Hanging Bridge is a medieval bridge spanning the Hanging Ditch which connected the rivers Irk and Irwell in Manchester. 'For many years the bridge was completely hidden, remembered only in the name of the area where it had stood, until its rediscovery and subsequent excavation as a result of demolition work carried out in the 1880s.' ... More information is on the pamphlet A pamphlet containing images and information about the Hanging Bridge at Manchester Cathedral.Manchester Cathedral Hanging Bridge: A scheduled ancient monument of Manchester constructed in 1421. ... More information and timeline on pamphlethanging bridge, manchester, medieval, manchester cathedral

(Restricted) Government publicationPrinted in February 1951Light brown thin card board front and Back, interior pages off white 17 pages and appendix H of 9 pages. Provisional user handbook for Extra Wide Bailey Bridge and Pontoon Bridge = Part II Pontoon Bridge. Dated February 1951Provisional user handbook for Extra Wide Bailey Bridge and Pontoon Bridge = Part II Pontoon Bridge. Dated February 1951. (RESTRICTED) Ministry of Supply, Directorate Royal Engineer Equipment.user handbook, extra wide bailey bridge, pontoon bridge

Original negative and photograph held by The Age, before by Orm Cook, Echuca. Photo is of a drawing of Bridge work taking place in 1877, across Murray River at Echuca. Orm Cook gave The Age the photograph in 1981 as the round arches on the bridge were about to be removed.A bridge crossing of the Murray River was needed by 1877. It linked Echuca and Moama in a more tangible way. The bridge was funded privately and public use of it was discussed for the next several years.A black and white photograph of a drawing, depicting the construction of the iron Murray Bridge at Echuca, showing the Surveyor, the bridge workers, hoists , a crane, and much activity.Written in pen on the back, "Murray Bridge at Echuca under construction. Original to 'Age' came from Orm Cook. Also the numbers 6530 written in pen. Also on the back is a rectangular stamp with these words inside the rectangle. "COPYRIGHT. This photograph may not be reproduced without permission in writing from the Editor of "The Age" 250 Spencer Street, Melbourne, and 39/41 York St, Sydney.murray river, bridge work, bridge construction, bridge workers., the age newspaper., orm cook.

View taken from San Remo looking across bay to Phillip Island. Main section of bridge close up showing framework, arches and wires.Bridge - main sectionlocal history, photographs, bridges, san remo, black & white photograph, mona condrick

Coloured postcard of Bridge at Glenorchy.Coloured Post card of a timber bridge over a river in bush settings.On Front Glenorchy Bridge, Stawell On Reverse Printed in Germany 155/81467 Post Card This Space May be used for Correspondence. This for Address Only.water

CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition Part of Angela Gee Residency 1983 and 1984Laminated screenprint of Portland Bay. Wide angle view of the Bay, with water tower / lighthouse on the right, the harbour with a docked ship in the centre, and the end of the peninsular and ocean on the left.Front: "Portland Bay" (lower left) Proof (lower right centre) A Gee '83 (lower right) (pencil) Back: 12

One of a collection of 18 photographs and postcards donated by Jill Yeoman. The Suspension Bridge was built 1940. Black & White Postcard of the Suspension Bridge looking towards San Remo from Newhaven Phillip Island."Suspension Bridge, looking towards San Remo from Phillip Island" Series 4203suspension bridge phillip island, bridges, jill yeoman

fay bridge collection, 1990-01, art, bridge street bridge, graffiti

View looking southeast from Alistair Knox Park (west). The Diamond Creek Trail footbridge is completely submerged. Significant flood events occurred Nov-Dec 2004 and Jan-Feb 2005.fay bridge collection, 2004, bridge street bridge, diamond creek (creek), floods, floodwater

An Apollo Bay oral history project converted into a written work, it covers the lives of ten older residents and their times in Apollo Bay.Not a bad place, the Bay. Old residents of Apollo Bay talk to local primary school children and members of the community. Jackie Price (ed.). Nadia Wheatley (ed.) Apollo Bay (Vic); The Killala Road Publishing Co.; 1987. 160 p.; illus, map. Hard cover. ISBN 0 9587872 0 4not a bad place, the bay; apollo bay; jackie price (ed.); nadia wheatley (ed.); interviews; social life and customs; history;

