourne, Sydney, Adelaide, Brisbane, Perth and Auckland to screen foreign language films, hoping to present the finest productions from France, Germany, Holland and Italy. At the cost of £6000, the theatre was fitted with the latest Mirrophonic sound and projection system and enlarged to seat 800 patrons with luxurious, ultra modern fittings and furnishings in a colour palette of rust and beige. Instead of usherettes, General Manager Peter Dawson, hoping to bring a sophisticated European atmosphere to the theatre, employed attractive, multilingual “Continental hostesses” to assist guests (not patrons) and answer queries relating to the films. Collectively the hostesses spoke English, French, Dutch, German, Russian and Italian. The Age 20 May 1939- “Atmosphere is a very important part of the theatre's scheme. Ushers in the ordinary sense will not be employed; hostesses will look upon patrons as guests. They will be dressed in full evening dress, and the only indication that they are not guests is the little medallion pinned to their evening dress, on which their names are inscribed.” The hostesses were dressed in evening gowns of olive-green velvet, the full skirts embroidered with gold loops, wine velvet bolero jackets and long white kid gloves with silvery tiaras in their hair. For guests worried that they may not understand the plot, the management assured patrons that- “By means of superimposed English translations on the bottom of the screen, the dialogue is perfectly understandable and the whole witty story can be followed with ease.” The Gala opening of the Savoy Theatre, on 31 May 1939 was attended by a “who’s who” of Melbourne Society, the women wearing beautiful gowns, headdresses and furs. Amongst the guests were former premier Sir Stanley Argyle and Lady Argyle, former Lord Mayor Sir Harold Gengoult-Smith and his wife Cynthia, Field Marshall Thomas Blamey and Lady Blamey and Miss Jessie Brookes. The Vice Consul for France, Monsieur Frank Puaux and his wife attended, Madame Puaux dressed in a black satin gown and a musquash fur cape. She was presented with a beautiful bouquet of scarlet carnations and lily of the valley tied with the tricolour of France. In his speech Monsieur Puaux stated that “from the cultural, linguistic and artistic points of view it was excellent that the Australian public should have an opportunity to see foreign film in the original language.” “Letty” writing in Table Talk magazine described the atmosphere of “Continental” gaiety that had permeated Melbourne - “The Letters of Letty”, Table Talk 8 June 1939 “The “foreign influence” is definitely obtruding itself into the even tenor of Melbourne life these days…. but in the pleasantest manner possible! Included in the great number of Continental people who have recently made their homes here, we have stars of the Russian ballet settling in our midst…. and now… we have been presented with our own Continental picture theatre in the attractive shape of The Savoy, which opened its doors on Wednesday night for the exclusive release of foreign films. One could hardly recognise the old Temperance Hall in its adaptation to the smart, comfortable and thoroughly-intriguing Savoy Theatre. Where once this rather draughty old building stood in Russell Street there now greets us an unmistakable “Continental” edifice, living up to its exterior by sustaining within its walls its overseas’ atmosphere. Indeed, one feels as though one has crossed the threshold into a European city, stepping out of the unmistakably Australian street that is Russell into The Savoy lounge to be greeted by polite “messieurs” from the attractive, Continental-looking usherettes and to gaze upon a film as delightfully French in story and presentation as “La Kermesse Heroique.” But successful though “La Kermesse Heroique” proved on its initial presentation inside the theatre, the debut was no more triumphal than that made by the winning and pretty little French lass who had charge of the booking office outside in the foyer. With her attractive accent and Continental flair for making one “feel at home” she was undoubtedly one of the hits of the night-especially with the susceptible