The children in this photograph are Frank abd Ivy Warren. Helena Francis Warren (nee McKeown) was married to William John Warren and lived in Newmerella. She supplied the photos for the Back-To-Orbost celebration book in 1937 and also designed the Back-To-Orbost badge. She was known for her soft toy making. (by Ivy Rodwell in from Personalities and Stories of the Early Orbost District by Mary Gilbert). This photograph has significance in its association with Helen Frances Warren, a popular Orbost identity who was well known as an accomplished photographer and needleworker,A black / white studio portrait photograph of a young boy and girl standing against an outdoor wall. The girl is wearing a long white dress and has a ribbon bow in her hair.The boy a tunic with a wide belt and lace collar. His long sleeved have wide cuffs. The photograph is an oval shape on a grey / white background.warren-frank warren-ivy

These items are from the estate of Norma Adelaide Scott (nee Johnston) ,January 2, 1925 - May 18, 2018 (93 years old) who died in Orbost. Norma was part of the Morris family who came to Newmerella in 1888, had land on Grandview Road and on the flats. Mr Morris had been a school teacher at Lake Tyers Mission before coming to Orbost. "Bobs y’r Uncle" was a nursery rhyme game designed by Frank H. Simpson for John Waddington Ltd. in 1935. The game was especially designed for children. The cards had scenes from nursery rhymes and six cards were needed to make up each rhyme in a set. Games turned out to become an important part in the progress of Waddingtons, who eventually acquired the rights to Monopoly in the UK, and then published Cluedo, opening the way for their supremacy in the toy industry These items are examples of common household items used in an Orbost family in the first - mid 20th century.3228.1 is a wooden tray with handles. The tray is lacquered and hand - painted with green leaves and orange flowers. 3228.2 is a brush with a curved wooden handle, lacquered and decorated in a similar pattern of green leaves and flowers. 3228.3 is a small wooden tray, lacquered and hand -painted with green leaves and yellow flowers. It is a rectangular shape with raised edging attached on the four sides. 3229.4 is a pack of cards in a red box with a cartoon type drawing of a man wearing a checked coat and hat holding two dogs on leashes.3228.5 is an orange / white cardboard box containing a pair of nylon stockings: box labelled " 'KOLOTEX/ Free-n-eezy" stockings.3228,5 - in orange and white print - "KOLOTEX/ Free-n-eezy/ Clings/ 40 denier/ SEAMLESS/ S-T-R-E-T-C-H" and in black - "NEW guaranteed never to ladder"scott-norma cards-playing hosiery-kolotex-stockings trays-wooden household

The National Bicycle Game is an Australian-made and designed board game for 2, 3 or 4 players made by The National Game Company of Ballarat and Melbourne between 1930 and 1950. The earliest board games date from the mid-18th century and were printed on copper or steel plates and coloured by hand. By 1839 lithography was first used, making it possible for publishers to produce larger quantities of all types of toys. By the 1890s the games were mounted on to a folded board. Popular subjects were of an historical or geographical nature, as well as transport including motoring, aviation and railways and various sports. The board game 'A Motor Ride' ,made by The National Game Company, was possibly the first large-scale manufacturer of locally-designed board games in Australia. The firm was established in Ballarat, Victoria, at the beginning of the twentieth century by W. Owen. Other board games made by National include the 'Victory-United Nations" game, 'Fairyland', 'Yacht Race', 'Golf Game', 'Bicycle Game', Steeple Chase', 'Our Great Game' about football, 'Courtship and Marriage', 'Around the Commonwealth by Aeroplane', and 'Dugouts and Trenches' as well as the more traditional games such as Ludo, Snakes and Ladders, and Noughts and Crosses. This game board has been well-used. The game is significant because it uses scenarios familiar to Australian children in the first half of the twentieth century. This game board reflects the experience of being a child in the twentieth century. Toys were how children were socialised and taught. Most toys mimic the adult world, and looking at them can tell us something about how the world has changed. A folding game board for The national Bicycle Game for 2,3 or 4 players. It has a yellow spiral track on which the player progresses at the throw of the die, starting at the clubhouse until reaching home. In the background are pictures of rural scenes.board-games recreation cycling national-game-company

