The Process of Making Pottery Decorating, Firing, Glazing, Making, Technical There is a rhythm and flow to clay. It can’t be done all at once! Even the making process! It can take weeks to get everything done, especially if you can only work on your pottery once a week! Even though we have three hour classes, it’s often just not enough time! Here is an overview of some of the processes so you have a bit more grasp on some of the technical stuff! Step One – Design There are SO many ideas out there for making stuff in clay! From delicate porcelain jewellery, through to heavy sculptural work and everything in between. Deciding your direction is sometimes not that easy – when you first start, try everything, you will naturally gravitate to the style that you enjoy! The options and variations are endless and can get a wee bit overwhelming too! Check in with me before you start to ensure your ideas will work, what order you might do things, how you could achieve the look you are seeking and any other technical data required! Step Two – Making Clay is thixotropic. This means that as you work with it, the clay first gets sloppier and wetter, before is begins to dry in the atmosphere. For most things, you simply can’t do all parts of the project at once. An example of work order might look like: Get last weeks work out from the shelves Prepare clay for today’s work – roll your clay, prepare balls for throwing, make the first stage of a pinch pot) Clean up last week’s work and put it on the shelf for bisque firing Check that you have any glazing to do – and do enough of it that you will have time to finish your main project Do the next step of your next project – there might be a further step that can’t be complete immediately, in that case, wrap your work well and put onto the shelves. Letting your work rest for a while can really help keep your work clean and professional looking. Many things require bagging under plastic to keep it ready for work the next week – put your name on the outside of the bag so you can find your work easily. We have stickers and markers. Consider how you want to decorate your work – coloured slip can be applied at a fairly wet stage (remembering that it will make your work even wetter!). Trying to apply slip to dry clay won’t work! If you want to do sgraffito – you will need to keep the work leather hard (a state of dryness where you can still work the clay with a little effort and a little water and care). Step Three – Drying Most of the time your work can go into the rack uncovered to let it dry out for the following week. If you want to continue forming or shaping you will need to double bag your work – put your work on a suitable sized bat and put the bat in a bag so the base of the bag is under the bat, then put another bag over the top of the work and tuck the top of the bag under the bat. If you want to trim (or turn) your thrown work the following week, it should also be double bagged. If your work is large, delicate, or of uneven thicknesses, you should lightly cover your work for drying. When considering the drying process, bare in mind the weather, humidity and wind! The hotter and dryer, the faster things dry and work can dry unevenly in the shelves – this can lead to cracking – another time to lightly cover your work for drying. Step Four – Trimming and Cleaning Up Your work is dry! It is called greenware now and it is at it’s most fragile! Handle everything with two hands. I often refer to soft hands – keep everything gentle and with your fingers spread as much as possible. Try to not pick up things like plates too much, and always with both hands! Before your work can be bisque fired it should be “cleaned up”. You work won’t go into the kiln if it has sharp edges – when glazed, sharp edges turn into razor blades! Use a piece of fly wire to rub the work all over – this will scratch a little so be light handed. Use a knife or metal kidney to scrape any areas that require a bit more dynamic treatment than the fly wire offers! Finally, a very light wipe over with a slightly damp sponge can help soften and soothe all of your edges and dags! Trimming thrown work: If you are planning to trim (or turn) your thrown work (and you should be), make sure you bag it well – your work should be leather hard to almost dry for easiest trimming. Use this step to finish the work completely – use a metal kidney to polish the surface, or a slightly damp sponge to give a freshly thrown look. Wipe the sponge around the rim after trimming, and check the inside of the pot for dags! Trimming slip cast work: Usually I will trim the rims of your work on the wheel the following day to make that stage easier, however you will still need to check your work for lumps and bumps. Last but not least – check that your name is still clearly on the bottom of your work. Step Five – Bisque Firing When the work is completely dry it can go into the bisque kiln. The bisque kiln is fired to 1000°C. This process burns off the water in the clay as well as some of the chemically bound water. The structure of the clay is not altered that much at this temperature. Inside the bisque kiln, the work is stacked a little, small bowl