Showing 105 items
matching lock outs
-
Port Melbourne Historical & Preservation Society
Costume - Lodge apron, Bro H W Fletcher, Port Melbourne City Lodge, c. 1900
Belonged to donor's grandfather - Harold Williams - a boatman who took people and stores out to the anchored ships. He lived in Port Melbourne.Black oblong case with handle and metal lock. Contains Lodge apron and small blue constitution book. Side of case is unstitched for 3/4 of its length. Case locked and no key. Case is in a cotton bag with "This is genuine Hollywood handbag" on itBro H W Fletcher Port Melbourne City Lodgecostume, recreation, societies clubs unions and other organisations, bro h w fletcher, masonic, port melbourne city lodge -
Port Melbourne Historical & Preservation Society
Book, Pat Grainger, "They Can Carry Me Out", Jan 1992
In 1990 City Librarian Wendy MORRIS commissioned Pat GRAINGER to co-ordinate a State and Council funded oral history project, the final product of which was this book. It was printed in time for the 1992 Port Melbourne Festival."They Can Carry Me Out" - Memories of Port Melbourne Blue, perfect-bound paperback book with white title and black line conversion of photo of fishing boats in the Lagoon. 96 pp, published January 1992fishermans bend, education - primary schools, piers and wharves - station pier, piers and wharves - waterside workers, education - kindergartens, celebrations fetes and exhibitions, transport - aviation and aerodrome, transport - ferries, transport - shipping, garden city, mission to seafarers, transport - railways, transport - horse, built environment - civic, built environment - domestic, built environment - commercial, built environment - industrial, town planning - proposals shelved - bayside, religion, arts and entertainment, livestock, sandridge lagoon, migrants, built environment - public housing, centenary bridge, local government - city of port melbourne, royal visits and occasions, police, sport - australian rules football, societies clubs unions and other organisations, natural environment, business and traders, war - world war ii, deaths and funerals, flood, domestic life, gasworks, health - general health, excelsior hall, public action campaigns, ada mary a'beckett kindergarten, wendy morris, pat grainger, g borer & co, johnny allsorts pawnbroker, mckenzies milkbar, galatos chocolates, j e earl pty ltd, faram brothers hardware, jack porritt, liardet family, porritts boot shop, vintage port worth preserving project, phyllis anderson, norman barry, david beazley, leonard george 'dugga' beazley, florence beazley, george beazley, brenda bedford, lettie bradley nee walsh, margaret bride nee polson, anne callaghan, beris campbell, tony cannatelli, john carroll, john cass, margaret couch nee smith, brian couldrey, delva crawford nee rees, 'buffie' rees, joan curtis, elvir dragovic, james edward earl, linda edman, jessie edwards, lisa edwards, trevor emmett, judy faram, doug faram, george faram, richard faram, thomas faram, allen faram, a g warren, james murdock, margaret mclean, minnie mclean, m b muir, susie fox, william gleeson, sylvia gleeson, arnold goetz, lilian 'lil' goss nee johnson, gladys gott nee mccabe, stan gravias, george henry (harry) gray, len greaney, charles hall, bertha harvey nee carey, r graham carey, mac hatfield, f patricia (pat) hawkins, tippo hayes, tom hills, bradley hinge, lloyd holmes, norah howard nee mallet, voula hronakis, lorna johnson, diane keating nee bradley, alison kelly, june kirby, bob knell, tommy lahiff, nicole lalande, bill lane, kathleen lane nee moore, j s lang, ron laing, beverley lewis, andy libbis, peter libbis, emily lock, may lowe nee irving, wendy lowenstein, micael lucas, ted mccarthy, laura mcgill nee irving, vin mcnamara, elsie median nee mccabe, maree menzel, marie mills, marlene mitchell nee sharp, david moloney, ari pipilikas, ada polson nee bellion, les profitt, ted rohan, elizabeth saunders, vanessa savvaidis, prudence sheil, chutathip silpiphat, voula skourakis, flo stark, ted tobin, thelma todd, barbara villani, erica wilson, harry bocquet, nott street state school, port melbourne library, port melbourne temperance hall, swallow & ariell ltd, business and traders - hotels -
