Group photograph of Martin Cook and Hyatt Family. From left standing, Honora (McGuan) Martin, Gwenneth (Willmett) Cook, holding Jannette Cook, Clem Cook, Lucy Martin, Bob Hyatt, Ida (Martin) Hyatt, Emma May (Martin) Willmett. Seated Emily (nee Bate) Martin, Joseph Emanuel Martin. Small boy Robert Cook.Group photograph of Martin Cook and Hyatt Family. stawell portrait

B/W. Boy in school unifrom with badge 4 Male Teachers in suits.Stawell Technical School Reg No 3358 1968 L to R: Bruce Burton,John Baxendale, Max Freeland ( Student) Ralph Sinclair, Dick Petit.education

The Deep Lead School No 721 Finally closed on July 12 1963 Restored and opened as community Amenity October 30 1993B/W Portrait Photo of a group of children outside of a brick building, trees in background. 4 boys in one group, single boy, then 3 girls on left.deep lead school

From the Chapman family photograph albumPhotograph on card backing. Landscape - House weatherboard miners cottage with brick chimney corrugated iron roof, front door open leading through to back yard - front yard trees and plants. Woman with two children. Woman in long dress one boy in trousers shirt and top. Younger child in dress. Henderson

From the Chapman family photograph albumPhotograph on card backing Infant boy sitting in tartan dress with lace apron and white tied up booties. Bob

From the Chapman family photograph albumBoy infant in white dress, barefoot on floral cushions on chair with crochet rug to side. Stawell Photographic Co. Close Railway Station C. Hewitt Manager

Artist Robert Hofmann was a Dunera Internee and a former Austrian Court Artist.Portrait of an unknown "Dunera" internee in Tatura. Subject has a full head of wavy dark hair. The copy is LaminatedRobert Hofmann, Tatura 1942

