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City of Ballarat Libraries
Photograph - Card Box Photographs, Shop front of Bon Marche clothing store, Ballarat circa 1930
... selling direct to women. Shows window displaying millinery..... Shows window displaying millinery. Bon Marche Store Commerical ...The store was located in Bridge Street and was part of the Bucks Head Hotel. Shows V.N. Hodkinson & M. Urch Hodkinson (proprietor) was purportedly the only male salesman in Victoria selling direct to women. Shows window displaying millinery.bon marche, store, commerical, bridge street, v.n. hodkinson, m. urch hodkinson, building, persons -
Melbourne Tram Museum
Functional object - Run Number Plate, Melbourne & Metropolitan Tramways Board (MMTB), Doncaster D118, 1970's?
... service. Was displayed in the front window of the vehicle.... service. Was displayed in the front window of the vehicle ...Used by Doncaster bus depot to indicate to Inspectors and other staff the allocated run or timetable trip for a particular service. Was displayed in the front window of the vehicle.Demonstrates a MMTB Run Number plate used on both trams and buses.Run Number pressed plastic sheet with rounded corners, off white or cream sheet with the letter "D" and number "118" using a red adhesive tape.trams, tramways, mmtb, timetables, buses, doncaster depot -
Ringwood and District Historical Society
Photograph, Ringwood Horticultural Society- Ringwood Flower Show - 19 March 1959
... Written on backing sheet, "1st Prize - Large floral window...Written on backing sheet, "1st Prize - Large floral window ...Black and white photographWritten on backing sheet, "1st Prize - Large floral window display at Goodwins Shoe Store. Mail 19 March 1959. Goodwin had fifth shop in Main Street west of Warrandyte Rd. (Rly. other side of road.) -
The Ed Muirhead Physics Museum
Beam Balance, with wooden box
... shell pattern” decoration. Enclosed in display case with glass... in display case with glass windows and sitting on four legs ...Beam balance made of brass, stainless steel with “ tortoise shell pattern” decoration. Enclosed in display case with glass windows and sitting on four legs for levelling. Made by F. Sartorius, Gottingen. Plaque on front of box: “F.Sartorius Werkstatte fur Wissenschaftliche Instrument Gottingen”. Plaque on balance: “Patent F.Sartorius Gottingen No. 5936” -
Bendigo Historical Society Inc.
Photograph - HARRY BIGGS COLLECTION: W B GITTINS' ESTABLISHMENT
... . Carcasses of meat are hanging down & many more displayed... displayed in the window of the shop. 'W. B. Gittins' Establishment ...Photograph. Harry Biggs Collection. A black & white photo of three butchers standing in front of their butchers shop. Carcasses of meat are hanging down & many more displayed in the window of the shop. 'W. B. Gittins' Establishment. Robinson Photo. Plate 148 (printed at the bottom of the photo).organization, business, commercial, harry biggs collection, w. b. gittins' establishment, butcher shop -
Bendigo Historical Society Inc.
Photograph - CASTLEMAINE GAS COMPANY COLLECTION: SHOP FRONT
... front window. Display consists of gas stove place don top... & Fuel. Colour photo of shop front window. Display consists ...Collection Castlemaine Gas & Fuel. Colour photo of shop front window. Display consists of gas stove place don top of cupboard left side, gas heater right side, on floor in front of display are a number of books, sheets of paper, book containing newspaper cuttings open, background off centre right water heater.business, retail, gas and fuel showroom -
Hymettus Cottage & Garden
Instrument - Cornet, Boosey Cornet
... Zealand taking part. This Boosey & Co cornet was on display... Zealand taking part. This Boosey & Co cornet was on display ...In 1920 Michael Taffe was awarded Junior Cornet Solo Champion at Ballarat's South St competitions, The Grand National Eisteddfod of Australasia. This competition was the premier band contest in Australia with musicians from every state and New Zealand taking part. This Boosey & Co cornet was on display in the window of Allan's Music store Melbourne when the building was severely damaged by fire but these items were saved. Part of a large family collection of local & family history items at Hymettus Cottage, home to the same Ballarat family for the past 125. This cornet has a well documented provenance and a known owner and has been at Hymettus for over a century. Boosey & Co joined with Hawkes in 1930 to become Boosey & Hawkes. This cornet forms part of a significant and representative historical collection that reflects Ballarat's local history from a family perspective. It contributes to our understanding of social and family life in Ballarat from the 19th to the 21st century and provides interpretative capacity for family, local, and social history themes.Heavily decorated and inscribed.cornet, music, michael taffe, south street competitions, ballarat, boosey & co -
Southern Sherbrooke Historical Society Inc.
