Black and white photograph mounted on grey frame. 16 Police Officers mounted on Horses. Black and white photograph mounted on bege frame. 25 men pose for photograph on 3row structure; they all wear polished suits. Men sitting at front row have their arms crossed, some in a serious countenance and other more witty. On the back there's piece of paper stuck which tells who are most of Police men in the picture - see Inscriptions. There's also velcrum piece on edges.Handwritten: (top left) 162 (top right) Ap 86 Paper glued with tape on the back, typewritten: First Council of the // Victorian Police Association. Left to right; Back row; Forget name of first one; John Searle; // Arthur Feldtman 7138; Francis McCorkell, Charles Heading; // White (Reporter) Middle Row. Gill (Police Association Secretary) ; Murdock McMillan; Uncertain next; George Fleming; Tom Morgan; Jim Ogden; Fred Hale; Uncertain name; George Burrows; Front row; Jim Dunn; Walter Elliott; John Grieve (Detective); Langslov // George Herbert Docking (Association President) General Blamey // William Adamson; McPherson; Arthur Wels; John // Cassiy. I Believe the 3rd person in centre row is Roderick McDonald but am not sure. // This picture was taken in the Temperance Hotel, Russel ST // Jim Ogden and myself were the only members of force who had joined after the police strike in 1923.victoria police museum, police officers, police academy, police force, c. j. frazer, mcdonald, roderick, langslov george herbeter docking, cassidy, john, welsh, arthur, mcpherson, general blamey, adamson, william, victorian police association, adamson, william, police council, grieve, john, elliott, walter, dunn, jim, burrows, george, hale, fred, ogden, jim, morgan, tom, fleming, george, mcmillan, murdock, secretary gill, reporter white, heading, charles, mccorckell, francis, feldtmann, arthur, searle, john, first council, temperance hotel

The Macclesfield State School opened in 1904. This is a photograph is of a group event at the school c1920s. This and other photographs and postcards came from the estate of David Moyle (1938-2015) who was a police officer in Emerald during late 1960s-early 1970s, and subsequently at Belgrave in the early 1980s. David Moyle was closely associated with the now defunct Sherbrooke Historical Association.This postcard is significant because of it adds to the history of state schools in the local area. it is also part of a collection belonging to a community member who had a close association with a local historical society.Photographic print of a group of adults and children outside the Macclesfield State School c1920sdavid moyle, police, emerald, belgrave, macclesfield state school, 1920s

This Carte-de-viste (CdV) previously belonged to the donor's grandfather, Daniel Mullins who was a Police Officer stationed at Glenrowan soon after the Kelly gang siege. It is unclear; however, whether or not the man depicted in the photograph is Daniel Mullins or a different police officer. The Police Station at Glenrowan depicted in this CdV stood during the events of the Kelly gang's siege. Today, the siege has become an important part of Australian culture and Ned Kelly and the Kelly Gang (comprising of Ned Kelly, Dan Kelly, Steve Hart and Joe Byrne) has become ingrained in Australian history and mythology. A CdV is a sepia toned photograph mounted on card and is generally of a small size. This particular style was first patented by Andre Adolphe Eugene Disdéri (1819-1889) in 1854. In 1857, the CdV was introduced to England and after photographs of Queen Victoria, Prince Albert and their family were taken using CdV in 1860 the popularity of this method reached a peak. This photograph is part of the Burke Museum "Kelly album" which includes a significant collection of photographs and artefacts connected to Ned Kelly and the Kelly Gang. Ned Kelly and his gang have become ingrained in Australian popular culture and thus many museums, art galleries and private collections house material connected to the Kelly story which allows the events and people to be researched and interpreted. Items pertaining to the Kelly gang, including photographs like this one which depicts a police officer standing outside of the Glenrowan Police Station, are of great historical significance. Photographs like this can provide valuable information on the architecture, lifestyle and dress of colonial Australia. When studied, photographs have the ability to shed more light on the events of the Kelly gang and colonial Australia. This photograph is also of artistic significance because of the popularity of the CdV during the nineteenth century.A sepia toned photograph mounted on grey card with rounded corners. The image has been captured by an unknown photographer and depicts the outside the Glenrowan Police Station. In front of the Station stands an unidentified policeman and lying on the ground behind the policeman is a medium sized dog with dark colouring. The Police Station depicted in this photograph is a classic example of Australian country colonial architecture typically seen dating to the nineteenth century. It has the typical features of an Australian colonial 'miners' cottage' with the gable roof and a skillion at rear. A white picket fence is stands between the Station and the policeman. A small building is located at the rear of the Station which may have served as a lockup.BMM 8083kelly album, glenrowan, police, police station, photograph, ned kelly, australia, colonial australia, victoria, james bray, william e barnes, daniel mullins