A newsletter published by Legacy in this format for many years from 1942. They mentioned "Issued from time to time for Private Circulation among the Sons and Daughters of Deceased Service men and Merchant Seamen who served their Country during the War of 1914-18, or the present War" Many articles on the work of Legacy, including features on boys classes, girls classes, camps, the residences and where their past residents ended up. There are some suggestion for careers and some general interest articles. Some very interesting photos. Issues: Vol. 1 No. 1 (August, 1942) Vol. No 2 (October 1942) Vol. 1 No 3 (December 1942) Vol. 1 No 4 (July 1943) Vol 1. No 6 (December 1944) Vol. 1 No 7 (March, 1945) Vol. 1 No 8 (June, 1945) Vol. 1 No 9 (November 1945) Vol. 1 No 12 (August 1946) Vol. 2 No 1 (October, 1946) Vol. 2 No 2 (December, 1946) Vol. 2 No 4 (May 1947) Vol. 2 No 5 (September, 1947) Vol. 2 No 6 (December, 1947) - 2 copies Vol. 2 No 7 (May 1948) Vol. 2 No 8 (August, 1948) Vol. 2 No 9 (November 1948) Vol. 3 No 10 (June 1949) - 2 copies Vol. 3 No 11 (September 1949) Vol. 4 No 1 (March 1950) Vol. 4 No 2 (October 1950) Vol. 4 No 1 (July 1951) - seems 'Vol 4' was used twice. Vol. 4 No 3 (December 1951) Vol. 5 No 2 (July 1952) Vol. 5 No 3 (December 1952) Vol. 6 No 1 (April 1953) Vol. 6 No 2 (September 1953) Vol. 7 No 1 (July 1954) Vol. 8 No 1 (June, 1955) - 2 copies Vol. 8 No 2 (October 1955) Vol. 9 No 1 (February 1956) Vol. 9 No 2 (August 1956) Vol. 9 No 3 (December, 1956) - 2 copies Vol. 10 No 1 (June, 1957) - 2 copies Vol. 10 No 2 (December, 1957) Vol. 11 No 1 (August, 1958) Vol. 11 No 2 (December, 1958) - 2 copies Vol. 12 No 1 (May 1959) - 2 copies Vol. 12 No 2 (August, 1959) Vol. 12 No 3 (September, 1959) Vol. 12 No 4 (December 1959)A record of newsletter published that reported on news of Junior Legatee activities.Newspaper style newsletter for Junior Legacy Club, Melbourne. 00019.1) Vol 1 No 1 August 1942 00019.2) Vol 1 No 2. October 1942 00019.3) Vol 1 No 3. December 1942 00019.4) Vol 1 No 4. July 1943 00019.5) Vol 1 No 6. December 1944 00019.6) Vol 1 No 7. March 1945 00019.7) Vol 1 No 8. June 1945 00019.8) Vol 1 No 9. November 1945 00019.9) Vol 1 No 12. August 1946 00019.10) Vol 2 No 1 October 1946 00019.11) Vol 2 No 2 December 1946 00019.12) Vol 2 No 4 May 1947 00019.13) Vol 2 No 5 September 1947 00019.14) Vol 2 No 6 December, 1947 00019.15) Vol 2 No 7 May, 1948 00019.16) Vol 2 No 8 August 1948 00019.17) Vol 2 No 9 November 1948 00019.18) Vol 3 No 10 June, 1949 00019.19) Vol 3 No 11 September, 1949 00019.20) Vol 4 No 1 March, 1950. Playing children on the cover. 12 pages 00019.21) Vol 4 No 2 October 1950. Girl and boy on cover. 12 pages 00019.22) Vol 4 No 1 July 1951 (note Vol and Number is same as 00019.20 but different edition). Sir Thomas Blamey on cover. 8 pages. 00019.23) Vol 4 No 3 Dec 1951. 00019.24) Vol 5 No 2 July 1952. 00019.25) Vol 5 No 3 December 1952. Sir Dallas Brooks on cover. 8 pages 00019.26) Vol 6 No 1 April 1953 00019.27) Vol 6 No 2 September 1953. Mother and son on cover. 16 pages 00019.28) Vol 7 No 1 July 1954 00019.29) Vol 8 No 1 June 1955. Portrait of Queen Elizabeth on the cover. 16 pages 00019.30) Vol 8 No 2 October 1955. Serviceman and toddler on the cover. 16 pages 00019.39) Vol 9 No 1 February 1956. Earl Mountbatten on the cover. 12 pages 00019.31) Vol 9 No 2 August 1956. Mayor Sir Frank Selleck on the cover. 16 pages 00019.40) Vol 9 No 3 December 1956 00019.32) Vol 10 No 1 June 1957 00019.32) Vol 10 No 2 December 1957 00019.33) Vol 11 No 1 August 1958 00019.34) Vol 11 No 2 December 1958 00019.35) Vol 12 No 1 May 1959 00019.36) Vol 12 No 2 August 1959 00019.37) Vol 12 No 3 September 1959 00019.38) Vol 12 No 4 December 1959newsletter, activities

Frederick de Kock first advertised as a teacher of French situated in Mr N Caire's photographic Studio, View Place. In 1882 he began teaching hand painting on ceramics. In 1883 he advertised as a photographer with his own studio on the corner of Mitchell and King Street, which was later named the Bendigo Portrait rooms. In December 1887 Mrs De Kock sold all her goods prior to a move to Sydney. In 1888 Frederick advertised as a representative of the Enlargement Company who was visiting Bendigo to take orders. This information suggests that this photograph was taken between 1883 and 1887.Sepia family photograph of three girls and one boy, date and family name unknown. Siblings dressed for the photograph, youngest child the son carries a walking stick. Photograph by F. de Kock & Co., photographic artists located at corner of Mitchell and King Streets.siblings, family group

An e.21st century digital print on canvas, of an original e.20th century sepia photographic print. Image features an informal group portrait of men, women, teenage girls and a boy. Many of the girls hold tennis racquets. A neo-classical sculpture of a maiden features behind the subjects. Materials: Canvas/Cotton, Ink, Wood, Metal, Paper, Paint, Linentennis

Portrait of two boys one in Goat cart at Deep Lead. Titled Deep Lead Transport. Boy in Cart is Charles Davidson.stawell