It was inevitable that once children began to play with dolls and to create their own accessories for these toys, opportunistic manufacturers would begin to market products to cater for them. Toys made especially for little girls were designed to imitate the life and the society around them and to prepare them for their adult life as mothers. In the 21st century toys are less recognisable as miniature playthings. This item reflects the type of toys likely to be used by young girls.This is a cane pram for a doll. It has a wire handle which was probably once covered with cane. There are 4 steel wheels with solid rubber tyres. The cane has been woven around wire attached to the base. the hood is part of the basket. toys pram-dolls

This toy belonged to Graeme McLeod and was used during the late 1940s and early 1950s. It was then used by his children during the 1970s and 1980s.Red tin typewriter with a blue roller carriage, metal bar to hold the paper and a knob at the end of the roller to turn the paper. A red and black inked ribbon is stretched across in front so that when the chosen letter is selected and the press bar activated, the letter types onto the paper. A yellow disk on top has the alphabet and numbers 2-9 around the outside.METTYPE Junior/Place letter under pointer and press for spaces and to return carriage use arrow. [on top disk]allansford, mcleod, typewriters, toys, mettype, mettoy

The toy soldier is a relic from the shipwreck of the LOCH ARD in 1878. It has a companion piece in the Flagstaff Hill collection. The toy soldier is unpainted, but the style of uniform, and the weapons carried (a musket and a basket-handled cutlass), indicate it is a representation of the Napoleonic Wars period from the beginning of the nineteenth century. Mass-produced toy soldiers made of cast metal (lead or tin) became popular during the 1800s. Heyde of Germany manufactured silhouette-shaped flat toy soldiers early in the century. Mignot of France released three-dimensional solid figures and later around 1893 W. Britain, a toy company became known for its die-cast lead toy soldiers. These innovations were designed to make sets of toy soldiers more affordable for middle and lower-class children, extending the market beyond the intricately made and hand-crafted replicas that were the preserve of the rich in the eighteenth century. Wooden military figures, specially carved and unpainted ones, were therefore not particularly common at the time when the Loch Ard foundered on Victoria’s southwest coast. Mignot was the first to sell unpainted soldiers, leaving their customers to fill in the colours according to their own patriotic preferences. It is, therefore, possible the two figures in the Flagstaff Hill collection were part of a new set intended for sale, rather than part of a passenger’s existing collection. Loch Ard History: The Loch Ard got its name from ”Loch Ard” a loch that lies to the west of Aberfoyle, and the east of Loch Lomond. It means "high lake" in Scottish Gaelic. The vessel belonged to the famous Loch Line which sailed many vessels from England to Australia. The Loch Ard was built in Glasgow by Barclay, Curle & Co. in 1873, the vessel was a three-masted square-rigged iron sailing ship that measured 79.87 meters in length, 11.58 m in width, and 7 m in depth with a gross tonnage of 1693 tons with a mainmast that measured a massive 45.7 m in height. Loch Ard made three trips to Australia and one trip to Calcutta before its fateful voyage. Loch Ard left England on March 2, 1878, under the command of 29-year-old Captain Gibbs, who was newly married. The ship was bound for Melbourne with a crew of 37, plus 17 passengers. The general cargo reflected the affluence of Melbourne at the time. Onboard were straw hats, umbrellas, perfumes, clay pipes, pianos, clocks, confectionery, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were other items included that were intended for display in the Melbourne International Exhibition of 1880. The voyage to Port Phillip was long but uneventful. Then at 3 am on June 1, 1878, Captain Gibbs was expecting to see land. But the Loch Ard was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4 am the fog lifted and a lookout aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head-on into the wind, the ship lost momentum, the sails fell limp and Loch Ard's bow swung back towards land. Gibbs then ordered the anchors to be released in an attempt to hold their position. The anchors sank some 50 fathoms - but did not hold. By this time the ship was among the breakers and the tall cliffs of Mutton Bird Island rose behind. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves subsequently broke over the ship and the top deck became loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of Loch Ard and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as Lochard Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael a passenger had raced onto the deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke the open case of brandy which had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a complete state of exhaustion, he told the men of the tragedy. Tom then returned to the gorge while the two men rode back to the station to get help. By the time they reached Loch Ard Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost her family in the tragedy. Ten days after the Lochard tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of Lochard still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some items were washed up into Lochard Gorge. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced in March 1982. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton majolica peacock- one of only nine in the world. The peacock was destined for the Melbourne 1880 International Exhibition. It had been well packed, which gave it adequate protection during the violent storm. Today the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck, it has now become Australia's most valuable shipwreck artifact and is one of very few 'objects' on the Victorian State Heritage Register.The toy soldier represents a 19th-century child's interest in military history. The item is one of two toy soldiers recovered from the Loch Ard in Flagstaff Hill's collection. The shipwreck of the Loch Ard is of significance for Victoria and is registered on the Victorian Heritage Register ( S 417). Flagstaff Hill has a varied collection of artefacts from Loch Ard and its collection is significant for being one of the largest accumulations of artefacts from this notable Victorian shipwreck of which the subject items are a small part. The collections of objects give us a snapshot of how we can interpret the story of this tragic event. The collection is also archaeologically significant as it represents aspects of Victoria's shipping history, allowing us to interpret Victoria's social and historical themes. Through is associated with the worst and best-known shipwreck in Victoria's history.An unpainted, cream-coloured toy soldier, recovered from the Loch Ard. The figure wears a Napoleonic Wars-era uniform, a plumed helmet, a short jacket with tails, bib-front trousers with button closure, straps crossed at the front and back, and epaulettes. The figure is in marching posture with one foot extended forward, and is bearing a musket at the slope-arms position, with a sabre or cutlass slung behind. It is unable to stand on its own. There are reddish-brown and orange-brown stains on the head and body. The body has seams along both sides that are uneven at the lower leg. There is a hole in the back and the inside is hollow. The material has a rough texture.flagstaff hill, warrnambool, flagstaff hill maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch ard, toy soldier, napoleonic uniforms, military toy, moulded soldier

