Logarithm tables have been used for centuries to calculate complex mathematics. Tables were recorded and looked up instead of completing these calculations. This book is an example of these calculations. They were commonly used in many fields including engineers, navigators and scientists. An item commonly used by people in the mathematical field. Owned by a local person and sold by a local business in Warrnambool.Small blue hard- covered book with cloth finish. Title in black text. Edge of pages is coloured red. 161 pages. G Phillpot VX121575 inside front cover. Walter Davies Bookseller Warrnambool stamp on title page. Author and preface by Alex McAulay.logarithm tables, warrnambool, walter davies bookseller warrnambool, alex mcaulay.

George Baldessin (1939-1978) was born in San Biagio di Callalta, in the Veneto in Northern Italy and arrived in Australia ten years later. A printmaker and sculptor he built his bluestone studio at St Andrews (Nillumbik) in 1971 with his partner Tess and the three Hails brothers, Rob, Doug and Don. Made of recycled materials the studio today contains all of George’s equipment including the large press, which he modelled himself with the help of Neil Jeffrey (Enjay Presses). George won many prizes throughout his career and is represented in many of Australia's public art collections including his famous 'Pears' sculpture in front of the National Gallery of Australia, Canberra. In 1975 he represented Australia in the Sao Paulo Biennale, before living and working in Paris until his return to St Andrews in 1977. In 1978 George was killed in a car accident aged 39 years. In 2001 Tess returned to St Andrews to reclaim the run-down studio and reconstitute it as The Baldessin Press & Studio - a printmaking retreat. It operates in George’s memory, so that artists may continue to create, perpetuating the generous spirit of George. This work chosen for the folio is from an incomplete edition from 1966. It has been printed on Baldessin's original 1974 cast aluminium Enjay press (designed and made in collaboration with Neil Jeffreys) and restored specifically for this project by Dan Jones. In addition Deanna Hitti has used Baldessin's original Japanese Torinoko paper, stored safely in his studio for over forty years. ‘Portrait II’ is one of eight prints in the 'Baldessin & Friends commemorative folio. The folio was conceived by Tess Edwards as a fundraising initiative in celebration of the The Baldessin Press & Studio's fifteen year anniversary, and as a way to honour George Baldessin's memory. The Baldessin Press & Studio is a not-for-profit organisation created in memory of the late George Baldessin (1939-1978), whose original studio is now open to the public for creative use and as a practical legacy to living artists. The Studio is located in St Andrews, Nillumbik. The folio is a unique coming together of seven very different and acclaimed artists who are connected by their friendship to the missing eighth member, George Baldessin. This print is a fine example of Baldessin's primary interest of the figure, which displays great sensitivity to and observation of the human condition. Distortion, exaggeration and fragmentation were employed by Baldessin as tools to animate and scrutinize the displaced, dispossessed and alienated figure, flattened against the picture plane. Black and white distorted and exaggerated figure (head and shoulders), with hands raised to the face and the figure's right eye. acquatint, etching, baldessin, ekphrasis2018, figure

Born: Westbury, Wiltshire, England 1890; Arrived: Melbourne, Victoria, Australia 1893; Died: Warragul, Victoria, Australia 1923ImpressionismLedger Gift, 1981Rural landscape with large trees and small figure with gold brushed timber frame.Recto: Signed "Penleigh Boyd." in red oil in l.r.c of composition; Not dated; Not titledpainting, landscape, trees, figure

The 'Black Saturday' bushfires were a series of bushfires that ignited across the Australian state of Victoria on and around Saturday, 7 February 2009. It was Australia's worst ever natural disaster. The fires occurred during extreme bushfire-weather conditions and resulted in Australia's highest ever loss of life from a bushfire: 173 people died and 414 were injured as a result of the fires.This work is by a local contemporary artist with a national and international reputation for figurative and portrait works. The 'Black Saturday' series is a powerful investigation of emotion and grief as experienced by many Nillumbik residents during the 2009 'Black Saturday' bushfires. A cluster of bronze figurines either stand alone or embrace in groups. Their expressions and gestures of despair are made more pertinent with the raw like application and surface treatment of the material used. The 'Black Saturday' series is a challenging work, but one that encourages healing, connection and empathy. Solitary male figure wearing a long hooded coat clutching his hands underneath his chin in shock. Surface treatment is textured. Dark metallic brown colour. Hand carved on base, back of figure '2/6 WEGNER 10'wegner, bronze, figurine, black saturday, sculpture

