Blue coupon, dated April 4 1877 asking Mr. Lewis, Treasurer to pay Murray & Wilson the sum of 30/- for Auditing Books. Signed by G. Murray, C.R. and Wm. Rowe, Secretary.societies, aof, correspondence, ancient order of foresters no 3770 collection - to pay, court king of the forest, a.o.f., b.u.d., mr lewis, murray & wilson, g murray, wm rowe

ill (b/w), p.628.non-fictionAustralian servicemen have long been renowned for their unfaltering courage, sense of mateship and strength of character--the same values that are so apparent in our national game of football. In 'Harder than football' stories of courage, resilience and survival shine through like beacons, along with acts of bravery and sacrifice that so succinctly display the 'Aussie spirit'. Of course, there is the odd larrikin, too, whose often humorous acts of disobedience include smoking on parade, changing pay books, 'accidentally' falling out of a train and 'being improperly dressed on the line'. Within these pages you'll find the stories of the 2494 men who played at least one senior game from 1897 to 1972 and fought for their country in every major conflict from the Boer War to the Vietnam War.australian football - history, australian football players at war

This account book contains the "Salaries passed for payment..." and details the salary for each staff member, number of classes taught, weeks worked, etc.This is a significant account of both the people teaching at Collingwood Technical School in the 1920s as well as an indication of the rates of pay at the time.Grey cloth-covered cardboard cover with red spine. Pages are ruled for accounts. Label on cover "Journal"Handwritten on cover label "Salaries"collingwood technical school, cts, salaries, teachers, account books, nmit,

Yields information about the type of ticket provided to visitors for the Begonia Festival in 1998 - along with an Adult ticket, child free.Set of five preprinted tickets for use in the 1998 Begonia Festival - "Child's tram ride - for child to travel free on the tram when accompanied by fee paying adult". .1 - printed on yellow paper .2 - ditto on blue .3 - ditto on pink and over stamped "Complimentary" .4 - printed on green and "Vermont Diamonds" written on top. .5 - ditto on green paper. Were incorporated into ticket books for the Begonia Festival - see Reg Item 5466.3 for the 2000 example of the type of ticket book.trams, tramways, visitors, btm, tickets, begonia festival