Port Melbourne Historical & Preservation Society
Book, Pat Grainger, "They Can Carry Me Out", Jan 1992
In 1990 City Librarian Wendy MORRIS commissioned Pat GRAINGER to co-ordinate a State and Council funded oral history project, the final product of which was a book printed in time for the 1992 Port Melbourne Festival. Having been sold out for two years, it was reprinted with funds from the City of Port Phillip Cultural Development fund just in time to be launched at the 2002 Festival launch held at Beacon Cove on a Yarra Tram, 22 March 2002.2002 reprint of "They Can Carry Me Out" - Memories of Port Melbourne Blue, perfect-bound paperback book with white title and black line conversion of photo of fishing boats in the Lagoon. 96 pp, reprinted March 2002fishermans bend, education - primary schools, piers and wharves - station pier, piers and wharves - waterside workers, education - kindergartens, celebrations fetes and exhibitions, transport - aviation and aerodrome, transport - ferries, transport - shipping, garden city, mission to seafarers, transport - railways, transport - horse, built environment - civic, built environment - domestic, built environment - commercial, built environment - industrial, town planning - proposals shelved - bayside, religion, arts and entertainment, livestock, sandridge lagoon, migrants, built environment - public housing, centenary bridge, local government - city of port melbourne, royal visits and occasions, police, sport - australian rules football, societies clubs unions and other organisations, natural environment, business and traders, war - world war ii, deaths and funerals, flood, domestic life, gasworks, health - general health, excelsior hall, public action campaigns, ada mary a'beckett kindergarten, wendy morris, pat grainger, g borer & co, johnny allsorts pawnbroker, mckenzies milkbar, galatos chocolates, j e earl pty ltd, faram brothers hardware, jack porritt, liardet family, porritts boot shop, vintage port worth preserving project, phyllis anderson, norman barry, david beazley, leonard george 'dugga' beazley, florence beazley, george beazley, brenda bedford, lettie bradley nee walsh, margaret bride nee polson, anne callaghan, beris campbell, tony cannatelli, john carroll, john cass, margaret couch nee smith, brian couldrey, delva crawford nee rees, 'buffie' rees, joan curtis, elvir dragovic, james edward earl, linda edman, jessie edwards, lisa edwards, trevor emmett, judy faram, doug faram, george faram, richard faram, thomas faram, allen faram, a g warren, james murdock, margaret mclean, minnie mclean, m b muir, susie fox, william gleeson, sylvia gleeson, arnold goetz, lilian 'lil' goss nee johnson, gladys gott nee mccabe, stan gravias, george henry (harry) gray, len greaney, charles hall, bertha harvey nee carey, r graham carey, mac hatfield, f patricia (pat) hawkins, tippo hayes, tom hills, bradley hinge, lloyd holmes, norah howard nee mallet, voula hronakis, lorna johnson, diane keating nee bradley, alison kelly, june kirby, bob knell, tommy lahiff, nicole lalande, bill lane, kathleen lane nee moore, j s lang, ron laing, beverley lewis, andy libbis, peter libbis, emily lock, may lowe nee irving, wendy lowenstein, micael lucas, ted mccarthy, laura mcgill nee irving, vin mcnamara, elsie median nee mccabe, maree menzel, marie mills, marlene mitchell nee sharp, david moloney, ari pipilikas, ada polson nee bellion, les profitt, ted rohan, elizabeth saunders, vanessa savvaidis, prudence sheil, chutathip silpiphat, voula skourakis, flo stark, ted tobin, thelma todd, barbara villani, erica wilson, harry bocquet, nott street state school, port melbourne library, port melbourne temperance hall, swallow & ariell ltd, business and traders - hotels -