Carrie Lam, Hong Kong’s chief executive, had plenty of political support in the territory’s pro-Beijing legislature to pass a bill that would allow extraditions to mainland China. The legislators were set to begin discussing the bill in early June, and intended to vote on it just weeks later. A series of protests took place, and after a June 16 protest saw the largest turnout yet, Ms. Lam made a major concession: She postponed the bill, at least temporarily. It was an undeniable victory for the protesters — but it did little to quell the unrest. Since the bill could later be reintroduced, protesters felt they remained in danger. The police tactics to break up the demonstrations on June 12, including the use of more than 150 tear gas canisters to push protesters far away from the government office, created a new set of demands from the protesters. Now, instead of just calling for the withdrawal of the bill and Ms. Lam’s resignation, they said they wouldn’t be content unless there was an independent investigation of officers’ conduct. They also wanted the release of protesters arrested on June 12, and for the government to rescind its description of the demonstrations as a “riot,” a designation that carries legal significance. None of that has happened. Many analysts say Ms. Lam is unlikely to step down, nor would Beijing accept her resignation if she offered it. She has more wiggle room on the other demands, but has not indicated any willingness to budge. The Hong Kong Protests are a leaderless, digital movement.There is no single leader or group deciding on or steering the strategy, tactics and goals of the movement. Instead, protesters have used forums and messaging apps to decide next steps. Anyone can suggest a course of action, and others then vote on whether they support it. The most popular ideas rise to the top, and then people rally to make them happen. At its best, this structure has empowered many people to participate and have their voices heard. Protesters say it keeps them all safe by not allowing the government to target specific leaders. Their success in halting the extradition bill, which was shelved by the territory’s chief executive, speaks to the movement’s power. Despite the lack of a clear leader, protesters have shown extensive coordination at the demonstrations, having planned the specifics online beforehand. Supply stations are set up to distribute water, snacks, gloves, umbrellas and shields made of cardboard. Volunteer first aid workers wear brightly colored vests. People form assembly lines to pass supplies across long distances, with protesters communicating what they need through a series of predetermined hand signals. Anyone walking in dangerous areas without a helmet or a mask is quickly offered one. No individual can speak on behalf of the protesters, which makes negotiations difficult, if not impossible. (https://www.nytimes.com/2019/07/02/world/asia/hong-kong-protest-explained.html, accessed 07/07/2019) Hong Kong’s amended extradition law would allow the extradition of suspects to mainland China for the first time. Supporters say the amendments are key to ensuring the city does not become a criminal refuge, but critics worry Beijing will use the law to extradite political opponents and others to China where their legal protections cannot be guaranteed. The government claims the push to change the law, which would also apply to Taiwan and Macau, stems from the killing last year of a Hong Kong woman while she was in Taiwan with her boyfriend. Authorities in Taiwan suspect the woman’s boyfriend, who remains in Hong Kong, but cannot try him because no extradition agreement is in place. Under the amended law, those accused of offences punishable by seven years or more in prison could be extradited. The new legislation would give Hong Kong’s leader, known as the chief executive, authority to approve extradition requests, after review by the courts. Hong Kong’s legislature, the legislative council, would not have any oversight over the extradition process. Many Hong Kongers fear the proposed extradition law will be used by authorities to target political enemies. They worry the new legislation spells the end of the “one country, two systems” policy, eroding the civil rights enjoyed by Hong Kong residents since the handover of sovereignty from the UK to China in 1997. Many attending the protests on Sunday said they could not trust China as it had often used non-political crimes to target government critics, and said they also feared Hong Kong officials would not be able to reject Beijing’s requests. Legal professionals have also expressed concern over the rights of those sent across the border to be tried. The conviction rate in Chinese courts is as high as 99%. Arbitrary detentions, torture and denial of legal representation of one’s choosing are also common. Many in the protests on Sunday 09 June 2019 said they felt overwhelmed by a sense of helplessness in the face of mainland China’s increasing political, economic and cultural influence in Hong Kong. Hong Kong’s top political leader is not elected by ordinary voters but by a 1,200-strong election committee accountable to Beijing. Half of its legislature are chosen through indirect electoral systems that favour pro-Beijing figures. Many Hong Kongers also cited the jailing of leaders and activists from the 2014 Occupy Central movement– a 79-day mass civil disobedience movement – as well as the disqualification of young localist lawmakers as signs of the erosion of civil freedoms. Resentment towards China has been intensified by soaring property prices – with increasing numbers of mainland Chinese buying properties in the city – as well as the government’s “patriotic education” drive, and the large numbers of mainland tourists who flock to Hong Kong. Many Hong Kongers are also concerned about China’s growing control over the city’s news media, as they increasingly self-censor and follow Beijing’s tacit orders. https://www.theguardian.com/world/2019/jun/10/what-are-the-hong-kong-protests-about-explainerSeven police officers stand guard in front of Hong Kong's main police headquarters on Arsenal Street in Wan Chai as an estimated one thousand protestors surround on 26 June 2019. Protestors take turns to step up and hurl abuse at the officers, in a protest lasting 6 hours before peacefully dispersing. The protesters chanted 'Release the martyrs' and 'Stop police violence' in reference to violent clashes with police in the days previous. ( https://www.scmp.com/news/hong-kong/politics/article/3016238/hong-kong-police-under-siege-again-protesters-surround)carrie lam, hong kong protests, extraditions, protest, protestors, police, wan chai

