Handmade for the Society By Grant Mattingly after he visited LaTrobe's Cottage and drew a plan of the cradle in that cottage.Wooden cradle with wooden canopy. Wooden rocking base.furniture, domestic-nursery

Joseph Tainton was born in Gloucestershire about 1850. He emigrated to Australia at the age of 2 years in 1853 aboard the 'British Queen' with his father James Tainton (aged 39) , mother Ann (Drew, aged 34), and brother William 4 years. Joseph married Mary Jane Course in 1877Photograph of Joseph and Mary Jane Tainton's family on the occasion of their 50th Wedding Anniversary. c1920 Top:- Herbert, William, Ida (James), Harold, Lucy (Lowen), Percival. Bottom:- James, Emily (Finger), Joseph, Mary Jane, Joseph Charles, Maude (Finger)tainton, joseph, mary jane (nee course)

This plan of Lum Road Estate includes layout of roads, gardens, building and carparks. From 1970 until August 1971 Robin Boyd and his practice Romberg & Boyd Architects worked on designs for housing on the Lum Road Estate, Wheelers Hill. Berenice Harris, Linley Vellacott and Karl Fender drew many of the sketch plans for the project homes, while Robin Boyd drew the perspectives. This colour plan of the estate was drawn by Robin Boyd, but not signed. Frederick Romberg later annotated the drawing with details of its authorship. Colour plan of Lum road estate. Includes layout of roads, gardens, buildings and flora.Inscribed lower right on recto in black ink, 'Robin Boyd original / 12/6/86 F.R' ; Inscriber upper left on recto, grey pencil, '3400'.architecture, design, rmit design archives, domestic architecture

The name of this chair, Lepidoptera, refers to the insect species of moths and butterflies as LeAmon drew upon the anatomy of a butterfly to develop the concept of the chair?s structure, colour and pattern. Another key feature of the design was the use of textile remnants from automotive textile manufacturer Autofab,recalling LeAmon's redeployment of leather offcuts from the manufacture of cricket balls to make her 'Bowling Arm' series of bangles.industrial design, furniture

The Boyds purchased their record player and sound system from Thomas’s in Melbourne. Patricia Boyd (later Davies) was very interested in opera and was later appointed to the Board of the Australian Opera.Symphonie Fantastique. LP 33RPM vinyl, Catalogue Number: ASD 399, Record cover, plastic sleeve, back cover notes author David Drew, one vinyl record, one plastic sleeve. Berlioz, Conductor: Sir Thomas Beecham.lp, sound recording

Book with colour cover and 82 pages with photographs, perfect bound.non-fictionThe 8th/13th Victorian Mounted Rifles was raised as a regiment of the Royal Australian Armoured Corps on 1 May 1948 with Headquarters in Melbourne and squadrons in Sale, Benalla/Wangaratta and Albury. In 1955 Regimental Headquarters moved to Wangaratta and a second squadron was located at Albury. The Sale squadron transferred to 4th/19th Prince of Wales’s Light Horse and an additional troop of the Wangaratta squadron was raised at Cobram. In 1977, 8/13 VMR was reduced to an independent squadron, A Squadron 8th/13th Victorian Mounted Rifles, and in 1991 it was linked with 4th/19th Prince of Wales’s Light Horse forming the VMR Squadron of the new regiment. vmr, history, cmf, army reserve, hunter

Programme and menu for Melbourne Legacy's 61st Annual Dinner on Saturday, 2nd March, 1985. Dinner was held at the Heidelberg Civic Centre. Event included President's Report and Installation of Legatee T. C. Bannister as Melbourne Legacy President for 1985. Each year Melbourne Legacy would have an Annual Dinner for the installation of the incoming President (Changeover dinner). It is one of the most important events of the year. Up until 2005 each President served for one year. Whilst the rules of the Club nominate one year terms, since 2005 Presidents have been renominated to serve for a second year. Melbourne Legacy is regarded as the mother Club and these functions drew Legatees from many clubs within the Legacy Family.Record of annual president's installation event including information on principal guests. It shows official meeting procedures for Melbourne Legacy and the importance of gathering together to install the new President.Card with blue printed type folded to DL size.legatee event, function, changeover dinner