David Miller (Dave) Mair (1879-1938) married Lily Vipond Deakin (1890-1945) in 1910. They had 5 children: Geoffrey David (1913-1970), Beryl (1916-1976), Gwynneth (1917-1997), Isabel Lillian (1921-1997) and Shirley Inez (1928-1968). His parents were Isabella Brown (1856-1944) and William Mair (1850-1924). Personal communication from Laurie Newton, Beryl's daughter: Dave and Beryl initially lived in East Melbourne after they married. Geoffrey, Beryl and Gwynneth were born in East Melbourne. They subsequently moved to Louise Avenue, Mont Albert and Isabel may have been born while they were there. Later they purchased 20 Barton Street, Mont Albert. Shirley was born after they moved to Barton Street. The children attended Mont Albert Central School. Dave was an extremely keen sportsman (particularly bowls and cricket). He started the Kangaroo Cricket Club and worked for the Melbourne Cricket Club.This is part of a large donation related to the Deakin, Mair and Young families with connections to the Surrey Hills / Mont Albert area.A sepia coloured post card photo of (?) a studio portrait with a cream border of 2 children sitting on a couch. The infant is in a light-coloured dress with a lacy border along the hemline and lace embellishments to the sleeves and bodice. The top of the boy's shirt has a 'sailor' collar.REAR: In black ink - "Beryl taken at 8 months / Geoff " " (taken at) 3 years. / 10 Nov. 1916" Handwriting is thought to that of Lily Vipond Mair (nee Deakin). beryl mair, geoffrey david mair, children

Neville Mirvane BUNNING (1902-1990) During World War Two Neville Bunning served with the Royal Australian Air Force (RAAF). He was an Art Teacher at the Ballarat Technical Art School (a division of the Ballarat School of Mines) from 05 February 1946 to 22 September 1964. Neville Bunning formed the Ballarat Artist's Society (later the Ballarat Society of Artists), a group that sponsored art and which invited modernist artists to speak to students and to the public of Ballarat. He also wrote a weekly column in the Ballarat Courier. Bunning produced a bust of Australian Prime Minister, The Right Honourable J.A. Lyons from Tasmania, who died in office. Neville Bunning died in Subiaco, Western Australia on 29 April 1990. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Portrait of a girl in a yellow jumper art, artwork, available, neville bunning, boy, portrait

Wes WALTERS (06 August 1928 - 19 August 2014) Born Mildura, Victoria From 1940 t0 1945 Wes Walters attended the Ballarat High School. He then studied architecture at the Gordon Institute in Geelong, followed by art at the Ballarat School of Mines (a division of the Ballarat School of Mines). During his time at the Ballarat Technical Art School (later Federation University Australia) Walters studied under Neville Bunning and Taylor Kelloch, and was awarded the Ballarat Ladies Art Association Scholarship in 1948. He next moved to Melbourne to work as a commercial artist with the George Patterson advertising agency. Each evening Walters studied life drawing at the Victoria Artists’ Society and taught himself anatomy. Wes Walters excelled in both abstract and realist art. He won the Art Gallery of Ballarat’s Minnie Crouch Prize for watercolour art in 1953 and 1956. He won the prestigious Archibald Prize in 1879 for his portrait of Phillip Adams. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed pencil drawing depicting the body of a seated boy. Donated through the Australian Government's Cultural Gifts Program by David Thomas.art, artwork, wes walters, walters, child, drawing, available, alumni, archibald prize winning artist

Bob PowlingBlack and white photograph of Bob Powling as a boy dressed as a cowboyfamily, portrait, people, bob powling