Many sawmills operated in Gembrook in the forest to the east from early colonial settlement days. The opening of the narrow-gauge train line in 1900 assisted the expansion of this industry. This postcard is circa 1900s. This and other postcards and photos came from the estate of David Moyle (1938-2015) who was a police officer in Emerald during late 1960s-early 1970s, and subsequently at Belgrave in the early 1980s. David Moyle was closely associated with the now defunct Sherbrooke Historical Association.This postcard is significant because of its evocation of Gembrook's early timber industry. it is also part of a collection belonging to a community member who had a close association with a local historical society.Sepia postcard with rounded corners featuring photograph of unmade Main Road in Gembrook. The Ranges Hotel which opened in 1902 is just visible on the left. The view is towards the west.On front at bottom, printed: 'MAIN ROAD - GEMBROOK' On back printed at the top: 'POST CARD' Underneath that is printed: 'SPACE FOR CORRESPONDENCE' and 'SPACE FOR ADDRESS' On back is handwritten message: 'J Brooks / 16 notts Sawmills / well fixed / Gembrook'david moyle, police, emerald, belgrave, timber mills, gembrook, brooks, 1900s

This postcard may have belonged to the donor's paternal grandmother, Maggie Johnston Rees (1867-1964) as the writer is 'M. J. Rees'. Maggie married in 1935, so this postcard dates before that time possibly c1920s. These and other postcards and photos came from the estate of David Moyle (1938-2015) who was a police officer in Emerald during late 1960s-early 1970s, and subsequently at Belgrave in the early 1980s. David Moyle was closely associated with the now defunct Sherbrooke Historical Association.This postcard is significant because it was part of a collection belonging to a community member who had a close association with a local historical society.Tourist postcard with panoramic view of Queenstown and Mt Owen, Tasmania c1920s.Printed on bottom of front: 'QUEENSTOWN, WESTERN TASMANI. A. Tessier, Photo' Printed on back of postcard at the top: 'MOUNT LYELL TOURIST ASSOCIATION / POST CARD / QUEENSTOWN, WESTERN TASMANIA / Queenstown has a population of about 4000, the householders being mainly / employees of the Mount Lyell Smelting Works and Mines. Mount Owen in the background is 3800 feet high.' Handwritten message on back: 'Launceston / Tas. Jan 27th / My dear Uncle / I came / over here on Xmas Day & am / returning on Tuesday, so / have had 5 weeks here / We landed at Burnie / then went all round / the W. coast to Queenstown / & Gormanston. / Then I stayed / at Devonport for / 12 days & have had a / glorious time / & I will write & / tell you about it / when I return. / We have had beautiful / weather too. / Much love / from / M. J. Rees'david moyle, police, emerald, belgrave, maggie johnston rees, queenstown, tasmania, a. tessier, mount lyell

Series of postcards, featuring Australian Troops who participated in the Victory Parade through London after WW1 on 3rd May, 1919.1. Troops marching past Australia House in London. Spectators lining the route. 2. Column of mounted troops and horse drawn artillery. Large monument in right background. Spectators lining the route. 3. Troops in uniform with arms shouldered marching along road. Spectators lining the route. 4. Troops in uniform with arms shouldered, marching along the road. Man in uniform on right is taking the salute. Uniformed police officer on right. 5. Troops in uniform with arms shouldered marching along road. Man in uniform on bottom right hand side taking the salute. Battle honours of troops attached to building in background. robert h. baron, cooper collection, postcard, london, ww1, victory parade, australian troops

This plaque was unveiled on 23 April 1915 to commemorate early colonial explorers, Major Mitchell and before him, Hume and Hovell. These explorers crossed the Ovens River in 1824 and 1836. The plaque has now been replaced by a tablet. This photograph and other postcards and photographs came from the estate of David Moyle (1938-2015) who was a police officer in Emerald during late 1960s-early 1970s, and subsequently at Belgrave in the early 1980s. David Moyle was closely associated with the now defunct Sherbrooke Historical Association. This photograph is significant because it recalls the early history of Victorian colonial exploration and settlement and is emblematic of the importance placed by the local community on Major Mitchell's and Hume and Hovell's explorations. Also, this photograph is part of a collection belonging to a community member who had a close association with a local historical society.Photograph of plaque on tree commemorating Major Mitchell's crossing of the Ovens River (1836) in the footsteps of Hume and Hovell (1824). david moyle, police, emerald, belgrave, major mitchell, hume and hovell, ovens river, plaque