Each year Melbourne Legacy would have an Annual Dinner for the installation of the incoming President (Changeover dinner). It is one of the most important events of the year. Up until 2005 each President served for one year. Whilst the rules of the Club nominate one year terms, since 2005 Presidents have been renominated to serve for a second year. Melbourne Legacy is regarded as the mother Club and these functions drew Legatees from many clubs within the Legacy Family.A record of official meeting procedures for Melbourne Legacy and the importance of gathering together to install the new President.Collection of 20 Annual Dinner programmes from 1959 to 1988. White paper with blue printing on both sides, with two folds. The following years are NOT included, 1960, 66, 71, 73, 74, 75, 80, 83, 85 and 86.changeover dinner, legatee event, function

An early colour photograph of the pumping station at Blackburn Lake which drew water from the lake for the Lake Park Flower Farm run by the Adult Deaf and Dumb Society of Victoria.This is significant as an early photograph of the pumping station at Blackburn Lake.Colour photograph, 25cmHx22cmWblackburn lake, lake park flower farm, pumping station

When the US entered WW11, the Army moved quickly to provide training materials. In many cases it drew on British experience.Representative of training documents from early years of WW11Black and White covered booklet " Removal of wounded from Tanks" '.Military Intelligence Service Information Bulletin No. 17- War Department - Washington. DC. dated 5th June 1942. 28 pages, soft cover, saddle stitched and stapled.Ink stamp on first page " RAEME Trg Centre, Training Publications, Register No 20145 "usa, tank, training

Lloyd family butchers established on the corner of Elgar & Whitehorse Roads (within the Surrey Hills postal area). Emma Atkinson and her husband has a fruit & vegetable business next door. Edward Lloyd also had a butcher shop at 112 Union Road from 1920-1950. Many Union Road businesses decorated carts and delivery vehicles for the Empire Day parades which drew crowds from all over Melbourne. A black and white photograph of a vehicle decorated with streamers.festivals and celebrations, empire day, land transport, 1936, elgar road, whitehorse road, mont albert, emma atkinson (mrs), butchers, delivery vehicle, lloyd's butchers

Portrait in felt pen of a female head. Signed (L.r) 'Drew' and (L.l) 'For Cliff/ The woman you sleep with'.andrew southall, drawing, female head, adriane, clifton pugh

John Shirlow (1869-1936) John Shirlow was the first Australian to make etching the basis of his career. Schooled in Melbourne, he studied for a time with Artur Loureiro and attended design classes at the National Gallery School from 1890 to 1895. Specialising in renderings of old Melbourne buildings, which are now of great historical interest, he drew directly onto the plate in reverse. In 1929 he founded etching classes at the Working Men's Institute. Throughout his life a prominent figure on the Victorian art scene, he was involved in various choirs and bushwalked with R.H. Croll and C.J. Dennis. He was a Trustee of the National Gallery of Victoria from 1922 to 1936. (http://www.portrait.gov.au/people/john-shirlow-1869)Bookplate "Ex Libris R.H. Croll Solvitur Ambulando" by John Shirlow This Ex Libris Etching was released as Part of P. Neville Barnett`s ``Pictorial Book Plates`` Privately Published and Released as a Limited Edition ``de luxe`` Version, The Publication was Edition Number 95 of 100, Year of Publication: 1931Etched bookplate "Ex Libris R.H. Croll Solvitur Ambulando" showing a boy with swag and billy reading a book as he walks towards the rising sun. Shirlow with 1923 printed lower left beneath the image. r.h. croll, john shirlow

John Shirlow (1869-1936) John Shirlow was the first Australian to make etching the basis of his career. Schooled in Melbourne, he studied for a time with Artur Loureiro and attended design classes at the National Gallery School from 1890 to 1895. Specialising in renderings of old Melbourne buildings, which are now of great historical interest, he drew directly onto the plate in reverse. In 1929 he founded etching classes at the Working Men's Institute. Throughout his life a prominent figure on the Victorian art scene, he was involved in various choirs and bushwalked with R.H. Croll and C.J. Dennis. He was a Trustee of the National Gallery of Victoria from 1922 to 1936. (http://www.portrait.gov.au/people/john-shirlow-1869)Etched bookplate for R.M. Chirnside showing the head of the racehorse 'Linass'. Posthumous printing from the original etching plate in 2010.On plate "Ex Libris R.M. Chirnside Linass"bookplate, john shirlow, r.m. chirnside, linass, etching, printmaking, horse, racehorse