Item is in the collection re M.B. Cowden, refer Cat No 7076P for service details.Framed brown colour with gold edge with inset on yellow/brown background, central is a 50c stamp with a raised figure of a soldier playing a bugle,On the centre piece below figure, "At the going down of the sun" repeated twice. On the frame in gold, "Lest we Forget"framed, stamp, souvenir, lest we forget

Born: Mt Duneed, Victoria, Australia 1867; Died: Olinda, Victoria, Australia 1943Heidelberg SchoolGift of Wooleen Pty. Ltd., 1980Flat rural landscape with sheep and standing figure. Black stained timber frame.Recto: Signed “A Streeton“ in brown paint l.l.c of composition; Not dated; Not titledlandscape, animals, figure, trees, summer, australian art

Born: Liverpool, Lancashire, England 1859; Arrived: Melbourne, Victoria, Australia 1892; Died: London, Middlesex, England 1935TonalismGift of Wooleen Pty. Ltd., 1980Interior with seated figure wearing dinner suit with cigarette and lamp. Gold brushed timber frame.Signed "B. Hall" in dull cream oil in l.l.c of composition; Not dated; Not titlepainting, interior, figure, lamp, man, glass

Born: Mt Torrens, South Australia, Australia 1872; Died: 1947ImpressionismLedger Gift, 1988Figure in blue dress lying on grass under trees reading. Gold painted frame.Recto: Signed "M.Tuck" in brown paint l.r.c of composition; Not dated; Not titledlandscape, figure, reading, trees, blossom, spring, australian art

Born: St Petersburg, Russia 1873; Arrived: Sydney, New South Wales, Australia 1887; Lived and worked: England, France, Wales, Egypt, Palestine 1900-1921; Died: Cobbity, New South Wales, Australia 1930EdwardianGift of C.J.R. Ansett, 1980Mountain and valley landscape with figure and animals. Painted timber frame.Recto: Signed and dated "G. W. LAMBERT. 1913" in black paint on l.l.c of composition; Not titledpainting, figure, boy, dog, animal, mountains, landscape, lizard, snow

Statue of Ruth is a religious reference to the harvest and to the importance of motherhood. Ruth was sculpted by Charles Summers a central figure in Australian art from the mid 19th Century. Summers was a founder of the Victorian Society of Fine Arts in 1856 and in 1863 he became a member of the commission of inquiry into the promotion of the fine arts in Victoria. He created many portraits and busts and is known for his bronze depiction of Burke and Wills in MelbourneThe sculpture is of historic and aesthetic significance to the people of BallaratMarble sculptural depiction of the biblical figure RuthPresented to the City of Ballaarat by the following citizens./ H F Elliot Mayor/ The Hon E Morey MLC/ Cr C B Retallack/ Cr J Heinz/ Cr C C Shoppee/ J N Wilson/ T Stoddart/ ruth, harvest

Thomas Stoddart, 1828 - 1905, bought 12 white marble statues during a visit to Italy. Stoddart arranged for them to be shipped to Victoria and placed on pedestals of Sicilian marble and on bases of Victorian granite. These statues were unveiled in the gardens on Queen Victoria's birthday, 24th May, 1884. His intention was for the statues to adorn and add interest to the gardens. The figure of Autumn is holding a bunch of grapes symbolic of the vintage.The artwork is of historic and aesthetic significance to the people of BallaratWhite marble figure of a man holding a bunch of grapes Autumn by Angelo Bertozziautumn

Born: Yorkshire, England 1850; Arrived Australia: before 1874; Died: 1908RealismLedger Gift, 1975Rural landscape setting with horse, dogs and a figure heading towards a house. Gold brushed grey painted frame.Recto: Signed “J A Turner / 1889” in black paint l.l.c of composition; Not titledlandscape, figure, animals, house, colonial, trees, australian art

Lainey BEAVIS (1994- ) Born Portland Lainey Beavis completed a Bachelor of Visual Arts (Fine Arts) at the Federation University Arts Academy in 2015. She won the 2015 Art Acquisition Award. The work 'The Enchanted Forest' has been exhibited in the 2015 Federation University End of Year (EYE) Exhibition, and at Brunswick Street Gallery.Framed digital print featuring imagery of Portland's Enchanted Forest. Artist's statement: The photograph captures a dreamlike landscape where one can lose themselves within. It portrays a figure with significant connection to the landscape that it transcends into a sense of euphoria. The image emphasises the beauty of the landscape and the figures passion for it. The figure in the landscape is Rayhna Puche.lower left side '1/5' lower centre 'The Enchanted Forest' lower right side 'L. Beavislainey beavis, artwork, artist, alumni, figure, portland, enchanted forest, photography, rayhna puche, art acquisition award