Electricity Meter
... for coins. Designed to fit onto a wall. Window displays Kwh... and slot for coins. Designed to fit onto a wall. Window displays ...Large, black, metal box with bakelite switch and slot for coins. Designed to fit onto a wall. Window displays Kwh and Coins on the dial. Instructions on the box say to 'insert then turn knob' and '20 cent coins only'. Removable tray for coins. A latch for padlock to keep tray closed. Used by Hall hirers for electricity. Previously in use in Menzies Creek Hall.menzies creek hall -
Surrey Hills Historical Society Collection
Photograph, Edward Blanchford Wright's grocery shop, Canterbury Road, Surrey Hills
... , dressed in a long white coat. The window displays are stacked high..., dressed in a long white coat. The window displays are stacked high ...Edward Blatchford Wright was born in 1894 in Birmingham, son of Edward Wright and Florence Emuss. It is not known when he migrated to Australia but he served in the AIF during WW1, seeing action in France. On enlistment aged 20 years 9 months, he gave his occupation as farmer. He married Gertrude Matilda Wain in 1919. He came to Surrey Hills c1924. He was a grocer in the area for several decades with shops in Canterbury Road. In 1942 he is listed at 235 Union Road. This was a residential address. Alan Holt's Surrey Hills property register places him at 365 Canterbury Road (c1920-1930) and 359 Canterbury Road (c1930-1940). He died in 1972 in Mont Albert. His last electoral roll entry in 1968 gives 18 Serpentine Street, Mont Albert. He and his wife are buried in Burwood Cemetery.Black and white photo of the exterior of Edward Blanchford Wright's grocery shop in Canterbury Road, Surrey Hills. The screen door is open and William Reynolds stands in the opening, dressed in a long white coat. The window displays are stacked high with cans and packages and large signs advertising the prices of goods. There is advertising on the windows for Marmite, Glen Valley tea, Preservene soap and Brockoff's biscuits. advertising, shops, grocers, businesses, union road shops, edward blatchford wright, william reynolds, burwood cemetery, world war 1, canterbury road -
RMIT Design Archives
Advertising signs, Ajax Pumps
... on shop counters and in window displays and were produced... for advertising and promotion on shop counters and in window displays ...One of Australia’s most acclaimed printmakers, Grahame King originally trained as a commercial artist in the mid-1930s. The Design Archives holds a collection of embossed advertising showcards designed by King in the 1950s which reveal examples of graphic design and typography in post-war Melbourne. The showcards were used by iconic companies for advertising and promotion on shop counters and in window displays and were produced by Firestone Embossed Showcards. Megan Atkins, 2017 Sign shows centrifugal pumps, close coupled centrifugal pumps and self-oiling piston pumps.Printed text bottom left on verso, Firestone embossed showcards PTY. LTDshowcards, advertising, graphic design, commercial art, artist -
Federation University Historical Collection
Artwork, other - Enamelled punch bowl and ladle, Frederick Gladstone Procter, c1932
... when it was exhibited in a shop window display to attract new... when it was exhibited in a shop window display to attract new ...Frederick Gladstone PROCTER (1898-1977) This decorative enamelled punch bowl mounted on blackwood pillars drew attention when it was exhibited in a shop window display to attract new students in 1932. The Ballarat Technical Art School was well known for its art metal work which was applied to product, interior and commemorative designs. Students undertook many commissions. A small jewellery and enamelling class was also introduced in 1922. Metal punch bowl (probably nickel silver), with enamelled features on blackwood stand, floating bowl and matching ladle. -
Hymettus Cottage & Garden
Photograph, Michael Taffe, 1920
... together with his cornet and medals was on display in the window... together with his cornet and medals was on display in the window ...In 1920 Michael Taffe was awarded Junior Cornet Solo Champion at Ballarat's South St competitions, The Grand National Eisteddfod of Australasia. This competition was the premier band contest in Australia with musicians from every state and New Zealand taking part. The large framed studio portrait of Michael together with his cornet and medals was on display in the window of Allan's Music store Melbourne when the building was severely damaged by fire but these items were saved. Part of a large family collection of local & family history items at Hymettus Cottage, home to the same Ballarat family for the past 125. This portrait has a well documented provenance and a known owner and has hung in this historic house for the past 102 years. It forms part of a significant and representative historical collection that reflects Ballarat's local history from a family perspective. It contributes to our understanding of social and family life in Ballarat from the 19th to the 21st century and provides interpretative capacity for family, local, and social history themes.cornet, music, michael taffe, south street competitions, ballarat -
National Wool Museum
Textile - Dress
... Award/Gown of the Year?) in c.1957 and was on display... Award/Gown of the Year?) in c.1957 and was on display ...Long coffee coloured wool lace evening gown with long sleeves and train. According to the donor (see correspondence in supp. file), this gown was made from Australian wool woven in Bradford and made up in Paris. It was given to the Melbourne Legacy Wives Association by Mr Ken Clarke (former head of the Wool Board and a Legatee) for use in a parade of garments by the Legacy Wives Association. This particular gown won an award (Wool Award/Gown of the Year?) in c.1957 and was on display in the window of the Georges department store in Melbourne.Long coffee coloured wool lace evening gown with long sleeves and train. Slip under coffee coloured lace dress. Detail of bodice of coffee coloured lace dress. Photograph from C of A: Ministry of Post War Construction Report c1945 "Wool"AC / AUST WOOL BOARDfashion, australian wool board, lace -
Kew Historical Society Inc
Clothing - Silk Organza Wedding Dress, Oggi Fashion House, 1971
... of the dress that was displayed in the window, and, on making inquiries... of the dress that was displayed in the window, and, on making inquiries ...Fashion by Oggi, as the sign above the door proclaimed, was located at the Paris End of Collins Street, on the south side, virtually opposite Lilian Weightman’s Le Louvre boutique. Janet Brock, who at the time was working in the Central Business District of Melbourne, had stopped to admire a mauve version of the dress that was displayed in the window, and, on making inquiries from the proprietress, ordered a made-to-measure cream-coloured copy. Her marriage occurred shortly after the death of her father, and took place on 18 December 1971 at the Kew Presbyterian Church in Cotham Road, where the Rev. Peter Mackie was the celebrant. The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.Wedding dress, purchased by Janet Elizabeth Brock in December 1971 from Oggi of Collins Street. The wedding dress, reaching just below the knee, is lined in silk with a double outer layer of organza. The striking decoration of the monochromatic cream dress is achieved through the use of wide ruffled organza frills at the neck, on the sleeves and at the flared hem of the dress. The dress has a discrete v-neckline with small, self-covered buttons at centre front. At the back, the dress is closed with a nylon zip. In addition to the elaborate stiffened frills, the dress features a wide fabric belt with a double bow, worn at the front. oggi - 103-105 collins street - melbourne (vic), women's clothing, wedding dresses, janet (brock) walker, australian fashion - 1970s -
City of Ballarat Libraries
35mm Slide, Morshead's Department Store, Bridge Street Ballarat, circa 1950s
... and 1960s. In this night exposure the famous window displays can... the famous window displays can be clearly seen. Also at the extreme ...Morshead's was a popular department store in the 1950s and 1960s. In this night exposure the famous window displays can be clearly seen. Also at the extreme right of the photograph the verandah over 'the bridge' can be seen - the creek is covered over making an arcade. Also the verandah posts which were all removed in the 1960s and cantilevered verandahs installed throughout Ballarat. Mrs Bon Strange and her husband Bert were well known Ballarat residents. When Mrs Strange died some years ago, her extensive slide collection was sorted through and those relevant to Ballarat were gifted to the Ballarat Library. bridge street, department store, trams, illuminations, shop windows, advertising -