The Cheese Factory in this image was opened around 1879 by Mr. G.G. Pearce. It was in Waddell Street. It was one of the first cheese factories in Victoria. It was later owned and operated by William Telford with the assistance of John Mahon. The factory was described in the Bacchus Marsh Express newspaper as an important business and service for the region. G.G. Pearce was reported to have spent a good deal of money in setting up the factory to ensure it was one which produced high quality cheese using modern methods of production. The factory was sold in 1889 to a Mr. H. W. King who was from Abbotsford in Melbourne. Unfortunately within a few days of Mr King buying the factory it was completely destroyed in a fire. All that was left were two large pine trees and two large underground concrete tanks.G.G. Pearce was described as a pioneer of cheese factories in Victoria. His first factory was just outside of Bacchus Marsh at Hopetoun. Around 1879 he moved into Bacchus Marsh and opened a new purpose built factory in Waddell Street. The Bacchus Marsh Express newspaper reported that no expense had been spared in constructing this factory. The factory was completely destroyed in a fire in 1889 which makes it fortunate that this image was captured of this early cheese factory in Victoria.Small sepia unframed photograph on card with gold border framing photograph. Housed in the album, 'Photographs of Bacchus Marsh and District in 1883 by Stevenson and McNicoll'. The image shows a group of men and women standing in a row in front of the Bacchus Marsh Cheese factory. One of the women is holding a small child. In front of another woman stands a young boy. Behind them is a covered wagon with a man seated upon it. Some of the men and women are wearing long aprons. In the background is the Cheese Factory. It is a large wooden structure with a high and steep pitched roof.On the front: Stevenson & McNicoll. Photo. 108 Elizabeth St. Melbourne. COPIES CAN BE OBTAINED AT ANY TIME. On the back: LIGHT & TRUTH inscribed on a banner surmounted by a representation of the rising sun. Copies of this Portrait can be had at any time by sending the Name and Post Office Money Order or Stamps for the amount of order to STEVENSON & McNICOLL LATE BENSON & STEVENSON, Photographers. 108 Elizabeth Street, MELBOURNE stevenson and mcnicoll 1883 photographs of bacchus marsh and district, cheese factories, bacchus marsh cheese factory

This green cloth hardcover book has a colourful paper dustjacket depicting a mother with a small boy wearing a sailor suit sitting on her knee. Portraits on the wall, an oriental screen near a small table with knick knacks and a vase of flowers completes the scene. The title is printed at the top in red lettering with the author's name underneath. The spine is coloured in pink and blue lettering with the spine, a picture of a boy and the publisher Shaw at the bottom. On the back of the dustjacket is a list - Uniform with this Volume of 16 titles to read, with another book by M. Seymour, That Boy Tom. Inside on the right endpaper is an Award Bookplate.The frontispiece coloured illustration is the same as the one on the dustjacket. Pp.128fictionA family with six children, the youngest, Charlie, being six years old. Their grandfather is estranged from the family and Charlie wishes to visit him. The grandfather, Mr Maxwell invites Charlie to live with him so the child goes as the family ambassador. It has religious and strong family themes.religious stories, family life, children's fiction

A large yellow covered hardcover fiction book for children with a coloured picture of Humpty Dumpty sitting on a brick wall. He is wearing green pants with yellow stars and red and white spotted bow around his middle. There is a drawing of a girl and boy either side of the title The Prize at the top of the cover. There are books and candles drawn at the bottom under the brick wall. The spine is blank. There are advertisements on the endpapers both front and back. There is foxing noted on the edges of the pages. On page 72 there is a loose insert of black and white portraits of five men and a woman who appear to be wearing sporting or school clothes. There are stories and poems written by various authors and black and white illustrations and coloured plates throughout. The title page is very ornately decorated with a black and white floral design. The coloured frontispiece is of Humpty Dumpty again. At the front there is a Contents and List of Illustrations page. 140p.fictionA collection of stories and poems for young children - Volume LXVI (66)children's fiction, poetry

BHS Collectionsepia toned photo: family group, male in centre with small boy left side, small girl on right. Victorian setting. Cane furniture and various plants. Dog at front.'Bartlett Bros. Bendigoperson, family

Part of S E Surman collection (album) page 18. Portrait of child and baby, child may be Victor Thorpe, baby is sibling?Sepia studio photograph of young boy with long hair wearing short trousers, top, shoes, socks and large brimmed hat, standing with left arm resting on prop behind, right hand holding toy, beside a very young child in gathered dress shoes and socks seated beside.victor thorpe, surman collection

Early school bus 4 boys in short pants, 1 in overalls with patterned jumper holding (unidentified), middle boy with cap and buttoned coat has mittens B/W Landscape Group Portrait 8 Children 6 Boyys, 2 Girls ( 4 Boys in uniform 2 with caps) In front of School bus Paddock behind bus Stawell Bus Servicetransport, education, stawell bus service

An inscribed presentation mounted photographic portrait of A. Le Mesurier Australian champion bandsman and trombonist in 1915 to a young Ballarat boy, fourteen year old Michael Taffe who later became Australian champion junior cornet soloist.Script printed on front mounting board Richards & Co Ballarat. Inscribed on back of mounting board, "To my little "mascot" Michael Taffe, Wishing you and yours the "Compliments of the Season". from Yours Sincerely A. Le Mesurier. Xmas, 1915.le mesurier, taffe, ballarat trombone, south street competitions, australian band championships.