4 page A4 printed document. Achievements of Peter Ellis (for consideration for the Order of Australia) Peter is regarded as one of the leading collectors and presenters of traditional dance tunes, dances and musical instruments in Australia. At the 2005 National Folk Festival it was announced by Robyn Holmes that he has the largest selection of dance related material collected in the National Library Archives in Canberra. Peter has been collecting for many years and has collected with the late John Meredith (AM), Shirley Andrews (AM), Rob Willis and Dave Di Santi amongst others. Peter has literally travelled Australia collecting over the past thirty years. He has extensive field recordings from Western Australia and Tasmania in addition to his Victorian collection, for example. Most of his recording has been in North Western and Central Victoria. Peter collected a lot of his material from Harry McQueen ( Castlemaine), which led to a double CD of Harry's music. Harry had played in dance bands for over sixty years in Central Victoria. Harry had a number of tunes from Bill McGlashan who had taken Harry under his wing as a young man. Through Peter's efforts much valuable material and knowledge from almost a century ago was saved for posterity. Founder, Charter member and life member of the Bush Dance and Music Club of Bendigo. Life Member of the Victorian Folk Music Club. Recipient of the Graham Squance award (for the person who has done the most to promote folk dance and music in Victoria)) from the Folk Song and Dance Society of Victoria. Member of the famous Wedderburn Old Timers Band for over twenty-eight years (two platinum and several gold recordings in that time). Founder and leader of the Emu Creek Bush Band (twenty-nine years old in 2010) Emu Creek has made many CDs of dance music as listed. Friday Night at the Spring Gully Hop, Three double CDs called 'Quadrille Mania' which contain many rare dances and tunes which have been learnt and recorded, under Peter's guidance, so they would not be lost to posterity. A triple CD called 'Take Me Back To Bendigo' with heritage songs and music from the Gold Rush to Federation (solely organised and financed by Peter) These CDs show the multicultural heritage in Bendigo and include music and groups from the Koorie, Chinese, Cornish, German, Irish, Italian, Scots, English and Welsh communities of Bendigo and district. Upon his recovery of costs Peter has handed over copyright to the Bendigo Community so future profits go back into the community. Three double CDs called 'The Merry Country Dance' with dances and tunes going back to the time of Governor Lachlan Macquarie's Ball in 1804. Most of the tracks are performed by Emu Creek Following much practice under Peter's tutelage. For further authenticity Peter liaised with other musicians to record some tracks which were revived from almost two hundred years ago and have now been recorded using the instruments of the time. A three volume set of Bush Concert recordings (Vol 1 Goornong (launched Australia Day 2006 with any profits going to the Soldier's Memorial Hall Committee), Vol 2 Heywood and Vol 3 Maldon/Sutton Grange, already recorded and to be released as money from other projects becomes available. NOTE: None of these CDs have led to any profit. All money raised is put back into the community and further heritage recordings, books and videos through the Bush Dance and Music Club of Bendigo Inc. In 2009 a full collection of all Peter's book and CDs was donated to the John Gorton Library as part of the recognition of the fifty year career of the Gay Charmers Dance Band from Lake Charm. 'Music of the Diggings' (4 tracks by Peter or Emu Creek). In addition the Emu Creek Band, under Peter's leadership, has appeared on a CD backing Bruce Watson on his song, 'The Old Bush Dance'. Emu Creek has performed at National Folk Festivals in four states and several times at the National Folk Festival in Canberra. They have also been mainstays of the Maldon Folk Festival for over twenty years as well as doing dance programs for the Port Fairy Folk Festival on two occasions. Peter has written and published many books related to traditional music and dance. These include Three volumes of 'Collectors Choice' which is musical notation for bush dances coupled with much dance history which would have been lost without Peter's efforts. 'Two Hundred Dancing Years - How to run a Colonial Ball: (co-authored with Shirley Andrews (A.M.), 'Music Makes Me Smile - The Music of the Nariel Valley' (co-authored with Harry Gardner). The Merry Country Dance' (292 pages) a companion to the three double CDs. He has also been a contributor to Verandah Music' authors Rob Willis and Graham Seal and 'The Oxford Companion to Australia Folklore' Ed Graham Seal. Peter is also a regular contributor to 'Trad and Now' Magazine. His latest completed book is titled 'The Merry Country Dance' and is over three hundred pages of social history, recipes and dance instructions. It was completed with the assistance of a Victorian Government Heritage Grant. The first edition sold out in only a few weeks. Peter has taught many children about old time