"The landscape of the Valley is in between Ballarat and Geelong, the pranged aeroplane came from Geelong, the prospector and the strolling couple are surreal props to the scene, and the poetic hippogriffen serves as a bunyip which could be a local connotation of apprehension od bush loneliness. Bernard BOLES (1912-2001) Born Benalla, Victoria Bernard Boles studied at Melbourne Technical College and in London. He was known as critic, writer, sculptor and painter. His works were influences by Cubism and Surrealism. Boles exhibited widely in London and on his return to Australia in 1964. "Boles drew on the biomorphic marine imagery typical of Surrealism all around the world, as seen for example in the work of Wadsworth and Yves Tanguy. In 1949 Boles, having been rejected from the Victorian Artists’ Society, would tie two pictures to the fence outside the show and spend the ensuing two weeks sharing his views on art with passersby." ('Surrealism and Australia: towards a world history of Surrealism' by Rex Butler and A.D.S. Donaldson) This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Australian SurrealismFramed Australian Surrealist work. Artist's Comment: "The landscape of the Valley is in between Ballarat and Geelong, the pranged aeroplane came from Geelong, the prospector and the strolling couple are surreal props to the scene, and the poetic hippogriffen serves as a bunyip which coul dbe a local connotation of apprehension od bush loneliness. Gift of Lyndsay Boles.art, artwork, bernard boles, australian surrealism, bunyip

David STRACHAN (1919–1970) Born 25 June 1919 at Salisbury, Wiltshire, England Arrived 1920 Adelaide, Australia: 1921 Creswick, Victoria David Strachan attended Creswick State School and Geelong Church of England Grammar school. By the age of 16 he wanted to be an artist. Accompanying his mother to London in 1936, he enrolled at the Slade School of Fine Art, where he met Godfrey Miller. In 1937 he attended the Académie de la Grande Chaumière, Paris, and painted at Cassis on the Mediterranean Sea. He returned to Australia in April 1938 and studied at the George Bell School, Melbourne. He had a growing interest in classicism blended with a fascination for the dream-state which was reinforced in his work after he moved to Sydney in 1941. There he was befriended by Jean Bellette and her husband Paul Haefliger, who were to be driving forces behind the Sydney Art Group (founded 1945). He lived on the top floor of the Haefligers' house at Double Bay, and together the three artists drew from models whom the Haefligers hired. In this period Strachan painted and exhibited some of his most poetic works—mainly figurative and landscape subjects, and still-lifes of haunting beauty. His flowers, bowls of fruit, birds, and angelic figures glimmered out of the darkness as things not of this world, evoked faintly, like mythological personages in a gently spoken narrative. He 'spent an erratic war' painting camouflage at Bankstown aerodrome with other artists, among them (Sir) William Dobell, and dancing minor roles with Hélène Kirsova's ballet company. In 1948 Strachan settled in Paris. His paintings, included by Peter Bellew in an exhibition at the Musée National d'Art Moderne, had been well-received by French critics two years earlier. In 1950 he began tentative experiments in etching. These led to the formation of the Stramur-Presse, a business venture which published etchings and lithographs of leading French and English artists. His most important project was a series of twenty-two colour etchings illustrating Alister Kershaw's book of poems, Accent & Hazard (Paris, 1951). Strachan continued to exhibit in Australia and maintained a lively social life with Australian friends. From Paris, he went for weekend painting trips with Moya Dyring in her car and, after 1957, visited the Haefligers on Majorca. He lived in London in 1955-57. His paintings became progressively less soft in effect, his palette brightened, and his forms, especially the still-lifes, became spikier. In the late 1950s his attention drifted towards the study of Hindu philosophers and Jungian psychology. For most of 1957-58 he was enrolled at the C. G. Jung-Institut, Zürich, Switzerland. In 1959 he worked in Silvio Daneo's silkworm factory at Bricherasio, Italy. In May 1960 Strachan returned to Sydney. He lived at Woolloomooloo before buying a house at Paddington in 1963. Over the ensuing years he involved himself energetically with the art scene, exhibiting, teaching (1960-65) at East Sydney Technical College, fund-raising for memorials for Thea Proctor and Dyring, and as the last president (1965) of the Society of Artists. His paintings were out of harmony with the prevailing fashion for abstraction, but he won the Wynne prize for landscape painting in 1961 and 1964 (shared). Perhaps the most moving works of Strachan's last ten years were the mining landscapes, including those he painted near Hill End, leading up to his vast canvas, 'Lewers Freehold Mine'. This was a history picture, depicting the mine as it might have appeared in 1874. He presented it to the Creswick Historical Museum in 1970 in memory of his father. (Barry Pearce, 'Strachan, David Edgar (1919–1970)', Australian Dictionary of Biography, National Centre of Biography, Australian National University, http://adb.anu.edu.au/biography/strachan-david-edgar-11786/text21083, published first in hardcopy 2002, accessed online 6 January 2016.) This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed still lifefeaturing fruit and flowers.art, artwork, strachan, david strachan, still life, flowers, flora, available