inside a larger bowl and onto a heavy plate. Smaller items like decorations or drink coasters might get stacked several high. Consideration is paid to the weight of the stack and shape of the work. A bisque kiln can fire about one and a half times the amount of work that the glaze kiln can fire. The firing takes about 10 hours to complete the cycle and about two days to cool down. Once it has been emptied the work is placed in the glaze room ready for you to decorate! Step Six – Glazing Decorating your work with colour can be a lot of fun – and time consuming! There are three main options for surface treatment at this stage: Oxide Washes Underglazes Glazes Washes and underglazes do not “glaze” the work – It will still need a layer of glaze to fully seal the clay (washes don’t need glaze on surfaces not designed for food or liquid as they can gloss up a little on their own). Underglazes are stable colourants that turn out pretty much how they look in the jar. They can be mixed with each other to form other colours and can be used like water colours to paint onto your work. Mostly they should have a clear glaze on top to seal them. Oxides are a different species – the pink oxide (cobalt) wash turns out bright blue for instance. They don’t always need a glaze on top, and some glazes can change the colour of the wash! The glazes need no other “glaze” on top! Be careful of unknown glaze interactions – you can put any combination of glaze in a bowl or on a plate, but only a single glaze on the outside of any vertical surface! Glazes are a chemical reaction under heat. We don’t know the exact chemicals in the Mayco glazes we use. I can guess by the way they interact with each other, however, on the whole, you need to test every idea you have, and not run the test on a vertical surface! Simply put, glaze is a layer of glass like substance that bonds with the clay underneath. Clay is made of silica, alumina and water. Glaze is made of mostly silica. Silica has a melting point of 1700°C and we fire to 1240°C. The silica requires a “flux” to help it melt at the lower temperature. Fluxes can be all sorts of chemicals – a common one is calcium – calcium has a melting point of 2500°C, however, together they both melt at a much lower temperature! Colourants are metal oxides like cobalt (blue), chrome (green through black), copper (green, blue, even red!), manganese (black, purple and pink) iron (red brown), etc. Different chemicals in the glaze can have dramatic effects. for example, barium carbonate (which we don’t use) turns manganese bright pink! Other elements can turn manganese dioxide brown, blue, purple and reddish brown. Manganese dioxide is a flux in and of itself as well. So, glazes that get their black and purple colours, often interact with other glazes and RUN! Our mirror black is a good example – it mixes really well with many glazes because it fluxes them – causes them to melt faster. It will also bring out many beautiful colours in the glazes because it’s black colouring most definitely comes from manganese dioxide! Glaze chemistry is a whole subject on it’s own! We use commercial Mayco glazes on purpose – for their huge range of colour possibilities, stability, cool interactions, artistic freedom with the ability to easily brush the glazes on and ease of use. We currently have almost 50 glazes on hand! A major project is to test the interactions of all glazes with each other. That is 2,500 test tiles!!!! I’m going to make the wall behind the wheels the feature wall of pretty colours! Step Seven – Glaze (Gloss or sometimes called “Glost”) Firing Most of the time this is the final stage of making your creation (but not always!) The glaze kiln goes to 1240°C. This is called cone 6, or midrange. It is the low end of stoneware temperatures. Stoneware clays and glazes are typically fired at cone 8 – 10, that is 1260 – 1290°C. The energy requirement to go from 1240°C to 1280°C is almost a 30% more! Our clay is formulated to vitrify (mature, turn “glass-like”) at 1240°, as are our glazes. A glaze kiln take around 12 hours to reach temperature and two to three days to cool down. Sometimes a third firing process is required – this is for decoration that is added to work after the glaze firing. For example – adding precious metals and lustres. this firing temperature is usually around 600 – 800°C depending upon the techniques being used. There are many students interested in gold and silver trims – we will be doing this third type of firing soon! After firing your work will be in the student finished work shelves. Remember to pay for it before you head out the door! There is a small extra charge for using porcelain clay (it’s more than twice the price of regular clay), and for any third firing process! Once your work has been fired it can not turn back into clay for millennia – so don’t fire it if you don’t like it! Put it in the bucket for recycling. https://firebirdstudios.com.au/the-process-of-making-pottery/The form of the jug has been in use for many centuries.Stoneware jug. Two tone brown glaze with pierced lip behind spout. Spout chipped.None.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, jug, ceramic jug