males, who spent very much longer in the lounge than is customary, racking their brains for excuses for making conversation with the attractive Parisienne! Those French girls certainly have a way with them!” The opening film, the 1935 French comedy “La Kermesse Heroique”, (The Heroic Sex) starring Francoise Rosay and Jean Murat (film now called “Carnival in Flanders”) was the winner of the Grand Prix du Cinema Francais as the finest picture of 1936 and described in the advertisement as “The Gay French Comedy of Laughter and Romance” The film is set during the 17th century Spanish occupation of Flanders in the Flemish town of Boom at the time of their annual festival. Hearing news of a pending visit to Boom by the commander, the Duke of Olivares and his army, and fearing rape and pillage, the boorish burgomaster feigns his own death, hoping the Spaniards will bypass the grieving town out of respect. The army arrives and the cowardly men of the town flee. The womenfolk decide on a different approach. Lead by the burgomaster’s beautiful wife Cornelia, they set out to to preserve the peace with grace and hospitality only to find the Spaniards attractive and virile, unlike their own husbands. The Sun newspaper described the film as “Mellow as a Stilton cheese, and as ripely suited to adult taste.” Preceding “La Kermesse Heroique” was a Gaumont British newsreel of King George VI and Queen Elizabeth departing for a tour of Canada and the Soviet documentary “Nine Months on a Drifting Ice Floe” During the war “Continental” films became difficult to source, so the Savoy screened Hollywood movies and held fund raisers for the war effort. After World War Two, the Savoy continued to screen “Continental” films, catering to post-war immigrants from Europe and bohemian Melburnians. In 1953, the Savoy had a wildly popular season with queues winding around the block to see Swedish summer romance “One Summer of Happiness” (Hon dansade en sommar) with its nude swimming scenes. The Chief Commonwealth Censor declined to cut the film on the grounds that although it displayed nudity, it was genuinely artistic. According to Wikipedia, film director Fred Schepisi was first exposed to European films such as “Bicycle Thieves”, “Rocco and His Brothers” and “The Wages of Fear” at the Savoy as a teenager, leading to his long career in filmmaking. In 1955, in response to the massive rise in car ownership, the Melbourne City Council recommended that parking stations be built on every block. The Savoy Theatre and adjacent buildings, which included the Golden Fleece Hotel were demolished in 1963 and replaced with Total House, a Brutalist commercial building consisting of a seven storey car park crowned by a four storey office block, shops at street level, and a basement theatre which housed the Lido Theatre Restaurant-Cabaret from 1965. The building was designed by architectural firm Bogle & Banfield Associates and named for the original tenant of the offices, French oil company, Total Oil Products P/L. The Lido Theatre Restaurant was managed by former Tivoli dancer and promoter David Hamilton McIlwraith, presenting dinner and a glamorous cabaret floor show of showgirls, (some topless) to accompany variety acts by local and international actors, singers, comedians and magicians. The interior of the Lido was opulently decorated in deep, lush green with old world gold trim and chandeliers. Handily, patrons could enter and leave via an elevator, straight from the building’s own car park! A four course gourmet dinner with show and dancing cost $8.00 in 1968. The Lido advertised in 1966 that “Every visitor to Melbourne soon discovers the brightest entertainment spot in the Southern Hemisphere with its million dollar decor, dining delights and spectacular stage productions.” Australian Jewish News - 21 April 1967 - “Superb decor and atmosphere, cuisine and service have been readily recognised as the contributing factors to the excellence of stage presentations, staging, costumes, decor and, of course, the actual choice of artists.” The bedazzling ensemble of 40 high-kicking, feathered and sequinned showgirls were advertised as the “Fabulous Lido