To commemorate the birthplace of Tilly Aston, a memorial tablet was unveiled at Carisbrook in 1970. The ceremony drew a large crowd and included a reading of Tilly's poetry as well as a performance by school children. REMEMBER WITH THANKSGIVING THE SPIRIT OF TILLY ASTON 1873-1947 Blind From Childhood, She Endured As Seeing The Invisible A Singing Poet She Rejoiced In The Beauty Of Life Born In Carisbrook, Studied At The Blind Institute. The First Blind Student To Matriculate And Be Appointed A Teacher Foundation Member Association For The Blind. Promoted The Braille Library. (Braille characters) Below the plaque is a smaller one: ERECTED BY MIDLANDS HISTORICAL SOCIETY AND CHILDREN OF CARISBROOK STATE SCHOOL 19707 images of the unveiling ceremony tilly aston

This was the home of 3 generations of the Coop family: 1. Josephine and George Frank Coop (noted in Box Hill Rate Books for 1947-1954). 2. George Burton Coop (1906-1960) and his family. He was Assistant Chief Architect of Victoria in the Public Works Department (P.W.D.) George Burton Coop was born in c1906 in Williamstown, the son of Josephine Vistarini and George Frank Coop. He married Winifred Alice Trewartha in 1936 and they are listed in the electoral rolls at 688 Whitehorse Road in 1937. George died 3/4/1960, aged 54 years at Mont Albert. 3. George Burton and Alice Coop had 2 children: George Lister Coop - born St Georges Hospital, 8/10/1937 Alison - born c1945. The donor George Lister Coop informed that he initially attended Chatham State School because his first home was the Spanish Mission style flats at 346 Whitehorse Road, opposite Brenbeal Street, Balwyn. When his grandparents died, the family moved to 688 Whitehorse Road and he then attended Mont Albert Central School. The California bungalow style of housing was the dominant style of housing built in the interwar period through the northern parts of Surrey Hills and Mont Albert as formerly semi-rural land was subdivided for new housing. It was relatively inexpensive and affordable. In Australia the Californian bungalow drew upon elements that were popular across the United States from around 1910 to 1939. In Australia the style became popular from 1913. In Melbourne both timber and red brick were used as the main building material. Typically they are one or one and a half story houses and feature sloping roofs and eaves with unenclosed rafters and often a feature a dormer window (or an attic vent designed to look like one) over the main portion of the house. Decorative elements include wood shingles, part stucco rendered exteriors, brick, stone, rendered or a combination of these treatments to exterior chimneys and front porches supported by heavy timber, brick or stucco columns.A black & white photo taken at an angle of a Californian bungalow.californian bungalow, whitehorse road, george frank coop, (miss) josephine vistarini, (mrs) josephine coop, george burton coop, (miss) winifred trewartha, (mrs) winifred coop, george lister coop, alison coop

