The front-page article was published in February 2003 and is mentioned in the Ship to Shore Autumn Edition 2002 (sic 2003).Newspaper printed in black ink, with a sketch depicting the Mission's building on Flinders Street, Melbourne with someone holding the Flying Angel flag in front.the mariner, mission to seafarers, drawing, sketch, flag, ship to shore, andrew baird, peter swan

Port Side is a local publication of eight-pages The front cover is white with a photo depicting part of a red, moored vessel. The third page, shown above, features a sketch of the Mission, two small photographs of the Mission buildings, the Mission logo and an article about the Mission to Seafarers and the Mission's Flying Angel Club.non-fictionmelbourne ports, mission to seafarers victoria

Donated by N. M. & J. D. Archibald. April, 1973.Colour 18.5 Sketch done from old photograph. Chicory Kiln - Jansson Family, approximately 1880's. It was built on the land next to the Caravan Park. The only remains of it now are a few bricks on the site. The sketch shows Mr Frank Jansson as a young boy in the doorway. Galvanized iron structure was sold to Mr N Cleeland.local history, illustrations, agriculture buildings, historic, chicory kiln, water colour sketch, jansson family, n & j archibald, jean archibald

The first kiln built on Phillip Island in the 1870's for Mr John West. It was situated in Thompson Avenue next to Wests General Store. When the kiln was demolished, the bricks were used to build the old Post Office on the corner of the Esplanade. Mr John West gave a Banquet at the Isle of Wight Hotel to celebrate the opening of his kiln.Water Colour Sketch. This picture was reconstructed by Jean Archibald from pencil sketches by S Serpell in 1905, and an artist who travelled to Phillip Island with the "Vagabond", a journalist for the "Leader", in 1889. Chicory Kiln built for John West situated in Main Street, Cowes. First Chicory Kiln built on Phillip Island in the 1870's.Signed J. D. A.local history, illustrations, agriculture buildings, historic, chicory kiln, water colour sketch, west family, post office cowes phillip island, jean archibald, s serpell, john west, n & j archibald

Take Hold of the Clouds is a curated exhibition featuring two key works by renowned international contributors – Forensic Architecture’s Cloud Studies (2021) and Cauleen Smith’s Sojourner (2018) – along with six, newly commissioned, responsive works from local and national creative practitioners. The experimental exhibition is distributed across seven of the city’s most significant buildings and urban spaces, with each temporal creative work adding a new layer to how we understand these spaces in relation to the world around us. Embedding the work within the city itself rather than a traditional gallery, the exhibition models best practices for high-impact yet sustainable and resource-sensitive exhibition-making. Created in partnership with Monash University, Take Hold of the Clouds navigates the Weekend’s theme of Built/Unbuilt through a series of thoughtful encounters in which artists reveal the invisible stories and issues in corners of the city. The exhibition is conceived by Tara McDowell, Director of Curatorial Practice at Monash Art, Design and Architecture, and co-curated with Fleur Watson, Open House Melbourne’s Executive Director. To create this poster, the artist used a copy of of one of Walter Butler plans for the 7171 building held in the archives as an homage to the architect. The sketch was then retouched to make it loo like a blueprint. The Mission is one of the sites open every year during Open House. A3 size Blue print type plan print on glose paper.open house melbourne, 2022, ying-lan dann, circular temporalities, norla dome, blueprint, plans, walter richmond butler (1864–1949), cultural events

The 1888 building becoming too old and small, a new building was designed by Harry Norris and open in 1937. The funds were given by Alfred Nicholas from the Aspro company. In the Art Deco style, the building was unfortunately demolished in 1995 for a new development.harry norris, port melbourne mission, beach road, 1937, lord huntingfield, alfred nicholas, aspro

Sketches of historic building from around AustraliaRecords notable Australian buildings358pages. Illustrated with line sketches. Hard cover, green. Dust jacket contains sketch of old house near Toowoomba Qld on front and sketch of old jewellery shop in Charters Towers Qld on back cover.Name and address of owner on two pages (W. A. Partington/Alan Partington)partington-family historic-buildings wendy-norris keith-norris

Description of the new Greensborough Hotel (replacing the Farmers' Arms) to be built in 1923.2 p. black & white transcript of newspaper article, with sketch of the proposed buildinggreensborough hotel, farmers arms hotel, hotels greensborough

Selected buildings and precincts in the Greensborough area from "Greensborough and Greenhills, by Irene Turvey and Ron Reynolds, Cypress Books, 1973, with photographs taken from the same place in 2013, the 40th anniversary of publication.29 p. in loose-leaf folder. Black and white sketches, col. photographsgreensborough, greensborough and greenhills

CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of three framed images on a striped background. The top left image is a black and white sketch of Burswood. The top right image is a black and white portrait of Edward Henty. Below these images is a coloured image of two bluestone buildings. The background is striped pattern of red, blue and gold.Front: Edward Henty (lower centre) Back: 46