girls and the controversial Baretop Lido Goddesses” who were described as “Statuesque Beauty as Nature intended” and “…a host of glamorous gals whose favourite shade is flesh pink.” Some of the acts who performed at the Lido were- -Broken Hill’s own - opera singer June Bronhill -1967. -Versatile singer Lovelace Watkins known as “Black Sinatra - 1967. -“Queen of the five-fingered boogie", honky-tonk and rollicking rag-time pianist, Winifred Atwell - 1967. -New Zealand pop duo, Bill and Boyd -1968. -American actress and soprano Kathryn Grayson -1968. -Denise Drysdale in “Say It With Music” -1968. -“Catwoman” Eartha Kitt -1969. -Internationally recognised female impersonator, Sydneysider Tracey Lee, (Maxwell Richie) billed as "controversial impressionist and singing personality from the famous Carousel Nightspot in Paris". -Frances Faye, American comedienne and show-tune singer and pianist-1969. -“Cry Guy” histrionic singer Johnnie Ray -1970. -Risqué revue “Oh Calcutta!” with some segments and the “four letter” words removed-1970. In 1970, under new management, the Lido was renovated with claret and gold wallpaper, midnight blue ceiling and a computerised fountain with fairy lights and relaunched by “The Tigress from Tiger Bay”, Shirley Bassey. The relaunch was short lived however, as later that year the venue became El Toro Espana, a Spanish restaurant and nightclub offering a four course meal for $4.50 while you watched the floorshow. The venue then briefly became the Red Garter Music Hall Theatre from 1972, then in 1974 the site became the 600 seat Total Theatre comprising of a cinema with a stage for live acts. There were also three bars to choose from - the Crush Bar, the Bleachers and the Snake Pit. Total Theatre had the unusual concept of a live music act, or plays, musicals and magicians followed by a film. In 1975 soprano Suzanne Steele featured, followed by the film “The Voyage” starring Sophia Loren and Richard Burton. In 1975, the Total held a rock film festival showing a Jimi Hendrix documentary, “Monterey Pop Festival”, “Pink Floyd in Pompeii” and more. In 1976, 17 year old Chrissy Amphlett, later of rock band Divinyls, played the role of Linda Lips for nine months in the Australian stage production of R-rated “sexual musical”, “Let My People Come” at the Total Theatre. The Total Theatre closed in 1979 and from 1980 to 2014 the venue became Billboard Nightclub, hosting local and international acts, including INXS, Tina Turner and John Farnham, and in 2009, 18 year old Taylor Swift. The venue is now called 170 Russell and presents hundreds of live local and international acts every year. In 2014, after being under threat of demolition, Total House was listed on the Victorian Heritage Register as “a landmark of post-World War II modernist design and…one of the earliest and best expressions of Brutalist architecture in Victoria”. References: RICHARD CROOKS ARRIVES SCHOOL AGAIN VENUE OF ROYAL VISIT (1939, May 31). The Age (Melbourne, Vic. : 1854 - 1954), p. 17. Retrieved November 21, 2025, from http://nla.gov.au/nla.news-article205629696 AMUSEMENTS. (1933, July 27). The Age (Melbourne, Vic. : 1854 - 1954), p. 12. Retrieved September 19, 2025, from http://nla.gov.au/nla.news-article204378853 https://larzra.wordpress.com/origins/ CONTINENTAL HOSTESSES, (1939, May 31). The Sun News-Pictorial (Melbourne, Vic. : 1922 - 1954; 1956), p. 27. Retrieved November 21, 2025, from http://nla.gov.au/nla.news-article278189387 The Letters of Letty (1939, June 8). Table Talk (Melbourne, Vic. : 1885 - 1939), p. 12. Retrieved October 29, 2025, from http://nla.gov.au/nla.news-article149320966 SAVOY THEATRE (1939, June 1). The Age (Melbourne, Vic. : 1854 - 1954), p. 7. Retrieved September 19, 2025, from http://nla.gov.au/nla.news-article205639035 NEW THEATRE OPENED (1939, June 1). The Argus (Melbourne, Vic. : 1848 - 1957), p. 8. Retrieved September 21, 2025, from http://nla.gov.au/nla.news-article12134234 https://en.wikipedia.org/wiki/Total_House Page [?] TOUCH OF SPAIN (1970, December 18). The Australian Jewish News (Melbourne, Vic. : 1935 - 1999), p. 35. Retrieved September 23, 2025, from http://nla.gov.au/nla.news-article262493757 