Wilhelm and Marie Wischer were the founding couple of the successful Wischer phosphate and chemical works at Yarraville, Melbourne. They had emigrated from Magdeburg in Germany in the late 19th century and had undertaken the journey to Australia over three months. During this voyage, several passengers had died and a number of babies had been born. The travellers had endured storms, injuries, broken equipment, and numerous other privations. The couple had lived in the suburb of Hawthorn and their family history is documented in a book by John Wischer. The link is in references this document from "Kainos Books" and makes for fascinating reading as it reveals an account of life in Melbourne during the late 19th and early 20th century. The book also gives an account of the Wischer phosphate mining activities on Ocean Island in 1904, Wischer & Co. eventually merged with Mt. Lyell Chemical works.An item giving a snapshot of early industrial life in Melbourne during the late 19th century with also an interesting story of early migration to Australia. The item also makes us aware of the privations early migrants had in trying to establish a life in a new country and how the Wischer family overcame these challenges to establish a very successful business.Jug, clay large with handle glazed screw on stopper. Sulphur Acid Wischer Chemical Company Yarraville printed on side, also a number 5 on the screw lidflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Artist Carving one of the Miners from the clock in clay.monuments, town hall clock

A collection of papers presented to the Box Hill Historical Society as talks, covering medical care, the clay industry, memories of Surry Hills, the Brewer family, Box Hill Post Office, the Sim family, tennis clubs, Girl Guides, Shire of Nunawading, Iris Roderick and the Bovill's of Balwyn.A collection of papers presented to the Box Hill Historical Society as talks, covering medical care, the clay industry, memories of Surry Hills, the Brewer family, Box Hill Post Office, the Sim family, tennis clubs, Girl Guides, Shire of Nunawading, Iris Roderick and the Bovill's of Balwyn.Title page: Alan Holtbox hill city historical society, (ms) iris roderick, bovills of balwyn, box hill, girl guides, tennis clubs, sport, surrey hills rose society, (mr) james henry simpson, beatrice avenue, (mr) james allan, (mr) thomas hogg, box hill post office, brewer family, surrey hills, clay industry, health services, (mr) john k blogg, (miss)kitty mcewan, empire day, festivals and celebrations, albany crescent, fires, 1935, box hill medical centre, (dr) (mr) john de la roche bragge, (dr) (mr) alfred purdue vaughan, (dr) (mr) walter joseph craig, fairbank hospital, (dr) b n gandevia, windsor crescent, deepdene outer circle railway

A collection of papers presented to the Box Hill Historical Society as talks, covering medical care, the clay industry, memories of Surrey Hills, the Brewer family, Box Hill Post Office, the sim family, tennis clubs, Girl Guides, Shire of Nunawading, Iris Roderick and the Bovill's of Balwyn. Deepdene crescent outer circle railway A collection of papers presented to the Box Hill Historical Society as talks, covering medical care, the clay industry, memories of Surry Hills, the Brewer family, Box Hill Post Office, the sim family, tennis clubs, Girl Guides, Shire of Nunawading, Iris Roderick and the Bovill's of Balwyn.box hill city historical society, (ms) iris roderick, bovills of balwyn, box hill, girl guides, tennis clubs, sport, surrey hills rose society, (mr) james henry simpson, beatrice avenue, (mr) james allan, (mr) thomas hogg, box hill post office, brewer family, surrey hills, clay industry, health services, (mr) john k blogg, (miss) kitty mcewan, empire day, festivals and celebrations, albany crescent, fires, 1935, box hill medical centre, (dr) (mr)john de la roche bragge, vaughan, alfred purdue (dr) (mr), (dr) (mr) walter joseph craig, fairbank hospital, (dr) b.n. gandevia

Henry Oakes' kiln was located near the current council depot in Churchill Avenue,Bright.Handmade brick of pale orange clay. Two corners damaged.Animal paw prints- 2 sets.handmade, brick, oakes, kiln

Round Clay on the inside of the Basin to keep the basin together Rusted

Electric Radiator Element on Pipe Clay support and copper reflectorstawell

Colour photograph of a clay sculpture by Matcham Skipper of Wyn Roberts. Stamped on reverse: 98213086 © Sandy Kilpatrick matcham skipper, photograph, sandy kilpatrick, sculpture, wyn roberts