The toy soldier is a relic from the shipwreck of the LOCH ARD in 1878. It has a companion piece in the Flagstaff Hill collection. The toy soldier is unpainted, but the style of uniform, and the weapons carried (a musket and a basket-handled cutlass), indicate it is a representation of the Napoleonic Wars period from the beginning of the nineteenth century. Mass-produced toy soldiers made of cast metal (lead or tin) became popular during the 1800s. Heyde of Germany manufactured silhouette-shaped ‘flats’ early in the century; then Mignot of France released three-dimensional ‘solids’; and later (1893) Britain of England made ‘hollow cast’ figures. These innovations were designed to make sets of toy soldiers more affordable for middle and lower-class children, extending the market beyond the intricately made and hand-crafted replicas that were the preserve of the rich in the eighteenth century. Wooden military figures, specially carved and unpainted ones, were therefore not particularly common at the time when the LOCH ARD went down on Victoria’s southwest coast. Mignot was the first to sell unpainted soldiers, leaving their customers to fill in the colours according to their own patriotic preferences. If a similar attitude is assumed for the two virtually identical figures in the Flagstaff Hill collection, it is possible they were part of a new set intended for sale, rather than part of a passenger’s existing collection. A similarly light composite material of sawdust, glue and linseed oil (press-moulded onto a metal frame) was used by the German firm O & M Hausler to create toy soldiers, but this type of modelling was not commercialised until after 1912. The first heat-moulded plastic toy soldiers did not become available until after 1945.The toy soldier represents a 19th century child's interest in military history. The item is one of two toy soldiers recovered from the Loch Ard that are in Flagstaff Hill's collection. The shipwreck of the Loch Ard is of significance for Victoria and is registered on the Victorian Heritage Register ( S 417). Flagstaff Hill has a varied collection of artefacts from Loch Ard and its collection is significant for being one of the largest accumulation of artefacts from this notable Victorian shipwreck of which the subject items are a small part. The collections objects give us a snapshot of how we can interpret the story of this tragic event. The collection is also archaeologically significant as it represents aspects of Victoria's shipping history that allows us to interpret Victoria's social and historical themes of the time. Through is associated with the worst and best-known shipwreck in Victoria's history.An unpainted replica or toy soldier, presented in a Napoleonic Wars era uniform. The moulded figure is in a standing posture and is bearing a musket at the slope-arms position, with a sabre or cutlass slung behind. It wears a plumed helmet, short-fronted coat with longer buttoned tails at the back, button-fastened bib-front trousers, a pair of crossed bandoliers, and tasselled shoulder epaulettes. The figure is a creamy colour with red-brown stains on the head and shoulder. There is a hole in the end of the musket. The model is detailed and sharp. It was recovered from the wreck of the Loch Ard.Cataloguing numbers: “6599” on the rear of the left trouser leg “PWO 2308” on the sole of the left boot, (partially obscuring “R122” written in biro) “2218” on the sole of the right boot.flagstaff hill, warrnambool, loch ard, flagstaff hill maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, napoleonic uniform, toy soldier, replica soldier