Essendon Football Club
VFL premiership medal in display box, 1901 (medal)
Medal was awarded to Bill Griffith as a member of the victorious Essendon premiership team in 1901; put into presentation case by Jack Griffith, Bill's sonCircular gold 1901 VFL premiership medal. Engraved "VFL" logo has been cut out in centre of circle leaving a thin border; "Essendon F. C." engraved on top part of border, "Premiers 1901" engraved on bottom part of border. Reverse has"Griffiths" [sic] engraved on top part of border. Medal has small loop at top which has a small metal ring through it; royal blue silk ribbon (not original) has been passed through ring. Medal is in a black leather case with clear plastic top, lined with grey suede, with a metal lock at front. Gold metal panel has been attached to bottom edge of case top with "Donated by Jack Griffith" in black letters. Two more gold metal plaques have been attached to glass from the inside with grey plastic tape; top plaque has "1901 premiership medallion" in black text, and bottom plaque has " "Griffith, William (Ess.) - 1899-1913" with details of his career in black text. Black and white photocopied photo of Griffith has been attached to bottom of case next to the medal. Key to the lock is also in the case.Engraved "VFL" logo has been cut out in centre of circle leaving a thin border; "Essendon F. C." engraved on top part of border, "Premiers 1901" engraved on bottom part of border. Reverse has"Griffiths" [sic] engraved on top part of border.griffith, bill; essendon football club, vfl premierships, premiership medals -
Bendigo Historical Society Inc.
Postcard - ACC LOCK COLLECTION: SEPIA PHOTO OF A BOMBED BUILDING, POSTCARD, 1914-1918
Postcard, WW1, Sepia photo of a bombed out building. A civilian faces camera and 2 soldiers are walking away to the right. Picture is slightly out of focus. Location not known. On the back - handwritten in pencil G9 and GS. Also an ink sketch of a man's head.postcard, postcard, ww1, france, ruins -
Bendigo Historical Society Inc.
Postcard - ACC LOCK COLLECTION: SEPIA PHOTO OF RUINED BUILDINGS, POSTCARD, 1914-1918
Postcard, WW1, sepia photo of bombed out buildings, only rubble remains. Shrubs and trees at the side. Location not knownpostcard, postcard, ww1, france ruins -
Bendigo Historical Society Inc.
Postcard - ACC LOCK COLLECTION: B&W PHOTO OF DATE PALMS, POSTCARD, 1914-1918
... in pencil 'Cut out signal' Postcard ACC LOCK COLLECTION: B&W PHOTO ...Postcard, WW1, B&W photo of date palms. Part of a railway signal visible at top left corner. Handwritten in ink on back 'Grove of Date Palms enroute Cairo to Ismaelia March16. Also on back written in pencil 'Cut out signal'postcard, postcard, ww1, egypt, cairo, ismailia, date palms -
Bendigo Historical Society Inc.
Postcard - ACC LOCK COLLECTION: SEPIA PHOTO OF A WW1 BATTLEGROUND, POSTCARD, 1914-1918
Postcard, WW1, Sepia photo of the aftermath of a battle ground. Craters and burnt out trees. Handwritten in pencil on back 'Pozieres'postcard, postcard, ww1, battleground -
Bendigo Historical Society Inc.
Photograph - ACC LOCK COLLECTION: B&W PHOTO OF WW1 TRENCHES, 1914-1918
Photo, WW1, B&W image of some trenches called 'the terrace'. Location not known. A periscope (?) protruding at rear right. Handwritten in pencil on the back - M.Ds dug out on the Terraces S985 34postcard, photo, ww1, trenches, france -
Bendigo Historical Society Inc.
Postcard - ACC LOCK COLLECTION: B&W PHOTO OF RIVER AND DESTROYED BRIDGE, POSTCARD, CARTE POSTALE, 1914-1918
... Armentieres) G15 (crossed out) Postcard ACC LOCK COLLECTION: B&W PHOTO ...Postcard, B&W photo of an iced over river with a destroyed bridge in foreground. Buildings on the left. Covering of snow all over. Handwritten in pencil on the back, I2 - The Lys and destroyed bridge between Bac St Maur and Croix du Bac (near Armentieres) G15 (crossed out)postcard, postcard, ww1, river lys, bac st maur, croix du bac, armentieres -
Bendigo Historical Society Inc.