Already in a dilapidated condition, this bridge was further damaged by floodwaters in 2010 and 2011. In 2025, little remains of the old bridge.Colour photograph showing damage to a trestle bridge spanning Springdallah Creek, Linton-Piggoreet Road.Text, handwritten reverse: 'WE CLIMBED THE HILL / TO PHOTOGRAPH THE / BRIDGE AT EYE LEVEL. / YOU CAN SEE THE / PLANKS (AND WHERE THOSE / MISSING) AND THE / SIDE RAILS.trestle bridges, old springdallah bridge

View of San Remo showing Suspension Bridge - completed in 1940 - demolished in 1970. From the Jack Jenner Collection.Old Suspension Bridge right hand side of photograph. View looking towards San Remo with pier at middle left.P3460 The Rose Series. View from the Bridge looking toward San Remo - Vic.local history, photographs, civil engineering, bridges, phillip island bridge, sea transport, black & white photograph - post card - rose series, jack jenner collection, phillip island bridges, public construction

New Bridge over River Moyne Port Fairy East 1902Black and white photograph view of new bridge over the river Moyne taken in 1902New Bridge over River Moyne Port Fairy East 1902 (handwritten) Mr G.W.Scott C.E.Engineer. .......Watts Riordan Contractorsbridge, river, moyne, river moyne, traffic

Bluestone bridge across the Plenty River, Mernda. Commissioned by Moses Thomas, Secretary Morang District Road Board 1867bridges, moses thomas, mernda, bridge inn road

Waddingtons is a famous card and board manufacturer. It commenced business in 1927 and produced jig-saw puzzles from the mid 1930s. Their Christmas, Map, and circular jig-saw series were their most popular jig-saws. Various-piece jig-saws were introduced c.1965 and were very popular in the 1960s and 1970s.Jig-Saw puzzle in original box depicting Bowness Bay on cover. Bowness Bay is in the Lake District, Cumbria (UK). The puzzle has 340 pieces.Exterior of Box: " Waddington's Pennant Jig-Saw. Over 340 pieces, fully interlocking, Size 19" x 11 3/8. / Design No. 753 Bowness Bay"jig-saw puzzle, waddingtons, bowness bay - cumbria --- uk

Following military service in the second world war, Clifton Pugh studied under artist Sir William Dargie at the National Gallery School in Melbourne as well as Justus Jorgensen, founder of Montsalvat. For a while he lived on the dole but also worked packing eggs for the Belot family saving sufficient to purchase six acres (2.4 ha) of land at Barreenong Road, Cottles Bridge. He accumulated more land and persuaded several other artists and friends to buy land nearby, resulting in a property of approximately 200 acres, stablishing it as one of the first artistic communes in Australia alongside Montsalvat in Eltham. It was around 1951 that Pugh felt he had '"done moochin' around" and so the name of the property evolved. He bought timber from Alistair Knox to build his house on the crest of a hill. Inspired by local goldminer's huts, it was a one room wattle-and-daub structure with dirt floor. Over the years it expanded with thick adobe walls made from local clay, high ceilings and stone floors. All materials other than the local earth were sourced from second hand materials, most found at wreckers' yards. Artists from across the nation were drawn to Dunmoochin, with several setting up houses and shacks on the property, maintaining their independence but sharing their artistic zeal. Artists who worked or resided at Dunmoochin included Mirka Mora, John Perceval, Albert Tucker, Fred Williams, Charles Blackman, Arthur Boyd and John Olsen. In 2002, Pugh's house along with its treasure trove of art and a library of some 20,000 books was destroyed by fire. Traces of Pugh's home remain with the presence of the Victorian doorframe archway with leadlight of intricate design, procured from a demolished Melbourne mansion; and two bronze life-sized female statues created by Pugh and cast by Matcham Skipper. In place of Pugh's house rose two double-storey mud-brick artists' studios topped with corrugated iron rooves curved like the wings of a bird with accommodation for seven. The original studios, gallery and other buildings survived the fire.fay bridge collection, 2016-05-14, art gallery, barreenong road, clifton pugh, cottles bridge, dunmoochin, maurice hurry