History of the Coghill Family from the 1700s.Typed and handwritten papers relating to the Coghill Family. Part ot the handwritten history "The Coghill Family - 13-9-40 Statement by Mr Henry Holmes of Essendon" includes the following: (Page 1) "The original Captain Coghill owned Glendaruel and Glendonald Stations (the homestead of the latter was Andrew Munro's original home.) He had five sons and two daughters ... William Coghill Jnr, a son of Captain Coghill married Miss Catherine Dorothy Holmes. They had no family and they adopted William and Henry Holmes, their nephews, who were the sons of Edward Carer Holmes, brother of Mrs William Coghill Jnr. ... (Page 2 - does not run on from page1)coghill, pioneer family, land settlement in victoria, new south wales, captain john coghill, donald john coghill, will of william coghill senior, indenture agreement, david coghill, william baldwin, talbot, elizabeth coghill, margaret coghill, christina coghill, george coghill, helen coghill, john coghill, catherine dorothy holmes

Blue soft covered magazine of the Ballarat Teachers' College. Contents include: * Foreward by Principal Frank Lord "Ich Dien" * Highlights of the College Year * Review of Teacher-Training System Photographic reproductions include: * 1948 staff and students * Magazine Committee * Group Leaders and Student Council * Sports Committee * Social Committee * Exiesnon-fictionm. smale, j. cleland, j. groves, r. lockhart, a. mclachlan, j. coad, c. mansfield, b. thomas, h. frank, r. osborne, m. eichler, n. raggart, r. boatman, g. groutasch, j. forrest, g. golder, m. raisbeck, l. guest, l. morrison, j. pell, d. hunt, p. fuller, m. schier, m. klein, g. denning, w. e. denning, al witney, joyce kennedy, keith mclean, trudy kentish, jack mallett, bill henderson, beth leslie, john o'shannessy, gwen clucas, monica miller, p. hamano, aurita rowland, w.f. lord, c.p. rodoni, helen veitch, galipolli address, tom turner, patrick rodoni, ala sonsee, cornelius barbetti, margaret bradshaw, margaret burke, joan coad, irene ellwood, margaret hanrahan, denis bryans, hans fumberger, frank lord, tom

During 1948 Principal Frank Lord, a Gallipoli veteran, gave an inspiring address reminding students of the great sacrifice made by the Anzacs at Gallipoli. "These men set a high standard which has been followed by men of the second World War. We as teachers can help set standards amongst the children we are privileged to teach, and this we have an important task to do. We also must pay particular care to children of the men who fought and died in the two Great Wars through which our country has passed."Blue soft covered magazine of the Ballarat Teachers' College. Contents include: * Foreword by Principal Frank Lord "A teacher affects eternity, he can never tell where his influence stops" Photographic reproductions include: * 1949 staff and students * Hostels * Clubs * Sports * Lapses into Literature Images include: * S.R.C. and Group Leaders * Social Committee * Sports Committee * Magazine Committee * Hockey * Basketball * Football Inside front cover "Monica Miller"ballarat teachers' college, frank lord, david j. collins, john h. gervasoni, maureen godfrey, margaret collins, peter fryar, wal wall, j.w. blackie, monical miller, e.n. tippett, g.j. white, d.h. evans, p.j. hudson, m.l. collins, m. godfrey, gallipoli, physical education, i. ellwood, m. smale, j. cleland, j. groves, r. lockhart, a. mclachlan, turner, j. coad, lord, c. mansfield, john hogan gervasoni

A4 pageI love my family and respect my teachers and friends. I will care for others and follow the rules of my school and country. I will give honour and effort to all that I do. I am proud to live in Australia and to be a student at Southwood Primary School.