musicianship through the junior bands which have functioned over the years with many children joining Emu Creek and then going on to follow their own musical inclinations. He has trained several young concertina and button accordion players over the years. Peter has been a regular tutor with Continuing Education in tin whistle, harmonica and old time dancing for many years. Peter has conducted workshops in music dance at National Folk Festivals in Perth, Alice Springs, Maleny, Melbourne, Adelaide, Kuranda and more recently at several Canberra National folk Festivals. He has also done this at Maldon for many years, Port Fairy, Glen Innes, Jamberoo and Kiama Festivals. For over thirty years Peter has been a guest player and MC for the dances at the Nariel Folk Festival (Australia's oldest continuing Folk Festival) Peter is very well known in the Corryong area as a collector and the co-author of the book, Music Makes Me Smile, about the Klippel/Simpson dynasty in the Nariel Creek Band. This book is currently being revised for re-issue as more material has come to light since the original publication. For many years Peter trained Debutante Sets in the Bendigo District. Peter was an instigator of the annual Dinki Di Ball held each September in Eaglehawk for the past thirteen years. At this ball three bands play for a quarter of the night and then join together for the final part of the evening. The bands are Emu Creek, The Wedderburn Old Timers and the Gay Charmers. Up to four hundred dancers, many in heritage costumes have attended this dance. The ball also pays tribute to, and involves, the old MC's. Through this example their skills have been passed down to a younger generation of MC's. All profits are returned to the Dance Club to foster our musical heritage. Each Ball includes presentations designed to promote social dancing in Australia. Over the years several young musicians have been presented with musical instruments at the Ball, libraries have been given copies of Peter's books and CDs and one year a keen young dancer was presented a pair of dancing shoes. Peter is a trained ballroom dancer and has gained gold medal status in this field. Peter is an accomplished musician and is one of Australia's foremost button accordion players. He is also highly accomplished on the tin whistle, bones and harmonica. He is the only exponent of the Swanee whistle that I have seen. Peter also plays the piano and ukulele. Thirty six years membership of the Bendigo Field Naturalists Club, Secretary in the 1970s and actively involved in campaigns to save Lake Pedder and establish the Whipstick and Kamarooka State Parks (now part of the Bendigo National Park). Peter was also extremely active in the establishment of the Salomon's Gully and Jackass Flat Flora Reserves in Bendigo which have now been saved for posterity. Peter has also been involved in efforts to save One Tree Hill and this area has now been included in the Greater Bendigo National Park. He has discovered and named new plant species in the Whipstick Forest and propagates Australian plants. Peter takes regular guided tours of interested people through the Whipstick each Spring on wild flower educational tours. He is a keen and gifted photographer of local plant species. Life member of the Bendigo Field Naturalists. Peter contributed text and photographs to their publication 'Wildflowers of Bendigo'. When the Victorian State Parliament had its first historical sitting outside Melbourne Emu Creek played during lunch for the guests and public. They have also played at functions such as the Centenaries of Federation, the Bendigo Post Office, the Shamrock Hotel and the opening of the new Melbourne Museum and the Federation Museum in Bendigo. The band regularly plays for Seniors week and at homes for the aged such as Bethlehem, Mirridong, Bignold Park, Bendigo Village and others. Peter has been instrumental in getting the band to play for fundraisers such as schools, scouts and environmental groups. The band plays many charitable 'gigs'. The band supports the Bendigo Easter Fair and the Eaglehawk Fair when able and has appeared in several parades over the years. The above list shows the invaluable contribution that Peter Ellis has made towards the collecting and distributing of Australia's musical and dance heritage. No one has done more than Peter in this area. He has also been active locally and nationally in his endeavours towads saving the natural environment. He has put many years of time and energy into both area's and has many on going projects in mind for the years ahead. The awarding of an honour from Australia would be just reward for a man who has preserved so much of our musical and dance heritage for future generations. Knowing Peter I have no doubt he would treasure such an honour as he has given so much to preserve Australia's music and dance heritage over most of his sixty plus years. Compiled by John Williams. Handwritten notes at bottom of last page reads: Referees Jacinta Allan MLA Steve Gibbons MHR Willie Carney ex Mayor of Bendigo Supporting letter Mary Smith Sec. Bush Dance + Music Club.person, individual, peter ellis oam