Visit to Dunmoochin prior to Clifton Pugh's home being destroyed by fire in 2002. Following military service in the second world war, Clifton Pugh studied under artist Sir William Dargie at the National Gallery School in Melbourne as well as Justus Jorgensen, founder of Montsalvat. For a while he lived on the dole but also worked packing eggs for the Belot family saving sufficient to purchase six acres (2.4 ha) of land at Barreenong Road, Cottles Bridge. He accumulated more land and persuaded several other artists and friends to buy land nearby, resulting in a property of approximately 200 acres, stablishing it as one of the first artistic communes in Australia alongside Montsalvat in Eltham. It was around 1951 that Pugh felt he had '"done moochin' around" and so the name of the property evolved. He bought timber from Alistair Knox to build his house on the crest of a hill. Inspired by local goldminer's huts, it was a one room wattle-and-daub structure with dirt floor. Over the years it expanded with thick adobe walls made from local clay, high ceilings and stone floors. All materials other than the local earth were sourced from second hand materials, most found at wreckers' yards. Artists from across the nation were drawn to Dunmoochin, with several setting up houses and shacks on the property, maintaining their independence but sharing their artistic zeal. Artists who worked or resided at Dunmoochin included Mirka Mora, John Perceval, Albert Tucker, Fred Williams, Charles Blackman, Arthur Boyd and John Olsen. In 2002, Pugh's house along with its treasure trove of art and a library of some 20,000 books was destroyed by fire. Traces of Pugh's home remain with the presence of the Victorian doorframe archway with leadlight of intricate design, procured from a demolished Melbourne mansion; and two bronze life-sized female statues created by Pugh and cast by Matcham Skipper. In place of Pugh's house rose two double-storey mud-brick artists' studios topped with corrugated iron rooves curved like the wings of a bird with accommodation for seven. The original studios, gallery and other buildings survived the fire.fay bridge collection, 1995, barreenong road, cottles bridge, dunmoochin

Collection of thirty-nine postcards donated by Jillian Rigby which had been owned by her grandparents, George and Edith Weir, who from c.1917 lived at 84 Princess Street, Kew. The mostly 'mint' postcards were purchased in Victoria and while travelling overseas. The sole dated postcard is dated from 1929. The postcards are numbered sequentially from 2017.0058.01-39. The remainder of the collection donated by Jill Rigby which was once owned by the Weirs of Broken Hill and Kew consist of costumes, costume accessories, photographs, and documents.The postcards in the Weir collection, especially those purchased on a trip or trips to the mother country, i.e. United Kingdom, represent a representative sample of sites that were considered significant to those Australians undertaking a reverse grand tour by member of the erstwhile colonies. Those postcards which are early views of Melbourne must have been produced commercially for some decades from the early part of the 20th century.Queen's Bridge, Melbourne. Coloured postcard. Weir collection."Queen's Bridge, Melbourne"postcards, george and edith weir, queens bridge - melbourne , yarra river - melbourne, weir collection, postcards -- melbourne (vic.)

Collection of thirty-nine postcards donated by Jillian Rigby which had been owned by her grandparents, George and Edith Weir, who from c.1917 lived at 84 Princess Street, Kew. The mostly 'mint' postcards were purchased in Victoria and while travelling overseas. The sole dated postcard is dated from 1929. The postcards are numbered sequentially from 2017.0058.01-39. The remainder of the collection donated by Jill Rigby which was once owned by the Weirs of Broken Hill and Kew consist of costumes, costume accessories, photographs, and documents.The postcards in the Weir collection, especially those purchased on a trip or trips to the mother country, i.e. United Kingdom, represent a representative sample of sites that were considered significant to those Australians undertaking a reverse grand tour by member of the erstwhile colonies. Those postcards which are early views of Melbourne must have been produced commercially for some decades from the early part of the 20th century.Princes Bridge, Melbourne. Coloured postcard. Weir collection."Princes Bridge, Melbourne"postcards, george and edith weir, princes bridge - melbourne, weir collection