Ballarat Tramway Museum
Document - Report, Melbourne and Metropolitan Tramways Board (MMTB), "Report and Statement of Accounts" for year ended 30 June 1964, 1964
... , Frankfurt-on-Main, window display Victoria House London, overseas... operating in Stuttgart, Dusseldorf, Frankfurt-on-Main, window ...Annual report of the MMTB for the year end 30/6/1964 - No. 45 - buff heavy paper cover with 48 pages on inside giving details of the MMTB Board, Officers, Balance Sheet, Statement of funds, operation, schedule of debenture, investments, Auditors reports, record of Annual traffic receipts, passengers, miles etc, tram and bus routes operated, statistical information, graphs and photographs. Photos include trams operating in Stuttgart, Dusseldorf, Frankfurt-on-Main, window display Victoria House London, overseas recruiting, test equipment in a W class tram, building construction, Doncaster.trams, tramways, mmtb, melbourne, annual reports, operations, trackwork -
Flagstaff Hill Maritime Museum and Village
Instrument - Set Square, 1930-1955's
... time in the factory and then move it to the display window... time in the factory and then move it to the display window ...This set square was used in the planning and making of components for the ship model Sovereign of the Seas. It is part of a collection of objects used by Jim Williams, maker of fine ship models from about 1930-1955. Most of the components for the models, as well as many of the tools, were handmade by Jim Williams. Jim’s family has donated the ship model “Sovereign of the Seas” and many tools, accessories and documents used in the making of this and other ship models have been donated to Flagstaff Hill Maritime Village. Ship model of HMS Sovereign of the Seas, scale model of 17th Century English war ship, was handmade and carved from plans, enclosed in airtight glass case. All components of that model, including even the smallest pulleys, were hand crafted using tools designed and made by Jim. Outstanding details include functional rigging and moving cannons. Please see our record 3732 of the mode Sovereign of the Seas for further details of the ship and the maker. James Bernard Williams was known as Jim Williams, born 1888 at The Forth and died 1959 in Warrnambool. He was a passionate ship model builder. Jim left school at the age of 14 years to work at the Don Store in Ulverstone, Tasmania. He played piano at the silent pictures. He enlisted and fought in France along with his two brothers and was wounded there. On return to Tasmania he found it difficult to get employment. He moved to Warrnambool and worked in the menswear department at Cramond & Dickson clothing store, corner of Timor and Liebig streets, until the Depression, when he lost his job. After some time unemployed and working part time until 1932, Jim was employed at Fletcher Jones Menswear in Warrnambool. In 1957 Fletcher Jones invited Jim to write out a list of the most interesting details of the ship model Sovereign of the Seas, with the view of displaying the model and the information for a short time in the factory and then move it to the display window of the Fletcher Jones shop in Warrnambool. Jim worked there for 27 years until just before he died in 1959. His Retirement Speech letter and a Staff Photo from Fletcher Jones are included with the donation. ABOUT JIM’S MODEL MAKING For many years Jim worked on his model ships, including The Endeavour and The Sovereign of the Seas. He had a table set up in a bay window and worked on them on and off using a jeweller's eye glass on the finer pieces. He was a real perfectionist and would re-carve pieces many times until he was happy with the results. This set square is connected with the hobby and skill of ship model making that has been crafted as a leisure activity for many generations. The hobby is often chosen by serving and retired mariners who appreciate the connection with maritime history. This set square was used by local Warrnambool man, Jim Williams, who was employed at Cramond and Dickson clothing store, and then at Fletcher Jones menswear for 27 years. It was used in making components for the model of the historic ship, the Sovereign of the Seas. The Sovereign of the Seas was a historic 17th century English war ship with important maritime heritage. Set square; thin, flat metal blade with rounded corners set at a right-angle into timber stock using three rivets, each with a diamond shaped surround. There is a remnant of red paint on the timber and signs that the set square has been well used. This set square is part of a collection of tools and accessories once used by Jim Williams, maker of a series of ship models 1930-1955 including “HMS Sovereign of the Seas”. flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, ship model sovereign of the seas, jim williams, james bernard williams, ship model hobby, ship model tools, ship model making equipment, ship model making accessories, measuring instrument, technical drawing instrument, set square, carpenter’s square, drawing instrument, drawing tool, technical drawing tool, sovereign of the sea, ship model, hobby, ship model tool, english war ship -
Wodonga & District Historical Society Inc
Document - Fruit Fly Border Express Pass, De Neefe Signs Pty. Ltd, c1960
... such as this one which would be displayed on their window, but were still... such as this one which would be displayed on their window, but were still ...The permanent fruit fly road blocks in Victoria began in 1958. The first was set up on the Lincoln Causeway between Albury and Wodonga. The aim was to protect the Victorian fruit export industry, the largest in the country. Cars would be stopped and inspected when entering Victoria. At peaks periods, such as Easter and school holidays, there were up to 10 inspectors at the 24 hour checkpoint near the former butter factory on the Lincoln Causeway. Local residents could apply for a pass such as this one which would be displayed on their window, but were still subject to random checks. Hundreds of tonnes of fruit each week was confiscated and pulverised by Department of Agriculture staff. The road block was closed in 1980, partly due to the increased traffic flows and the cost of maintaining inspection points.This image reflects government measures taken to protect the fruit industry in Victoria.A transparent sticker designed to be applied to a car window for motorists to pass through Department of Agriculture fruit fly control points. Instructions for applying the sticker to the window are written on the back of the sticker. It features a large coloured image of a fruit fly as well as a smaller life sized representation of a fruit fly.Around the edge of the circle: "DON'T SPREAD FRUIT FLY/ VICTORIAN DEPT. OF AGRICULTURE? Beside small fruit fly image: "Actual Size"fruit fly control, department of agriculture, fruit fly pass -
Wodonga & District Historical Society Inc
Photograph - Wodonga, Victoria sign and the Fruit Fly check point c1970s
... would be displayed on their window, but were still subject... would be displayed on their window, but were still subject ...The permanent fruit fly road blocks in Victoria began in 1958. The first was set up on the Lincoln Causeway between Albury and Wodonga. The aim was to protect the Victorian fruit export industry, the largest in the country. Cars would be stopped and inspected when entering Victoria. At peaks periods, such as Easter and school holidays, there were up to 10 inspectors at the 24 hour checkpoint near the former butter factory on the Lincoln Causeway. Local residents could apply for a pass which would be displayed on their window, but were still subject to random checks. Hundreds of tonnes of fruit each week was confiscated and pulverised by Department of Agriculture staff. The road block was closed in 1980, partly due to the increased traffic flows and the cost of maintaining inspection points.This image reflects government measures taken to protect the fruit industry in Victoria.A large image of the LIncoln Causeway at the Victorian/NSW border at Wodonga. The southbound lanes on the right hand side feature overhead signals and traffic light signs to control traffic leading into the Fruit fly inspection checkpoint ahead. The photo is in a wooden frame.On right hand side: Border sign: Wodonga/Victoria and the Victorian State Coat of Arms.fruit fly control, victoria border, lincoln causeway wodonga -
Bendigo Historical Society Inc.