Robert Ulmann was born in Zurich, Switzerland, where he studied sculpture and painting, exhibiting annually with the National Art Society of Switzerland and in Paris, Munich and Stockholm. He migrated to Canada in 1956 and became a Canadian citizen. After working on the restoration of sculpture on the west wing of the Parliament Buildings Ottawa, he took up a Government appointment as one of six artist advisers to the Eskimos, initiating handicraft and sculpture programs in isolated settlements across the Central Arctic. He arrived in Australia with his Australian wife, Helen, in 1969, after two adventurous years backpacking and sketching through the United States, Central and South America and the South Pacific. From 1970 to 1972 he was employed by the Northern Territory Administration as a manual arts instructor to the aboriginal people of Docker River, a remote settlement west of Ayers Rock. A series of drawings from this period was exhibited by the Department of the Interior in Canberra, Sydney and Adelaide. Robert Ulmann’s paintings and prints of wildlife from Australia and overseas fill a beautiful studio overlooking the famous Logans Beach whale nursery at Warrnambool in the Western District of Victoria. His previous studio and home, together with 13 years of field sketches and his best work collected together for two books were destroyed by the Ash Wednesday fires at Naringal in 1983. Rob exhibited in Sydney, Melbourne, Adelaide and Perth as well as in the Regional Galleries of Warrnambool, Ballarat, Portland and Horsham, and, among numerous prizes, he won the award for watercolour at six of the annual exhibitions of the Wildlife Art Society of Australasia, between 1978 and 1983. Although his principal interest was in drawing and painting, he retained a fascination with sculpture. His works range from two stone fountains with figures commissioned by the City of Zurich, while he was still a student, to a 4 ½ ton sculpture in bluestone commissioned in 1977 as a memorial to Sir Fletcher Jones., a five metre representation of whale tails in steel, and a life-size bronze of St. John of God commissioned for a private hospital.Image of a goat beginning to rise from a seated position, possible struggling out of mud. Painted in yellow and brown tones, with blue shadows. Earth colours form a rough ground area surrounding the goat. A brown wash provides a cursory background behind the goat's head. Dark cream matt surrounds image. Gold painted wooden frame, with glass.Front: Robert Ulmann (lower centre, paint) Back: (no inscriptions)

This photograph of 105 Main Street (now the Greensborough RSL building) was taken in 2013 to show changes over 40 years, based on Ron Reynold’s sketches in the 1973 publication “Greensborough and Greenhills” published by Cypress Books.Digital copy of colour photograph.greensborough and greenhills, main street greensborough, greensborough rsl, ron reynolds

These photographs of the house on the corner of St Helena and Diamond Creek Roads was taken in 2013 to show changes over 40 years, based on Ron Reynold's sketches in the 1973 publication 'Greensborough and Greenhills' published by Cypress Books... which states "Built on a steep hill in a bush setting in the early 1920s, for a Dr Wood, the weatherboard house now overlooks an area of activity and change. The owners, Mr and Mrs E. 'Bluey' Blackburn, remember when their 3/4 acre building block dropped to the edge of a dirt road. Today the view from the high verandah encompasses the Main Street shopping centre, new and old bridges, new roads and houses, the Plenty River, natural bush, hills and sports grounds."Digital copy of colour photograph.greensborough and greenhills, st helena road greensborough, diamond creek road greensborough, wood family, ron reynolds

This photograph of the former site of Kelly Garden Supplies was taken in 2013 to show changes over 40 years, based on Ron Reynold’s sketches in the 1973 publication “Greensborough and Greenhills” published by Cypress Books. The site is now part of the Civic roundabout at the top of the Greensborough By-pass. Civic Drive was associated with the building of Diamond Valley Council Offices opened by Governor Rohan Delacombe on 26/2/1972. Previously it was known as Kelly's Track which wound its way around to a house that overlooked the aqueduct bridge. Kelly's Sandpit (quarry) was the local go to place to obtain road, driveway fill and red sand for local construction. For 80 years previous Kelly's quarry supplied sand to the greater Melbourne area for the surfacing of school grounds, parks etc. Digital copy of colour photograph.greensborough and greenhills, civic drive greensborough, kelly garden supplies, ron reynolds

This photograph of the former Lobb's Tea Rooms was taken in 2013 to show changes over 40 years, based on Ron Reynold’s sketches in the 1973 publication “Greensborough and Greenhills” published by Cypress Books. The building is now part of the Diamond Valley Learning Centre.Digital copy of colour photograph.greensborough and greenhills, lobbs tea rooms, lobbs kiosk, ron reynolds, diamond valley learning centre

This photograph of the Greensborough Methodist Church was taken in 2013 to show changes over 40 years, based on Ron Reynold’s sketches in the 1973 publication “Greensborough and Greenhills” published by Cypress Books. This building is in Grimshaw Street and houses the Living Faith Church.Digital copy of colour photograph.greensborough and greenhills, greensborough methodist church, ron reynolds, living faith church

This photograph of Greensborough was taken from Delfin Crescent in 2013 to show changes over 40 years, based on Ron Reynold’s sketches in the 1973 publication “Greensborough and Greenhills” published by Cypress Books. Delphin Crescent [previously known as Medhurst Street] was created about 1970 in association with the Delfin Building Company. It was at this time also, that major works on Diamond Creek Road raised the level of the road facilitating the connection of Delfin Crescent with Diamond Creek Road. [Note: 'Medhurst Street was only listed on planning maps pre 1950 when the 'street' had no residents or development.]Digital copy of colour photograph.greensborough and greenhills