1916 William Henry Thomas of Keys Road , South Brighton (now Moorabbin ) in WW 1 1914 -1918 1st AIF uniform. William was born in 1894 , Christened at the Wesleyan Church. (Methodist), Wickham Road, South Brighton and attended Moorabbin State School. . Private Thomas was a market gardener in Moorabbin prior to his enlistment in the Australian Imperial Force on 19 July 1915. Both his parents wrote separate letters giving their consent for their son to serve overseas due to " the pressing request of my son William Henry, also the urgent need of recruits do give my consent that he shall go to the front." September 29th 1915 he left Australia with the 5th Reinforcements of the 24th Battalion for Egypt. March 1916 he was hospitalised with Mumps and shortly after left Alexandria to join the British Expeditionary Force for France where he transferred to the 6th Australian Machine Gun Company.. Whilst on leave in England he received medical attention before returning to France and 13 November 1918 he spent a week in the care of the 7rh Field Ambulance suffering with influenza . Private Thomas returned to Australia on the hospital transport Castalia 13 April 1919 and his enlistment was terminated 26 September 1919Private William Henry Thomas and his family are examples of the patriotism exhibited by the market gardeners, and indeed throughout Australia, during the World War 1 1914-1918. Photograph is black and white. William Henry Thomas is standing straight and tall in the centre of the photograph, looking directly at the photographer while holding a weapon in his right hand. He is in his military uniform (WW1) .Front of Mount : Ainor Studio Auburn Back of Mount : William Henry Thomas / 1st World War 1916 / Keys Rd., Moorabbin / Born 1894 / Christened at Wesleyan ( Methodist ) Church / Wickham Rd., / South Brighton / now Uniting Church unsigned undatedwilliam henry thomas, 1916, 1894, first ww, world war one, uniform, wickham road, south brighton, moorabbin, world war 1 1914- 1918, thomas street,early settlers, pioneers, market gardeners, australian infantry force, soldiers, key's cup, victorian war memorials, cheltenham, mckinnon,, keys road moorabbin, ss castalia, british expeditionary force ww1 1914- 1918, 24th battalion 1st aif, 6th australian machine gun company 1st aif, influenza epidemic 1919, alexandria egypt, methodist church,

Pink, self-stripe -2cm stripe with a woven floral motif, alternated with a 4cm triple stripe with 2cm spacing between each stripe. Boat shaped neckline, with a .5cm rouleau tie on left side. Sleeveless. Draped and ruched 7cm band at hip line. Two tier, knife pleated panels to the hemline. Dropped and bloused bodice. Handkerchief hem. Wedding dress worn at marriage of Barbara Johnson to her second husband John Johnson on 26.1.1985.Stitches Plus Gold Label 12 Care Instructions – Wash separately. Do not soak. Do not bleach. Do not wring. Warm hand wash. Warm rinse well. Dry in shade. Warm iron. Dry cleanable. Polyester.costume, female ceremonial, wedding dress

Ill, p.320.non-fictioniraq war - personal narratives, iraq war - battle of fallujah

Coloured image taken from Ektochrome slide by 1735354 Jeffrey Horne Tr Ray Howard 3792606 A Sqn Third Cavalry Regiment 1968 on stretcher being carried by medicMy memories are pretty hazy, but I remeber being in intensive care ward with 2 other diggers who were a lot worse off that I was, and I have often wondered if they made it. today, I am doing OK and want to thank you all for your wonderful care. You were a special mob and I have very fond memories of all who helped me. 1968 (estimate)photograph, 1st australian field hospital, ektachrome slide

A framed collection of their photographs was donated by Mrs. J.B. Richardson. These were unveiled in a special ceremony at the school on the 17th October 1921. Also in 1921 an Avenue of Honour of gum trees was planted by schoolchildren and residents, along both sides of the Boorahaman road in front of the school. I do not know the exact date most of these trees remain. When the school was closed in 1949, local residents were invited to remove what ever they fancied, so Mr W.B. Richardson chose the two above mentioned items. After the death of both parents - last one in 1977 - Clarice Tobias and her Husband Jim took care of the shield and the photo`s. During 2002 the photo`s were presented to Wangaratta R.S.L. Sub/Branch,Timber frame with ornate edging containing 12 oval framed photographs of men in uniform with writing above and below. At top - State School No 1962 Roll of Honour Below - August 1914 - June 1916 The following soldiers are depicted from top left to right: Pte S Grossman, Pte S Plum, Pte W Byrne, Pte C Smith, Pte B Cummins, Pte H Perkins, Pte F Perkins, Pte A Perkins, Pte A C McDonald, Pte F Vonarx, Pte T Frasca, Pte G Richardson (centre)frasca, francis john vonarx 1981, william thomas byrne 5692, stanley w grossman, alexander mcdonald, richard cummins, sydney plum, leslie richardson, john claude smith, albert perkins, harry perkins, frederick perkins