Document - BENDIGO 1873
... cakes from the different companies displayed in the bank windows... displayed in the bank windows, meeting some Chinese sifting tailings ...Hand written account of Scottish singer David Kennedy and his family's World Tour, of which Bendigo was a part, written by David Kennedy Jnr. He tells of the mine in Pall Mall, the gold cakes from the different companies displayed in the bank windows, meeting some Chinese sifting tailings, buying a Chinese book and then finding it was an old almanac. Meeting two Irishmen and an account of a large public school. Some of the ink has run.document, bendigo 1873, david kennedy, david kennedy jnr, great extended hustlers, messrs smith and jones, david kennedy the scottish singer, marjory kennedy, alexander gardener -
Melbourne Tram Museum
Document - Memorandum, Melbourne & Metropolitan Tramways Board (MMTB), "Victoria House Window Displays", 4/10/1949 12:00:00 AM
... Officer to the Chairman regarding a window display in Victoria... Officer to the Chairman regarding a window display in Victoria ...Memos - carbon copy on quarto paper - from the Publicity Officer to the Chairman regarding a window display in Victoria House London, dated 4/10/19?9? (Year only typed as a 9). Refers to a letter from Sir Norman Martin. Suggests two large photos of the SW6 trams exterior and interior, and the possibility of a scale model by Meadmore Engineering where Peter Duckett works and notes that Mr. Bell gave him recently a controller. Has a reference to Mr. Bell. Mr Risson commenced work on 1/10/1949 though in correspondence with Paul Nicholson, he felt that 1949 would be correct.Initialled by Lewis Russell.trams, tramways, sw6 class, london, models -
Brighton Historical Society
Clothing - Coat, Water rat fur coat, c.1930s
... cull of rakali. The coat was displayed in the window... after a large cull of rakali. The coat was displayed ...This coat belonged to Brighton resident Audrey Winifred Pickett (nee Heriot; 1915-2011). The coat is made from the pelts of rakali, also known as the Australian water rat, a native rodent species similar to an otter. Growing up to 35 centimetres in length, rakali typically live in burrows near water, feeding on fish, insects, yabbies and waterbirds. Throughout the early twentieth century, they were widely considered to be a nuisance and were hunted for their soft and waterproof fur. Demand for rakali pelts increased during the 1930s Depression years, when a ban was placed on the import of overseas furs; rakali fur became a popular substitute for the fur of the American muskrat. The species was placed under a protection order in 1938, although periodic culls were allowed until 1957 due to their perceived destruction of irrigation banks and fishing nets. Audrey recalled that the coat was made for her by furrier F. J. Ellemor after a large cull of rakali. The coat was displayed in the window of Ellemor's Block Place store. F. J. Ellemor Pty Ltd was established in 1908 by furrier Francis John Ellemor (1867-1944) and continued into the late twentieth century under the management of his son Wilfred (1801-1972). Francis and his wife Edith lived in Rothesay Avenue, Brighton from the late 1930s.Three-quarter length brown fur coat made of Australian water-rat (rakali) pelts. Wide raised collar and cuffs. Fastens centre front with two large hooks and eyes. Lined with chocolate brown silk satin.Label, woven brown on beige silk, centre back neck: created by / F. J. Ellemor / FURRIERS / MELBOURNEfur coat, rakali, australian water rat, melbourne fashion, audrey winifred heriot, audrey winifred pickett, audrey winifred north, francis john ellemor, f. j. ellemor, furrier -
Trafalgar Holden Museum
Vehicle - VY Acclaim sedan, 2002
... or triple-window, depending on model), which displays information...-function digital display (single or triple-window, depending ...The front and rear of the body had minor restyling, with new front grille, headlights and taillights. The interior has been significantly upgraded. Interior upgrade includes a new instrument panel, centre console and steering wheel and new design transmission lever and handbrake.[2] There is also a new mobile phone power outlet under the centre console. The new instrument cluster features a large multi-function digital display (single or triple-window, depending on model), which displays information such as radio station display, PRND321 gear selected indicator, trip computer with stopwatch function, service reminders and a help facility. Standard features (on some models) now include "twilight sentinel" - automatic headlamp control, programmable headlamps off time delay, high feature Blaupunkt audio systems, road-speed sensitive intermittent wipers and passenger airbags. The VY Series II update added cruise control, front power windows variable front seat lumbar support, and revised interior trims. A 245 kW (329 hp) V8 was introduced to sports variants and a sportier repositioning of the Calais model. This repositioning included a subtle body kit, the option of a 235 kW V8 in place of the previous 225 kW (302 hp) and a firmer suspension tune (known as FE 1.5) that was not as stiff as the FE2 suspension on sports variants. Released in September 2002 and produced until August 2004 (with a Series II released in August 2003), the VY series was the first major design departure (both inside and out) of the third generation Commodore range released in August 1997. It launched at the same time as the Ford Falcon (BA).VY Holden 4 door sedan white paint with grey fabric upholsteryLion and stone emblem grille centre, V6 badge on mudguards, Commodore badge on boot LHS, Lion and stone badge on boot centre, Acclaim badge RHS of boot lidvehicle, commodore, car -
Flagstaff Hill Maritime Museum and Village
Artwork, other - Window, Brooks, Robinson & Co, Christ Showing the Helmsman the Way, circa August 1947
... that formerly displayed the window can still be seen at the back... that formerly displayed the window can still be seen at the back ...This round, stained glass window, titled "Christ Showing the Helmsman the Way", was installed in the St Nicholas Seamen's Church at 139 Nelson Place, Williamstown, Victoria. The window was referred to as the Sanctuary Window and was installed in the chapel above the altar. This memorial window has significance as a part of Victoria's War Heritage and is listed on the Victorian Heritage Database. The window was donated to St Nicholas Seamen’s Church as a memorial to the members of the Merchant Navy whose lives were lost in the Second World War, 1939-1945. The donor was the Williamstown Lightkeepers Auxiliary, an independent ladies association working with the Williamstown Missions to Seamen (the Missions to Seamen organisation was re-named the Mission to Seafarers in the year 2000). The window was officially dedicated on December 14, 1947 by Geelong's Anglican Bishop, Rt. Rev. J.D. McKie. In the early months of 1948 a bronze plaque was also placed in