Demonstration Equipment for Diffusion through clay pipes. (Expt. 53)

The Royal Doulton company began as a partnership between John Doulton, Martha Jones, and John Wattis an English ceramic and home accessories manufacturer founded in 1815. Operating originally in Vauxhall, London, later moving to Lambeth, in 1882 it opened a factory in Burslem, Stoke-on-Trent, in the centre of English pottery. The business was specialised in making salt-glazed stoneware articles, including utilitarian or decorative bottles, jugs and jars, much of it intended for inns and pubs. The backbone of the business was a wide range of utilitarian wares, mostly stone wares, including storage jars, tankards and the like, and later extending to pipes for drains, lavatories and other bathroom ceramics. From 1853 to 1902 its wares were marked Doulton & Co., then from 1902, when a royal warrant was given, Royal Doulton. The company always made some more decorative items, initially still mostly stoneware, and from the 1860s the firm made considerable efforts to get a reputation for design, in which it was largely successful, as one of the first British makers of art pottery. Initially, this was done through artistic stoneware's made in Lambeth, but in 1882 the firm bought a Burslem factory, which was mainly intended for making bone china table wares and decorative items. An early utilitarian stoneware item made by a well-known company that specialised in making salt-glazed items that later earned a reputation for making stoneware art objects.Ink bottle, brown salt glazed stoneware with narrow mouth tamped Doulton Lambeth cork missing. Stamp impressed into clay on edge "(2)32 / Doulton / Lambeth" flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, flagstaff hill maritime village, great ocean road, stoneware, stoneware jar, doulton lambeth, kitchen ware, salt glazed

Design of fensing (sic) for ornamental reserve (railway reserve) in Station Place North, 1879.Signed by Chas. Clay, Edward Wilson, E Clark, 1879.parks and gardens, engineering - fences, edward wilson, charles clay, edward clark, town clerks, railway reserve, station place

This pipe has been made by William White of Glasgow, Scotland, a firm that was producing this type of pipe throughout the 19th century. Pipe smoking for men was prevalent in the 19th century and early to mid 20th century but is no longer a popular pastime. This pipe has no known provenance but it is an interesting object from the past and is retained for display purposes.This is a white clay pipe. Part of the stem has been broken off. 657 W. White Glasgowmen’s accessories, history of warrnambool

Clay crucible marked Battersea Round commonly used for melting gold.mining, equipment, crucible

James Tyson (8 April 1819 - 4 December 1898) purchased Heyfield Station from the Firebrace family in the late 1860s. Tyson referred to Heyfield as his "cabbage patch". Tyson was famous for insisting his workers were accommodated at the same standard as he was, and arranged for George Drew (1834-1892) and his family to come to Heyfield from his home station at Deniliquin to make bricks for the homestead and for the workers quarters. As far as can be ascertained they arrived in 1868, and selected land that became known as the Brick Yard. After making the bricks for Tyson he operated as would any normal brickmaker. George carried on the business until his death, with it being then operated by his sons Jack and Henry. Many buildings in the district contain Drew bricks, which are sometimes smaller than normal bricks. The most accessible example is the first Anglican Church of 1874, now in the school grounds.This brick has historical significance as an example of one of the early bricks made by the family, similar to those made for James Tyson, an important figure in Australian history. It has community significance as the story of the Drew family (who still remain in Heyfield) provides the community with a strong link to Tyson. The family has remained linked to the Anglican Church (having made the bricks for the first church), as well as being active in the wider local community.A single clay brick with two thumbprints in diagonal corners, ends glazed.brick industry, brickmaking, bricks

Bust sculpture in clay of 'Dave' (full name unknown)- 1st Battalion.dave the vietnam veteran, audrey cellier, 1 rar, sculpure

Miniature Clay Bricks from Hospital Fund Raiser 1933-34stawell

Colour photograph of a clay sculpture by Matcham Skipper of a seated boy with a swan. Printed on reverse: 9821308 1 © Sandy Kilpatricksandy kilpatrick, photograph, matcham skipper, sculpture, boy, swan

Black and white photograph of a clay sculpture by Matcham Skipper of Wyn Roberts. Nonematcham skipper, photograph, sculpture, wyn roberts

