Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from. Physician - years-of-bliss blankets (man asleep in bed) Physician - years-of-bliss blankets - just feel the difference!/Wonderfully warm, without weight…soft and fluffy after countless washings…made from the most luxurious wool in the world….and guaranteed for 20 years/Physician/Luxurious Woollen Blanketsblanket, blanket fever, wool, collins bros mills, physician, advertisement, australian women's weekly, geelong

Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from. Physician - years-of-bliss blankets -(mother and child)Physician - years-of-bliss blankets - just feel the difference!/Wonderfully warm, without weight…soft and fluffy after countless washings…made from the most luxurious wool in the world….and guaranteed for 20 years/Physician/Luxurious Woollen Blanketsblanket, blanket fever, wool, collins bros, physician, geelong, advertisement, australian women's weekly

Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from. Physician - years-of-bliss blankets - (woman on telephone in bed under red blanket)Physician - years-of-bliss blankets - just feel the difference!/Wonderfully warm, without weight…soft and fluffy after countless washings…made from the most luxurious wool in the world….and guaranteed for 20 years/Physician/Luxurious Woollen Blanketsblanket, blanket fever, wool, physician, collins bros, geelong, advertisement, australian women's weekly

Colouring or Activity book - 16 pages - A4 landscape with blue colour cover, centre stapled, prepared for the Family Day during the 100 years of Trams celebration at Docklands by Yarra Trams. Features colouring pages, spot the difference, word finder and two, mazes. Has the 100 years of electric tram logo on the rear page and Yarra Trams logos. Two copies held.trams, tramways, 100 years of electric trams, colouring book

'Bialik Appeal: Home Must Guide', published in the Jewish News, 8 December 1967. "Bialik College has a different conception of modern Judaism to that of other Jewish day schools in Melbourne. Mr Joe. Solvey, veteran Zionist leader and President of the college's 1967 Appeal said that this difference has three parts...."shakespeare grove, hebrew, judaism, zionist, israel, fundraising

This book was one of the many left on seating as a gift for guests at an Alcoa sponsored project at the Portland Botanical Gardens, 6/2/2004.Identifying numbers: 501.1 - 501.6 501.1: Silver balloon with black text printed on side. 501.2: Calico bag with blue text and logo printed on both sides. 501.3: Colour pamphlet on Alcoa Frog Watch. 501.4: Alcoa pamphlet: "Diversity - Valuing the Differences. 501.5: Booklet: "Portland Aluminium Environment Improvement Plan 2002 - 2003". 501.6: Booklet: "Points and Angles", Jan-Feb 2004.Front: - Back: -portland aluminium smelter

Stawell Post office built in March 1875 replacing the 1860 weather board building in the early Township of Stawell. The stucco exterior was described as modern Italian, and the building had excellent proportions. Special reference was made to the use of slate from Great Western. The foundations are of solid granite. The difference in this photograph to 85.01 would be approximately 100 years. Stawell Post Office possibly before 1880's on Corner of Wimmera and Main Street. Man on right of photograph standing in front of Akins Seed and Stationers Store near telegraph pole and horse. stawell

From 1979, the John Wilson Award was awarded to individuals who made a significant difference to the lives of those around them. In 1980, it was presented to Sister Elizabeth Lindsay, who cared for children in the RVIB from 1935 until 1945 as the first Matron of the RVIB nursery, and her guardianship of one particular child, whom she took in and cared for.1 wooden block with two metal insertsAssociation for the Blind The Guiding Light John Wilson Award for sustained devotion and personal contribution to the blind Presented to Elizabeth Inez Lindsey 10th October 1980association for the blind, sister elizabeth lindsey

From 1979, the John Wilson Award was awarded to individuals who made a significant difference to the lives of those around them. In 2000 it was presented to Neil and Elizabeth Maxwell who have contributed over 40 years of service to blind sports (cricket, bowls, swish), governance (with various auxiliary and council positions), fundraising and public awareness.1 wooden block with two metal insertsVision Australia Foundation John Wilson Award for sustained devotion and personal contribution to people who are blind or vision impaired Neil and Elizabeth Maxwell 6 October 2000association for the blind, neil maxwell, elizabeth maxwell

Printed sheet, titled "Camberwell and City Electric Tram Running Timetable Table", of the MMTB, dated 14/6/1953 giving the total running times for weekdays, evening peaks for tram services from Camberwell Terminus to the City via Swanston St or via William St. Shows the differences in running times during the evening peak and other times, and the length of the peak itself. Signed F. G. Wraith Manager.mmtb, camberwell, timetables