The statement reads as follows:- "The ornamental shield with a casket giving the History of all the pupils who offered for War service in the 1914 - 1918 War was made by the pupils of the Sloyd (woodwork) class and Mr Kidman headmaster. He also wrote the honour book in fine calligraphy. A framed collection of their photographs was donated by Mrs. J.B. Richardson. These were unveiled in a special ceremony at the school on the 17th October 1921. Also in 1921 an Avenue of Honour of gum trees was planted by schoolchildren and residents, along both sides of the Boorahaman road in front of the school. I do not know the exact date most of these trees remain. When the school was closed in 1949, local residents were invited to remove what ever they fancied, so Mr W.B. Richardson chose the two above mentioned items. After the death of both parents - last one in 1977 - Clarice Tobias and her Husband Jim took care of the shield and the photo`s. During 2002 the photo`s were presented to Wangaratta R.S.L. Sub/Branch, and the shield went to Brisbane where it was beautifully restored by Wallace Richardson and his son-in-law Reg Townsend shortly before he passed away. The shield returned to Wangaratta in July 2003 and is now in the care of Wangaratta R.S.L. Sub/ Branch Inc".Brown timber frame containing a statement of provenance with Australian Coat of Arms above black writing over RSL logo.Docker Plains State School Number 1962 Honour Rolldocker plains state school, ww1

Light tan canvas rectangular bag containing two First Field Dressing Satchels The bag has a tongue on bottom to seal the bag.. Satchels are made out of white light canvas and unopened. Each satchel has safety pin wrapped in waterproof paper attached to top of it.Container Bag-: First Field Dressing To Open Outer Canvas Break thread holding flap Inner Waterproof Cover Tear apart at the uncemented corner (indicated by arrow) Contents Two dressings in Waterproof Covers each consisting of gauze pad stitched to a bandage and a safety pin. Directions For Use-;Take the folded ends of the bandage in each hand and keeping the bandage taut apply the gauze pad to the wound and fix the bandage. One dressing to be used for each wound. In the case of head wounds when respirators have to be worn care should be taken to adjust the pad so that it does not interfere with the fit of the facepiece. DO NOT HANDLE THE GAUZE OR WOUND. Johnson & Johnson Pty Ltd Sydney February 1944 (Waterproof containers inscriptions) FIRST FIELD DRESSINGS Tear apart the uncemented corner as indicated by the arrow and remove the paper. Take the folded ends of the bandage in each hand, and, keeping the bandage taut, apply the gauze pad to the wound and fix the bandage. In the case of head wounds when respirators have to be worn, care should be taken to adjust the pad so that it does not interfere with the fit of the face piece. DO NOT HANDLE THE GAUZE OR WOUND Johnson & Johnson Pty Ltd Sydney February 1944

This wooden humidicrib came from Cobram ambulance station which was part of the old Goulburn Valley Ambulance Service. When the need for humidicribs was understood, none were available at Cobram. Not prepared to wait for a humidicrib to be issued to them, local ambulance officers made their own! If you look carefully you will see the air circulation vents and springs between the inner and outer timber boxes. These were designed to make what could be a long ride over rough roads as comfortable as possible for sick babies. Probably made in the 1950s, we do not know how many babies were saved by this particular humidicrib - but it was a success. Other ambulance services made their own after hearing about the Cobram Ambulance Station humidicrib. Source Chas Martin AHSV curator). Humidicribs are used to transport sick babies from small hospitals to major hospitals for specialist care. They work by maintaining normal body temperature and provide oxygen if needed during ambulance transit. Known by a variety of commercial names, earlier humidicribs were ones heated with water bottles. Not part of an ambulances standard equipment, humidicribs are kept in ambulance stations and carried if babies needed to be transported. In the early days before humidicribs came into use and when air ambulances did not exist, many more babies died during emergency transits than do today. A doll was sourced from St Vincent de Paul Brighton. The doll was dressed in an original hand made christening gown made in 1975 by Miss Molly Hambly from Glen Waverley (now deceased). It was used for her Great Nephew's christening in 1976. Brown timber box with top opening lid and Perspex vision/access panel in lid. inner timber cot/box free standing on springs.cobram, goulburn valley ambulance, infant, baby