No title (1935, June 11). The Herald (Melbourne, Vic. : 1861 - 1954), p. 27. Retrieved September 29, 2025, from http://nla.gov.au/nla.news-article244840169 Dine, wine, and watch a stage show (1966, November 16). The Australian Women's Weekly (1933 - 1982), p. 6. Retrieved November 9, 2025, from http://nla.gov.au/nla.news-article44025050 http://jonathanbollen.net/2011/02/26/tracey-lee/ LIDO ‘ART’ (1967, April 21). The Australian Jewish News (Melbourne, Vic. : 1935 - 1999), p. 8. Retrieved November 9, 2025, from http://nla.gov.au/nla.news-article263003136 THE FABULOUS LIDO (1965, October 22). The Australian Jewish News (Melbourne, Vic. : 1935 - 1999), p. 17. Retrieved November 9, 2025, from http://nla.gov.au/nla.news-article262983995 No title (1939, May 31). The Argus (Melbourne, Vic. : 1848 - 1957), p. 6. Retrieved November 21, 2025, from http://nla.gov.au/nla.news-article12134144 #NEW THEATRE OPENED (1939, June 1). The Argus (Melbourne, Vic. : 1848 - 1957), p. 8. Retrieved September 29, 2025, from http://nla.gov.au/nla.news-article12134234 https://en.wikipedia.org/wiki/Tracey_Lee_(female_impersonator) https://citycollection.melbourne.vic.gov.au/35b-40h-image-of-a-model-for-the-total-house-offices-and-car-park-on-russell-street/ https://www.theage.com.au/national/victoria/from-the-archives-1990-s-hundreds-of-school-closures-hit-victoria-20190801-p52cwj.html http://jonathanbollen.net/2011/05/29/the-lido-melbourne/Photographer notations on slide: primary schools, schools, music, education, choirs, fitzroy, cars, theatre restaurants, venues, films

fictionA souvenir of the film Eureka Stockade starring Chips Rafferty, Peter Finch and others, distributed by British Empire Films Pty Ltd in 1949.eureka stockade, ballarat, novel

This whale tooth was etched out and finished by Gary Tonkin for Michael Taffe at a demonstration by the artist in 1980. It represents a whaling ship, the Charles. W. Morgan from Mystic Seaport in the USA. The Charles W. Morgan has been at the historic port since1941, and was declared a USA National Historic Landmark and listed on the National Register of Historic Places in 1966. Tonkin is today internationally recognised as the greatest living scrimshander.Scrimshaw is associated with mariners in the whaling trade especially in the 19th century. This work is also Nationally significant for being created by world-renowned Scrimshander, Gary Tonkin, from Albany, Western Australia.Charles. W. Morgan etched beneath the etched image of ship with artist's signature below.scrimshaw, whale, tonkin, albany

The Albion Explosives Factory was a major WWII-era munitions site in Sunshine, Victoria, operating from 1939 to 1986. Its legacy includes the Black Powder Mill, now a heritage landmark. War Time History - Established in 1939–40 in response to the looming threat of war in Europe. - Located in North Albion, opposite the ICIANZ chemical plant, which also helped design and operate the facility. - Initially known as Munitions Annexe No. 5, it became the Albion Explosives Factory, producing cordite, TNT, nitroglycerine, nitric acid, and other propellants for small arms and artillery. - By 1942–45, it was one of Australia’s three primary military explosives factories, employing thousands and contributing significantly to the war effort. Post War Time History - Continued production of explosives and fertilizers for commercial use after WWII. - Expanded in 1947–49 with the addition of the RDX plant north of Furlong Road. - Introduced new technologies like synthetic ammonia, DNT, and continuous TNT production through the 1950s–60s. Closure and Environmental Remediation - Closed in 1986, followed by extensive decontamination and cleanup. - The site was heavily contaminated with TNT, DNT, nitrates, ammonia, and metals, requiring years of environmental audits and remediation. - Eventually redeveloped into a housing estate and shopping complex, transforming the industrial site into a suburban community. A Blast from the Past Albion Explosive Factoryalbion explosive factory, deer park, cairnlea