THIS MINE WAS SITUATED ABOUT 100 YARDS SOUTH WEST OF ALBERT STREET AND ANGUS STREET CORNER. RED CLAY FROM THIS MINE WAS USED FOR BRICK MAKING..1 SEPIA PHOTOGRAPH OF CLUNES ALLUVIAL GOLD MINING CO. .2 SEPIA PHOTOGRAPH OF POPPET HEAD-MINERS ON PLATFORM-THATCHED ROOF BUILDINGS, SCATTERING OF LARGE LOGS IN FOREGROUND, USED FOR FIRES. .3 COPY OF ABOVE PHOTOGRAPH IN BLACK AND WHITE (POSTCARD SIZE).1 PRINTED: CLUNES ALLUVIAL GOLD MINING COMPANY REGISTERED CLUNES .2 PRINTED ON FRONT : ALLUVIAL GOLD MINING COMPANY REGISTERED CLUNES HANDWRITTEN: PERIOD 1865. SITUATED ABOUT 100 YDS SW OF ALBERT AND ANGUS STREET CORNER. RED CLAY FROM THIS MINE WAS USED FOR BRICK MAKINGphotographs, mining, clunes alluvial mining company

Ian SPRAGUE (1920 - 18 April 1994) Born Geelong, Victoria Ian Broun Sprague's initial training was in Architecture, completing a degree at the University of Melbourne in 1950. After a serious car accident in England, Sprague was encouraged to take up a craft to restore the strength in his arms. He studied at the Central School of Arts and Crafts, London for three years, and spent two months at the David Leach Pottery in Devon, before returning to Australia in 1962. In 1964 Ian Sprague established the Craft Centre in Toorak Road, South Yarra, and the Mungeribar Pottery in Upper Beaconsfield, with Robin Welch, Mungeribar being an Aboriginal word meaning 'red clay'. In 1981, he moved to Mooney-Mooney, NSW (Mungeribar was gutted by bushfires shortly after he left), and to Noosa in 1992. The Mungeribar Pottery mark is an impressed 'm', and Sprague's own mark is an impressed 'IS' with the S rendered in Morse code. Ian Sprague's Mungeribar apprentices were Grattan Burley, Victor Greenaway (1969–73), Christopher Sanders (1976-78}, Trevor Hanby (1978–80). In 1981, he moved to Mooney-Mooney, NSW , and Noosa in 1992. Greenaway's mark in his Mungeribar years was an impressed capital G. Grattan Burley (for six months), The Craft Centre in South Yarra was owned and stocked entirely by Ian Sprague, and he travelled all over Australia in search of the best possible textiles, glassware, woodwork and jewellery, not just pottery. The opening exhibition showed the pottery of Robin Welch. Sprague sold the Centre in 1967, but soon started a campaign for a government funded centre, eventually established as the Meat Market Craft Centre in North Melbourne. In 1971 Sprague became president of the recently created Craft Association of Victoria. Dismayed by the quality of teaching in art schools and technical colleges, he ran many workshops around the country on the textural treatment of clay. This work is part of the Jan Feder Memorial Ceramics Collection. Jan Feder was an alumna of the Gippsland Campus who studied ceramics on the campus. She passed away in the mid 1980s. Her student peers raised funds to buy ceramic works in her memory. They bought works from visiting lecturers who became leading ceramic artists around the world, as well as from many of the staff who taught there.Contemporary ArtTexture fire clay slab and partly glazed wall panel. Ian Sprague produced his hand modeleed wall panels by cutting them from fireclay blocks, heating and scraping them, and applying bold simplified motifs. A strong solution of salted wated was poured onto the rugged clay surfaceswhich produced a warm toasted surface effect. The panels show a clear understanding of the modulation of two dimensional relief sculpture. Artists stamp on lower RH cornerceramics, ian sprague, gippsland campus, jan feder memorial ceramics collection, mungeribar, meat markery craft centre, craft centre south yarra

Bendigo clay crucible used for smelting, assaying and refining gold. Printed inside circular mark on side of crucible in black : 'Bendigo Clay Crucible' Large letter 'G' stamped in centre. Manufactured by Bendigo Pottery.gold mines, mining equipment, gold crucible