Humidicribs are used to transport sick babies from small hospitals to major hospitals for specialist care. They work by maintaining normal body temperature and provide oxygen if needed during ambulance transit. Known by a variety of commercial names, earlier humidicribs were ones heated with water bottles. Not part of an ambulances standard equipment, humidicribs are kept in ambulance stations and carried if babies needed to be transported. In the early days before humidicribs came into use and when air ambulances did not exist, many more babies died during emergency transits than do today Manufactured by the Commonwealth Industrial Gases Limited (better known as CIG), Australian-made Port-O-Cot brand humidicribs came replaced timber home-made humidicribs. They had electrical heating and easy to control oxygen flow and humidity control equipment. CIG also noted that noted that: Once the baby has been placed inside, the cot need not be opened, all nursing operations being carried out through the iris armholes. Even though the baby is in complete isolation nursing is a straight forward matter… The iris armholes allow nurses to feed, weigh, take temperatures, change napkins or, in fact, carry out any procedures without changing or disturbing the atmosphere within the cot. Happily for ambulance officers and nurses, the new Port-O-Cots were also much lighter and easy to carry than their old timber ones! metal box with carry handles and Perspex opening top. Carry handles at each end.PORT-O-COTinfant

Humidicribs are used to transport sick babies from small hospitals to major hospitals for specialist care. They work by maintaining normal body temperature and provide oxygen if needed during ambulance transit. Known by a variety of commercial names, earlier humidicribs were ones heated with water bottles. Not part of an ambulances standard equipment, humidicribs are kept in ambulance stations and carried if babies needed to be transported. In the early days before humidicribs came into use and when air ambulances did not exist, many more babies died during emergency transits than do today The Thermocot Developed from the Port-O-Cot, CIG later produced the Thermocot. The new humidicrib had a number of advantages over the Port-O-Cot. Most importantly it had an over-temperature alarm and cut out. It was also calibrated in degrees Celsius as by then the metric measuring system had been introduced to Australia. It also had a front opening canopy which was easier for nursing staff to use. Metal box with Perspex opening top section. Carry handles at each end.Thermocot portable infant incubator CIGinfant

Humidicribs are used to transport sick babies from small hospitals to major hospitals for specialist care. They work by maintaining normal body temperature and provide oxygen if needed during ambulance transit. Known by a variety of commercial names, earlier humidicribs were ones heated with water bottles. Not part of an ambulances standard equipment, humidicribs are kept in ambulance stations and carried if babies needed to be transported. In the early days before humidicribs came into use and when air ambulances did not exist, many more babies died during emergency transits than do today The Thermocot Developed from the Port-O-Cot, CIG later produced the Thermocot. The new humidicrib had a number of advantages over the Port-O-Cot. Most importantly it had an over-temperature alarm and cut out. It was also calibrated in degrees Celsius as by then the metric measuring system had been introduced to Australia. It also had a front opening canopy which was easier for nursing staff to use. Metal box with Perspex opening top section. Carry handles at each end.Thermocot portable infant incubator CIG