Cable tams consisted of a grip car (or dummy) which towed a trailer saloon car. Melbourne's network of cable tramways developed from the 1880s and became one of the largest in the world at that time. Electrification of the line occurred between 1925 and 1937. This and other postcards and photos came from the estate of David Moyle (1938-2015) who was a police officer in Emerald during late 1960s-early 1970s, and subsequently at Belgrave in the early 1980s. David Moyle was closely associated with the now defunct Sherbrooke Historical Association.This postcard is significant because of its evocation of the early history of Melbourne's much-loved trams. it is also part of a collection belonging to a community member who had a close association with a local historical society.Photographic print of a Melbourne tramcar circa 1920sdavid moyle, police, emerald, belgrave, tramcar, melbourne, 1920s

This gun was presented to Robert O’Hara Burke Esq in 1858 by the Beechworth Police in recognition of his four years’ service as the Police Superintendent at Beechworth. It arrived back in Beechworth on Thursday 10th April, 2014.Presented to R. O’Hara Burke Esq / Supt. of Police by the Officers of the district on his transfer from Beechworth / November 1858 /burke, robert o'hara burke, burke museum, robert o'hara burke museum, firearm, burke and wills, burke & wills, burke and wills expedition, expedition, beechworth, indigo shire, north-east victoria, revolver

The Bacchus Marsh Police Barracks shown in this image were located in Main Street on the site of the present day Police Station. The Barracks were constructed around 1857 or 1858. Prior to this the Police were stationed in the Police Paddocks at Maddingley in the area where Maddingley Park is now located. This building was in use by the Police until 1930 when it was replaced by a new building. This later building was in use until the early 2000s but was demolished in 2003 and replaced by a larger Police building.Small sepia unframed photograph on card with gold border framing photograph. Housed in the album, 'Photographs of Bacchus Marsh and District in 1883 by Stevenson and McNicoll'. The image shows the Bacchus Marsh Police Police Barracks and stables in 1883. Two uniformed male police officers wearing helmets can be seen standing on the footpath in front of the building. Next to them on their left stand two boys, one holding a document, possibly a newspaper.. The Barracks is a sandstone building with a chimney on one side; it appears to have a slate roof. Two buildings can be seen behind the main building. A white picket fence with a double gate runs along the front of the complex.On the front: Stevenson & McNicoll. Photo. 108 Elizabeth St. Melbourne. COPIES CAN BE OBTAINED AT ANY TIME. On the back: LIGHT & TRUTH inscribed on a banner surmounted by a representation of the rising sun. Copies of this Portrait can be had at any time by sending the Name and Post Office Money Order or Stamps for the amount of order to STEVENSON & McNICOLL LATE BENSON & STEVENSON, Photographers. 108 Elizabeth Street, MELBOURNE. stevenson and mcnicoll 1883 photographs of bacchus marsh and district, bacchus marsh police station, police stations, police

he Band was raised in 1969 and wears the Fletcher of Dunans tartan in honour of the Police Commissioner at that time, Mr Phil Fletcher. It celebrated its 40th anniversary in 2009 with a Grand Gaelic Ball attended by more than 300 people. Membership of the Band is voluntary and currently includes three serving police officers (including Drum Major Constable Dean Walker) and one Special Constable. The majority of the membership is drawn from the community and includes teachers, students, corporate executives and retired members of the community. http://www.police.tas.gov.au/useful-links/tasmania-police-pipe-band/Wooden Plaque 15cm x 13cmTasmanian Police Pipe Band

Murray Comrie Collection. The house in this photo was once the residence of the Tarnagulla police officer. The town block where the house was originally built was the base for policing in Tarnagulla from 1878 until the 1990s. The house was built in 1878 as a residence and adjacent was a lockup, office and stable (shown in THA-2019.0031). This house was sold for removal in in the late 1960s and replaced with a prefabricated residence and small office brought from Bealiba. These as well as the lockup are still in place (as of 2019), but are no longer used. It is not known where this house was moved to. It is not known whether this photo was taken before or after the house was moved. Monochrome photograph of a house which was once the police residence in Tarnagulla. Not known if this image was made when it was in its original position (Victoria Street Tarnagulla) or after it is was sold and moved in 1969. tarnagulla, police, policing, houses

The donor's maternal great-grandfather, Evan Rees, was born in Llangendeirne, Wales in 1862 and emigrated to Australia in 1887. This postcard appears to be circa 1900s from the clothes worn by the children. The donor believes this postcard belonged to her father's mother, Maggie Johnston Rees (1867-1964). These and other postcards and photos came from the estate of David Moyle (1938-2015) who was a police officer in Emerald during late 1960s-early 1970s, and subsequently at Belgrave in the early 1980s. David Moyle was closely associated with the now defunct Sherbrooke Historical Association.This postcard is significant because it was part of a collection belonging to a community member who had a close association with a local historical society.A group of children standing for a photographer in a street in a village. The children's dress suggests they are not well-off and that the period in c1900s.Printed on bottom of postcard (partly obscured): 'B...S...FFOSFELEN ROAD'david moyle, police, evan rees, wales, emerald, belgrave

