Showing 2297 items
matching reed-shoe
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Glenelg Shire Council Cultural Collection
Painting, Portland Submarine Shoe, c. 1999
Exhibition in the Arts Company in 1999?Painting of a fanciful show with chunky high heel, resting on a rocky sea bed, Shoe is fitted with portholes, and periscope like a submarine. The sea is full of stylised red fish, and more fish can be seen in the show itself.Front: (no inscriptions) Back: (no inscriptions) -
Orbost & District Historical Society
framed photograph, Ian Clues Photography
Stanley J. Reed was an Orbost Shire Councillor from 1950-1993. He represented North Riding.A black and white photograph of Councillor Stan J. Reed in a black wooden frame.Cr Stan J. Reed Orbost Shire Councillor-Represented North Riding 1950-1993 Shire President: Four terms 1954-55 , 1955-56 1972-73 & 1973-74 municipal orbost-shire-council reed-stan government -
Woodend RSL
Uniform - Lighthorse horse shoe carry
The light horse shoe carry pouch is not from World War 1, but is a later manufacture. British Universal Pattern(UP) 1902 as worn by horses in the Australian light horse, artillery, and horse drawn transport between circa 1902 and 1942. All light horsemen carried a horseshoe carrier (5 styles were used) containing spare nails and two horseshoes as standard issue, so that horses could be re-shod immediately if they accidentally cast a shoe.L.I.L & Sons 1941 -
Greensborough Historical Society
Advertisement - Digital Image, Diamond Valley Shoe Store 1954, 1954
Advertisement for Diamond Valley Shoe Store, of Main Street Greensborough. Copied from a booklet produced by Greensborough Primary School [Gr2062] in 1954, entries are sponsors of the publication.Digital copy of advertisement from booklet.greensborough primary school, diamond valley shoe store, main street greensborough -
Greensborough Historical Society
Advertisement - Digital image, Clothing and shoe advertisements, 1942_
These advertisements were found in a suitcase donated by a GHS member. The case contained newspapers and other items. These advertisements for women' s shoes and clothing date from 1942.Although the advertisement not Greensborough based, it came from a local home.Digital copy of newspaper advertisement.clothing, shoes -
NMIT (Northern Melbourne Institute of TAFE)
Minutes - CTS, Minutes of Boot and Shoe Advisory Committee, Collingwood Technical School. 1924-1930, 1924-1930
Minutes of the Boot and Shoe Advisory Committee containing information about the Boot and Trade section of Collingwood Technical School from 1924-1930. Includes information regarding early applicants to teach in this area.Early minutes relating to Collingwood Technical School.Black covered exercise book containing handwritten minutes.All entries are handwritten.collingwood technical school, cts, boot trade, shoe trade, boot and shoe advisory committee, nmit, -
Kilmore Historical Society
Tool - Divided shoe last, Wooden shoe last, April2002
Pale coloured vanished wooden shoe last with metal hinge at the heel end. Hollowed inside with nail at the toe to join both sides. Large hole through both sides below the arch. 5 smaller holes on both sides from toe to instep9 stamped on left side 10 stamped on right side between arch and toe -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Clothing - Baby socks silk c1930, c1930
These baby's silk socks x2 were made by a member of Gladys Reed's family c1930 in Moorabbin Shire and show the needlework skills .of residents . Gladys Reed was a member of the Ormond Choral Society c 1950 that performed plays and musicals in the the City of Moorabbin These baby's silk socks x2 were made by a member of Gladys Reed's family c1930 in Moorabbin Shire and show the needlework skills .of residents 1 pair x Finely hand knitted cream silk baby socks . Sole of foot is plain with decorative stitches on upper foot and leg. clothing, craftwork, silk, baby wear, early settlers, moorabbin shire, mechanics institute cheltenham, ormond choral society, postworld war 11 settlers, housing estates moorabbin 1950, bentleigh, ormond, moorabbin, cheltenham, drama societies, musical society cheltenham, clark judy, reed gladys, reed george -
Wodonga & District Historical Society Inc
Footwear - Leather Running Spikes, 1950s