the chapel above the altar. It recognises the lost souls of the Merchant Navy during World War 2, as well as the donor of the window, the Williamstown Lightkeepers Auxiliary. The inscription impressed on the rectangular bronze plaque, 20.4 x 10.2cm, is as follows: “IN MEMORY OF THE MEMBERS OF THE MERCHANT NAVY WHO WERE LOST IN THE SECOND WORLD WAR 1939-1945 FAITHFUL UNTO DEATH. THE WINDOW ABOVE THE ALTAR WAS ERECTED BY THE WILLIAMSTOWN LIGHTKEEPERS AUXILIARY 1947.” The Williamstown St Nicholas Seamen’s Church ceased operation in 1966. In 1979 the Victoria Missions to Seamen donated this round, stained glass window and the memorial plaque to Flagstaff Hill Maritime Village, along with many other items and furnishings. These items have been used to simulate the Williamstown Mission and Chapel as much as possible. The round space that formerly displayed the window can still be seen at the back of the old St Nicholas Seamen’s Church, previously the ES&A bank, in Williamstown. THE MISSIONS TO SEAMEN (Brief History: for more, see our Reg. No. 611, Set of Pews) The Missions to Seamen, an Anglican charity, has served seafarers of the world since 1856 in Great Britain. It symbol is a Flying Angel, inspired by a Bible verse. Today there are centr4es in over 200 ports world-wide where seamen of all backgrounds are offered a warm welcome and provided with a wide range of facilities. In Victoria the orgainsation began in Williamstown in 1857. It was as a Sailors’ Church, also known as ‘Bethel’ or the ‘Floating Church’. Its location was an old hulk floating in Hobson’s Bay, Port of Melbourne. It soon became part of the Missions to Seamen, Victoria. In the year 2000 the organisation, now named Mission to Seafarers, still operated locally in Melbourne, Portland, Geelong and Hastings. The Ladies’ Harbour Lights Guild was formed in 1906 to support the Missions to Seamen in Melbourne and other centres such as Williamstown. Two of the most significant ladies of the Guild were founder Ethel Augusta Godfrey and foundation member Alice Sibthorpe Tracy (who established a branch of the Guild in Warrnambool in 1920). The Guild continued its work until the 1960s. In 1943 a former Williamstown bank was purchased for the Missions to Seaman Club. The chapel was named St Nicholas’ Seamen’s Church and was supported by the Ladies’ Harbour Lights Guild, the Williamstown Lightkeepers’ Auxiliary and the League of Soldiers’ and Sailors’ Friends. It ceased operation in 1966. A Missions to Seamen Chapel and Recreation Room was a significant feature of ports during the late 1800s and into the 1900s. It seemed appropriate for Flagstaff Hill to include such a representation within the new Maritime Village, so the Melbourne Board of Management of Missions to Seamen Victoria gave its permission on 21st May 1979 for the entire furnishings of the Williamstown chapel to be transferred to Flagstaff Hill. The St Nicholas Seamen’s Church was officially opened on October 11, 1981 and closely resembles the Williamstown chapel. This stained glass window is significant historically for its origin in the St Nicholas Mission to Seamen's Church in Williamstown, established in 1857 to cater for the physical, social, and spiritual needs of seafarers. It was donated to the Mission by the Lightkeepers Auxiliary (Ladies Harbour Lights Guild, which was formed in 1905). The Missions to Seamen organisation had its origins in Bristol, England when a Seamen's Mission was formed in 1837. The first Australian branch was started in 1856 by the Rev. Kerr Johnston, a Church of England clergyman, and operated from a hulk moored in Hobson’s Bay; later the Mission occupied buildings in Williamstown and Port Melbourne. The connection of this window the Mission to Seamen and the Ladies Harbour Lights Guild highlights the strong community awareness of the life of people at sea, their dangers and hardships, and their need for physical, financial, spiritual and moral support. This memorial window has significant as a part of Victoria's War Heritage and is listed on the Victorian Heritage Database, Heritage Number 196973.Window, stained glass, circular, with reinforcing bars. The window represents Christ showing the helmsman the way. It shows a man in blue knitted jumper holding onto a ship's wheel, looking over his right shoulder. Behind him stands a man in a white robe pointing to his right and looking to his left, his left hand gesturing to pause. The background has various shapes and patterns of blue glass, bordered by two arcs, the outer one is white, the inner one is red. This beautiful window is in our St Nicholas Seamen's Church Collection and was brought to Warrnambool from the original St Nicholas Seamen’s Church in Williamstown. flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, mission to seamen williamstown, st nicholas seaman’s church williamstown, missions to seamen victoria, mission to seafarers, lightkeepers auxiliary, ladies harbour light guild, 139 nelson place williamstown, religion, religious service, sailors rest, bethel sailors’ church, bethel floating church, e. s. & a. bank williamstown, christ directing a sailor, christ showing the helmsman the way, quartermaster’s hand on the wheel, stained glass window, church window, religious window, sanctuary window, memorial window, war memorial window, victorian war heritage inventory, victorian heritage database, merchant navy ww2, 1939-1945, anglican church, bishop mckie, mrs musther, brooks robinson & co, flying angel club, williamstown lightkeepers' auxiliary, ladies' harbour lights guild, commemorative window -
Flagstaff Hill Maritime Museum and Village
Decorative object - Peacock, Minton Majolica life-size model, Paul Comolera, artist, Designed: c. 1873; Made: c. 1875
... but was unsuccessful. While attempting to sell the peacock, it was displayed... but was unsuccessful. While attempting to sell the peacock, it was displayed ...This majestic peacock embodies technical achievement, skill and ingenuity of artisans during the 19th century. It is now known as the 'Loch Ard Peacock' and was designed and modelled in 1873 by Paul Comolera (1818-1897), and fired in one piece at the Minton factory at Stoke-on-Trent in the United Kingdom in 1875. The peacock has been portrayed in symbolic motifs and has figured heavily in folktales and fables since antiquity, and many cultures around the world see it as a symbol of beauty, rebirth and power. Wealthy Victorians, loved majolica, and the large peacock would have been the ultimate home accessory, as a conservatory ornament – combining their desire for nature, the exotic and vibrant colours. The peacock model was listed in catalogues by Minton & Co. for a retail price of 35 guineas or sold as a pair for 90 guineas. Minton & Co. was founded in 1793 by Thomas Minton (1765–1836) and became famous pottery and porcelain manufacturers. Comolera was a French artist and sculptor, renowned for dramatic naturalistic forms, and life-size renditions of birds and animals