With an interest in 'Collective Unconscious' Nagel aims to explore the human condition, and our impact on the natural world / This figure embodies human and animal traits with semi-autobiographical references to investigate concepts relating to identity and home / Nagel focuses on the extinct, the pest, the endangered and the introduced as a way to reveal her concerns of humanity as creator and destroyer / In this sculpture a koala headed figure is in the pose of the martyr St. Sebastion / With no arms, there is an inability to protest or fight. This work is by a local contemporary artist and encompasses contemporary themes / This work was a finalist in the Nillumbik Prize 2012.Ceramic - sculpture human and animal like (koala) armless figure depicted standing in a similiar stance to that of a classical sculpture / Blue and white body with a yellow face / Made from porcelain with oxide, clear glaze and undergaze.nagel, sculpture, porcelain, animal, ceramic, classical

The Lay Reader David Conolly was associated with the Mission for many years in particular working with trainee cadets and RAN Officers. Painted wood crucifix on a very thin backing support of hardboard. Style of the painting is that of icon artist of Russian/Greek/Byzantine style. An inscription on the reverse. Small steel hanging hook at top edge on reverse. The edges of the icon are painted red and the whole depiction is decorated with much gilding. The whole support is in the form of a t-shaped cross. The top section depicts a risen Christ at the centre surrounded by ten disciples or saints and the hand of God appears to be at the upper central edge. The Christ figure is flanked on the main cross piece by five archangels and Saint Peter. Flanking the torso of the crucified figure appear to be Maria and St Joan and on the right side Mary Magdalen, Mark (Saint?) and a centurion figure. Three small figures also featured in this section. At the lower right corner are two haloed male figures (unidentified).Front; above haloed head of the crucified figure U.C.; IHSNAZARE in gold on a red ground/ REXIVDEORV. Beneath the central panel again gold on red SEASIOANNES AND MARIA. On the other side of the central figure; MARIAMARK CENTURIU/ MAGDALEN...IACO/ BI. Hand-written inscription on reverse; "For/ all who enter/ this sacred space./ The gift of/ David Conolly/ sometime stipendiary Lay Reader/ in the Mission/ 1956-1958.david conolly, crucifix, icons, othodox, artwork

Mitcham High, Donvale High and Mitcham Technical School amalgamated in 1989 & became Mullauna College.Mullauna College badge, a black circle with " Mullauna College" in gold writing. Loop on top with a gold figure & hook on top. On back is " Mullauna College, 46 Dunlavin Rd, Nunawading 3131, PH 874-1888Mullauna College badge, a black circle with " Mullauna College" in gold writing. Loop on top with a gold figure & hook on top. On back is " Mullauna College, 46 Dunlavin Rd, Nunawading 3131, PH 874-1888mullauna college, mitcham, technical school

Saved from the ship Speke which ran aground on the coast of Phillip Island on the 22nd of February 1906. The figure head of the Speke was in the shape of woman, wearing a flowing white dress with blue cuffs and collar and carrying a large bunch of daffodils. It was originally nine feet four inches long. This sculpture went missing after the event and decades later the head only was re-discovered in Mr Thompson’s garage. It was then restored by Headmaster Kevin and the senior children of Cowes State school in 1940.The Speke was an all steel ship built in Wales in 1891. She was delivering wheat to Geelong and confused a bushfire in Cowes for navigation lights. Many local people salvaged goods from the resulting wreckage.Large wooden figure head, carved to resemble a woman. Painted aspects of hair, face, collar. Mounted on an undecorated wooden shield.phillip island, speke, kitty miller bay, figurehead, cowes state school

Born: St Petersburg, Russia 1873; Arrived: Sydney, New South Wales, Australia 1887; Lived and worked: England, France, Wales, Egypt, Palestine 1900-1921; Died: Cobbity, New South Wales, Australia 1930EdwardianGift of Mr Wayne N. Kratzmann, 2005Oil painting on canvas depicting figure in a red dress, looking at her face in a mirror held by cherubs. Gold brushed, carved timber frame with decorative corners and edges.Recto: Not signed, not dated, not titledpainting, woman, figure, angels, cherubs, clouds, glove, mirror, face, flowers

