The earliest building on the Walpole Street site was the Kew Athenaeum Hall (built 1860) which was purchased by Kew Council in 1865. The Town Hall was sold to Woolworth's and subsequently demolished in 1972 when the civic offices were transferred to a new building on the corner of Charles Street and Cotham Road.This is the earliest known image of the old Kew Town Hall following the addition of the new facade in the 1880s.A print copy of a gelatin silver photograph of the former Kew Town Hall in Walpole Street, Kew. The photograph shows the neo-classical facade added to the former Atheneum building in the 1880s. The recessed doors in the entrance are now held by Trinity Grammar School. A man, probably Cr Edmund Marshall, is standing outside the entrance. Two gas lamps stand in front of the Hall.Reverse in pencil: "Edmund Marshall Councillor 1887"town halls, kew town hall, walpole street - kew (vic.)

Bendigo performance of ''Serenade to Sun Loong'' 27/7/1997 at Golden Dragon Museum. Concert presented with AB and Museum in conjunction. Collection of various material related to the concert: Background information re instruments and performers (Shen Pangeng - on the Erhu and Sun Ping - Classical & Folk Dancer); press release information; associated correspondence ; financial details (loss) re the performance; copies of program; tickets.

Double storey, double fronted stone rendered, central entry way, stone verandah and stone columns. Second storey verandah has been added in the classical style consistent with lower storey. Stone columns and stone balustrading. Demolished 1964.black and white photograph, mounted, fair condition. Original plus copy.St Margarets, 56 Barkly Street. Photo taken 1964 before demolition.'

NoneAbstract image. Centre image is a human (shown without skin) climbing a narrow mound/hill form. At the top is a screen supported by three poles. The screen reproduces a photograph of what appears to be a classical narrative bas-relief sculpture. On each side of the hill are Celtic and Norse carvings/gilded artefacts/metalworks mounted on long poles. Abstract could patterns are at the top of the print. No matt. Silver metal frame.Front: 1/10 (lower left) Ikon to a Fossil King (lower centre) Allan Mann (lower right) (pencil) Back: (no inscriptions)

The Heffernan family posed outside their home. The house is a classical weatherboard surrounded by verandah. The surrounding area is very bare. The family group is comprised of a bearded gentleman, a woman, 1 young man with a bike, 3 boys and 2 young women.The photo is mounted on a grey cardboard matt. It is foxed and has 2 pin holes centre top and an area of residual staining from sticking tape centre top.Matson and Frazer HEFFERNAN FAMILY 264 Lt Collins St Heaves House High School On back: Eric Boardmaneric boardman collection, heffernan family, houses, racecourse road, macedon street, sunbury, heaves house, high school, george evans collection

A FGP 'Field Club' tennis racquet with double strung net, highlighting intricate 'sweet spot'. Laminated wooden handle featuring intricate linear and arrow-shaped wood inlay design. Inscription across throat on obverse: FGP. Inscription across crown on reverse: FIELD CLUB. Trademeark decal on throat of reverse features domed neo-classical building. Materials: Wood, Lacquer, Glue, Metal, Gut, Inktennis

Showcasing classical music in unexpected location across Melbourne, Secret Symphony presents free pop-up performances promoted exclusively through social media. The Melbourne Symphony Orchestra chose the Mission to Seafarers for one of their concerts held up to four times a year, on the 29th of June 2018.The Mission has always been open to the community and has a tradition of hosting cultural events: shows, concerts, exhibitions, festivals.Small flyer printed on blue paper advertising for an concert by the MSO at the Mission to Seafarerscultural events, concerts, norla dome, classical music, mso, melbourne symphony orchestra, secret symphony, 2018

Bendigo Weekly from Friday November 2, 2001. Snippets of Bendigo History - The View Street Story - continued by Edith Lunn. This article describes two small buildings between the Queens Victoria garden and the entrance to Rosalind Parks and the Baby Health Centre . The article continues with a description of the more architecturally classical building on this side of View Street, The National Australia Bank building, the Sandhurst Club and the Sandhurst Trustees building. The clip is in a folder.newspaper, bendigo, bendigo weekly

Bendigo Weekly from Friday, January 11, 2002. '' A snippet of Bendigo history'' by Edith Lunn, the View Street story continued. In the journey up View Street we come now to the former Masonic Hall and Temple, our present day Performing Arts Centre. As a freemason, architect W. C. Vahland and his partner Robert Getzschmann were, in 1875, invited to design this fine Masonic building with its classical portico. The clip is in a folder.newspaper, bendigo, bendigo weekly