that won him admiration in public and artistic circles. He was employed by Minton & Co. from 1873 to 1880, and the life-sized peacock became his best known work. Comolera, kept a live peacock loaned from the nearby Duke of Sutherland's Trentham Hall Estate in his studio, to create a life-size model of fine buff earthenware model, which was then hand painted in brilliantly coloured green and blue glazes to mimic the peafowl’s dazzling plumage. There are no surviving production records, but according to documents in the Minton Archive, nine peacocks were made by Comolera. However, today some historians now believe that twelve were fired at the Minton factory, research is still on-going. These peacocks were so admired that the Minton & Co. used them as exhibition showpieces at International Exhibitions in London, Paris, and the United States of America, assuring the company had a worldwide reputation. So, when Melbourne hosted an International Exposition in 1880, Minton & Co. sent out ceramics, tiles and in particular, this peacock was intended to be part of their exhibit in the British Court in the Exhibition Building, built in the Carlton Gardens. The early dispatch date (1878) indicates that the company may have intended to exhibit their wares including the peacock at the 1879 Sydney International Exhibition, but the company did not take up this option. The ship that Minton & Co. used to bring the peacock and their other wares to the Australian colonies was the ill-fated Loch Ard, which sunk after striking Mutton Bird Island near Port Campbell, Victoria in calm foggy weather in June 1878 on the final leg on the ships journey to Melbourne. The loss of 52 lives made it one of Victoria’s worst shipwrecks. Therefore, this peacock never made it to the grand exposition in Melbourne, as Minton & Co. had planned. Charles McGillivray dragged this peacock, still in its original packing case onto the beach in the gorge just two days after the Loch Ard went down. The peacock was rescued unscathed apart from a chip on its beak (only repaired in 1988). After a disagreement with Melbourne Customs Officer, Joseph Daish, McGillivray stopped his salvage operations, leaving the peacock on the beach. The second salvagers were James Miller and Thomas Keys. Miller was a member of the firm Howarth, Miller and Matthews, Geelong, who had brought the salvage rights to the Loch Ard wreck on 10 June. When Miller and Keys arrived at the wreck site, a storm had washed many of the salvaged goods including this peacock back into the sea. The two men found the peacock in its case ‘bobbing along in the water’, and pulled it back to the beach. To ensure the peacock wasn't washed out to sea again, Miller and Keys hauled the packing case containing the peacock up the gorge's cliff face to the top, ready to be transported. In an interview in 1928, Keys claimed that at the time of the rescue the head had broken from the body. This account was proven to be true in 1988, following the birds display in Brisbane. This peacock began its life in Australia, not in grandeur of an International Exhibition as intended, but in the hallway of a simple domestic house in Geelong. It appears Minton &Co. did not attempt to buy this peacock back. Florence Miller, daughter of James Miller (Loch Ard salvage rights holder), later remarked that the only item of real value rescued from the wreck had been the peacock and that this had been kept by her father in the family home for many years, and became a treasured family possession. As such, this 'Loch Ard peacock' was almost forgotten and mistaken with other Minton peacocks around the world. Florence tried to sell the peacock due to financial difficulties in the 1930s but was unsuccessful. While attempting to sell the peacock, it was displayed in the window of the Argus newspaper office on Collins Street, and at the National Museum on 1st June 1935, the date of the 57th anniversary of the Loch Ard wreck. As a result, the peacock again attracted public attention with books, newspaper and magazine articles being published telling the story of its survival from a shipwreck. After Miller's death, the peacock remained in an antique dealer's shop in Melbourne for many years until it was bought at auction by Frank Ridley-Lee, in the 1940s, who displayed the bird at his home in Ivanhoe/Heidelberg. The peacock remained in the hands of the Ridley-Lee, until it was offered for sale in 1975 as part of Mrs Ridley-Lee's estate. In 1975, an advertisement in Melbourne newspaper, the Age announced the sale by auction of the art collection of the Ridley-Lee estate that included this peacock. The peacock was not sold at this time, as the reserve price of $4500 was not met. This news was passed on to the board of the newly created Flagstaff Hill Maritime Village. Urgent efforts were made to raise the necessary funds through fundraising by the Warrnambool City Council and public donations. The Fletcher Jones Company and the Victorian Government contributed half of the of the cost. On 9 September 1975, the peacock was purchased by Flagstaff Hill Maritime Village, and it found a new home at the maritime museum. Since, it has only left Warrnambool twice. Firstly, in 1980 at the centenary celebrations of the Royal Exhibition Building in Melbourne, and secondly, in 1988, the peacock was given pride of place at the entrance to the Victorian Pavilion at the Brisbane World Expo, acknowledging that this Minton majolica peacock is the most significant shipwreck object in Australia. The Minton majolica peacock is considered of historical social and aesthetic significance to Victoria and is one of only a few 'objects' registered on the Victorian Heritage Register (H 2132), as it is a most notable and rare object associated with the Minton factory of the 1870s and works by the celebrated sculptor Paul Comolera along with the wreck of the Loch Ard on the Victorian coastline. This Minton peacock is historically significant for its rarity; it was one of only 9-12 known to exist. The shipwreck of the Loch Ard is also of significance for Victoria and is registered on the Victorian Heritage Register Ref (S 417). Flagstaff Hill has a varied collection of artefacts from Loch Ard and its collection is significant for being one of the largest accumulation of artefacts from this notable Victorian shipwreck. The collections object is to also give us a snapshot into history so we can interpret the story of this tragic event. The collection is also archaeologically significant as it represents aspects of Victoria's shipping history that allows us to interpret Victoria's early social and historical themes. The collection is historically significant is that it is associated, unfortunately with the worst and best-known shipwreck in Victoria's history. The peacock, resplendent in polychrome glaze, stands perched on a rocky plinth decorated with vines, leaves, flowers, blackberries and wild mushrooms. The peacock’s breast is cobalt blue; the wings and legs are in naturalistic colours. The tail is a mass of feathers coloured in green, ochre blue and brown — a fantastic display of artistry and Minton expertise. Inscribed at the base :P Comolera, and a Minton & Co. design number: 2045.flagstaff hill, warrnambool, maritime museum, shipwreck coast, loch ard, loch ard gorge, peacock, paul comolera, victorian heritage register, minton peacock, minton & co., stoke upon trent, bird figures, mintons, ceramics, international expositions, majolica, naturalistic, staffordshire -