Postcard - ACC LOCK COLLECTION: ARMENTIERES AFTER GERMAN OFFENSIVE, GERMAN DUG-OUTS IN BASEMENT OF FACTORY, POSTCARD, 1914-1918
Postcard, B & W, WW1, destroyed German dug-outs in the basement of a factory at Armentieres after a German offensive. Sandbags shown over curved iron roof. Undated. Two copies. AZ22 and Z36 AZ22 copy published byJ.M.Hamilton & Coy. Sydney, Australia.postcard, postcard, ww1, armentieres, german dug-outs, j.m.hamilton & coy. -
Bendigo Historical Society Inc.
Postcard - ACC LOCK COLLECTION: YPRES, MENIN ROAD FROM HELL FIRE CORNER, POSTCARD, 1914-1918
Postcard, WW1, B&W image of the Menin Road from Hell Fire corner, Ypres. Burnt out trees on both sides of the road. A horse and cart with two men on cart coming towards the viewer. Lone figure on road in middle distance. One copy Y50postcard, postcard, ww1, france, ypres, menin road, hell fire corner. -
Bendigo Historical Society Inc.
Postcard - ACC LOCK COLLECTION: MENIN ROAD NEAR BIRR :- X ROADS, 1914-1918
Postcard, WW1, B&W image of the Menin Road near Birr cross roads. Snow and burnt out trees on both sides of the road One copy Z10postcard, postcard, ww1, menin road, birr, france -
National Vietnam Veterans Museum (NVVM)
Photograph, Briefing Denis Gibbons
A black and white photograph of Tonkin Gulf, North Vietnam 25th May 1967 Lt Stanley L Masterton briefs Australian War Correspondent, Denis Gibbons, during his visit to the Australian Guided Missile Destroyer HMAS Hobart. the briefing is taking place on the flag deck, where a large set of signal flags are visible in a ready use locker behind them. the ship, was at that time engaging, with ship to shore gunfire, a major "choke point" (an area where the North Vietnamese were preparing war supplies to be shipped to their units in South Vietnam) at the township of "Vinh". Hobart was expecting, at any moment, counted battery fire from North Vietnamese coastal batteries after radar stations on Hainan Island, Near Haiphong Harbour and at Vinh had locked onto Horart's position with very accurate triangular positioning. Lt Masterton was informing Gibbons of the incoming enemy fire and was worried he (Gibbons) was not wearing a helment, gibbons, most respectfully advised Lt Masterton that he could not operate his cameras with a helmet on. Hobart immediately turned and saled, very rapidly, out to sea as the counter battery fire commencedAustralian War memorial negative: Navy 13503photograph, hmas hobart, lt stanley l masterton, denis gibbons, vinh, hainan island, haiphong harbour, gibbons collection catalogue -
Tatura Irrigation & Wartime Camps Museum
Decorative object - Girl Bavarian Doll, Friedel Dehnel, 1040-1945
Else Oertel and her daughter Else-Lore were interned in Camp 3A from 1940. Her husband was not interned as he was on a business trip to Germany when war broke out. Friedel Dehnel "Tante Fiffi" made the authentic Bavarian doll and clothes. Friedel, wife of Walter Dehnel, arrived as a young woman from Austria, working in the Victorian snowfields as a chef and was a champion skier. She then became a dressmaker for Melbourne society and insisted that she be interned to be with her husband. She made costumes for the internment camp plays and took over her husband's duties as a cook for Camp A when he was locked up for "insubordination". She was deported with her husband back to Germany after the war and cared for her orphaned nephews and nieces in Garmisch-Partenkirchen.Doll dressed in authentic Bavarian costume. Black wool hat trimmed with gold lace and dried flowers. Gold coloured skirt on dress with sash. Bodice is black with traditional embroidery. White long sleeves with lace trim at cuffs. She is holding a basket with dried flowers."Merry Christmas Else-Lore" on baseelse oertel, else lore hukins, friedel dehnel, dressmaker, chef, camp 3 -
Tatura Irrigation & Wartime Camps Museum
Decorative object - Boy Bavarian Doll, Friedel Dehnel, 1940-1945