Silk programs, at that time, were only produced for a very prestigious night at the theatre. Historical note: The town of Gisborne was named after one of the members of the first committee of the Mechanics’ Institution (renamed in 1872 to Melbourne Athenaeum), formed in November 1839. His full name was Henry Fyshe Gisborne 1813-1841. The program, crafted of printed silk with a silk fringe all around the four edges is unique in the program collection. The program reveals an interesting fund-raising entertainment held at the Melbourne Athenaeum theatre in 1884. As the theatre was available for hire by everyone in the Melbourne community, over the course of its history it was hired by a large variety of theatrical performers, political groups, sporting and arts groups, in addition to fundraising groups, as found here. Proceeds of this concert were donated to the Melbourne-based Sick Children’s Hospital and the Upper Macedon Episcopalian Church – an unusual combination of charities. The Mount Macedon area became a popular place for holiday- makers from Melbourne in the 1870s and many professional people built holiday retreats with beautiful gardens in the area. The development of the area created a further need for places of worship. The names of the people taking part numbered over 70, several having the same family names as those listed as members of the Melbourne Athenaeum at that time but there is no proof that the people involved with the performance were subscribers to the Melbourne Athenaeum. At the time the Athenaeum hall consisted of a large flat space requiring chairs to be placed in lines, with hand-written alphabetical signs to indicate the rows and individually numbered chairs. The hall seated 900 patrons. When the hall was used for balls, banquets and exhibitions all the chairs were removed and stored under the stage and in a room at the side of the hall. The layout of the hall can be seen in this photograph from the archives, taken in the early 1900s. This fringed, silk program was produced for a concert held on 9-10 October 1884 under the patronage of the Governor Sir H Brougham Loch at the Athenaeum Hall in aid of the Convalescent Fund of the [Melbourne] Sick Children’s Hospital and the Episcopalian Church of Upper Macedon. The evening of light entertainment comprised eleven solo musical performances and thirteen tableaux, some humorous, referencing biblical and classical themes from plays, paintings and operasm enhanced with painted scenery and a multitude of costumes.melbourne athenauem hall, the sick children's hostipal, episcopalian church

A Chemold Rod Laver Tournament tennis racquet, with ribbon whipping around shoulders, and mottled black leather grip. Model name features across base of head, flanked by Classical Greek motifs. A coat-of-arms with lion and deer features on throat. Lower shaft and plastic butt cover feature blue, red, and white Chemold trademark. Materials: Wood, Nylon, String, Ribbon, Paint, Ink, Plastic, Leather, Rubber, Glue, Lacquer, Metaltennis

Long Gully History Group Collection: Interchurch Athletics League Cricket Trophy A metal cricket trophy in the form of a cup with two handles. The cup has a fitted lid topped with an ornament that has been broken off and damaged. The ornament is in the form of a classical figure. The figure is missing its feet and one hand. Inscription on the front reads 'Interchurch Athletic League, Long Gully Methodist Cricket Club, Outright Winners, Seasons 1923-24, 24-25, 25-26,26-27.bendigo cricket, cricket trophy, long gully methodist cricket club

Bag containing a collection of small items: one small cloth patch within a shield a bird and a lion with the words, Bonitas, Scientia and Disciplina. One plastic token: Strah pool, adult 276 79-80. Four tokens for Dance Bendigo. Twenty-four stickers Bendigo Dance Eisteddfod classical dancing 1st place 2003 and 2005 Two pages of postal address stickers: C. Holsworth, Bendigo Dance Eisteddfod, 13 Nabila Cres. Bendigo Vic. 3550.clubs, music, symphonic youth band

Seven assorted postcards addressed to Mrs. A. Stephens and having various themes. (a) Christmas theme card depicting a water wheel and the actress Billie Burke., (b) embossed card with an guitar and flower theme., (c) Card with a faded photograph of the Exhibition Buildings , Melbourne., (d) Cartoon with The caption ' I wish I was a dog ' (e) Embossed card with a classical Roman or Greek theme., (f) embossed card depicting a sailing ship., (g) Photograph of a child, 5 or 6 years old , in a bathing costume.postcard, various themes, water wheel , billie burke, guitar, exhibition buildings , melbourne, i wish i was a dog, roman theme, sailing ship, boy in bathing costume

This program was given to attendees at the Bendigo Symphony Orchestra performance on 24 March 2024. Bendigo Symphony Orchestra welcome their 2024 concert season with Sculthorpe’s shimmering Sun Music III alongside monuments of the classical repertoire. ARIA award-winning pianist Tamara-Anna Cislowska joins BSO for Tchaikovsky’s majestic Piano Concerto No. 1, and the orchestra take a stormy journey through Beethoven’s iconic Symphony No. 5. SUN MUSIC Sunday 24 Marchr, 2024, 2.30pm Ulumbarra Theatre, Bendigo Luke Severn Conductor Tamara-Anna Cislowska - Piano Peter SCULTHORPE - Sun Music III Ludwig van Beethoven - Symphony No 5, Op. 67 Pyotr Ilyich Tchikovsky - Piano Concerto No 1, Op.23 in B-flat minorbendigo symphony orchestra, luke severn, regional victorian orchestra, performance