These running spikes belonged to Adrian Conway, probably in the late 1940s. He was an actives sportsman in the Wodonga community including playing football and golf. Adrian was a son of Michael and Catherine Conway of Wodonga. He passed away in 2002. This item was donated by one of his sisters.These running spikes belonged to a well-known member of the Wodonga community.A pair of black leather running spikes. Each shoe has 12 lace eyelets, but no laces are included. Each shoe has 5 metal spikes on the sole under the front of the shoe. The number 967 is also on the sole of each shoe.Under sole of each shoe: Mac Shoerunning spikes, athletics, wodonga sport -
Melbourne Tram Museum
Document, Melbourne & Metropolitan Tramways Board (MMTB), "List of brake shoe type fitted to trams", 8/7/1963
Typed report on the type of brake shoe fittings fitted to each tram as at 8/7/1963. The report lists each passenger tram from VR 52 to W71040, and what their status was if not in use - eg stored, sold, scrapped. The list excludes the early MMTB trams of A to V class. Works cars are not listed. Yields information about the status of the MMTB Passenger fleet in 1963 and the type of brake shoe types fitted to each.Document or report 5 foolscap sheets - carbon copytramways, tramcars, lists, scrapped trams, brakes -
Flagstaff Hill Maritime Museum and Village
Print - Religious Portrait, Herbert Beecroft, artist, The Lord turned and looked upon Peter … and Peter remembered, 1947
This print of Christ is slightly smaller than the original 1927 oil painting by Herbert Beecroft, which is titled “Christ” and measures, in centimetres, 60 high by 50 wide. The original is displayed at John Wesley’s House & The Museum of Methodism in Islington, England. The title of the print is taken from the Holy Bible, from the New Testament book of Luke, chapter 22 verse 61, which is a famous Christian account of Jesus being betrayed by Peter, which leads to Jesus’ crucifixion; “And the Lord turned, and looked upon Peter. And Peter remembered the word of the Lord, how he had said unto him, Before the cock crow, thou shalt deny me thrice.”. The print was published in 1942 by the National Sunday School Union in England, now known as the National Christian Education Council. The NSSU was established in Britain in 1803 to promote Sunday Schools in Britain and overseas. The organisation produced many publications including training manuals and materials for Sunday School teachers. Herbert Beecroft 1864-1951, also known as Lawrence Herbert Beecroft, was an early 20th-century artist. He and his wife emigrated from England to Sydney, Australia, in 1905. He worked as a painter, illustrator, miniaturist ‘lightning cartoonist’, and lecturer. From 1927 Beecroft painted a series of portraits of Jesus Christ, prints of which made many worldwide sales. He entered a miniature portrait in the 1921 inaugural Archibald Prize competition. It was one of forty-one entries but the title was unknown. It is highly probable that it was JF Archibald, the person who endowed the prize, first awarded in 1921. This print of Christ, originally painted by Herbert Beecroft, represents the social movement in the early 20th century to educate all children in good morals and Christianity.A religious portrait of the artist’s impression of Jesus. The print is in a gilt timber frame behind glass. The frame has eyelets and wire for hanging. The backing paper lifts to reveal a handwritten pencil inscription. The portrait shows a male figure from the waist up facing the viewer but turned slightly to his right. He has long wavy blond hair, a moustache and a beard. He wears a blue-grey robe over a collarless white shirt. The background is red-brown. It is the artist’s impression of Jesus. The whole frame-mat has script text above and below the print, giving its title, and details of the publisher and producer. This print was produced from an original 1927 oil painting by Herbert Beecroft. It was published in 1942 by The National Sunday School Union in London and produced by Frost & Reed Ltd. England. Handwritten script on the mat; “Published in 1942 by the National Sunday School Union, 4 Black Friars Lane, London, EC4. Produced by Frost & Reed Ltd., Bristol & London. Printed in England. Copyright.” and, “The Lord turned and looked upon Peter … and Peter remembered” Signature on bottom left “Herbert Beecroft” In pencil on backboard under back paper “H 89 / 12”. Pen on white tape “155”flagstaff hill, warrnambool, maritime village, maritime museum, shipwreck coast, great ocean road, print, religious, vintage, 1942, herbert beecroft, lawrence herbert beecroft, archibald prize winner, early 20th-century, artist, oil painting, luke 22:61 -