The pram appears to have been developed during the 18th century. Queen Victoria is known to have bought three prams (she had 10 children). From then, it was a natural progression to create a smaller version as a leisure item, particularly for little girls.The introduction of dolls prams into the leisure item area, mirrors the development of toys generally.Pram cane, painted white with interwoven cane hood. Noneflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, pram, cane pram

This cloth or rag book “The Life of a Bold AB on his Ship in the Rolling C” is a child’s ABC or A-Z illustrated book written in poetic form with the theme of the British Navy at turn of 20th century. This rare book is one of the first cloth books manufactured for children. It is likely that the book was illustrated by Will Kidd and published in London by Dean and Son, circa 1902, according to research of similar books. The book was sent to Flagstaff Hill as padding around the donated medal of Nelson Johnson for bravery at the time of the shipwreck of Eric the Red. This medal is also in our collection. The book was published by Dean & Son of London, established around 1800.This book is an early example of early 20th century children's literature.Rag book (or cloth book), child's book "The Life of a Bold AB on his ship in the rolling C". Illustrated ABC book with poetic text, telling the story of a young sailor's life at sea. Images are screen printed onto cloth pages. Bottom edges are salveges, top and side edges are frayed. The book is bound by stitching through the middle of the centre pages. Original red coloured print of front cover has faded. Theme of book is British Navy at turn of 20th century. Published by Dean and Sonflagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, dean and son, child’s book, cloth book, rag book, children’s sailor book, 20th century children's literature, abc book, nautical book, maritime storybook, dean & son, toy book

Small white child's china cup with handle, c 1950 -60. Colourful transfer-printed decoration of children playing with a selection of toys. Possibly part of child's tea-set.Stamped made in Czechoslovakia. Colourful transfer-printed decoration of children playing with a selection of toys.ornaments, kitchen equipment, crockery, chinaware, czechoslovakia, early settlers, pioneers, moorabbin, bentleigh, cheltenham, ormond, market gardeners