Ringwood and District Historical Society
Plastic Container, Ringwood Garden Club Inc - Tub of Artefacts and Documents to be catalogued
... Autumn Show poster displayed in shop Windows. Hortico Prize... Autumn Show poster displayed in shop Windows. Hortico Prize ...RINGWOOD GARDEN CLUB INC. The following is a list of items that are stored at the RDHS Archive site, from the Ringwood Garden Club. This box of items does not include all the archival items from the Club, the Minutes will be kept at the home of the Archive Officer. Medal: From the Royal Horticultural Society of Victoria. Won at Box Hill show, in 1978. Badge: An early Ringwood Horticultural & Agricultural Society badge. Old Photograph: “Judging the Fruit Exhibits”, circa 1908. Certificate: 3rd. Prize at the 2009 Hanging Basket Competition, from the R.H.S.V. Shield: From the National Dahlia Society of Victoria, Annual Inter Society Championship In 1975. Won by the then: Ringwood & District Horticultural Garden Club. Tray: The Bill McDowell Perpetual Trophy for Amateur Cut Flowers: winners from 1973 to 1987. Old Photograph: From the Royal Agricultural Society of Victoria, awarded at the Royal Melbourne Show in 1947, First Prize, Ringwood. Certificate: From the Melbourne City Council: Festival of Progress, held in 1951, to Commemorate the Centenary of Victorian Government. Certificate of Merit: from past winners at shows. (5) Certificates: 2 unused Certificates of Merit, 1 unused Champion certificate. Garden Competition Certificates: from 1959 to 1981. Poster: Early Autumn Show poster displayed in shop Windows. Hortico Prize Certificates: 2 unused, $10.00 & $5.00 value. Tape Recording: Recorded history of the Ringwood Garden Club, talk given by the late Hugh McCall on 23/9/1996, Club’s centenary. Prize Cards: 41 First Prize” cards from Mrs. D. Holloway & 27 “Second Prize” cards, from 1956 to 1960. Prize Cards: 2 First Prize & 1 Second Prize card from Mrs. Holloway at the 1st. Heathmont Boy Scouts in 1958. Prize Cards: 4 Prize Cards from the Upwey & District Garden Club. 3 lsts., 12nd. Prize Card: from the Boronia & District H & A. Society: 1st. Prize, (no other information) Prize Card: from the R.H.S.V.: Second Prize for 1 Vase of Daffodils, Mr W Rosel. Prize Card: from the Dandenong Ranges Floral Festival, Easter Show, First Prize, Mrs Holloway in April, 1957 plus a Second Prize, same year. Prize Card: from the Mitcham Horticultural Society, Autumn Show, Mrs Holloway, 1 Bowl of Floating Flowers in 1958. Laminated Certificates: from the Great Victorian Hanging Basket Competition by the R.H.S.V. (no years mentioned) Club Syllabus: from 1980 to 2015. Photographs: from winners at our shows and judges at those shows. Ribbons: Ringwood Horticultural Society, 1962, Champion, Exhibit in Vegetables. Upwey & District Garden Club, 1977, Jubilee Carnival of Flowers. Ringwood garden Club, Vic. Large Dahlia Championships, 1983,6 Dahlias, D.V.’s. National Dahlia Soc. of Vic., Autumn Show, 1975, Inter-Societies Championship. Upwey & District Garden Club, 1980 Carnival of Flowers, Mountain Dist. Cham’s. “ “ “ “ , Spring Show, 1973. “ “ “ “ , Carnival of Flowers, 1984, Inter Society Exhibit. “ “ “ “ , “ “ “ , 1982. Best Exhibit. Healesville Garden Club: Autumn Show, Best Exhibit, Cut Flower Section. Ringwood Garden Club, Autumn Show, 1964, Best Exhibit in Vegetables. Upwey & District Garden Club, 1974 Carnival of Flowers. Ringwood Garden Club, Spring 1986, Best Exhibit in Junior Cookery. Ringwood & District Hort. & Graden Club, Autumn Show, 1974, Best Floral Art. Ringwood garden Club, Autumn 1989, Ringwood Amateur Dahlia Championship, Ringwood Horticultural Society, Autumn Show, 1963, Best Exhibit in Vegetables. Ringwood H & A Society: Autumn Show, 1957, Best Exhibit Floral Art. Ringwood & District Horticultural & Garden Club, Spring Show, 1973, Best Floral Art Exhibit. Upwey & District Garden Club, Carnival of Flowers, 1985. Mountain District Championships, Inter-Society Exhibit. Yarra Glen A. & H. Society Inc. Annual Show: small blue sash-style ribbon. Small Ribbons: from Victoria 150, a second (red) & 3rd. (green) Felt Badges: 1 green for Secretary: 1 blue for Judge. Rosette: 3rd. Prize at the Hanging Basket Competition in 2009. Blue Folder: contains photographs, prize cards, certificates, awards, etc. Albums: 4 photo, albums of garden shows, floral art, Spring Celebration photos and Newspaper articles. * All items placed in the container were placed there on 2nd. September, 2019. -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Plaque, Official Opening Reconstruction Box Cottage 1984, 1984
The original small, pioneer cottage was built in the late 1840s to early1850s, by an unknown pioneer. It was located on part of a 30 Acre allotment that was originally part of Dendy’s Special Survey granted in 1841. The doors and window sashes, (made of red deal joinery timber), as well as the brass locks and fittings, are from the original cottage, and were imported from England. The fire-place bricks are from the original cottage, and are sun-dried, (not kiln fired), and are hand-made. Convict marks can be seen on two bricks. There is a small display of external cladding shingles from the original pioneer cottage. These shingles were hand-split, and most likely made from locally collected timber The nails included in this display were used to fasten the shingles on the original cottage, and are also hand-made. The enamel nameplate, “Colonial”, on the wall of the cottage, was the name chosen for the original pioneer cottage when Mr August Reitman, a sculptor, began leasing the property in 1917. August purchased the property c 1935, for 1200 Pounds approximately and resided there until 1953. He sold it to Lewis Timber Co Pty Ltd in 1970. In 1974 Mr Lewis, a timber specialist, found the dilapidated building on the property he had recently purchased in Jasper Rd and suggested it be reconstructed and relocated. Moorabbin City Council agreed and the cottage was rebuilt about 250 metres from its original site. The cost of the rebuild was met by 'Victoria's 150th Committee, plus a small grant from the City of Moorabbin, and Mr Laurie Lewis donated much of the timber for the reconstruction. CMHS volunteer members operate the Box Cottage Museum which is open to the public on the last Sunday of the month or by appointment. the Official Opening of the Reconstructed Box Cottage on November 18th 1984A plaque commemorating the Official Opening of the Reconstructed Box Cottage on November 18th 1984BOX COTTAGE - 1850 - RE-ERECTED - 1984box william, box elizabeth avis, deny's special survey 1841, brighton, moorabbin, ormond bentleigh, mckinnon, market gardeners, pioneers, early settlers, reitman august, reitman william, lewis timber co pty ltd, moorabbin city council 1934 – 1994, -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Drawing, charcoal of reconstructed Box Cottage c 1985, c1985