The Court House in Main Street Bacchus Marsh was built in 1858 using local sandstone. It opened in 1859. It has been used for jury trials, a Court of Petty Sessions, a County Court and a Crown Land sales office. Other uses included an office for the Registrar of Births and Deaths, a Dairy Inspectors office from 1863-1865, and as meeting rooms for the Bacchus Marsh Roads Board, a forerunner of the Shire Council. It was also used by the Bacchus Marsh Shire Council for its offices until at least 1884. In more recent years it has functioned as a Magistrates Court with weekly court sessions. Small sepia unframed photograph on card with gold border framing photograph. Housed in the album, 'Photographs of Bacchus Marsh and District in 1883 by Stevenson and McNicoll'. The view of the Court House building is seen from the northern side of Main Street looking south or south-east. Three men are standing in the street in front of the building. The men on the left and the right wearing police helmets appear to be police officers. The man in the middle is in civilian clothes and might be an officer or employee of the Court House. He has his dog with him. A white picket fence runs along the front of the building. The front courtyard of the building has been renovated since, but this building still operates as a court house.On the front: Stevenson & McNicoll. Photo. 108 Elizabeth St. Melbourne. COPIES CAN BE OBTAINED AT ANY TIME. On the back: LIGHT & TRUTH inscribed on a banner surmounted by a representation of the rising sun. Copies of this Portrait can be had at any time by sending the Name and Post Office Money Order or Stamps for the amount of order to STEVENSON & McNICOLL LATE BENSON & STEVENSON, Photographers. 108 Elizabeth Street, MELBOURNE. stevenson and mcnicoll 1883 photographs of bacchus marsh and district, courthouses, bacchus marsh court house

This postcard may have belonged to the donor's paternal grandmother, Maggie Johnston Rees (1867-1964) as there is another postcard in the collection recounting a trip in Tasmania where the writer is 'M. J. Rees'. This postcard is probably post-1926 when the company had completed a renovation of their Devonport building (which included 'a large, illuminated clock'. These and other postcards and photos came from the estate of David Moyle (1938-2015) who was a police officer in Emerald during late 1960s-early 1970s, and subsequently at Belgrave in the early 1980s. David Moyle was closely associated with the now defunct Sherbrooke Historical Association.This postcard is significant because it was part of a collection belonging to a community member who had a close association with a local historical society.Don Trading Company Building - building has three stories topped with a large clock.Printed on bottom L: 'DON STORE' Embossed on bottom R: 'A MARSHALLS / STUDIOS DEVONPORT'david moyle, police, emerald, belgrave, maggie johnston rees, don trading company, devonport, marshalls studios

Demonstrates a report into tram fares and tickets around Australasia.Report - 13 foolscap duplicated pages, stapled along the left hand edge, titled "Report of Sub-Committee on Fares and Sections appointed at Australasian Tramways Conference 1929" Reports on a questionnaire to 14 different systems - Bendigo considered the same as Ballarat for the purposes of the report. Looks at the Section and their average length, Overlapping sections, fares, children fares, Sunday and holiday rates, workmen's concession tickets, scholars', swimming tickets, blind passes, police officers, civil servants, municipal bodies, concessions to charitable institutions, defence force, boy scouts, state members and officials, employee's passes, periodical or prepaid tickets, specials charges, passenger luggage. Compares to the USA, flat fares, one man trams.Has "Mr Mawby" in ink on front cover and "Copy sent to Mr Old 22.7.30"trams, tramways, tickets, fares, sections, australasian tramway conference, ballarat

Timber was the most important early industry in the Dandenongs, including at Emerald. It provided timber for infrastructure as well as for fuel for the rapidly growing city. Some mills were quite small as this one appears to be. The writer 'Emmy' is probably the daughter of James and Emerald (Watson) Legg who were married in Gembrook in 1885, as Emmy references the names of Legg siblings. This and other photographs and postcards came from the estate of David Moyle (1938-2015) who was a police officer in Emerald during late 1960s-early 1970s, and subsequently at Belgrave in the early 1980s. David Moyle was closely associated with the now defunct Sherbrooke Historical Association.This postcard is significant because of it is a reminder of the importance of the timber industry during early colonial settlement in the Dandenongs and because it references a local family. it is also part of a collection belonging to a community member who had a close association with a local historical society. There is a separate photo of Emmy's father, James Legg, in the collection.Postcard of a timber mill at Emerald early 20th century.On front: 'The Mill - Emerald' On back printed: 'POST CARD / Correspondence Address On back handwritten: 'Jim, Maudie, and Emerald / Wishing you all a Bright / and Happy New Year with / best love from your loving / Sister Emmie'david moyle, police, emerald, belgrave, timber mill