Catherine Helen Spence (31 October 1825 – 3 April 1910) was a Scottish-born Australian author, teacher, journalist, politician and leading suffragette. Her family moved to South Australia in 1839. In 1897 she became Australia's first female political candidate after standing (unsuccessfully) for the Federal Convention held in Adelaide. Given the epitaph "Grand Old Woman of Australasia", Spence was commemorated on the Australian 5 dollar note issued for the Centenary of Federation of Australia. She was one of the prime movers, with C. Emily Clark (sister of John Howard Clark), of the "Boarding-out Society". This organization had as its aim the placing of destitute children, who would otherwise be sent to "Industrial School", into approved families. She was an advocate of Thomas Hare's scheme for proportional representation, at one stage considering this issue more pressing than that of woman suffrage.This doll is used as an educational toy to help visitors imagine life c1900An antique copy china doll representing Catherine Spence. The Doll has dark brown hair with a head scarf decorated with flowers and a navy blue dress with white cuffs and collar. dolls, spence catherine, suffragettes, politics, authors, orphanages, child care

These handmade skittles in this set appear to have had a lot of use as the surfaces of the skittles are well worn. The skittles have a hole in the top, indicating that they were made on a wood lathe. The game of skittles is played indoors and outdoors. It is a traditional target game or sport and the forerunner of the sport of bowling. A standard skittle set has nine skittles and one or two balls. The skittles would be arranged in a diagonal square pattern and a ball would be bowled towards them, for a given distance away. The object is to knock down as many skittles as possible. These skittles are representative of the traditional games played by children and adults over the centuries.Set of four wooden skittles, cylindrical body tapering inwards to form a narrow keck with a knob on top. Knob has two flat surfaces. The bodies and knob tops of the skittles sow remnants of wood stain but the bodies' surfaces are worn. The tops have a scored line around their circumference. The bases are rounded, with the edges off the floor. The top and base of the skittles have a hole in the centre. flagstaff hill, warrnambool, maritime village, maritime museum, shipwreck coast, great ocean road, skittles, pins, game, children's game, traditional game, bowling, toy

This dressed doll was owned by the daughter of Dr William Roy Angus and his wife Gladys when the family came to Warrnambool in the late 1930s. It is part of the W.R. Angus collection, donated by the family of Dr W R Angus, surgeon and oculist. The doll was donated with another dress and a blanket. The doll has features similar to, but an earlier model than, Reliable's 1940s model Cuddlekins doll, which has an entirely composite body. ReliableToy Company was founded in Toronto, Canada, by Solomon Samuels in 1920. Samuels was later joined by his two brothers. The company had a reputation for products of good quality. In 1922 the company began making their own dolls from composition, where previously the parts were made elsewhere and assembled by Reliable. The company stopped making Reliable dolls in 1995. The W R Angus Collection spans from 1885 to the mid-1900s and includes historical medical and surgical equipment and instruments from the doctors Edward and Thomas Ryan of Nhill, Victoria. Dr Angus married Gladys in 1927 at Ballarat, the nearest big city to Nhill where he began as a Medical Assistant. He was also Acting House surgeon at the Nhill hospital where their two daughters were born. Dr Angus and his family moved to Warrnambool in 1939, where Dr Angus operated his own medical practice. He later added the part-time Port Medical Officer responsibility and was the last person appointed to that position. Dr Angus and his wife were very involved in the local community, including the planning stages of the new Flagstaff Hill and the layout of the gardens there. Dr Angus passed away in March 1970.This doll is connected to the history of Warrnambool, as it was owned by the daughter of Dr W. R. Angus and his wife Gladys, and is part of the W.R. Angus Collection, which is important for still being located at the site connected to Doctor Angus, Warrnambool’s last Port Medical Officer. Dr Angus and his wife brought their young family to Warrnambool in 1939 and he remained a resident until his death in 1970. Early in his profession in the town of Nhill, Dr Angus assisted Dr Tom Ryan in his pioneering use of X-rays and in ocular surgery, and Dr Angus later inherited these items. The W.R. Angus Collection includes these medical instruments and other related equipment and is culturally and historically significant as an example of the medical practice of the late 19th to the mid-20th century. Other items in the collection relate to Dr Angus’ service in the Flying Doctor Service and the Army. The doll is also significant as an example of toys imported into Australia in the 1930s and 1940s and used by children in the Warrnambool community.Doll with moulded composition head, neck, arms and legs, all attached to a fabric body. The doll’s head has brown moulded curls. The facial features include an open mouth showing two top teeth, green eyes, and sleeping, closing eyelids with eyelashes. The doll has a crier inside that makes a sound when the doll is turned over. It is clothed in a knitted pink singlet, modern pink underwear, and a cream flannel short-sleeved dress with pink smocking and embroidery, and ties at the rear. There is a moulded inscription on the back of the doll’s head. The doll was made by Reliable Toy Company Ltd, Canada. The doll is part of the W.R. Angus Collection.On the back of the head “RELIABLE / CANADA”flagstaff hill, warrnambool, maritime village, maritime museum, shipwreck coast, great ocean road, dr w r angus, dr roy angus, dr ryan, warrnambool oculist, port medical officer, mira hospital nhill, toy, nhill hospital, doll, baby doll, composition doll, reliable toy company, canada, solomon samuels, child's toy, w.r. angus collection