Collection of thirty-nine postcards donated by Jillian Rigby which had been owned by her grandparents, George and Edith Weir, who from c.1917 lived at 84 Princess Street, Kew. The mostly 'mint' postcards were purchased in Victoria and while travelling overseas. The sole dated postcard is dated from 1929. The postcards are numbered sequentially from 2017.0058.01-39. The remainder of the collection donated by Jill Rigby which was once owned by the Weirs of Broken Hill and Kew consist of costumes, costume accessories, photographs, and documents.The postcards in the Weir collection, especially those purchased on a trip or trips to the mother country, i.e. United Kingdom, represent a representative sample of sites that were considered significant to those Australians undertaking a reverse grand tour by member of the erstwhile colonies. Those postcards which are early views of Melbourne must have been produced commercially for some decades from the early part of the 20th century.Princes Bridge, Melbourne. Coloured postcard. Weir collection."Princes Bridge, Melbourne"postcards, george and edith weir, princes bridge - melbourne, weir collection

Photographs taken to show examples of the detail of a Bay Window in the Federation Period. One photo showing the bay window and weather board surrounding the window. The second photo a detail of the window.Two black & white photographs showing details of the front of a weather board building with a bay window.stawell residence homes

Colour Photo in Gold Frame. Burgandy Mat crashed Wessex Helicopter- Shoalwater Bay 1966 7 RAR Badge/ British Marine helicpoter.SHOALWATER BAY 1966. Donated by PTE LYALL CLAYTON,TPT PLATOON,ADMIN coy.7 RAR.7 rar, wessex (helicopter)

date on back Sat. 8/ 3/ 1913Black and white postcard of Wy Yung Bridge opened in April 1889 built originally as a draw bridge over Mitchell River Bairnsdale VictoriaMitchell at Wy Yung Bridge Bairnsdalebridges, rivers

A colour photograph of Murchison Street from the F.J. Barton Bridge in Marysville in Victoria.A colour photograph of Pack Road from the F.J. Barton Bridge in Marysville in Victoria. Labeling is incorrect. The view is looking down Murchison Street from the F.J. Barton Bridge. The F.J. Barton Bridge was named after Frederick John Barton. The Barton Family were amongst Marysville's first pioneering families. This postcard was published by Nucolorvue Productions as a souvenir of Marysville.NU-COLOR-VUE/ OF / AUSTRALIA MARYSVILLE, VICTORIA. Pack Road from F.J. BARTON/ BRIDGE. PLACE/ STAMP/ HERE POST CARD NCV.172 - NUCOLORVUE PRODUCTIONS PTY. LTD./ COPYRIGHT Printed in Australiamarysville, f.j. barton bridge, murchison street, victoria, postcard, souvenir, nucolorvue productions, fj barton

The Bridge Road Bridge built in 1913 by Sir John Monash for the Shire of Melton. It was built to provide railway station access to the new farming areas.Black and white photo of the bridgetransport, council

Black and white print photograph of the wooden 'Penny Bridge' at Studley Park. The name was colloquially arrived at as a penny wa the toll one paid to cross the bridge. The copy of the postcard identifies the photographers as McAlpin Bros, Richmond.Reverse: "Studley Pk Toll Bridge / joining Church Street Abbotsford / Penny Bridge"toll bridges -- river yarra, bridges - yarra river -- kew (vic.), penny bridge

The original of this image is held by the State Library of Victoria.Copy of a black and white photograph of Bridge Street Ballarat from the corner of Grenville Street and Sturt Street. The photo shows a street lamp in the middle of the intersection, fire hydrant, Yeoman's flag, tram tracks, and horse drawn vehicles.bridge street ballarat, sturt street ballarat, grenville street ballarat,, f.b. wilson, buck's head hotel