Major Damien Batty served in Afghanistan in 2011-2012 with the Bravo Commando Company Group, 2nd Commando Regiment in Uruzgan. Major Batty served alongside Said Haim, an Afghan police officer. Australian forces were often involved in mentoring and training Afghan police and army units. According to the letter Major Batty worked with Said Haim on logistics for PRC (Provincial Response Company) Uruzgan. The Commandos took part in 20 rotations with the Special Operations Task Group (SOTG) between 2007 and 2012. During this time they undertook significant combat operations, and were awarded for its actions, the regiment was collectively awarded the Unit Citation for Gallantry and the Meritorious Unit Citation. This letter is a rare example of first-person correspondence between a member of Australia's Special Forces and a member of the Afghan police force. The letters, both in Arabic and English, are significant for their capacity to illustrate the personal face of the Australian mission in Afghanistan, and to signify the nature of individual relationships between Australian personnel and local reconstruction forces. Two letters, one in Arabic and the second translated into English. Arabic letter is photocopied, English letter is written in blue pen. major damien batty, uruzgan, afghanistan, letter, police, prc, commandos

This photograph is of Robert O'Hara Burke (6 May 1821 – c. 28 June 1861) who was an Irish soldier and police officer who achieved fame as an Australian explorer. He was the leader of the ill-fated Burke and Wills expedition, which was the first expedition to cross Australia from south to north, finding a route across the continent from the settled areas of Victoria to the Gulf of Carpentaria. Prior to leading this expedition, Burke was the superintendent of Police in Beechworth from 1858-1860. The Robert O’Hara Burke Memorial Museum was named in honour of Robert O’Hara Burke after his death at Coopers Creek in 1861 during expedition. This particular image of Robert O'Hara Burke features on the 'Pioneer Board' which is currently on display in the Museum. Black and white rectangular copy of a photograph. Image is printed on gloss photographic paper and has a white unprinted boarder. Reverse: 34 / Photo credit: Burke Museum / BEECHWORTH / 46% /robert o'hara burke, pioneers of beechworth, pioneer board, beechworth, police superintendent

Photograph shows crew, customs officers and police on the beach at Torquay after the Scammell grounding.A contemporary record of a Victorian shipwreck in 1891.Copy black and white photograph

Rennie Ellis (1940–2003) was as a pivotal figure in Australian visual culture. He was both a documentary photographer and a prominent presence in advertising, television and photography. Ellis was known for his candid documentary images of contemporary Australian life. His photographs of social events, such as music festivals, fashion parades or nightclubs are iconic, but his practice also encompassed the grittier side of life. In his AFL series, Ellis skilfully portrays the nation’s passion for the game, extending his lens beyond the boundary line to showcase the spirited fans alongside the on-field action. In Ellis' photo, a young police officer stands on the stadium ground with his arms sternly crossed, while the crowd waits for the game. This photo highlights the tension between passionate crowds and the police at AFL games.

James Legg married Emerald Watson at Gembrook in 1885. The couple had at least 10 children. Ned Kelly (1854-1880) is the most well-known Australian bushranger who, after his death, became something of a celebrity in the national imagining. The San Francisco Instantenous Photographic Company developed a new technique after 1870 which required exposures for only a fraction of a second. The Company would travel to advertised locations where they would take portrait photographs. This photograph is circa late nineteenth century. This and other postcards and photographs came from the estate of David Moyle (1938-2015) who was a police officer in Emerald during late 1960s-early 1970s, and subsequently at Belgrave in the early 1980s. David Moyle was closely associated with the now defunct Sherbrooke Historical Association.This postcard is significant because of its representation of a well-known local man and its evocation of a style of portraiture. It is also part of a collection belonging to a community member who had a close association with a local historical society.A style of photographic portraiture which became popular in Melbourne in the late 19th century, and which could be shared amongst family and friends. This one is sepia colored with rounded corners. The subject, James Legg, appears to be deliberately dressed as a working man and he is holding a long stick or tool and standing on leaves. Some background details are too faded to be able to be discerned accurately.On back printed: 'SAN FRANCISCO / INSTANTANEOUS / PHOTOGRAPHIC COMPANY' On back on the L side handwritten: 'Mr J Legg / alias / Ned Kelly' On back underneath the company information, handwritten: ' Pakenham / J. Legg'david moyle, police, san francisco instantaneous photographic company, gembrook, james legg, emerald