In 1894 the Victorian Braille Writers Association was established in order to create a braille lending library. Such an endeavor also meant a need of space for storage. At first the library was accommodated in the home of Mrs May Harrison before moving to the home of Mrs Dickinson two years later. Eventually, with the help of donors, a space was rented in the Block Arcade to house the 1300+ volumes it held and the yearly increase produced by its braille transcribers. Fortunately in 1918 the Trustees of the Edward Wilson Estate provided 4000 pounds to pay for a new building in Commercial Road. Despite some misgivings from the RVIB at the time, this building was home to both braille volumes and talking books (albums and cassettes) for many years.1 b/w photograph of people on a stageFree Lending Library for the Blind. Senator G. Fairbairn, on behalf of the Edward Wilson Trust, presenting the key of the building to Miss Aston, a Braille reader, representing the Braille Writer’s Association. 26th April 1919. (Label on mount board)tilly aston, braille and talking book library

Annual report of the Braille & Talking Book Library including Minutes of the AGM, Board of Director's Report, President's report and financial statements. Items also included are: the structural re-organisation, increased borrowing has required increase in staffing, the entire share portfolio has been sold however 4 staff were retrenched and remaining staff undertook an 8% pay cut for 8% less hours (with many continuing to work the same hours), decision to phase out Clarke & Smith machines in favour of cassettes, due to lower staffing a waiting list for borrowers need to be established with up to an 8 week delay to join, braille interleaved books developed to allow sighted parents of blind children (or vice versa) to enjoy a book together, establishment of LBA allows for segregation of alternative production and sales of book to other organisations, Braille Book of the Year panel of Barrett Reid, Joyce Nicholson and Lloyd O'Neil, opening of Benalla Studio on 7 December 1982, and as library declared a free public library in May 1980, library receives state government funding at 3% of the state budget.1 volume of text and illustrationsbraille and talking book library, annual report

Comprehensive book about Australia's participation in the Vietnam war from the (then) South Vietnamese perspective. Also pays homage to the 521 Australian Soldiers killed in Vietnam during the war.A significant and comprehensive description of gratitude from the (South) Vietnamese community in Victoria, Australia; detailing the 521 Australians killed whilst in Vietnam and the special place these soldiers hold in the hearts and minds of the local Vietnamese community.Hardcover bookvietnam, vietnam war, diamond valley vietnam veterans sub branch, books

SKI TICKETS Before tows and lifts were introduced at Falls Creek, it could take skiers 20 minutes to climb to the Summit … but only TWO minutes to go back to the bottom. The arrival of tows, then chairlifts and T-bars changed the face of skiing forever. The first rope tow was constructed by Toni St. Elmo for the 1951 winter season. Bob Hymans installed a smaller tow for his guests at Skyline Lodge. Tows were still quite slow, so in 1956 Bob Hymans created his single chairlift. In 1958 the Village rope tow, designed by Albury engineer Jock Wilson, opened. It was financed by shareholders including Bill Griffith (Bowna Ski Club) and the Bridgford family (St. Trinian’s Ski Club). Several other tows followed including the Summit T-bar in 1961, built by Ron McCallum and operated by Alpine Developments Pty. Ltd. which was a company formed by C. H. (Bill) Bridgford. By 1982 Falls Creek was served by 16 different lifts or T-bars, all owned and operated by Alpine Developments (Holdings) Pty. Ltd. During the development of Falls Creek, different methods have been used to pay for the use of tows, lifts and T-bars … including metal tokens, single tickets, strips of tickets and season passes. The Falls Creek Historical Society Collection includes many examples of these items.These tickets are significant because they represent an aspect of the management of activities at Falls Creek.Two books of Cross Country Season Pass Tickets for 2010. The blue tickets are Child's tickets and the red tickets for adults. Each book contains 20 tickets.Blue Tickets: FALLS CREEK CROSS COUNTRY SEASON PASS CHILD Red Tickets: FALLS CREEK CROSS COUNTRY SEASON PASS ADULTfalls creek cross country, falls creek ski tickets, season pass