The MDNS Sisters are packing their belongs ready to move from their current Nurses Home at 39 Victoria Parade, Collingwood to their new Nurses Home and Headquarters situated at 452 St Kilda Road, Melbourne, then known as 'Airlie'. From its founding in 1885 until 1891 the Trained nurses (Nurses) of the Melbourne District Nursing Society (MDNS) worked from their own homes which were located in the vicinity of their areas (districts). The Committee meetings were held at the Religious Tract Society rooms at Queen’s walk, off Swanston Street and then at the Library Room at the Melbourne Town Hall. The Annual General Meeting was held at the Town Hall. In November 1891 MDNS was able to rent a two story terraced house at 66 Cardigan Street, Carlton, at £65 a year, which contained accommodation for three Nurses and one pupil nurse as well as being used as their Headquarters. They left from their Nurses Home each morning and returned at the end of their shift to write up their book work before retiring for the day. Three years later they moved into a larger terraced house at 49 Drummond Street Carlton which was rented at ‘a very moderate rental’. There was a Board room, apartments for the Nurses and pupil nurse, a large dispensary which patients could attend each evening to have prescriptions signed and bottles refilled with ‘homely remedies’ and elixirs, which were administered for e.g. to Consumptive cases. Doctor’s prescriptions were filled at the Pharmacy. Cupboards containing donated blankets and bedclothes for needy patients were kept in this room, and it was here where the Nurses kept their nursing bags which were refilled at the end of each shift ready for any emergency and for the next day. A list of Doctors the Nurses could call was kept by the telephone. The home also had a kitchen where nourishing soup was made and distributed twice a week to the needy. Milk was also distributed when needed. In 1902 they moved into rented premises at 188 Leicester Street, Carlton and two years later, in 1904, to premises at 5 Royal Terrace, Nicholson Street, Fitzroy where they remained for ten years. In June 1914 at last the Society had sufficient funds to purchase their own terraced premises, ‘Floraston’ 39 Victoria Parade, Collingwood which was their Headquarters and Nurses Home. In 1926 the After-Care Home for recovering patients, (later called After-Care Hospital) was built by the Society next door, running from 41-47 Victoria Parade (became No. 45). There were now two divisions with the After Care having their owned Trained nurses (Sisters) and the District Division of Trained nurses (Sisters) who continued to live at No. 39. In November 1953 the Sisters working in the District Nursing Division moved into their new Headquarters and Nurses Home at 452 St. Kilda Road, Melbourne. In 1957 this Division changed its name to the Melbourne District Nursing Service when it separated from the After-Care Hospital. It was given Royal patronage in 1966 and became Royal District Nursing Service (RDNS). As it expanded, and now with Centres opening throughout the suburbs, the Nurses Home at 452 closed and those rooms used for administrative purposes. It now had outlying districts to service, and with a full fleet of District cars, the Sisters lived in their own homes and visited their closest District Centre each morning to collect their work for the day and returned there at the end of their community duties to do their administrative work. On April the 1st 1996 RDNS Head Office relocated to 31 Alma Road, St. Kilda. Standing in a semi circle of this photograph are 5 Melbourne District Nursing Society (MDNS) Sisters in their long sleeve grey uniform dresses which have a belt, peaked collars and white buttons down the centre. They are wearing their grey brimmed hats with a central Maltese cross on the light colour headband over their short dark curled hair. From Left to Right are Sisters Marianne Metcalf who is smiling and is holding a tennis racket and soft sided oblong travel bag which has two leather straps and handle in her right hand; it is resting on a closed case, which has two leather straps across the lid; this sits in front of her. Next is Gerda Oppenheim who is looking serious and has her right hand on the top of the lid of an open case in front of her, then Beryl Rowley, who is smiling and has her hands on a narrow white metal horizontal pole which has a vertical pole attached. Next is Marcia Parrat who is smiling and is holding a piece of white linen on the open case, and next, on the far right, is Florence Hoey who is holding a piece of white linen on top of an open hard leather travelling bag which is sitting in front of her next to the closed case. melbourne district nursing society, mdns, mdns headquarters, sister marianne metcalf, sister gerda oppenheim, sister beryl rowley, sister marcia parrat, sister florence hoey, royal district nursing service, rdns

The care of children was a major part of Legacy work in the 1950s, many of whom would have lost their fathers in WWII. The minutes document the fostering of children by individual legatees, and their living conditions at Holmbush. It is clear that the children made do with whatever clothes could be afforded, and they were strongly encouraged to to study. Discipline was commensurate with what was acceptable at the time, and the children were expected to do their share of chores around the home.Complete set of minutes for the year 1955 with details of the children in care at Holmbush, their environment and activities.Foolscap typed sheets, black type on faded white paper 00279.1 26.1.1955 00279.2 7.2.1955 00279.3 8.3.1955 00279.4 20.4.1955 00279.5 26.5.1955 00279.6 27.6.1955 00279.7 26.7.1955 00279.8 13.8.1955 00279.9 7.9.1955 00279.10 10.10.1955 00279.11 10.11.1955 residences, holmbush initial negotiations, committee, holmbush

The book details the first fifty years of Melbourne Legacy. The book was written by Mark Lyons. The foreword was written by Sir Roden Cutler V.C., K.C.M.G., K.C.V.O., C.B.E.. Governor of New South Wales. From the National Library of Australia's website: 'The first Legacy club was formed in Melbourne in 1923 by a group of young men who had served together in the Australian forces in World War I. They were all in business and sought to help other ex-soldiers in business. After two years, they changed their objectives, deciding henceforth Legacy would care for the widows and children of their war-time comrades. Legacy clubs were soon functioning in all states in Victoria. There are now 47 Legacy clubs within Australia and one in London. They have almost 7000 members and care for over 100,000 widows and children, on whom nearly $3 million is spent annually, all of it raised by public subscription. This study, commissioned by Legacy for its fiftieth anniversary, provides the first detailed history of this uniquely Australian organization. Legacy is firmly rooted in Australian society. Its members are all returned servicemen and share in that special ex-service tradition that began with Anzac. They belong to Australia's middle class. They help people generally less well off than they, but manage to do so without demeaning its recipients. This history traces Legacy's first fifty years in considerable detail, but places it firmly within its social environment. It will be of interest, not only to current and past members of Legacy, but students of Australian history and society, and all who are concerned with Australia's welfare services.'The publication depicts the people involved and the evolving nature of Legacy from the small beginnings of 1923 over the first fifty years.Navy blue book published about the history of Legacy, including photographs of activities and early members.Spine, Legacy The First Fifty Years, Lyons, Lothian. All embossed in gold.history, founding legatee, 50th anniversary