Believed to be used by Chief Petty Officer Navy Police Craig Duff whilst on duty in Mogadishu Somalia United Nation light blue go fast cap with UN cloth badge sewn above the peak; blue plastic adjusting slide at the back; cloth covered metal button permanently fixed at the centre top of the cap; there is opening at the back measuring 60 x 50 mm, cap is made of five segments that are stitched together to made up the crown of the cap and there is a stitched pattern of six parallel lines. the band on the rim has a plastic backing The UN embroidered badge is sewn centrally on the front and has the words UNITED NATIONS NATIONS UNIES cap, united nations baseball cap, cap un blue

The famous Australian poet Adam Lindsay Gordon (1833-1870) lodged for seventeen months in this cottage, located at 10 Lewis Street, Brighton. He and his wife Margaret lived here from 1869 until Gordon took his life on the Brighton foreshore in June 1970. Adam Gordon Lindsay was the first Australian poet to gain considerable recognition overseas and has been credited for beginning a national school of Australian poetry. His poetry reflected his love of the bush, a sense of humour, but also his battle with depression. In addition to being a poet, Lindsay was also a skilled horseman, police officer and politician. In 1946, the cottage at 10 Lewis Street was demolished. Local poet Mr Cyril Good, an ardent admirer of Adam Lindsay Gordon, purchased the bricks from the cottage which he carefully numbered and stored for a number of decades, in the hope that it would one day be re-erected in Gordon’s honour. John C. Paul, Adam Lindsay Gordon cottage c. 1870 1973, watercolour, 27.8 x 42.3 cm. Bayside City Council Art and Heritage Collection. Purchased 1974.brighton, john c paul, historic house, adam lindsay gordon, poet, lewis street, politician

Captain Robert Westrup Salmon was born at Daisy Hill near Talbot 12 July 1862. He joined the Victorian Mounted Rifles in 1883; was commissioned Lieutenant in 1892 and appointed Adjutant (Volunteer) of 2nd Battalion VMR in 1892. He embarked with the 1st Contingent VMR to South Africa in 1899 with the rank of captain. At the battle of Jasfontein (Garsfontein) he was highly complimented in the London Times and other English newspapers for the skilful manner in which he handled the Mounted Infantry under his command. At the time of his death from Enteric Fever on 16 March 1900 at Naauwpoort South Africa he was Staff Captain of the Australian Regiment. Captain Salmon was a councillor of the Borough of Talbot, trustee of the Racing Club and the Cemetery; member of the Board of Directors of the MUIOOF; past master of the Masonic Lodge; church warden of St Michael’s Church Talbot and secretary of the Fire Brigade. The plaque was discovered by retired Military Police officer, Captain Watson and donated to 8/13 VMR Museum circa 1983. Rare example of a memorial plaque to an officer of the Boer War. It is not known where or if it was originally mounted but a church building would seem likely. Large bronze plaque to the memory of Captain Robert Westrup Salmon who died of Enteric Fever while serving with the 1st Contingent Victorian Mounted Rifles during the Boer War. A framed display with photograph of the donor Captain Watson handing the plaque to Officer Commanding 'A' Squadron 8/13 VMR at Buna Barracks Albury in 1984 now accompanies the bronze plaque.Cast in raised lettering surrounding a Victorian Mounted Rifles badge "The tribute of the Officers of the Victorian Mounted Rifles Non-Commissioned Officers & Men to the memory of Captain RS Salmon Talbot who died at Naauwpoort South Africa 16th Mar. 1900"salmon robert westrup captain, talbot, boer war

Prior to the election of female Councillors and Mayors, the Mayoress role was one of the few ways women could officially undertake civic duties and Mayoress's played an important role in civic life through charity work, even stepping in on occasions to undertake Mayoral duties. Anne Galvin O.B.E. was born Anne Edith Ruby in 1903 and was one of Bendigo's best known charity workers. She used her first speech as Mayoress to indicate her intentions to do something for mothers and children and it was mainly through her efforts as president of the National Council of Women that Bendigo received the appointment of the two first women police officers in 1956 (1). Anne Galvin was the second woman in Bendigo to be elected to the Bendigo City Council in the 1960's, retiring after six years on Council in 1973. Anne was awarded an O.B.E in 1967 for community service and the Anne Galvin Early Learning Centre is named after her. (1) p 193 Jackman, Mayors of Bendigo 1856 - 2001. Framed, oval photographic portraits with convex glass and print, created using a collodion wet plate process. Hand coloured detail.cr: Mrs L W Galvin / Mayoress 1944 - 45annie ruby, mayoress galvin, mayor galvin, councillor annie galvin, city of greater bendigo portraits