Else Oertel and her daughter Else-Lore were interned in Camp 3A from 1940. Her husband was not interned as he was on a business trip to Germany when war broke out. Friedel Dehnel "Tante Fiffi" made the authentic Bavarian doll and clothes. Friedel, wife of Walter Dehnel, arrived as a young woman from Austria, working in the Victorian snowfields as a chef and was a champion skier. She then became a dressmaker for Melbourne society and insisted that she be interned to be with her husband. She made costumes for the internment camp plays and took over her husband's duties as a cook for Camp A when he was locked up for "insubordination". She was deported with her husband back to Germany after the war and cared for her orphaned nephews and nieces in Garmisch-Partenkirchen.Hand made Authentic Bavarian doll. He wears a bottle green woolen hat with light green band and white feather. Bottle green jacket with red trim on front opening and pockets. Red jumper with white pointed collar. Leather lederhosen with flower embroidery on waist and braces. Arms and legs made from hessian? Leather boots with laces. White knitted socks with green band. Hand sewn and painted face.else oertel, friedel dehnel, bavarian, doll, dressmaker, else-lore hukins -
Tatura Irrigation & Wartime Camps Museum
Decorative object - Boy Doll, Alfons Konig, "Karl", 1940-1945
Else Oertel and her daughter Else-Lore were interned in Camp 3A from 1940. Her husband was not interned as he was on a business trip to Germany when war broke out. The doll, named Karl by Else-Lore, was hand-carved by internee Alfons Koenig. Friedel Dehnel "Tante Fiffi" made the authentic Bavarian clothes. Friedel, wife of Walter Dehnel, arrived as a young woman from Austria, working in the Victorian snowfields as a chef and was a champion skier. She then became a dressmaker for Melbourne society and insisted that she be interned to be with her husband. She made costumes for the internment camp plays and took over her husband's duties as a cook for Camp A when he was locked up for "insubordination". She was deported with her husband back to Germany after the war and cared for her orphaned nephews and nieces in Garmisch-Partenkirchen. Body, head, arms and legs carved from wood. Blue eyes, yellow hair, pink lips and skin all hand painted. Wearing a grey crochet hat with orange feather and grey crochet jacket with two metal buttons. Jacket and hat have green trim. Grey felt shorts with leather braces and green trim. White shirt and tan color tie. White socks and brown leather sandals.doll, alfons koenig, camp 3, internee, oertel family, else oertel, friedel dehnel, else-lore hukins, dressmaker, costumes, plays, chef -
Tatura Irrigation & Wartime Camps Museum
Box (wooden), 1940's
This box was made in the Camp to bring clothes and other hings out of the Camp when leaving. Made from fruit or vegetable boxesLarge wooden storage box with lid with lock and key. Key tied onto a piece of plastic coated wire. Key loose inside box. Extra strips of wood nailed on inside and outside of boxKurt Beilharzbox, wood, beilharz k, camp 3, tatura, ww2 camp 3, handcrafts, woodwork -
Anglesea and District Historical Society
Desktop Writing Stand, 1869
Timber desk stand on 4 button feet. Ebonised surround to top. Recessed pen trough. Two square-based glass inkwells with hinged brass lids. Central container with hinged lid. Calendar display at rear with sliding box opening at right-hand side. Writing surface with pigeon-holes above slides out at lower front. Brass escutheon and key to lock this compartment. Brass handles at sides (recessed).REGISTERED NOVr 19TH 1869writing desk stand -
Tatura Irrigation & Wartime Camps Museum
Carry Case, 1920
Used in conjunction with dumpy level, by Mr. Craven to survey agricultural land in the Goulburn Valley for the pruposes of setting out farm irrigation channels and check banksRectangular wooden box, divided into 5 sections with lid attached and closed with 2 metal fasteners on to 2 screws on the lid and key hole lock (no key). 2 leather straps with 2 buckles are attached by 2 metal bars, small screw driver and metal cap from telescope on dumpy level.carry case, dumpy level, craven b, tatura, surveying, irrigation, terrestrial -
Peterborough History Group
Newspaper - Newspaper article ab out the road the The Lodge fishing spot, Rocky road to Curdies River