Photocopy of photograph Category 140 Deer Park State School 2434 Built 1874 Early 19th Century|Photocopy of drawing of Hunt Club community Centre Ballarat Road Deer Park|Hand written notes for Deer Park by Norm Carlton|Photocopy of Article Deer Hunting In Australia Supplied by Des Johnson Oct 1997|Photocopy of Article Deer Park Over the Years|Photocopy of Article Deer Park Landmarks|Photocopy of typed report Deer Park History|Photocopy of report ICI and Deer Park A Long Term Association|Photocopy of letter dated 19 December 1993|Photocopy of typed notes Pioneers of the Deer Park Districk|Report from ICI Contrasts and continuity|Photocopy of Newspaper Article This Family has 267 Years service with one firm|Photocopy of ICI Circle Newspaper 31 May 1978 50 years|Photocopy of Service Directory Brimbanks Suburbs|Photocopy of Newspaper Article Wandering around Werribee|Newspaper Article Western Independent 31 August 1993 As one gate closes|Photocopy of Newspaper Article Fighting fires was worth a lemonade|Newspaper Article The Advocate 25 January 2000 Hands Off Residents fight for their castle|Newspaper Article Deer Park once the perfect place for a social shoot|Newspaper Article the Advocate 15 April 1992 A heart for Deer Park|Report Brimbank Community Plan 2009 to 2030 Deer Park Local Area Pland SouthWest|Photocopy of photograph 1956 Class of Deer Park State Primary Schoole 1434 1 Reg Spratling 2 Ian Sutherland 3 Ken Brown 4 Bob Foley 5 Alec OBrien 6 Maurie Hunter 7 Unknown 8 Jack fisher 9 Stan Brown 10 Lester Musely 11 Unknow 12 Gwen Gray 13 Claire Robinson 14 Norma Johnson 15 Joyce Cronin 16 Marge Robinson 17 Violet Fisher 18 Gena Thomas 19 Vida Mosely 20 Unknown 21 Jessie Boobey 22 Dorothy Hilton 23 Mabel Barry 24 Elsie MacLeod 25 Marge Byrne 26 Ella Burgess 27 Unknown 28 Vi Wilson 29 Dulcie Ross 30 Daisy Thomas 31 Johnson 32 Fay Johnson 33 Unknown 34 Unknown 35 Harold OBrien 36 Unknown 37 Alan Obrien 38 Bruce Sutherland 39 Roland Foley 40 Matthew David Ure 41 Bob Barnett 42 burton Hunter 43 Harry MacLeod 44 Jim Lawrence 45 Joe Lawrence|Photocopy of Program Share your membories of Early Deer Park at the Deer Park History Afternoon 21 September 2003|Photocopy of hand written notes Deer Park History Day 21 September 2003 Attendance Sheet|Photocopy of written report community Profile and Resource File May 2002|Brochure Burnside News Issue 2 2001 Burnside A great place for your family|Brochure Burnside within reach beyond expectation 2001 to 2002|Photocopy of Newsrail October 1993 Deer Park Again|Photocopy of Occupation Crossings|Photocopy of PCR Crossings|Photocopy of Victorian Railways Map for Footscray and Bacchus Marsh Line|Handwritten Notes for Deer Park|Handwritten Notes for Deer Park Goods Shed|Handwritten Notes for Deer Park Weekly Notice Extracts|Type written Notes for Weekly Notice extracts|Photocopy of Victorian Railways Names of Victorian Railway Stations|Photocopy of Railway construction No 682|Photocopy of newsrail July 2009 TailDisc Ravenhall|Photocopy of Newspaper Article Sunshine Illustrated 21 May 1960 Imperial Chemical Industries has immense Plant at Deer Park|Type written report for Mt Derrimut|Newspaper Article Brimbank Independent 8 June 1999 Council furphy upsets former cycling champ|Newspaper Article The Advocate 26 Feburay 2002 Built a business from ground Up Obituary David Ure|Photocopy Newspaper Article Mount Derrimut From a Colonys past to a Countrys Future|Newspaper Article Bowls News and Views December 1980 Deer Park Snippets of History|Photocopy of type written report Opening of Sunshine Hunt Club Commuity Centre 2 June 1985|Draft report Hunt Club Community Centre Glimpses of Early History of site|Letter dated 19 May 1984 Sunshine and District Historical Society|Letter Deer Park Services Coordinating Group|Letter dated 6 July 1983 Deer Park North Primary School|Newspaper Article Deer roamed the plains|Newspaper Article Brimbank Leader 12 March 2002 Population boom sounds over west|Newspaper Article The Advocate 13 February 2001 Book walks the wild side|Photocopy of Newspaper Article The Sun News Pictorial 19 September 1935 Two Men killed in explosion at Ammunition Factory James Robertson and Harry Powell|Photocopy of Oblique aerial photograph 1950|Letter Dated 24 September 1980 Deer Park Primary School|Type