The original small, pioneer cottage was built in the late 1840s to early1850s, by an unknown pioneer. It was located on part of a 30 Acre allotment that was originally part of Dendy’s Special Survey granted in 1841. The doors and window sashes, (made of red deal joinery timber), as well as the brass locks and fittings, are from the original cottage, and were imported from England. The fire-place bricks are from the original cottage, and are sun-dried, (not kiln fired), and are hand-made. Convict marks can be seen on two bricks. There is a small display of external cladding shingles from the original pioneer cottage. These shingles were hand-split, and most likely made from locally collected timber The nails included in this display were used to fasten the shingles on the original cottage, and are also hand-made. The enamel nameplate, “Colonial”, on the wall of the cottage, was the name chosen for the original pioneer cottage when Mr August Reitman, a sculptor, began leasing the property in 1917. August purchased the property c 1935, for 1200 Pounds approximately and resided there until 1953.. In 1974 Mr Lewis, a timber specialist, found the dilapidated building on property he had recently purchased in Jasper Rd and suggested it be reconstructed and relocated. Moorabbin Council agreed and the cottage was rebuilt just about 250 metres from its original site. The cost of the rebuild was met by 'Victoria's 150th Committee, plus a small grant from the City of Moorabbin, and Mr Laurie Lewis donated much of the timber for the reconstruction. A charcoal drawing of the reconstructed 'Box Cottage', in a wooden frame with glass, by Joe Becker c 1985signed : Joe Beckerbox cottage reconstruction, moorabbin, ormond, box william, box elizabeth, brighton, pioneers, market gardeners -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Scales, Shop,Imperial, ‘Dayton Scale’, c1900
This 'Dayton Scale' was used in a grocery shop in Moorabbin Shire in 20thC to measure grain, sugar, fruit, vegetables, lollies, etc as required by the shopkeeper for the purchase by customers. The Dayton Scale Company, originally known as the Computing Scale Company, built and marketed the first computing scale in 1891. It was part of the Computing-Tabulating-Recording Company formed in 1911, and became an IBM division in 1933. The Dayton Scale Division was eventually sold to the Hobart Manufacturing Company when IBM decided to stop marketing scales to retail stores. The Computing Scale Company of Dayton was operated from 1891-1914 by two businessmen from Dayton, Ohio who purchased patents on the recently invented computing scale. It was merged with other companies to become the forerunner company for IBM. On July 20 1897 Mr CC Hobart & Herbert L. Johnson formed the Hobart Electrical Manufacturing Company in Troy, Ohio USA. 1915 Hobart continues its growth into the World market, opening a sales office in Australia. Dayton grocery scales, capacity 2 pounds, Imperial Measure. It is made from white painted steel with a large metal scoop that sits on 2 steel rods attached to a balance beam connected to a recording mechanism that displays the ‘weight’ in a glass framed gauge. In window of glass framed gauge ; DAYTON SCALE CO. / OHIO USA ; Computed from 0 – 2LB in 1oz sections weights, measures, shops, scales. balances, grocery stores, early settlers, moorabbin, bentleigh, cheltenham, dayton scales company, ibm pty ltd., hobarrt electrical manufacturing company, hobart c.c., johnson herbert l, computing scale company ohio -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Photograph, colour 1984 Box Cottage dismantled, 1984
The original small, pioneer cottage was built in the late 1840s to early1850s, by an unknown pioneer. It was located on part of a 30 Acre allotment that was originally part of Dendy’s Special Survey granted in 1841. The doors and window sashes, (made of red deal joinery timber), as well as the brass locks and fittings, are from the original cottage, and were imported from England. The fire-place bricks are from the original cottage, and are sun-dried, (not kiln fired), and are hand-made. Convict marks can be seen on two bricks. There is a small display of external cladding shingles from the original pioneer cottage. These shingles were hand-split, and most likely made from locally collected timber The nails included in this display were used to fasten the shingles on the original cottage, and are also hand-made. The cottage was occupied by William Box and family from 1865 until 1914 when it was sold to William Reitman who resided there until 1950. The enamel nameplate, “Colonial”, on the wall of the cottage, was the name chosen for the original pioneer cottage by Mr William Reitman, when he purchased the property in around 1915, for 1200 Pounds approximately. In 1974 Mr Lewis, a timber specialist, found the dilapidated building on property he had recently purchased in Jasper Rd and suggested it be reconstructed and relocated. Moorabbin Council agreed and the cottage was rebuilt just about 250 metres from its original site. The cost of the rebuild was met by 'Victoria's 150th Committee, plus a small grant from the City of Moorabbin, and Mr Laurie Lewis donated much of the timber for the reconstruction. The re-constructed cottage plan has followed faithfully the original dimensions, and plan of the original pioneer cottage, and as many original items from that cottage’s long occupation have been incorporated. The photographs in Album 1 record the progress of the reconstruction from February 1984 to the First Public Open Day November 18th 1984 These 3 photographs show the 'Box Cottage' dismantled in the Lewis Timber Co Ltd property at the commencement of the 'Reconstruction in February 1984. Mrs H Deam and Mr A. Smith, CMHS members, photographed the progress of the 'Reconstruction' from February 1984 to November 1984. Although 'Box Cottage' is a re-construction, it is an unique museum that, being located in the midst of a modern community in Ormond Victoria, can educate and demonstrate many aspects of the early settler’s way of life in Victoria. As such, it is an invaluable resource for students and all kinds of visitors. 3 x Colour photographs of the 'Box Cottage' dismantled in sections, lying on the floor of the storage building of the Lewis Timber Co Ltd Jasper Road Ormond c 1984nilbrighton, moorabbin, cottages, pioneers, ormond, colonial, mckinnon, dendy henry, box william, box elizabeth, reitman william, convicts lewis timber co. ltd., deam h, museums, box alonzo,, smith a