This doll's dress was skillfully handmade by Gladys Angus, wife of Dr Angus, in a similar design to the silk lingerie she made and wore. Gladys made this dress for her daughter’s doll, which was also donated along with its pram and blanket. It is part of the W.R. Angus collection, donated by the family of Dr W R Angus, surgeon and oculist. The W R Angus Collection spans from 1885 to the mid-1900s and includes historical medical and surgical equipment and instruments from the doctors Edward and Thomas Ryan of Nhill, Victoria. Dr Angus married Gladys in 1927 at Ballarat, the nearest big city to Nhill where he began as a Medical Assistant. He was also Acting House surgeon at the Nhill hospital where their two daughters were born. He and his family moved to Warrnambool in 1939, where Dr Angus operated his own medical practice. He later added the part-time Port Medical Officer responsibility and was the last person appointed to that position. Dr Angus and his wife were very involved in the local community, including the early planning stages of the new Flagstaff Hill, where they contributed to the layout of the gardens. Dr Angus passed away in March 1970.This silk doll's dress is connected to the history of Warrnambool, as it was owned by the daughter of Dr W. R. Angus and his wife Gladys. It is part of the W.R. Angus Collection, which is important for still being located at the site connected to Doctor Angus, Warrnambool’s last Port Medical Officer. Dr Angus and his wife brought their young family to Warrnambool in 1939 and he remained a resident until his death in 1970. Early in his profession in the town of Nhill, Dr Angus assisted Dr Tom Ryan in his pioneering use of X-rays and in ocular surgery, and Dr Angus later inherited these items. The W.R. Angus Collection includes these medical instruments and other related equipment and is culturally and historically significant as an example of the medical practice of the late 19th to the mid-20th century. Additional items in the collection relate to Dr Angus’ service in the Flying Doctor Service and the Army. The doll's dress is also significant as an example of handcrafting in the early 20th century and represents toys made for and used by children in the Warrnambool community.The doll’s dress is handmade using cream silk fabric. It has floral embroidery on the bodice, a gathered waist, crochet trim at the neck, wrists and hem, which also has a scalloped edge. It has a press stud closure at the back. The doll’s dress was made by Gladys Angus for her daughter’s doll. It is part of the W.R. Angus Collection.flagstaff hill, warrnambool, maritime village, maritime museum, shipwreck coast, great ocean road, dr w r angus, dr roy angus, dr ryan, warrnambool oculist, port medical officer, mira hospital nhill, toy, nhill hospital, doll, doll's dress, silk doll's dress, handmade doll's dress, gladys angus, embroidery, w.r. angus collection