Bell used by the conductor or passengers to signal to the driver - stop, proceed or an emergency stop. N&C - Demonstrates a conductors communication or signal bell made for use on tramcars.Brass Conductor Communication Bell, or signal bell, consisting of cast frame, bell, striker, bell pull part, sheet metal domed section that is secured to the underside of the bell with one nut to secure the bell to the frame and two rivets securing for the bell pull part. Has at both ends, six screw holes that were used to secure the bell to the roof. Note the difference in the casting detail between the two ends of the bell.trams, tramways, conductors, bells, mmtb

Photograph of SEC Nos 15 (Bogie car) and No. 31 at the city terminus on the north side of Sturt St. with the Town Hall in the background. Note the difference in the SEC motif transfers on the side of the tramcars. No. 15 later became No. 36. Photo taken by Keith Kings 14/3/1949. Two copies held. See also items 1910, 9511 and 9611 for similar photographs.Yields information about trams 15 and 31 in 1949.Black and white photograph with notes on the rear.On rear in blue ink "Ballarat", "Bogie tram No. 15 (later renumbered 36) 'waits time' with single truck car No. 31 in Sturt St. at the 'tramway centre' at Lydiard St. North intersection on 14/3/49." and stamp "K. S. Kings No. B(u)(2) Copyright reserved" in blue green ink.trams, tramways, sturt st, city centre, bogie trams, town hall, tram 15, tram 31

BHs CollectionBlack and white photo copy of Charing Cross, looking towards City Family Hotel and Viewpoint. Clearly visible Warren's Viewpoint Hotel, Bendigo Co-operative. 3 Trams at Alexandra Fountain. On back of photo written in blue ink Bendigo. Trams at Fountain. Middle one is a 3-window saloon. - Note its body differences. Copied from ''The Bendigonian'', 3/1/05. Stamped on back 'K.S.Kings Collection' S-A.776.person, individual, basil miller

Two sheet printed in colour on white paper, technical pamphlet titled "Citadis Technical Fact Sheet" , providing detailed specifications and description of the vehicle produced by Yarra Trams / Alstom giving details of the trams, where they will be used, braking, mass, acceleration, delivery program and difference to the existing fleet and passenger details, along with a side and front elevation drawing. Above the drawing is "Last updated 28 May 2002". Two copies held.trams, tramways, c class, yarra trams, alstom, specification

This text summarises the differences in architecture and proposes, unlike in other art forms, that architecture has a mainstream which has consistency in it, yet is also ever changing. The term 'modern architecture' is becoming suspect and obsolete. Visual art is inevitably involved with social evolution. It discusses utilitarian and creative architecture. Boyd proposes architecture is between science and art, and that architecture by itself means the architecture of this age.Typewritten, quarto, 11 pages (Note: Mentions the 1960s, possibly implying it was written late 1960s-1970/1971)modern architecture, social evolution, utilitarian architecture, creative architecture, mcluhan era, glutternberg era, henry russell hitchcock, paul rudolph, philip johnson, kenzo tange, archigram, sydney opera house, reston, robin boyd, manuscript

Wal Jack kept extensive notes on railways and tramways around the world, provided by his correspondents and research. This set of sheets lists PCC-type streetcars or trams ordered by North American cities between 1936 and 1947, including a summary of who ordered the most cars. Includes note on the builders. When compared to the reference, there are errors or differences. Bickarts were Ballarat Watchmakers and Jewellers.Yields information about type of work undertaken by Wal Jack.Four orange colour quarto sheets using Bickarts' letterhead providing lists of PCC Type trams built for North American cities.letters, wal jack, archive, usa, records, bickarts, pcc trams

Dr Geoffrey Kaye was a clinical anaesthetist at a time when very few full time anaesthetists existed. He was passionate about the training of future anaesthetists and would often section anaesthetic equipment to reveal its inner workings and show those to students. This Probyn Williams Inhaler is one apparatus which has been sectioned and the various elements of the inhaler have been painted to highlight the differences in function.Oval shaped metal inhaler with attached metal facemask. The inhaler has been sectioned to reveal its inner workings and the ether chamber has been painted black while the air-channel has been painted red. The manufacturer's logo, stamped into the inhaler, has been sectioned as well, leaving only half the information available.Engraved on dome side of inhaler: PROBYN WILLIAMS / G.K. sect. 1939 •Stamped into dome side of inhaler MAYER & / LON

True North is at the centre of the north pole This is a fixed point at the top of the planet. The majority of our navigational charts are orientated so that they use true north as their reference point. This is because true north doesn’t move. Magnets don’t point towards true north however. They point toward magnetic north which is in a different geographical place. The difference in the angle between true north and magnetic north is call variation.Three wooden boxes containing magnetic compass quadrantal correctors, correcting magnets and shadow pins.Saura Keiki Seisakusho Co Ltdcompass, correcting magnets, magnetic variation