The fishing spot known as The Lodge was accessed, for many years, via private property. This article is about an on site meeting, who attended and what was said in regards to the upgrading of a road for access to the river. Includes a letter to the Editor from Ronald Irvine stating their position. Enquiries made on March 11th 2021 with Ronald Irvine revealed that the road had deteriorated and vehicles were becoming bogged, requiring the farmer to pull them out with a tractor. Council were reluctant to fund repairs and the result was that the gate was locked and public access no longer available.Significant because it is a record of community and government discussion about community access to a popular fishing location on the Curdies River.Two page newspaper article from the Cobden Times March 5 1986peterborough, curdies river, the lodge, ronald irvine, the lodge fishing, timboon anglers club, john irvine, the cobden times, 5 march 1986 -
National Wool Museum
Functional object - Wool Winder, pre. 1950
Originating from Scotland pre-1950, this wool winder is ornately decorated featuring a male figure at its peak and a cherub at its base. Wool Winders are practical objects typically with minimal decoration; however, Wool Winders with ornate design features do exist. Scrimshaw (whale ivory) was a popular choice of material in the 18th and 19th century. It is smooth, preventing yarn from getting caught when unwinding, as well as having artistic beauty. Wool winders require a heavy base, as to not topple over when in use. It is popular to decorate these bases on more elaborate winders, such as shown in this example. The bows featured to tie the wood segments together is another feature of more elaborate models of wool winders, also highlighted in this example. This winder began life in the possession of Annie Crawford. The Crawford name has a strong connection with the town of Paisley, Scotland, and its Woollen Mills. The Crawford name can be seen working at the Woollen Mills in the 1851 Scotland Census, with Robert and his brother’s James and John working as Wool dyers. Their father Alexander also worked as a Loom Weaver. The winder immigrated with Annie when she, her husband and 3 children travelled to Australia, ready to start a new life. Most of their possessions were left behind in Scotland. This winder accompanied the family on their journey; so it stands to reason that the winder was special to them. Annie Crawford passed the winder onto her eldest daughter Joan Crawford. Joan did not have any children and so she passed the winder onto the eldest female grandchild, Fiona Crawford. Fiona Crawford continued the connection of the Crawford name with textiles, with an exhibition titled "When you go looking for me, I am not there". Utilising medieval embroidery tradition of ‘Punto Assisi, the exhibition was a reflection on the lack of women recorded in history, particularly their contribution to the domestic arts. Her work investigates both the absence of women while also honouring the unknown female makers of this now highly desired art. The Wool Winder was donated to the National Wool Museum in 2021 by Dianne Crawford, the sister of Fiona Crawford. Umbrella swift style wool winder made of metal, wood, and ribbon. Decorated at its highest point with a sculpted man standing on one leg, holding what is perhaps a rolled newspaper as though he may be bidding at an auction. Or perhaps he is holding a hank of wool. The man stands upon a three-tier platform of decreasing size and design which leads to the central metal shaft. At the base, the winder is decorated with an engraved cherub. Both figures have a small hole in one of their hands, indicating that they originally held something. Unfortunately, it is not known what this is. From the central metal shaft, this winder has 2 rows of 6 arms radiating out. These arms cross in the middle to form an X. These arms are also connected horizontally with additional arms which cross. This all forms an intricate web design, tied together with ribbon. The size of the web these arms create is adjustable, to accommodate yarns of different length. Beneath the second row of arms is a locking screw which holds this row at the desired height and width. This entire top section, beginning at the central metal shaft, can be unscrewed from its base for easier storage. The base begins in a wooden circular shape growing into a smaller ornately designed raise on which the cherub sits. From the head of the cherub the central metal shaft begins.paisley, scotland, wool winder, immigration -