Soldier's Pay Book-Active Service 1915 Orange coverSoldier's Pay Book - Active Service Private Ebenezer Charles Gray 22/3/1915 28yowages books, world war one, first world war, ww1, wwi

Issued 21/2/44. C. Wright Sgt. Revised AAB 83. Received 5/10/45 - L.B. Gaudion.Australian Military Forces Soldier's Pay Book Continuation with yellow cover.Army no. VX 122518. Surname - Gaudion. Christian names - Laurie Basil. Pay book no. C551024wages books

Paper booklet and records of serviceG.F.Jones army records

A press release from Melbourne Legacy in 1975 which relates the story of a junior legatee becoming a lawyer. The information was intended to be used by press and magazines etc. The junior legatee had been a double orphan with his father dying in 1965 and his mother some years earlier. He came from the country to Melbourne for educational purposes and contacted Legacy. Although at 19 he was older than most children Legacy help he turned to them as the next best thing as parents. He had an ambition to be a lawyer but lack the means and backing to go to University. Legacy assigned a Legatee to look after him. They two established a strong 'father and son' relationship. Legacy further agreed to pay his tuition fees at University in 1968 and assist with a living allowance. His results were so good he earned a government Scholarship in 1969, and Legacy provided books and living costs. The faith in the boy's determination paid off and he completed his final examinations with outstanding results and first class honour.A record of how Legacy promoted their work in the 1970s.Pink foolscap page x 2 with black type of a press release in 1975.Title 'How indebted I am to Legacy fo rate financial and moral aid I have received.'press release, promotion, case studies

Letter from E. Lawrence, Sec of Court Victoria, dated June 8th, 1877, in reference to the illness of Br C. Weyland who is the Melbourne Hospital. It is mentioned that he was good on the books. At the end is a letter from Wm Rowe, Sect of Court King of the Forest saying that C Weyland was considered an unfinancial member as the Court have not received any money from him or for him for the past 12 months. He may have been paying into another Court.societies, aof, correspondence, ancient order of foresters no. 3770 collection - correspondence, c weyland, melbourne hospital, kew lunatic asylum, mrs weyland, e lawrence, court victoria, court king of the forest, w rowe

.1) Box open, cardboard, dark green buckram, white paper lining, gold print on sides. .2) - .7) Hard cover book, cardboard, dark green buckram with gold print on front cover & spine. Pages are plain, cut, white, black print, black & white illustrations. .2) Volume 1 of 6. Unit & Location Indexes / Bibliography, Orders of Battle. 483 pages. .3) Volume 2 of 6. Headquarters, Infantry, Cavalry / Armoured & Intelligence Units. 605 pages. .4) Volume 3 of 6. Artillery, Air Defence and Engineer Units. 626 pages. .5) Volume 4 of 6. Medical and Signal Units. Box of 6 books. The Unit Guide / The Australian Army / 1939 - 1945. 654 pages .6) Volume 5 of 6. Aust Army Service Corps, Aust Army Ordnance Corps and Aust Electrical & Mechanical Engineer Units. 706 pages. .7) Volume 6 of 6. Womens Services / Volunteer Defence Corps / War Graves, Survey, Labour, Salvage / Military Policing / Recruiting & Training / Dental, Bath & Laundry / Veterinary & Animal / Movements & Transit / Pay, Records & Printing, Postal / Amenities & Canteens Units. 568 pages. books- military history, unit guide

Soldier's Pay book continuation issued to John Strobel Green VX32816. Born at Wonthaggi on the 19/4/1913. These books were usually carried by the soldiers in their battle dress breast pocket. They note personal details, rate of pay and promotions, and the place in which the soldier was paid each fortnight – effectively plotting soldiers' movements in the Army. From the pay book GREEN enlisted in June 1940, at the age of 27, before embarking overseas on 5 February 1941 for the Middle East. Inside the rear cover are two photographs of GREEN. His mother Kate Green of Yallourn is listed as next of kin.Yellow covered booklet with black writing and Crest in the middle of the cover.Army No. VX32816. Pay Book No: C279807. Surname: Green. Christian Names: John Strobel. Unit: . Australian Military Forces. Soldier's Pay Book. Continuation.wwii, world war 2, pay book, soldier's pay book, army pay book, john strobel green