A detailed list of duties broken into 4 parts; dealing with the occupants, the maintenance of the interior of the property, the maintenance of the exterior of the property and the catering and ordering of supplies. Also shows the conditions of employment, the salary was £5 a week with board included. The annual leave was 2 weeks a year. It was anticipated that a couple would manage the property so it outlines the days off per week could be taken together if proper supervision was arranged. The first manager was Mr Bert Frank and his wife was appointed Matron. Holmbush was the first hostel for children that Legacy started and operated from April 1943. It was later renamed Blamey House after another hostel called Blamey House was closed. Melbourne Legacy ran three residences: Blamey House (purchased 1947) , Stanhope (purchased 1945) and Harelands (purchased 1950), to take care of children whose fathers were servicemen, and who may have been left orphans, or whose mother may have been unable to care for them herself. Harelands accommodated boys and girls under the age of 14, Blamey House looked after boys over 14, and Stanhope looked after girls over 14. The children were cared for until they were old enough to become independent.Shows the duties expected of the live-in manager was required to do in order to run Holmbush as a residence for children and the proposed remuneration and employment terms. No mention of wages for the manager's wife even though it was anticipated a couple would run the hostel.White foolscap paper with black type, two hole punched with the suggested duties of the hostel manager.residences, holmbush, staff, bert frank

00355.1 Letter dated 17 March 1943 to National Service Office to advise the appointment of Mr Bert Frank to the position of manager of the Legacy Club Hostel (Holmbush). Also requesting a permit to do so. 00355.2 Letter dated 18 March 1943 from the Department of Labour and National Service advising the was no objection to the appointment. Holmbush was the first hostel for children that Legacy started and operated from April 1943. It was later renamed Blamey House after another hostel called Blamey House was closed. Melbourne Legacy ran three residences: Blamey House (purchased 1947) , Stanhope (purchased 1945) and Harelands (purchased 1950), to take care of children whose fathers were servicemen, and who may have been left orphans, or whose mother may have been unable to care for them herself. Harelands accommodated boys and girls under the age of 14, Blamey House looked after boys over 14, and Stanhope looked after girls over 14. The children were cared for until they were old enough to become independent.Record of the Government's role in appointment of labour during 1943.00355.1 Blue quarto copy paper, black type, two hole punched. 00355.2 White quarto letterhead, black type, two hole punched.00355.1 Initialled in blue ink by J Barnes. 00355.2 Signed in black ink by R.W. Drummond, Employment Division, Manpower Directorate of Department of Labour and National Serviceresidences, holmbush, staff, bert frank

Application by Mr Frederick R Killey in February 1943 for the position of Manager of the Legacy Club Hostel. It lists his experience as 16 years teaching and missionary work in India in charge of an orphanage. He was rejected from military service in WWI due to defective eyesight and points out he has a badge issued to him at the time stating he was rejected on medical grounds. The note in red ink shows the application was unsuitable. Legacy had a preference for providing positions to ex=servicemen when possible. Holmbush was the first children's residence operated by Melbourne Legacy it was renamed Blamey House when the first Blamey House was sold. Melbourne Legacy ran three residences: Blamey House (purchased 1947) , Stanhope (purchased 1945) and Harelands (purchased 1950), to take care of children whose fathers were servicemen, and who may have been left orphans, or whose mother may have been unable to care for them herself. Harelands accommodated boys and girls under the age of 14, Blamey House looked after boys over 14, and Stanhope looked after girls over 14. The children were cared for until they were old enough to become independent.A record of written correspondence regarding job applications in 1943.Letter written by Mr Killey in 1943 applying for a position at Holmbush on white notepaper, black ink handwriting, two hole punched.Handwritten "Considered by Doug and self. Does not seem suitable. Not a returned man" in red ink.residences, holmbush, holmbush administration