Inspired by the opening lines of Percy Bysshe Shelley’s 1820 poem of the same title, The Cloud has grace of line that epitomises the model of classically informed beauty. Richardson’s figure successfully follows the serpentine line of Art Nouveau sculpture while also echoing the influence of British New Sculpture with its focused attention to bodily detail and surface articulation. This bronze version of The Cloud was cast in 1987 from the original patinated plaster version from 1900 which is also in Bayside City Council's Collection. This work can be seen in the formal garden between the Brighton Town Hall and the Brighton Library.Art NouveauCharles Douglas Richardson, The Cloud 1900 (cast 1987), bronze, 190 x 40 x 40 cm. Bayside City Council Art and Heritage Collection. Commissioned 1987Bonze sculpture of a classical female figure looking downwards with a vessel in her hand. The sculpture sits on a rendered pedestal within a pond.sculpture, female figure, charles douglas richardson, the cloud, cd richardson, c douglas richardson, percy bysshe shelley, poem, art nouveau, new sculpture, flowers, public art, brighton

A race along the banks of the Yarra River (?) this trophy was awarded to the female winners from 1978-1987. A golden running figure sits atop a pedestal that rests on a bell located above two pedestals behind a golden laurel wreath. Two eagles, with wings outstretched as if just landing, are either side of the wreath and the inscription 'Rotary Club of Glenferrie - River Run - Female winner - Donated by Bob Bruner' is written on the plinth below them. On the base plinth are inscribed the names of the previous winners: 1978 Lynne Williams 1979 Lynne Williams 1980 Lynne Williams 1981 Dorothy Browne 1982 Dorothy Browne 1983 Michelle Baumgarten 1984 Laura Dess 1985 Mary Edwards 1986 Julie McKie 1987 Julie McKieGold running figure atop two levels of columns with a wreath and two eagles at the base, whereupon names are inscribedRotary Club of Glenferrie River Run Female Winner Donated by Bob Brunerassociation for the blind, awards

This statue is a Louros type statuette, known from the Louros cemetery of Naxos, Greece. The figure is standing and has some plastic features. There are no facial features and no arms, just stumps at the shoulders. Such figurines are found in ancient graves. This is most likely a replica of an antique figurine originating at Naxos cemetery, Greece. Cycladic figurine depicting a feminine figure on carved pedestal. A wire necklace with medallion is attached, and inscribed YNNE-TAN with laurel wreath. Handwritten inscription in ink on base (see inscription). Sticker attached to base carries handwiring which reads 'FF'.Louros type figurine 2800-2300 B.C. Nat. Arch. Museum Athens 1978

ChineseUntitled Warrior Figure

The medal is colloquially known as 'Wilfred' within the armed forces. It was decided at the end of WWI that each of the allies should each issue their own bronze victory medal with a similar design, similar equivalent wording and identical ribbon. The British medal was designed by W. McMillan. The front depicts a winged classical figure representing victory. Approximately 5.7 million victory medals were issued, making it more exclusive than the British War Medal. The recipient's service number, rank, name and unit was impressed on the rim.Gold coloured Bronze medal depicting a winged figure of victory on the front and the words THE GREAT WAR FOR CIVILISATION 1919-1919 surrounded by a laurel wreath. The medal has a double rainbow ribbon.front: W. Mc M back: THE GREAT WAR FOR CIVILISATION 1919-1919 rim: 3294 PTE. C. F. WILLCOX 3N. A.I.F.

Pair of ceramic figurines. Female figure holding tennis racquet, male figure holding ball. Materials: Ceramictennis

This window, in memory of Alice Sibthorpe Tracy, was unveiled on 31 October 1933 by the Right Reverend R. Stephen D.D. along with the brass tablet in the Williamstown building, and a sectile tablet in the Port Melbourne building. (AR 1933). "A scheme has been set in operation to raise funds so that a memorial may be erected to Miss A. Sibthorpe Tracy, who has done so much for the Victoria Missions to Seamen. It has been decided that a companion window to that of "The Light of the World" will be placed in St. Peter's Chapel, the design being that of a figure of Hope with her hand on a ship's anchor. The window will show a foreground of beach and pebbles, backed by breaking rollers and a flecked sky. Mrs J. W. Begg, of Stonehaven Avenue, East Malvern, S.E.5, is the honorary treasurer of the fund." (Article published in the Herald, 29 August 1933)Arched windows depicting the female figure of Hope with her hand on a ship's anchor in a foreground of beach and pebbles, backed by breaking rollers and a flecked sky. altar, st peter chapel, flinders street, mission to seafarers, seamen's mission, mission to seamen, st peter, sailors, seamen, anchor, stained glass windows, win, memorial chapel, hope, alice sibthorpe tracy

Drawing of a figure in a boat in a landscape.