Soldier's Pay book issued to John Strobel Green VX32816. Born at Wonthaggi on the 19/4/1913. These books were usually carried by the soldiers in their battle dress breast pocket. They note personal details, rate of pay and promotions, and the place in which the soldier was paid each fortnight – effectively plotting soldiers' movements in the Army. From the pay book GREEN enlisted in June 1940, trained at Puckapunyal before embarking overseas in February 1941 for the Middle East. His mother who resided in West Yallourn was his next of kin.Brown cloth covered booklet with black writing and crest in the middle of the cover.Army No. VX32816. Pay Book No: 119988. Surname: Green. Christian Names: John Strobel. Unit: . Australian Military Forces. Soldier's Pay Book.world war 2, soldier's pay book, army pay book, john strobel green, vx32816

Collection of assorted Army standard issued books and personal papers including hand sketch of camp 'Kilo 89' in Palestine belonging to Private Alfred VONARX VX29295 who was born on 5/1/1901 at Docker Plains near Wangaratta. He enlisted on the 4/7/1940 at Seymour and assigned to the 2/7th Battalion which was deployed to the Middle East and later New Guinea.Soldiers Pay Book X 2, Bible & Meal Card, The Australian Soldiers Pocket Book, Clothing ration book and note book camp kilo 89, private alfred vonarx, vx29295, ww2, palestine

Early form of home heating and because of the copper dish was considered one of the better models|Manufacturing History Museum Victoria|Commentary: Australian manufacturing history Philip Wollen|Many years ago, when I was an ambition young man, I took over a company called Hecla.|This business was formed in 1872, long before Federation was even contemplated. The company established a rich tradition in the Australian manufacturing industry. The prodigious product range included kettles, mixers, toasters, hairdryers, urns, pie warmers, bain maries, and electric blankets for the domestic and commercial market. During the war it even manufactured parts for aircraft. It was one of Melbourne's largest employers.|Hecla was one of the pioneers in TV advertising, led by icons like Bert Newton, Bobby Limb, Evie Hayes and Graham Kennedy who ad Jibbed his way through irreverent and unscripted naughtiness about Hecla electric blankets and foot warmers. The slogan was 'By Hecla, its good.'. One can imagine the fun Bert and Graham had with their double entendres.|In the 60's Hecla entered into a partnership with General Electric and expanded rapidly. The massive factory, on the corner of Alexandra Parade and Chapel Street overlooking the Yarra River was a Melbourne landmark.|The business was formed by one of the scions of Melbourne industry. Mr Marriott was a metal worker of some repute, building the lights in front of Melbourne's Parliament House, the first steam car, the sideboard at the RACY Club, and the first factory to run on electricity.|By the time I acquired the company it was a shadow of its former self, incapable of competing with cheap Chinese imports. Wandering around the warehouse late one night I discovered a large, boarded up storeroom which appeared not to have been opened in decades.|Over several months I combed through the room, unearthing a treasure trove of products from a bygone era. Dusty files, engineering drawings, wooden prototypes, patent records, and correspondence from distributors on every continent.|I decided to track down an old man, Ray, long retired after 50 years with Hecla. He was not well off financially and welcomed the paid work. It turned out that he had done his apprenticeship with the company and there wasn't much he didn't know about it. He had been personally involved in the manufacture of almost every type of product on the Hecla smorgasbord's of products.|So for over 2 years he methodically assembled a mini museum of Hecla products, painstakingly polishing them and ensuring they were in working order. He attached the original brochure of each product and their respective warranty cards. For him it was ,a labour of love. For me it was a fascinating, if vicarious journey, into Australia's manufacturing past.|My colleagues complained that I was wasting money on his salary, our time and factory space on stuff that should have been dumped years ago. I tried to explain that I was merely a steward of the Hecla tradition, not merely an owner. Besides, the look on Ray's face convinced me that there was another dynamic at work. One I could see, but didn't really understand.|After he Passed away I faced a dilemma. What to do with this 'museum' of Hecla history. Nobody was interested.|So I kept the 'stuff' in private storage, hoping that same day someone would be interested in it. And the years passed.|Finally, I had a brainwave. Perhaps the Melbourne Museum would be interested. It was a long shot but I made the call. I had a nagging suspicion that they would think I was simply trying to get them to relieve me of paying for this huge collection to be taken to the tip.|To my surprise they said they would be willing to take a look, I secretly hoped that they would take the whole collection and not leave me with an incomplete jumble of appliances that I would indeed have to take to the tip.|On the appointed day, four serious looking young people showed up. Armed with digital cameras, note books and poker faces they spent four hours analysing the goods and the supporting materials. I asked them if they had any interest and their response was decidedly non-committal. It depends on the acquisitions committee, I was told. I was disheartened and packed up the exhibits to go back into storage.|Imagine my surprise when months later they telephoned to say that they had researched the history of the company, and yes, they would like to take the whole collection. And a truck with 'handlers' would arrive the following day to pick it up. Two years ago all Hecla's archives left me forever and went to the Museum's warehouse.|Well, to my delight I received a call yesterday inviting me to a private viewing of the exhibition at the Melbourne Museum. These young historians had meticulously assembled an impressive display of Melbourne's industry and technology going back to the 1800's. They thanked me like a significant benefactor when it is I who should have thanked them.|I saw the excitement in the eyes of these young people who had somehow managed to dig out and assemble memories from Australia's past. If this is the standard of care that the curators of the Melbourne Museum show all their exhibits, our history is in safe hands.|Their meticulous work took me back to those years long ago when I saw an old man lovingly assembling and cataloging a lifetime of his work.|It took me back to the day when Australians actually made things. Long before we became a nation of quarrymen. Before we became animal-factory 'farmers'. Of a time when products didn't break down, or dumped and replaced before the warranty expired. When men like Mr Marriott cared deeply about what their hands produced.|It reminded me of the call I received from an elderly lady in Tasmania asking for the electrical element for a Hecla K7 kettle. I searched the archives and called her back. The K7 was produced decades earlier and we no longer carried that spare part. She was quite disheartened and told me her kettle had finally 'given up the ghost' and she couldn't bear to part with it. It was a present from her husband on their wedding day 45 years ago. Her final words were 'they don't make them like that, do they? By Hecla they were good.'|I'm glad I followed my instinct and put Ray back on the payroll all those years ago..|I like to think Mr Marriott would have been pleased.Pedestal radiator. Base is cast iron with three feet with rose design on each. Pedestal supports a copper spherical reflector plate which has an electrical connection box at its base. The connection box is joined to the pedestal by a screw and nut to enable the reflector to be tilted. The element is cone shaped and is in the centre of the plate. The element is protected by a wire guard.Hecla Firedomestic items, heating