NMIT (Northern Melbourne Institute of TAFE)
Photographs: CTS 1943-1946 Boot and Shoe - Footwear Building, Photographs: : CTS 1943-1946 Boot and Shoe - Footwear Building
A number of black and white photographs recording the history of Collingwood Technical School's Boot and Shoe building. This building was burnt down in 1943. Machinery valued at £14,000 was lost. Total damage was estimated at £25,000. It was the only bootmaking school in Melbourne. (Scott p.48). It was replaced by the Footwear Trades building which was constructed between 1945 and 1947. The foundation stone for the new building was laid on 21st February 1945 by the Hon. T. T. Hollway, MLA, Minister of Education. The photographs include: The original Boot and Shoe classroom [1929]-1943; The Burnt out building 1943; Six photographs of the Laying of the Foundation Stone event on 21st February 1945 by the Hon. T. T. Hollway, MLA, Minister of Education (note the band on the roof in most of these six photos); Two photographs of the progressive construction of the new building. See Scott's history p.49.collingwood technical school, buildings, boot and shoe building, footwear building, fires, nmit -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Clothing - Lady's blouse,fitted, cutwork c1950, c1950
This fitted cotton blouse with cutwork was made and worn by Mrs Gladys Reed c 1950 whilst a resident of the City of Moorabbin c 1950Mrs Gladys Reed, a member of the Ormond Choral Society c 1950 and was an accomplished dressmaker and craftworker. Theatrical Societies were part of the community recreation for settlers in post World War 11 City of Moorabbin A white cotton fitted lady's blouse with short sleeves, cutwork bodice and flared waist.clothing, dressmaking, cutwork, needlework, ormond theatrical society, mckinnon, bentleigh, moorabbin, reed gladys, clark judy clothing, actors, early settlers, post world war 11 estates, knitting, crochetwork, -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Clothing, Theatrical prop, Hat, beaded evening wear, c1950
Gladys Reed was a member of the Ormond Choral Society c 1950. and these clothing props were used in the plays and musicals when performed in the City of Moorabbin c1950 Drama, Musical and Choral Societies were founded by local residents in the City of Moorabbin c1950 to provide social, artistic and musical entertainment and development in their communities A theatrical prop for the Ormond Choral Society c1950 that simulates a 1920's flapper beaded evening wear cloche hat. White lace is over sewn with small pearl beads and 3 rows of shiny beading with large pearls and beading around edge of hat. Loops of small pearls hang from each side . Shown with beaded waistband MAV 00297 early settlers, moorabbin shire, mechanics institute cheltenham, ormond choral society, postworld war 11 settlers, housing estates moorabbin 1950, bentleigh, ormond, moorabbin, cheltenham, drama societies, musical society cheltenham, clark judy, reed gladys, reed george -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Clothing, white cotton lace blouse, c1960
Gladys Reed was a member of the Ormond Choral Society c 1950. who performed plays and musicals the City of Moorabbin and she was an accomplished dressmaker and made this blouse for her daughter Judy.Manufactured lace became affordable and plentiful so it was used by home dressmakers like Gladys Reed in City of Moorabbin c1960A white cotton lace, sleeveless blouse c 1960 with opening front fastened by hooks and eyes clothing, manufactured lace, dressmaking, blouses, theatrical props, craftwork, sequins, beading, early settlers, moorabbin shire, mechanics institute cheltenham, ormond choral society, postworld war 11 settlers, housing estates moorabbin 1950, bentleigh, ormond, moorabbin, cheltenham, drama societies, musical society cheltenham, clark judy, reed gladys, reed george -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Clothing - Clothing, 1/2 petticoat cotton and knitted wool, c1950