Born about 1838, Eliza Brophy married Thomas Kennedy - an early Linton police officer, a Shire of Grenville councillor, and later a landowner/grazier - in 1861. Eliza and Thomas Kennedy lived in Linton from about 1865 to 1885, and then were at Portland from 1885 to 1892, after which Thomas Kennedy retired from police work to pursue farming and other interests. The Kennedys lived at their property "Fingal Park" (at Spring Vale, later called Pittong) until about 1907-08, when they built a house, named 'Kin-Kora", next to the Catholic Church in Cumberland Street, Linton. Eliza and Thomas Kennedy had thirteen children. The first five children are shown in a photograph taken outside the Linton Court House, c.1869-1870. (See Registration no. 2017-93). Eliza Kennedy died in 1915. An obituary for her published in the 'Grenville Standard', 25 September 1915, notes that "through her genial and happy disposition, she endeared herself to the whole community."Enlarged copy of original black and white photograph which has been mounted on white card. The photograph shows an older lady dressed in dark clothing, wearing a hat, cape and gloves. She is seated on a wooden chair, with her right hand resting on an occasional table, on which are vases of flowers. Eliza Kennedy (Mrs Thomas Kennedy), née Brophy.eliza kennedy née brophy

The Hong Kong Police Force (香港警務處, HKPF; HKP), also known as the Hong Kong Police, is the largest disciplined service under the Security Bureau of Hong Kong. It is the world's second, and Asia's first, police agency to operate with a modern policing system. It was formed on 1 May 1844, with a strength of 32 officers. Queen Elizabeth II granted the Royal Charter to the Hong Kong Police Force in 1969 for their handling of the Hong Kong 1967 riots—renaming them: the Royal Hong Kong Police Force. Following the transfer of sovereignty, the Force is once again named the Hong Kong Police Force.[1] The current Commissioner of Police is Andy Tsang Wai-hung.[2] Including the Hong Kong Auxiliary Police Force and civil servants, the force consists of about 40,000 personnel; which gives Hong Kong the second largest citizen–police officer ratio in the world. In addition, the Marine Region with about 3,000 officers and a fleet of 143 vessels, is the largest of any civil police force.Wooden Plaque 15cm x x13cmRoyal Hong Kong Police

This Carte-de-visite (CdV) taken by renowned Wangaratta based photographer William Edward Barnes previously belonged to the donor's grandfather, Daniel Mullins who was a Police Officer stationed at Glenrowan soon after the Kelly gang siege. Today, the siege has become an important part of Australian culture and Ned Kelly and the Kelly Gang (comprising of Ned Kelly, Dan Kelly, Steve Hart and Joe Byrne) has become ingrained in Australian history and mythology. A CdV is a sepia toned photograph mounted on card and is generally of a small size. This particular style was first patented by Andre Adolphe Eugene Disdéri (1819-1889) in 1854. In 1857, the CdV was introduced to England and after photographs of Queen Victoria, Prince Albert and their family were taken using CdV in 1860 the popularity of this method reached a peak. In this photograph, eight men stand along the railway line near Glenrowan. The photo dates to shortly after 1880 and references the attempt by the Kelly gang to derail a police train in June 1880 on those very tracks. Ultimately, this plan failed and the police train was never derailed. Ned Kelly and the Kelly gang took their final stand at Glenrowan which has been immortalised through Australian popular culture.This photograph is part of the Burke Museum "Kelly album" which includes a significant collection of photographs and artefacts connected to Ned Kelly and the Kelly Gang. Ned Kelly and his gang have become ingrained in Australian popular culture and thus many museums, art galleries and private collections house material connected to the Kelly story which allows the events and people to be researched and interpreted. Artefacts and photographs pertaining to the Kelly gang are particularly valuable for Australian museums. This particular photograph is significant for its connection to Wangaratta based photographer William Edward Barnes and to the Glenrowan Siege of June 1880. Taken at an unknown time, after the siege at Glenrowan, this image depicts eight gentlemen standing about the railway line near Glenrowan. This is a reference to the Kelly gang's plan to derail a train which would barrel up to Glenrowan after news reached Melbourne that Aaron Sherritt had been shot by Joe Byrne in the Woolshed Valley. This image is important for its artistic information that it can provide about the Kelly story and the fashion and streetscape of Glenrowan.This sepia coloured Carte de Visite is attached to yellow cardboard. The obverse of the photo depicts the railway line near Glenrowan around 1880s. The rails are positioned in the centre of the image and are made on an incline of earth. In the foreground are three men, two standing next to the rails and one slightly off to the right of the image. In the background are trees which line the side of the rails and slightly in front of these trees is a group of five men standing on the rails. The reverse of the image is yellow card and contains printed and pencil writing. The printed writing is in the centre of the card. It reveals that the photographer was William E Barnes from Wangaratta. The pencil writing provides the inscription stating that the photo was taken near Glenrowan around the time of Ned Kelly.Pencil: Railway line near / Glen Rowan / Kelly's time / Printed: W. E. Barnes / Photographer / Wangaratta / BMM 8089 /kelly album, glenrowan, glenrowan siege, carte-de-visite, glenrowan railway, ned kelly, kelly gang, last stand, colonial australia, kelly siege, train, railway line, railway, sepia, photography, william e barnes, william barnes