A newspaper article titled 'The Big Land Puzzle: 10-acre mix up'. This relates to a difference of opinion over what a 10 acre site was bought for. The Principal of the State College of Victoria, Burwood Mr. James Mac Hill, said it wasn't bought for a college to train teachers for handicapped children as was reported by The Minister for Education Mr. Lindsay Thompson. The Principal said the land was being acquired by the State College of Victoria, campus. The article includes a photo of Mr. Hill. Gazette, 1974.bendigo, education, state college of victoria burwood, la trobe university bendigo collection, collection, bendigo teachers' college, mr. james mac hill, land development, state college of victoria burwood campus, tertiary education, mr. lindsay thompson, minister of education

Introduction: In the Ngungikurungkurr language of the Daly River in the Northern Territory, the word for "Deep Listening" is 'Dadirri' (Ungunmurr, 2009) and in the Yorta Yorta language of the Murray River in Victoria, it is 'Gulpa Ngawal'. The closest we can get to describing it in English is deep and respectful listening which builds community. Deep listening draws on many senses beyond what is simply heard. It can take place in silence. Deep listening can be applied as a way of being together, as a research methodology and as a way of making a difference.CDsilcar, rmit, monash, koorie heritage trust, yorta yorta, taungurung, gunnai, gippsland, gunditjmara, richard frankland, deep listening, woolum bellum, education, art, music, indigenous research, sista girl productions

Introduction: In the Ngungikurungkurr language of the Daly River in the Northern Territory, the word for "Deep Listening" is 'Dadirri' (Ungunmurr, 2009) and in the Yorta Yorta language of the Murray River in Victoria, it is 'Gulpa Ngawal'. The closest we can get to describing it in English is deep and respectful listening which builds community. Deep listening draws on many senses beyond what is simply heard. It can take place in silence. Deep listening can be applied as a way of being together, as a research methodology and as a way of making a difference.colour illustrations, colour photographsyorta yorta, taungurung, gunnai, gippsland, gunditjmara, richard frankland, deep listening, woolum bellum, education, art, music, indigenous research, sista girl productions

Joan O'Shea Collection. Bendigo Chinese Association Booklet. Green Cover White Text and White Illustration of the Chinese Dragon inside a Large White Circle. 12 Pages. A brief History of The Chinese and The Bendigo Easter Fair 112 years of Celebrations. First of five dragons (loongs) appeared on the streets of Bendigo in 1892. This document also contains articles on the History and Origins of Dragons, cultural differences between Eastern and Western Dragon beliefs, guide to Awakening a Dragon, and The Easter Monday Chinese Procession.Bendigo Chinese Associationbendigo, history, the bendigo chinese association

Report - four foolscap sheets, clipped in top left hand corner titled "Yoke Frames for Supporting line pulleys in tunnel", dated 18/10/1916 by Mr. P. J. Pringle for the Tramway Board. Report on issues with the cable tramway yokes looking at the problems with wear, cracking, dimensions, and depth that the grip could run. Noted differences between the south and north sides of the system. Work done by Mr Blackwell and Mr. Watt. Has two sheets of tables listing the problems.trams, tramways, cable trams, cable grip, cables, maintenance, track repairs

Set of two 35mm Kodak white cardboard colour slide by Keith Kings of 5/5/1968 .1 - construction of new curves from Fitzroy St and High St into St Kilda Road. Shows the old junction trackwork and road height differences. Note the temporary tram stop. .2 - ditto, shows the trackwork for High St behind the hotel and the Junction Hotel with a large Dunlop sign and Rothmans cigarette advert. See Keith's slide notes.Keith Kings stamp and number "23-27 and 23-28", with details of exposure. .1 - St Kilda Jtn by pass work. installing new turnout for Fitzroy St. In new track, New level is lower. Old curves replaced after a day's work to all normal service to resume during weekdays. .2 - St Kilda Bypass work. Installing new turnout for Fitzroy St. In new track looking south. Old Jtn out of photo to the left. New concrete track ready at rear on right. Hotel (which will remain in the middle of everything!!)trams, tramways, st kilda junction, fitzroy st, st kilda rd, trackwork, high st

In 1937, the engineer Holger Hesse founded Testa Laboratory, which later became Ambu. Hesse developed products that made a difference to patients and doctors. The real breakthrough came in 1956 when the Ambu ventilation bag reached the market, developed together with anaesthetist Henning Ruben. It was the world’s first self-inflating resuscitator and a major milestone in emergency medical equipment. The Ambu bag became a permanent part of hospital and emergency services product ranges. Brown rubber bag with a round metal filter at one end and a connector tube at the other. There is a blue plastic connector between the rubber bag and the metal tube.Moulded into blue plastic connector: AMBU-INTERNATIONAL / Ruben-Resuscitator Stamped into filter: Ambu logo - large capital A with AUER inside the legs of the Aambu, ruben, self-inflating, resuscitator, emergency, henning, ruben