Two versions of Record of Service books with second version revised Aug 1944. Contains info on pay, leave, vaccinations, enlistment details, physical description for SGT E. G. DRISCOLL VX113437. The third book - demobilisation Procedure Book containing details of demobilisation 4/7/46 From 1st Aust. Cinema Unit.Three stapled booklets with brown covers and white pages. 1. Record of Service Book 1 - writing on covers very faded ( unreadable) and Red ink stains on back. Contains 11 pages of instruction and data (Page 1-22). 2. Record of Service Book 2 - In better condition but tape or sticker on front has caused some damage. Some of the data from Book 1 copied across and some not. Contains 20 pages inside. No 1- 40. 3. Demobilisation Procedure book - cover has name, rank, Unit and date of demob. Inside has data related to demob with 12 pages inside.1. Record of Service - Name, on cover and some indecipherable writing on front and back. 2. Record of Service - Name & No. on cover - Revised version Aug 1944. 3. Demob. Procedure Book - Personal data on cover and details inside.service book, demobilisation book, ww2

Manufacturing History Museum Victoria|Commentary: Australian manufacturing history Philip Wollen|Many years ago, when I was an ambition young man, I took over a company called Hecla. This business was formed in 1872, long before Federation was even contemplated. The company established a rich tradition in the Australian manufacturing industry. The prodigious product range included kettles, mixers, toasters, hairdryers, urns, pie warmers, bain maries, and electric blankets for the domestic and commercial market. During the war it even manufactured parts for aircraft. It was one of Melbourne's largest employers.|Hecla was one of the pioneers in TV advertising, led by icons like Bert Newton, Bobby Limb, Evie Hayes and Graham Kennedy who ad Jibbed his way through irreverent and unscripted naughtiness about Hecla electric blankets and foot warmers. The slogan was 'By Hecla, its good.'. One can imagine the fun Bert and Graham had with their double entendres.|In the 60's Hecla entered into a partnership with General Electric and expanded rapidly. The massive factory, on the corner of Alexandra Parade and Chapel Street overlooking the Yarra River was a Melbourne landmark.|The business was formed by one of the scions of Melbourne industry. Mr Marriott was a metal worker of some repute, building the lights in front of Melbourne's Parliament House, the first steam car, the sideboard at the RACY Club, and the first factory to run on electricity.|By the time I acquired the company it was a shadow of its former self, incapable of competing with cheap Chinese imports. Wandering around the warehouse late one night I discovered a large, boarded up storeroom which appeared not to have been opened in decades.|Over several months I combed through the room, unearthing a treasure trove of products from a bygone era. Dusty files, engineering drawings, wooden prototypes, patent records, and correspondence from distributors on every continent.|I decided to track down an old man, Ray, long retired after 50 years with Hecla. He was not well off financially and welcomed the paid work. It turned out that he had done his apprenticeship with the company and there wasn't much he didn't know about it. He had been personally involved in the manufacture of almost every type of product on the Hecla smorgasbord's of products.|So for over 2 years he methodically assembled a mini museum of Hecla products, painstakingly polishing them and ensuring they were in working order. He attached the original brochure of each product and their respective warranty cards. For him it was ,a labour of love. For me it was a fascinating, if vicarious journey, into Australia's manufacturing past.|My colleagues complained that I was wasting money on his salary, our time and factory space on stuff that should have been dumped years ago. I tried to explain that I was merely a steward of the Hecla tradition, not merely an owner. Besides, the look on Ray's face convinced me that there was another dynamic at work. One I could see, but didn't really understand.|After he Passed away I faced a dilemma. What to do with this 'museum' of Hecla history. Nobody was interested.|So I kept the 'stuff' in private storage, hoping that same day someone would be interested in it. And the years passed.|Finally, I had a brainwave. Perhaps the Melbourne Museum would be interested. It was a long shot but I made the call. I had a nagging suspicion that they would think I was simply trying to get them to relieve me of paying for this huge collection to be taken to the tip.|To my surprise they said they would be willing to take a look, I secretly hoped that they would take the whole collection and not leave me with an incomplete jumble of appliances that I would indeed have to take to the tip.|On the appointed day, four serious looking young people showed up. Armed with digital cameras, note books and poker faces they spent four hours analysing the goods and the supporting materials. I asked them if they had any interest and their response was decidedly non-committal. It depends on the acquisitions committee, I was told. I was disheartened and packed up the exhibits to go back into storage.|Imagine my surprise when months later they telephoned to say that they had researched the history of the company, and yes, they would like to take the whole collection. And a truck with 'handlers' would arrive the following day to pick it up. Two years ago all Hecla's archives left me forever and went to the Museum's warehouse.|Well, to my delight I received a call yesterday inviting me to a private viewing of the exhibition at the Melbourne Museum. These young historians had meticulously assembled an impressive display of Melbourne's industry and technology going back to the 1800's. They thanked me like a significant benefactor when it is I who should have thanked them.|I saw the excitement in the eyes of these young people who had somehow managed to dig out and assemble memories from Australia's past. If this is the standard of care that the curators of the Melbourne Museum show all their exhibits, our history is in safe hands.|Their meticulous work took me back to those years long ago when I saw an old man lovingly assembling and cataloging a lifetime of his work.|It took me back to the day when Australians actually made things. Long before we became a nation of quarrymen. Before we became animal-factory 'farmers'. Of a time when products didn't break down, or dumped and replaced before the warranty expired. When men like Mr Marriott cared deeply about what their hands produced.|It reminded me of the call I received from an elderly lady in Tasmania asking for the electrical element for a Hecla K7 kettle. I searched the archives and called her back. The K7 was produced decades earlier and we no longer carried that spare part. She was quite disheartened and told me her kettle had finally 'given up the ghost' and she couldn't bear to part with it. It was a present from her husband on their wedding day 45 years ago. Her final words were 'they don't make them like that, do they? By Hecla they were good.'|I'm glad I followed my instinct and put Ray back on the payroll all those years ago..|I like to think Mr Marriott would have been pleased.Large electric heater with two radiator bars and a protective grille at the top and false coals at the bottom.Replacements for this fire - Elements No. F314 - Illuminators No. 3P. Berry's Electric Ltd - Volts 230 - 240 -Watts 2000 V/AD/Cat No. 454 . Made in Australia by Hecla Electrics Pty Ltd Melbournedomestic items, heating