Photo - Bertha Leviny (seated centre) with five of her daughters L-R: Gertrude, Hilda, Mary (standing), Dorothy and Kate. Her grandson James Leviny is at Bertha's knee. The pet dog is an Australian terrier. Bertha was the wife of noted colonial silversmith and jeweller, Ernest Leviny. Together, they raised a family of ten children in their home Buda, Castlemaine. The five unmarried daughters pursued their interests in various creative pastimes linked with the Arts and Crafts Movement of the late nineteenth and early twentieth centuries.One of the few photographs of Bertha Leviny and her daughters taken together after the death of Bertha's husband, Ernest, a prominent Australian silversmith. The Leviny daughters were artistic in their own right, following the principles of the Arts and Crafts Movement. Three of the daughters entered works in the 1907 Exhibition of Women's Work held at the Exhibition Buildings, Melbourne.Silver gelatin, toned print. Black and white photograph of a group of six women, a child and a dog. The women are seated on and around a garden bench with the tennis pavilion in the background. All are smiling at the dog which is standing on its back legs in the foreground. The little boy's face is blurred from movement during the exposure.Handwritten in ink (verso): "At Buda 1906"bertha leviny, mary leviny, gertrude leviny, hilda leviny, dorothy leviny, kate leviny, james leviny, australian terrier dog, kodak box brownie camera, edwardian costume, buda, 1906, photograph, portrait, leviny women, castlemaine

Malcolm Cameron, came from Scotland to Australia with his wife Isabella in 1862. From late 1862 they lived in Bacchus Marsh and remained there for the rest of their lives. After working as a shepherd for some time, Malcolm Cameron was able to acquire land for a farm a few kilometres north west of Bacchus Marsh. The farm was called Glen View but this was later changed to Grand View. It is known to have been a wheat farm. Malcolm Cameron died aged 89 in 1922. His wife died in 1926. Mrs Cameron is presumed to be the woman seated in the photograph and the younger people the Cameron children, Catherine (b.1863), Marion (b.1864)), Mary (b.1867), John (b.1870) and Isabella (b.1872). Small sepia unframed photograph on card with gold border framing photograph. Housed in the album, 'Photographs of Bacchus Marsh and District in 1883 by Stevenson and McNicoll'. The image shows a family group, the Cameron family of Bacchus Marsh, standing and sitting in the garden in front of their farm house. The group comprises four women, a girl, a boy and an elderly man, who is presumed to be Malcolm Cameron. The woman seated in the middle of the group is likely to be Mrs.Cameron. To the left in the picture is a dog. In the background is the weatherboard farm house, a simple construction with two large chimneys and a skillion extension.On the front: Stevenson & McNicoll. Photo. 108 Elizabeth St. Melbourne. COPIES CAN BE OBTAINED AT ANY TIME. On the back: LIGHT & TRUTH inscribed on a banner surmounted by a representation of the rising sun. Copies of this Portrait can be had at any time by sending the Name and Post Office Money Order or Stamps for the amount of order to STEVENSON & McNICOLL LATE BENSON & STEVENSON, Photographers. 108 Elizabeth Street, MELBOURNE. stevenson and mcnicoll 1883 photographs of bacchus marsh and district, farmers, farms, wheat farms, cameron family bacchus marsh

A daughter of Henry Francis and his wife Mary (née Hepbuirn or Hepburn), Harriet married George Knight of Spring Vale (now Pittong) in 1900. Harriet is shown in this photograph with her two sons - William, born 1903, and George, born 1905. Harriet and George Knight also had a daughter, Victoria May, born 1901, who died in 1904. Harriet's husband George died in 1907. After she was widowed Harriet continued to run their farming enterprise. As part of this she ran a butchery, providing meat to people living in the Pittong district. Alice Knight (Harriet's granddaughter) commented in 2018 that the photo shows Harriet having quite muscular arms, which she thought was a result of hard physical labour on the farm.Black and white portrait of a woman wearing a dark dress with high collar, sitting in a chair with a small boy on either side, both boys wearing large white lace collars.harriet knight (née francis), george knight, william (bill) knight