National Wool Museum
Machine - Shearing Motor, Sunbeam, 1960-69
With more and more woolsheds being connected to power lines, the need for electric shearing gear markedly increased from the 1960s onwards. The greater economy made electric gear an attractive proposition to many graziers. Requiring only an electric shearing motor, for small and medium scale operations, electric shearing motors were a more economical way of shearing a wool clip. The other option for graziers was Overhead shearing gear, which also required an Engine to provide shared power to a row of shearing stations. Still working, this Sunbeam Electric Shearing Motor – Heavy Duty Model, features a slow speed motor totally enclosed for protection against dust and insects. The full bearing down tube is easily removed and stored to be out of the way when not in use (not pictured). Providing 0.5 hp, which is twice the power ever needed for shearing sheep, this buffer allows for fluctuations in voltages that can occur in rural districts. Inventor Frederick Wolseley made the world's first commercially successful power-shearing system in Australia in 1888. US company Cooper, which had been founded in 1843 as a maker of sheep dip, began selling Wolseley equipment in the USA in 1895. The Chicago Flexible Shaft Company successfully entered the power-shearing market a few years later and entered into a joint venture with Cooper. It set up a branch in Sydney and sold shearing sets, and engines to power them, into the Australian market. In 1921 the US parent company, realising it needed to make products whose sales were not as seasonal as those of shearing equipment, made its first household appliances and branded them Sunbeam. In 1933, changes in exchange rates and taxes led the company to manufacture engines and shearing equipment in Australia via subsidiary Cooper Engineering, which changed its name to Sunbeam in 1946. Although most Australians know of this company as a major manufacturer of household appliances, its rural division flourished and retained the Sunbeam name for shearing equipment even after it was taken over by New Zealand company Tru-Test in 2001. This 0.5 horsepower vertical brushed motor air-cooled engine was designed to drive a single shearing plant. From the central cylinder which features a yellow “Sunbeam” sticker, a grey 240v power lead can be found on the left-hand side. A blue capacitor is located next to this power lead. Below, two legs extend and meet to form a foot which is fastened to a wall. On the right-hand side of the engine, a specification plate is located on the central cylinder. A yellow directional arrow sticker is located on the rotating section of the engine below the specification plate (location for photography, this section is designed to rotate and hence this sticker is not fixed in this location). At the rear of the cylinder, a plastic cap with small air cut outs protects the air-cooled engine from contaminants. At the front of the engine, the location for securing the bearing down tube is located. On the right-hand side of the lock for the bearing down tube is the handle, to which a string is often attached for switching the motor on and off by a shearer bent at the waist (not pictured). Sticker. Gold writing. Front of shearing motor “Sunbeam” Plate. Inscribed. Side of shearing motor. “Sunbeam / SHEARING MOTOR / MADE IN AUSTRALIA / 0.5 H.P. / 220/240 V / 1 PHASE A.C. / 4.0 AMPS / 50 C/S. / CONT. RTG. / 1425 R.P.M. / CLASS A INSUL / NO. J244560 / TYPE: NSB5C2/49." sheep sheering, shearing equipment, sunbeam, electric shearing motor -
Whitehorse Historical Society Inc.