This was the home of 3 generations of the Coop family: 1. Josephine and George Frank Coop (noted in Box Hill Rate Books for 1947-1954). 2. George Burton Coop (1906-1960) and his family. He was Assistant Chief Architect of Victoria in the Public Works Department (P.W.D.) George Burton Coop was born in c1906 in Williamstown, the son of Josephine Vistarini and George Frank Coop. He married Winifred Alice Trewartha in 1936 and they are listed in the electoral rolls at 688 Whitehorse Road in 1937. George died 3/4/1960, aged 54 years at Mont Albert. 3. George Burton and Alice Coop had 2 children: George Lister Coop - born St Georges Hospital, 8/10/1937 Alison - born c1945. The donor George Lister Coop informed that he initially attended Chatham State School because his first home was the Spanish Mission style flats at 346 Whitehorse Road, opposite Brenbeal Street, Balwyn. When his grandparents died, the family moved to 688 Whitehorse Road and he then attended Mont Albert Central School. The California bungalow style of housing was the dominant style of housing built in the interwar period through the northern parts of Surrey Hills and Mont Albert as formerly semi-rural land was subdivided for new housing. It was relatively inexpensive and affordable. In Australia the Californian bungalow drew upon elements that were popular across the United States from around 1910 to 1939. In Australia the style became popular from 1913. In Melbourne both timber and red brick were used as the main building material. Typically they are one or one and a half story houses and feature sloping roofs and eaves with unenclosed rafters and often a feature a dormer window (or an attic vent designed to look like one) over the main portion of the house. Decorative elements include wood shingles, part stucco rendered exteriors, brick, stone, rendered or a combination of these treatments to exterior chimneys and front porches supported by heavy timber, brick or stucco columns.A sepia photo taken at an angle from the street corner of the property. It is of a Californian bungalow with a driveway that extends through a carport, attached and roofed as part of the house, to the rear of the property. The veranda is accessed from under this covered area. The veranda and carport are supported by brick pillars and the veranda balustrades between are plain with an occasional wider feature panel. The front door is in shadow. There are rolled up striped canvas blinds on the veranda and at least 2 cane chairs. The main structure of the house is weatherboard with a terracotta tiled roof. There is a flower bed across the front of the house with an elevated brick flower box under the main window. There are no chimneys visible.californian bungalow, whitehorse road, george frank coop, (miss) josephine vistarini, (mrs) josephine coop, george burton coop, (miss) winifred trewartha, (mrs) winifred coop, george lister coop, alison coop

Height 25 cm, 160 pages, soft cover A soft cover book of 160 pages with black and white photos, newspaper clippings and other illustrations. It includes lists of principals, presidents of school council, house captains, SRC presidents, parents & friends association presidents, women's auxiliary presidents, male and female staff members, and all students who attended the school between 1941 and 1991. There is an extensive list of sources and acknowledgements.non-fictionA history of Camberwell High School from its beginnings in fighting for a school to be built and finally opening for business in 1941. It includes a list of students from 1941-1991. Also a list of female staff and male staff, as well as House Captains, Women's Auxiliary Presidents, Head Prefects, Student Representative Council - Presidents. It also details the School Uniform Policy. It details the growth in the early years, building on the foundations and the modern times, including some troubled years.education and research, secondary schools, school plays, school committees, robert d ewins, camberwell high school, education, camberwell high ex-students society, kylie monogue, elida brereton, robert manne, dannii monogie, brian naylor

Articles in the annual report include: official opening of a new library building at Enfield, over 1 million items circulated in the library, passing of Sir Robert Drew and Nola Dekyvere, first production of Il Globo and launched by Prime Minister Bob Hawke, launch of Bookline - a telephone ordering service for talking books and winning the first Australian Audio Book Award for Children's Books for The Clinker narrated by Bill Conn. 1 volume of text and imagesroyal blind society of new south wales, corporation records

This photo of 4 pupils in Dudley Road opposite the Wonga Park School is a 1988 version of the photo of 4 pupils in Dudley Road opposite the school taken in 1912 The 1988 pupils are from left, Rowan Allport, Lauren Windsor, Sarah Greenwood-Smith, Ashley Drew