This doll's blanket was beautifully handmade by Gladys Angus, wife of Dr Angus. Gladys made it for her daughter’s doll, which was also donated along with its pram and a silk doll's dress. It is part of the W.R. Angus collection, donated by the family of Dr W R Angus, surgeon and oculist. The W R Angus Collection spans from 1885 to the mid-1900s and includes historical medical and surgical equipment and instruments from the doctors Edward and Thomas Ryan of Nhill, Victoria. Dr Angus married Gladys in 1927 at Ballarat, the nearest big city to Nhill where he began as a Medical Assistant. He was also Acting House surgeon at the Nhill hospital where their two daughters were born. He and his family moved to Warrnambool in 1939, where Dr Angus operated his own medical practice. He later added the part-time Port Medical Officer responsibility and was the last person appointed to that position. Dr Angus and his wife were very involved in the local community, including the early planning stages of the new Flagstaff Hill, where they contributed to the layout of the gardens. Dr Angus passed away in March 1970.This doll's blanket is connected to the history of Warrnambool, as it was owned by the daughter of Dr W. R. Angus and his wife Gladys. It is part of the W.R. Angus Collection, which is important for still being located at the site connected to Doctor Angus, Warrnambool’s last Port Medical Officer. Dr Angus and his wife brought their young family to Warrnambool in 1939 and he remained a resident until his death in 1970. Early in his profession in the town of Nhill, Dr Angus assisted Dr Tom Ryan in his pioneering use of X-rays and in ocular surgery, and Dr Angus later inherited these items. The W.R. Angus Collection includes these medical instruments and other related equipment and is culturally and historically significant as an example of the medical practice of the late 19th to the mid-20th century. Additional items in the collection relate to Dr Angus’ service in the Flying Doctor Service and the Army. The doll's blanket is also significant as an example of handcrafting in the early 20th century and represents toys made for and used by children in the Warrnambool community.The doll’s blanket is rectangular in shape. It has been hand-knitted in a decorative pattern using cream wool, and then embroidered with floral motifs. The blanket is lined with a hand-knitted blue rectangle. Gladys Angus made the blanket for her daughter’s doll. It is part of the W.R. Angus Collection.flagstaff hill, warrnambool, maritime village, maritime museum, shipwreck coast, great ocean road, dr w r angus, dr roy angus, dr ryan, warrnambool oculist, port medical officer, mira hospital nhill, toy, nhill hospital, doll, silk doll's dress, gladys angus, embroidery, doll's blanket, handmade doll's blanket, knitted blanket, w.r. angus collection

Event, Bendigo Y.M.C.A., Y's Workbox, Display & Demonstration of Hand Crafts, at The Y.M.C.A. Stadium, Mundy Street, Bendigo, Sunday October 27, 1985, 10am - 5pm. Admission: Adults $2.00 , Children 50c, Devonshire Teas $1.20. Crafts include: Plate Decorations, Wood Carving, Tatting, Bonsai, Filet Crochet, Patchwork, Jigsaws, Model Ships in Bottles, Knitting from Fleece, Soft Toys, Silversmithing, Christmas Decorations, Floral Art, Wood Turning, Pickled People, Padded Baskets, Machine Embroidery, Applique, Knitting, Overlocking, Latchhook Rugs, Make-Up (TV & Films), Bobbin Lace, Printing, Golden North Centre.event, exhibition, bendigo y.m.c.a.