Used by Colin Sach during his employment as Manager of the Chemistry Dept. at the University of Melbourne over a period of forty years.Manufacturing History Museum Victoria Commentary: Australian manufacturing history Philip Wollen Many years ago, when I was an ambition young man, I took over a company called Hecla.|This business was formed in 1872, long before Federation was even contemplated. The company established a rich tradition in the Australian manufacturing industry. The prodigious product range included kettles, mixers, toasters, hairdryers, urns, pie warmers, bain maries, and electric blankets for the domestic and commercial market. During the war it even manufactured parts for aircraft. It was one of Melbourne's largest employers.|Hecla was one of the pioneers in TV advertising, led by icons like Bert Newton, Bobby Limb, Evie Hayes and Graham Kennedy who ad Jibbed his way through irreverent and unscripted naughtiness about Hecla electric blankets and foot warmers. The slogan was 'By Hecla, its good1'. One can imagine the fun Bert and Graham had with their double entendres.|In the 60's Hecla entered into a partnership with General Electric and expanded rapidly. The massive factory, on the corner of Alexandra Parade and Chapel Street overlooking the Yarra River was a Melbourne landmark.|The business was formed by one of the scions of Melbourne industry. Mr Marriott was a metal worker of some repute, building the lights in front of Melbourne's Parliament House, the first steam car, the sideboard at the RACY Club, and the first factory to run on electricity.|By the time I acquired the company it was a shadow of its former self, incapable of competing with cheap Chinese imports. Wandering around the warehouse late one night I discovered a large, boarded up storeroom which appeared not to have been opened in decades.|Over several months I combed through the room, unearthing a treasure trove of products from a bygone era. Dusty files, engineering drawings, wooden prototypes, patent records, and correspondence from distributors on every continent.|I decided to track down an old man, Ray, long retired after 50 years with Hecla. He was not well off financially and welcomed the paid work. It turned out that he had done his apprenticeship with the company and there wasn't much he didn't know about it. He had been personally involved in the manufacture of almost every type of product on the Hecla smorgasbord's of products.|So for over 2 years he methodically assembled a mini museum of Hecla products, painstakingly polishing them and ensuring they were in working order. He attached the original brochure of each product and their respective warranty cards. For him it was ,a labour of love. For me it was a fascinating, if vicarious journey, into Australia's manufacturing past.|My colleagues complained that I was wasting money on his salary, our time and factory space on stuff that should have been dumped years ago. I tried to explain that I was merely a steward of the Hecla tradition, not merely an owner. Besides, the look on Ray's face convinced me that there was another dynamic at work. One I could see, but didn't really understand.|After he Passed away I faced a dilemma. What to do with this 'museum' of Hecla history. Nobody was interested.|So I kept the 'stuff' in private storage, hoping that same day someone would be interested in it. And the years passed.|Finally, I had a brainwave. Perhaps the Melbourne Museum would be interested. It was a long shot but I made the call. I had a nagging suspicion that they would think I was simply trying to get them to relieve me of paying for this huge collection to be taken to the tip.|To my surprise they said they would be willing to take a look, I secretly hoped that they would take the whole collection and not leave me with an incomplete jumble of appliances that I would indeed have to take to the tip.|On the appointed day, four serious looking young people showed up. Armed with digital cameras, note books and poker faces they spent four hours analysing the goods and the supporting materials. I asked them if they had any interest and their response was decidedly non-committal. It depends on the acquisitions committee, I was told. I was disheartened and packed up the exhibits to go back into storage.|Imagine my surprise when months later they telephoned to say that they had researched the history of the company, and yes, they would like to take the whole collection. And a truck with 'handlers' would arrive the following day to pick it up. Two years ago all Hecla's archives left me forever and went to the Museum's warehouse.|Well, to my delight I received a call yesterday inviting me to a private viewing of the exhibition at the Melbourne Museum. These young historians had meticulously assembled an impressive display of Melbourne's industry and technology going back to the 1800's. They thanked me like a significant benefactor when it is I who should have thanked them.|I saw the excitement in the eyes of these young people who had somehow managed to dig out and assemble memories from Australia's past. If this is the standard of care that the curators of the Melbourne Museum show all their exhibits, our history is in safe hands.|Their meticulous work took me back to those years long ago when I saw an old man lovingly assembling and cataloging a lifetime of his work.|It took me back to the day when Australians actually made things. Long before we became a nation of quarrymen. Before we became animal-factory 'farmers'. Of a time when products didn't break down, or dumped and replaced before the warranty expired. When men like Mr Marriott cared deeply about what their hands produced.|It reminded me of the call I received from an elderly lady in Tasmania asking for the electrical element for a Hecla K7 kettle. I searched the archives and called her back. The K7 was produced decades earlier and we no longer carried that spare part. She was quite disheartened and told me her kettle had finally 'given up the ghost' and she couldn't bear to part with it. It was a present from her husband on their wedding day 45 years ago. Her final words were 'they don't make them like that, do they? By Hecla they were good1'|I'm glad I followed my instinct and put Ray back on the payroll all those years ago..|I like to think Mr Marriott would have been pleased.Square metal box with electrical elements inside. Used to stand on or to put feet on when sitting. Elaborate pattern in centre with inscription.Hecla Foot Warmerdomestic items, heating

Item in the collection of "William John SULLIVAN" VX57829. Refer Cat No. 9523P for his service details.Soft cover book. Cover - lightweight cardboard with adhered brown colour buckram. Black ink print on front, with Australian Coat of Arms. Pay book No. 265153. Handwritten - black ink pen - owner information. 23 pages - cut plain, white paper. Many pages completed with handwritten details of "DAILY RATES OF PAY", NEXT OF KIN, MEDICAL" et. Staples have rusted so all pages are loose. Front end paper has two black and white photographs secured with clear adhesive tape.Handwritten black ink on front cover. "VX57829/SULLIVAN/ WILLIAM JOHN".books, army, pow, paybooks, william john sullivan

Northern District School of NursingSigned, handwritten note on nursing training commencing in 1970 by Anne Freeman (Williams). She lists first pay as $21 less board and tax $13 with uniform supplied although personal items such as boots and stockings and books had to be paid by herself. A list provided on commencement included "Pair Bedgegood Brown Lace Ups and Lyle Stockings". She dutifully wore the Lyle stockings on her first day (although they had been almost impossible to find) only to be told, "pantyhose were fine". The accompanying envelope for her notes is included with a ;'Black Caviar' stamp.nurse training, uniform