This photo of 4 pupils in Dudley Road opposite the Wonga Park School is a 1988 version of the photo of 4 pupils in Dudley Road opposite the school taken in 1912 The 1988 pupils are from left, Rowan Allport, Lauren Windsor, Sarah Greenwood-Smith, Ashley Drew

An original 1930 Charter of Legacy which was drawn up by Legatee Cyril Smith, and adopted at the 1930 Canberra Conference. The Spirit of Legacy is Service. The care of dependents of comrades who served in the Great War and who gave their lives or health, affords a field for Service. Safeguarding the interests of children is a service worth rendering and their interests include their mental, moral, vocational and physical welfare. Personal effort is the main essential. In as much as these are the activities of Legacy, it is your privilege to accept the "Legacy of the Fallen comrades". Therefore you men who served overseas with honourable records form you a Club to be known as the "Melbourne Legacy Club" and keep fair the name of Legacy. Dated this 30th day of September in the year of our Lord 1930". Signed by FC Green, President, and James Stewart, Secretary, Central Liaison Committee 1930-1931.A record that the early legatees drew up a Charter for all clubs to follow outlining their main goals.A framed early copy of the Legacy Charter.Signed by two legatees, FC Green and James Stewart in black ink.charter, rules

A newspaper article about the death of Jessie Vasey on 22 September 1966. Mrs J M Vasey was the wife of Major-General Vasey. During the second world war she became secretary of the AIF Women's Association, a body which sought to help soldiers' wives. Her work with this body drew her attention to the plight of war widows. After Major-General George Alan Vasey died in an aircraft accident on 5 March 1945 she became a widow herself. At the end of the war Mrs Vasey founded the War Widows Guild. This reproduction on display board may have been for an exhibition of Guild memorabilia at some time. The Victorian War Widows Guild closed in 2021. Some items, including this board, were donated to the Legacy archive for preservation. It was possible for a widow to be members of both Legacy and the War Widows Guild. Both organisations helped war widows in various ways.A record of the work done by Jessie Vasey and the War Widows Guild.Newspaper article 'The Fighting Widow dies' reproduced on a display board for signage of an exhibit.war widows guild, jessie vasey, wwg

A newspaper article about the War Widows Creche in Collins St Melbourne from 29 July 1947. An article about the creche set up by the War Widows Guild to help its members to work or retrain. The War Widows Guild was established by Mrs J M Vasey. She was the wife of Major-General Vasey, during the second world war she became secretary of the AIF Women's Association, a body which sought to help soldiers' wives. Her work with this body drew her attention to the plight of war widows. After Major-General George Alan Vasey died in an aircraft accident on 5 March 1945 she became a widow herself. At the end of the war Mrs Vasey founded the War Widows Guild. This reproduction on display board may have been for an exhibition of Guild memorabilia at some time. The Victorian War Widows Guild closed in 2021. Some items, including this board, were donated to the Legacy archive for preservation. It was possible for a widow to be members of both Legacy and the War Widows Guild. Both organisations helped war widows in various ways.A record of the work done by Jessie Vasey and the War Widows Guild.Newspaper article 'War Widows Creche needs toys' reproduced on a display board for signage of an exhibit.war widows guild, jessie vasey, wwg

A newspaper article about a protest by War Widows published 3 July 1947. An article showing more than 1500 people met to demand higher compensation for the loss of their husbands who had died for their country. Mrs J M Vasey received an ovation for her address to the meeting. She was the wife of Major-General Vasey, during the second world war she became secretary of the AIF Women's Association, a body which sought to help soldiers' wives. Her work with this body drew her attention to the plight of war widows. After Major-General George Alan Vasey died in an aircraft accident on 5 March 1945 she became a widow herself. At the end of the war Mrs Vasey founded the War Widows Guild. This reproduction on display board may have been for an exhibition of Guild memorabilia at some time. The Victorian War Widows Guild closed in 2021. Some items, including this board, were donated to the Legacy archive for preservation. It was possible for a widow to be members of both Legacy and the War Widows Guild. Both organisations helped war widows in various ways.A record of the work done by Jessie Vasey and the War Widows Guild.Newspaper article 'Widows of War Protest - City Rally' reproduced on a display board for signage of an exhibit.war widows guild, jessie vasey, wwg