One sheet program for Jacqueline Dark"... with a little help from my firends!" A Sensational celebration of song Jacqui Dark, Teresa la Rocca, Tanya Christensen, Michael Black, Andrew Wilson, Kanen Breen, Catherine Carby, Tom Moran, Juan Jackson From classical to cabaret, Sondheim to swing Anything Goes as this exceptional cast perform their favourites! Sunday, October 24th, 4pm Joan Sutherland Studio The Opera Centre, 480 Elizabeth St, Surry Hillsjacqueline dark, opera, jacqui dark, teresa la rocca, tanya christensen, michael black, andrew wilson, kanen breen, catherine carby, tom moran, juan jackson

Object. Green Velvet & Silk Decorative Chocolate Box Late Victorian Era Circa 1890. Gold Metal Edged Decoration On Each Corner & Gold Metal Clasp. The Centre of the Lid is Decorated with a Large White Moulded Piece of Celluloid Over Heavy Cardboard. The Celluloid Decoration depicts a Classical Scene either Roman or Grecian; 2 Ladies, 1 Reclining & 1 Standing, With A Peacock & A Swan Around A Pond Containing Lotus Flowers Or Water Lilies in Foreground. The Side of the Box were Silk & 3 Beads in Each of the Corners.J.S. Fry & Sonsdomestic equipment, containers, green velvet chocolate box

A Davis Classic tennis racquet (.1), with Davis Classic vinyl racquet head cover (.2). Davis logo and model name features across base of head, flanked by classical design motifs around the shoulders. TAD "Kings of the Court" trademark features on throat on obverse. Davis coat-of-arms "Duce virtute comite fortuna" trademark features on throat on reverse. TAD trademark features on rubber butt cap. Materials: Wood, Nylon, Ink, Glue, Lacquer, Metal, String, Leather, Adhesive tape, Paint, Rubber, Fibreglass, Vinyl, Metaltennis

A Davis Classic tennis racquet, with ribbon whipping around shoulders and leather handle grip with patterned perforations. Davis logo and model name features across base of head, flanked by classical design motifs around the shoulders. TAD "Kings of the Court" trademark features on throat on obverse. Davis coat-of-arms "Duce virtute comite fortuna" trademark features on throat on reverse. TAD trademark features on rubber butt cap. Materials: Wood, Nylon, Ink, Glue, Lacquer, Metal, Ribbon, Leather, Adhesive tape, Paint, Rubber, Fibreglasstennis

A Davis Classic II tennis racquet, with string whipping around shoulders and shaft, and leather handle grip with patterned perforations. Davis logo and model name features across base of head, flanked by classical design motifs around the shoulders. TAD "Kings of the Court" trademark features on throat on reverse. Davis coat-of-arms "Duce virtute comite fortuna" trademark features on throat on robverse. TAD trademark features on rubber butt cap. Materials: Wood, Nylon, Ink, Glue, Lacquer, Metal, String, Leather, Adhesive tape, Paint, Rubber, Fibreglasstennis

A Davis Classic III tennis racquet, with string whipping around shoulders, and mottled orange leather handle grip. Davis logo and model name features across base of head, flanked by classical design motifs around the shoulders. TAD "Kings of the Court" trademark features on throat on obverse. Davis coat-of-arms "Duce virtute comite fortuna" trademark features on throat on reverse. TAD trademark features on rubber butt cap. Materials: Wood, Nylon, Ink, Glue, Lacquer, Metal, String, Leather, Adhesive tape, Paint, Rubber, Fibreglasstennis

Balinese art is art of Hindu-Javanese origin that grew from the work of artisans of the Majapahit Kingdom, with their expansion to Bali in the late 14th century. From the sixteenth until the twentieth centuries, the village of Kamasan, Klungkung (East Bali), was the centre of classical Balinese art. During the first part of the twentieth century, new varieties of Balinese art developed. Since the late twentieth century, Ubud and its neighboring villages established a reputation as the center of Balinese art.This is likely a memento of the Dutch/Indonesia era.Carved and lacquered wooden image of male and female heads. Each is wearing a highly decorative headdress giving the impression of a special ceremony such as a wedding. The necks of the figures merge into further carving, this time of an abstract theme.