written Notes Deer Park History Afternoon 21 September 2003 Suggested order of proceedings|Hand written note ICI purchased Mt Derrimut August 1950|Photocopy of letter dated 21 July 1992 ICI Deer Park|Brochure ICI Australia today|Photocopy of Notice Know Our History the Story of ICI at Deer Park 13 October 1996|Type written note 100 years of Deer Park State School and the Deer Park District|Photocopy of Newspaper Article School on the move Fighting fires was worth a lemonade|Newspaper Article Messenger 25 January 2000 Old and homely and not historic|Photocopy of Newspaper Article The Sun 19 September 1935 Two men killed in Explosion at Deer Park|Newspaper Article Star 10 June 2003 Heritage plan for homestead|Photocopy of photograph Deer Park Amateur Cycling Club Eary 1930s H OBrien D Gray J Chapman Trainer E OBrien L Ray|Type written note An Early Irish Family at Deer Park|Type written extract Melbourn Hunt Club weights|Type written invitation to Deer Park Entertainers 1 October|Photocopy of Newspaper Article The Advocate 25 July 1979 Deer roamed the plains|Report on historical background of site of proposed new station at Deer Park West March 1977deer park, history, landmarks

Transcript: Athenaeum building celebrates 170 years Australian Broadcasting Corporation Broadcast: 11/11/2009 Reporter: Lisa Whitehead Tomorrow marks the 170th birthday of one of the nation's historic cultural landmarks. Melbourne’s Athenaeum building has, in one form or other, provided education and entertainment for the Victorian colony as it became a city; and along the way, documented its growth. Transcript KERRY O’BRIEN, PRESENTER: Tomorrow marks the 170th birthday of one of the nation's historic cultural landmarks. Melbourne's Athenaeum building has, in one form or another, provided education and entertainment. For the Victorian colonies it became a city and along the way documented its growth. The building's original library and theatre still draw devotees and as Lisa Whitehead reports, a loyal band of volunteers. KEVIN QUIGLEY, ATHENAEUM PRESIDENT: There's nothing like us that has been here from day one, four years after the boat pushed ashore, here we are. It's a thread that runs through the life of Melbourne. LISA WHITEHEAD, REPORTER: In the heart of Melbourne's CBD, the Athenaeum is a celebrity in disguise, the oldest cultural icon in the city, but barely noticed. MARJORIE DALVEAN, VOLUNTEER HISTORIAN: People of Melbourne walk past this area and they have no idea what it is. RAY LAWLER, PLAYWRIGHT: It seemed to me to be a place that absolutely, or breathes Melbourne, I suppose, culture. LISA WHITEHEAD: Just four years after Melbourne was founded, the colony built a Mechanic's Institution, one of the first in the world, a place where the working class could meet and learn. KEVIN QUIGLEY: People think of it as Wild West sort of place where these hearty types drank and rushed about, but Melbourne was freely settled. It was a city of people who wanted to better themselves - entrepreneurs. And the Mechanic's Institution was that innovative idea that had grown up in Edinburgh and London about providing an opportunity for education for the working people. LISA WHITEHEAD: Mark Twain lectured there. Later, other buildings were added and a theatre to host classic plays. And it adopted its more bourgeois friendly title of the Athenaeum. Crucially from the start there was the library, the first to offer affordable lending to the working man. And it still attracts devotees. Former University lecturer Margaret Bowman, 89, comes in every Wednesday, along with her dog to join an enthusiastic band of volunteers sorting through the archives. MARGARET BOWMAN, FORMER UNIVERSITY LECTURER: Doing research is something that I find actually I enjoy more than anything. Every old lady needs to have a project and now I've got a project. MARJORIE DALVEAN: Margaret, Christine has just found out that Alfred Deakin was a member here from 1874 to 1877. This place is not flashy, we've never been flashy. But book lovers walk in here and they know this is the place for them. ARCHIVAL FOOTAGE: Old times and old names. The Athenaeum theatre in Melbourne for more