Functional object - Padlock, 1780 - 1820
History is set out in N.H.S. Newsletter Series 2 - April 1999.Large 'Horseshoe' or Horse Lock made in England late 17th early 18th century.Patented Leavers Locksecurity - locks -
Rutherglen Historical Society
Image, c1965
Caption reads: "This is the Rutherglen police station, which was described as a 'disgrace' at Rutherglen Shire Council's meeting last Friday. Walls of the tiny station are riddled with white ants and the two lock-ups at the rear are primitive. The station is said to be more than 80 years old and entirely out of character with its surroundings -- the pleasant civic square. The condition of the buildings will be brought to the attention of the Victorian Police Commissioner and Public Works Department." The two lock-ups mentioned are now (2018) property of the Rutherglen Historical Society, and are located at the back of the Museum awaiting renovations to make them into a display.Black and white photocopy, that seems to have been from a newspaper article, showing a photograph of a small cottage that served as a police station in Rutherglen for some years. The photograph and its caption are printed on two sheets of paper.Written at the left side of the photo: "Police Station Rutherglen 1965" police station, rutherglen shire, cells, lock-up -
Ballarat Heritage Services
Photograph - Photograph - Black and White, Gervasoni Family, c1941
Old Tick was the neighbour of Gus, Bess and Jack Gervasoni in Stanley St, Daylesford. As a toddler Jack Gervasoni would sit on his knee for hours watching his pocket watch - leading to the name 'Tick', and later 'Old Tick'. Annie Wheldon was Tick's daughter and gave many items currently on display at the Daylesford Museum.Black and white photograp of the photograph on the occassion of Gus Gervasoni being shipped out for compulsory service during World War two. He is the one in uniform, with furrowed brow. Left to right: Gus Gervasoni, his father George Gervasoni, ? , (Possibly Old Tick [Wheldon]. Front row left to right: Kevin or Roger Lock, Jack Gervasoni (son of Gus), Ken Lock. gus gervasoni, aif, world war two, chocco, chocolate soldier, conscript, george gervasoni, john hogan gervasoni, ken lock -
Otway Districts Historical Society
Photograph, R. Preston, Down goods hauled by G42 about to depart Gellibrand, 14 December 1955
Drivers were highly skilled enginemen. Taking a train from Beech Forest to down to Gellibrand required the train to be controlled at 10 mph (16 km) without running out of air. When a brake application was made the brakes on the locomotive were applied harder than the train brakes. The brakes locked up and the engine would just slide along. Drivers used a retention valve on the loco, then released the loco brakes so as not to wear out the brake shoes. So the train pulled into Gellibrand ready to pull out again after refilling the loco with water.At Gellibrand, a Down goods train is about to depart the station on 14 December 1955. The train consists of the locomotive G42, a louvre van NO, two NQ wagons and a guard's or brake van NC. B/W.gellibrand; colac; beech forest; railway; -
Bendigo Historical Society Inc.
Functional object - Bucket hooks
Two bucket hooks made of metal used in mine shafts, one is a swivel hook that will open and close to lock on the bucket on to it. The other is an open hook that is attached to a chain. a; hook in closed position so the bucket can't come out. b; hook in open position to put the bucket on to the hook c; hook attached to a chain bucket hooks, minning -
Kew Historical Society Inc
Tool - Measuring Tool, Marples of Sheffield, Wooden Marking Gauge, 1850-1950
Marking Gauge. Manufactured by Marples of Sheffield, England. Also known as a scratch gauge, it is used in woodworking and metalworking to mark out lines for cutting or other operations. The purpose of the gauge is to scribe a line parallel to a reference edge or surface. The gauge consists of a beam, a headstock, and a scribing or marking implement, typically a pin, knife, pen or wheel. The headstock slides along the beam, and is locked in place by various means: a locking screw, cam lever, or a wedge.Maker's namemarking gauge, measuring tools, marples of sheffield -
Kew Historical Society Inc
Tool - Measuring Tool, Stanley, Wooden Marking Gauge, 1900-1950
Marking gauge. Manufactured by Stanley. A marking gauge, also known as a scratch gauge, is used in woodworking and metalworking to mark out lines for cutting or other operations. The purpose of the gauge is to scribe a line parallel to a reference edge or surface. The gauge consists of a beam, a headstock, and a scribing or marking implement, typically a pin, knife, pen or wheel. The headstock slides along the beam, and is locked in place by various means: a locking screw, cam lever, or a wedge.Manufacturer's namemarking gauge, stanley -- tool manufacturer, measuring tools