Flemington Wesleyan Methodist Church, Mount Alexander Road built in 1865. A Wesleyan church of which the nave of 1865 is typical in its use of brick and contrasting dressings and is a minor variant in the Methodist tradition of token Gothic, with pointed windows and brittle detailing; the spiky octagonal turrets and classical finial being somewhat novel, the porch and the transept (1883) being later additions. Classified: 18/09/1975 Demolished: 07/1999. [http://vhd.heritagecouncil.vic.gov.au/places/65363]Flemington Wesleyan Methodist Church brick. flemington wesleyan methodist church

Monsieur Charles Auguste Albert Racinet was born in Paris on July 20th, 1825. His job was representative of a group of 19th-century industrial draughtsmen, teachers of technical drawing and factory studio manager. He helped in spreading the most significant design of the decorative arts of the time. Racinet learned his trade from his father. He was trained by neo-classical artists in the ambit of Percier and Fontaine. August Racinet was influenced by the Schinkel tendency and supported by architects such as Hittorf and Voillet-le-Duc.Book. Large red leather cover. Title written in gold on spine. Illustrations (black & white), 100 of chromolithographic plates in gold, silver and colours. Various styles of ancient, oriental and medieval art including the Renaissance, the 17th, and the 18th centuries. Subjects are arranged in historical order. Text translated from the original French. The book includes a table of contents, a list of plates, a classified index and an introduction.A book plate inside front cover with a heading "Ballarat School of Art Library No. R/171. Stamped with "Reference","Education Department" and "Ballarat School of Art Library"art, paintings, textile, designs, decoration and craft, ornaments, ballarat technical art school library, bookplate

Built in 1886, this Victorian classical building was once the site of Reid's New York Bakery. The verandah was added 10 years later. The building boast a grand facade, Edwardian balcony, hand-painted ceiling and grand entrance arch. It features hand painted murals, leadlight windows, and an outstanding timber staircase. The former coffee palace is part of the temperance movement of the 19th century and was one of the last in Victoria. In 2019 the former Reid's Coffee Palace went through restoration.A colour photograph of the entrance to Reid's Guest House, at 128 Lydiard Street South, Ballarat.reid's guest house, ballarat, new york bakery, lydiard street north

Inspired by the opening lines of Percy Bysshe Shelley’s 1820 poem of the same title, The Cloud has grace of line that epitomises the model of classically informed beauty. Richardson’s figure successfully follows the serpentine line of Art Nouveau sculpture while also echoing the influence of British New Sculpture with its focused attention to bodily detail and surface articulation. A bronze version of The Cloud was cast in 1987 and can be seen in the formal garden between the Brighton Town Hall and the Brighton Library.Art Nouveauplaster patinated with paint and ground coppersculpture, female figure, charles douglas richardson, the cloud, cd richardson, c douglas richardson, percy bysshe shelley, poem, art nouveau, new sculpture, flowers

Group of seven postcards addressed to Mrs. A Stephens (some c/o Mrs. Hands 164 Lygon St. Carlton) , depicting various themes. (a) Painting of a female hand holding a bunch of violets. (b) Embossed card with red metallic finish depicting a couple dressed in classical Greek style. © Actress, Maggie Stirling ? (name nearly unreadable) (d) Glossy card with Hearty Congratulations written across the front in ornate lettering (e) Drummond St. Ballarat. (f) Actress Gabrielle Ray, photo by Dover St. Studio. (g) Hand tinted, Miss Edna May.postcard, various themes, maggie stirling, drummond st. ballarat, gabrielle ray, edna may

Hygieia (Ύγεια, lit., “healing”) probably began as an abstraction, which later became personified. She does not appear to be a deity of extremely ancient origin, and there has been much scholarly debate as to exactly where and when worship of her first developed. Her cult most likely arose in the territory of Sikyon, where she was worshipped along with Asklepios, the legendary god of medicine. In later times Hygieia came to be regarded as the daughter of Asklepios, although her cult was not introduced to Epidauros, his principal sanctuary, until at least the 4th century BC. The earliest large-scale devotion to her is found in the aftermath of the Plague of Athens (420BC). The cult of Hygieia was taken to Rome, along with that of Asklepios (Æsculapius), in 293BC, to avert a pestilence. Here she gradually became integrated with the old Italian god Salus. Towards the end of the pagan era both Hygieia and Asklepios lost their specific associations with medicine, and became general protective deities. A beautiful wooden statue representing Hygieia, the Greek goddess of health.The figure is highly polished, which brings out the intricate grain of the timber. In it, the sculptor has endeavoured to combine the qualities of a classical pose with a contemporary yet timeless surreal sensuality. It will stand on a stone pedestal about 90cm high, and be placed in a prominent location in the Melbourne headquarters. The College’s statue is semi-abstract in style, carved from a single piece of jarrah. The piece of timber from which it is fashioned was salvaged from the remains of a century-old shearing shed on Rifle Downs, at Darkan in the south-west of Western Australia.