than 40 years has been one of the city's best known cinemas. LISA WHITEHEAD: In the 20th century, the theatre surrendered to the new craze of talking pictures, and one particular fan was famous Australian playwright Ray Lawler. At 13, he dropped out of school to work in a Footscray factory and two years later his first trip to the glamorous Athenaeum cinema hinted at the education he was missing. RAY LAWLER: It just had a style about it which I responded to, I think. I was looking for something and this seemed to be part of it. Ray Lawler went on to write "Summer of the Seventeenth Doll" and found literary fame overseas. About a century after it had started as an educational place for the working man, Ray Lawler had, in effect, become an Athenaeum graduate. RAL LAWLER: If they had been looking for the sort of person that they were hoping to encourage along the way, I suppose I would have been somebody that might have fitted the mould, you know. LISA WHITEHEAD: In time, the cinema was returned to its theatrical roots. FRANK THRING, 1977: It has a great resemblance to the Theatre Royal in Hobart which Larry Olivier has called the best theatre he's ever worked in. And it's almost identical. It is the true Victorian playhouse. The horseshoe shaped thing: stalls, dress circle and gallery. And you're close to the audience and they're close to you. Marvellous feeling. LISA WHITEHEAD: Today, it's still a theatre. But time has brought compromises. The once vaunted art gallery has now covered its windows and become a comedy club and performance space. TV and suburban life have eaten away at the library membership. It offers an online service now, and a recent federal government grant will pay for the upkeep of its gracious interior, including the 1930s elevator Ray Lawler used to ride. For him, it's money well spent on history quietly made and discreetly observed. RAY LAWLER: It's the lack of awareness, I think, that people don't know what they've got here. They've really got the whole history of Melbourne almost. KEVIN QUIGLEY: It was a similar organisation in Sydney but we are the only one that's got a continual lineage on the same spot. We started here and we're still here and we'll be here for another 100 years. KERRY O'BRIEN: Lisa Whitehead on a great Melbourne landmark. © 2010 ABC | Privacy Policy Beginning as the Melbourne Mechanics' Institution in 1839, the Melbourne Athenaeum has a long history that reflects the cultural and social development of Melbourne. It continues to be managed as a not-for-profit organisation by a volunteer board, with a subscription library (maintained since 1839) and a leased theatre.Video broadcast ABC 7:30 Report for 11/11/2009. "Tomorrow marks the 170th birthday of one of the nation's historic cultural landmarks. Melbourne’s Athenaeum building has, in one form or other, provided education and entertainment for the Victorian colony as it became a city; and along the way, documented its growth."athenaeum, australian broadcasting corporation, kerry o’brien, kevin quigley, lisa whitehead, marjorie dalvean, ray lawler, margaret bowman, frank thring.

A related souvenir from the Second Word War is the colourful 'Souvenir of Palestine'. Like the First World War Egyptian embroideries, they used cotton sateen in a range of bright colours (although sometimes velveteen was used instead) and bear the words 'Souvenir of Palestine', a year date, and sometimes a personal message, as well as images of specific mosques or landmarks, camels, goats and date palms. The Palestinian souvenirs were often seen displayed for sale outside houses in country villages These types of souvenirs were very popular with Australian troops; they were easy to send home and were colourful. The vendors would have a number of designs for sale already machine embroidered, from which the soldier could select and then personalise with a date or message. Brown timber frame containing dark green square silk cloth edged with gold fringe, embroidered with two flap poles either side of rising sun crest/badge above two red heartsSouvenir Of Palestine 1941 Australia Commonwealth Military Forcespalestine, 1941, souvenir, embroidered cloth