A/ Recital, City Hall, Bendigo, Friday 2nd June 1967. The Music Advancement Society of Bendigo Presents the Second Concert 1967 series. Jill Temple - Watts: Soprano, Pamela Spira: Clarinet. Gwen Halstead: Piano. President: E Beilharz. Joint Hon. Secs. Madge Edgar, Emily Bright. Programme Ten Cents. Advertising: Hesse Bros. Electrical Sales, Edgar's (Toy Shop) Authorised Newsagency. Allan's Music. B/ We would like to bring to your notice an excellent programme of 'Music of Bach' presented at St. Paul's, Myer St. coming Sunday, 4th June at 3 pm. The Programme: Motet Praise the Lord, Cecilian Singers. 2 Arias Sung by Elsa Haas. Viola and Piani Sonata Played by Richard Hornung and Barbara Hyett. 2 Choral Preludes Played by Hedley Jones on the Organ. Cantata No. 104 Thou Guide of Israel. Admission by Programme, available at doors Adults 50c Children 20c.Bolton Bros. Print., Bendigoprogram, music, music advancement society bendigo, a/ recital, city hall, bendigo, 2nd june 1967. music advancement society of bendigo second concert 1967 series. jill temple - watts: soprano, pamela spira: clarinet. gwen halstead: piano. president: e beilharz. joint hon. secs. madge edgar, emily bright. programme ten cents. advertising: hesse bros. electrical sales, edgar's (toy shop) authorised newsagency. allan's music. b/ excellent programme of 'music of bach' presented at st. paul's, myer st. coming sunday, 4th june at 3 pm. the programme: motet praise the lord, cecilian singers. 2 arias sung by elsa haas. viola and piani sonata played by richard hornung and barbara hyett. 2 choral preludes played by hedley jones on the organ. cantata no. 104 thou guide of israel

Building block set used by Enid Wall as a young child Building block set of fifteen (15) blocks in original box without lid. Each block has images of domestic and wild animals, alphabet and numbers. Blocks appear to be made from balsa wood or equivalent due to light weight, and images have been adhered. Flowers motif wall paper (very worn) adhered to the sides of the box.blocks, toys, building block, toy block, children toys, learning blocks

Toys and Games Collection. Eleven loose children's picture blocks.toys, general, blocks

Toys and games collection. Set of twelve children's picture blocks. In cardboard box with a scene of a man, woman and small girl on the lid of the box. The blocks may be assembled into six different pictures.toys, general, blocks

Toys and games collection. Wooden box containing children's picture blocks. Box is covered in paper with depictions of stamps of the world. The broken lid is tied with a fabric tie.toys, general, blocks

Toys and games collection. Set of twenty-six children's wooden building blocks. Assorted shapes and sizes. Made from dark-stained timber. Stored in a cardboard box.toys, general, blocks

Toys and Games Collection. Three children's wooden spinning tops with metal tips. 1. Light coloured wooden top. Machine turned. 2. Red painted wooden top. Machine turned. 3. Wooden top. Possibly hand-made, with uneven shape and surface.toys, general

Toys and games collection. Tiddly Winks boxed game. Contains wooden cup and assorted coloured discs of varying sizes. Small black box embossed with birds and flowers, with an illustration on top of a hand playing the game.National trade marktoys, general

Objects. Children's build-it yourself cardboard castle in pieces. Hand made pieces - painted and numbered. Stored in seven plastic bags plus base in archive box.toys, general, cardboard castle

Object. (a) The Fulton Printing Outfit No 35, (Boxed). Containing stamps and interchangeable letters. Pictured on front a group of 4 children around a table. (b) Plus a handmade chest of drawers, made from matchboxes and labelled , Alpha betically. Some contain letters from painting set.Alex. H. Stone from Auntie Ina. Christmas 1915.toys, general, child's printing set and storage.

Copy of a photograph of a large group of men in formal dress, all holding bouquets. On the side of the photo there is written : 'Note from Alex H. Stone, probably a photo of the local? Club of the Melbourne Druids Lodge. They would distribute toys and sweets to the children of St. Aidens Orphanage and then take ____? ______? Home on the train? ( The handwriting is very hard to decipher). This photo was sent to the Bendigo Historical Society by D. McFarlane, 5W Water St. Cairns.W. H. Robinson Bendigoperson, group, druids, druids, alex h. stone, st. aidens orphanage, d. mcfarlane

Book brought from Jaffa, Palestine in 1941 by the Drescher family, internees at Camp 3, Tatura.Soft red coloured card covered book with black and white comic like illustrations. Cover shows man sitting on a swing with a young boy holding a Winnie the pooh toy. Title in German Gothic script.Peter Dreschercamp 3, children's books, peter drescher, german internees in camp 3