c1950 Mrs Gladys Reed made this 1/2 petticoat from white cotton and knitted pink wool which she wore during winter to keep herself warmGladys Reed was a member of the Ormond Choral Society c 1950. who performed plays and musicals in the City of Moorabbin and she was an accomplished dressmaker and knitted this warm winter petticoat for herself.A 1/2 petticoat with a wide cotton waist band, knitted pink wool skirt and elastic waist insertclothing, underwear, petticoats, knitting, dressmaking, theatrical props, craftwork, sequins, beading, early settlers, moorabbin shire, mechanics institute cheltenham, ormond choral society, postworld war 11 settlers, housing estates moorabbin 1950, bentleigh, ormond, moorabbin, cheltenham, drama societies, musical society cheltenham, clark judy, reed gladys, reed george -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Clothing - Theatrical prop, waistband beaded eveningwear, c1950
This beaded sequined waist band for evening wear was a clothing prop used in the plays and musicals performed in the the City of Moorabbin. Gladys Reed was a member of the Ormond Choral Society c 1950. Gladys Reed was a member of the Ormond Choral Society c 1950. and this beaded sequined clothing prop was used in the plays and musicals when performed in the the City of Moorabbin A Theatrical prop, evening wear as a taffeta waistband with beading, multi coloured sequins, and corded cotton waist ties.c1950 Shown with Theatrical prop white beaded lace hat MAV 00295clothing, theatrical props, craftwork, sequins, beading, early settlers, moorabbin shire, mechanics institute cheltenham, ormond choral society, postworld war 11 settlers, housing estates moorabbin 1950, bentleigh, ormond, moorabbin, cheltenham, drama societies, musical society cheltenham, clark judy, reed gladys, reed george -
Marysville & District Historical Society
Ephemera (Item) - President's Report, Malcolm Reed, Marysville and District Tourist & Progress Association-President's Report 1981-82, 1982
Marysville and District Tourist & Progress Association-President's Report 1981-82. The report outlines the events and activities that the Association and its members were involved in and organised in the year of 1981 to 1982. At the time of this report Malcolm Reed was the President of the Association.Marysville and District Tourist & Progress Association-President's Report 1981-82. The Association was formed in November 1907 to promote tourism within the area. This included the physical creation of signage, parklands, roads and walks to various attractions. marysville, victoria, lake mountain, marysville tourist and progress association, president's report -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Clothing - Lady's top silk, lace skirt c1930, c1930
This silk top with handmade lace skirt is an example of the dressmaking, crochet and needlework skills of the women of the early settler families in Moorabbin Shire c1930 Gladys Reed was a member of the Ormond Choral Society c 1950. who performed plays and musicals the City of Moorabbin and this top was used by her family c1930This white silk top with hand made lace skirt is an example of the style worn by women in the Shire of Moorabbin c1930 a white silk v neck sleeveless top with hand made lace skirt and fine horizontal pintucks clothing, reed gladys, reed george, clark judy, ormond choral society, haberdashery, crochet, doilies, brighton, moorabbin, pioneers, dressmaking, market gardeners, early settlers, craftwork , bentleigh, lacework, moorabbin shire, hunt ailsa, dairy farms, fruit orchards -
Kew Historical Society Inc
Footwear - Pair of Black Satin & Velvet Shoes, Enrico Coveri, 1985
The extensive fashion and design collection of the Kew Historical Society has been assembled over a number of decades. One subsection of this collection is shoes, designed and manufactured for Australian women by Australian and European designers. Many of the shoes, while often mass-produced, were generally constructed by skilled artisans using traditional shoe-making techniques. The shoes date from the 1890s to the 1980s. These shoes were owned, worn and donated to the collection by Annie McIntyre.The McIntyre Collection of clothing and clothing accessories forms one of the largest single donations to our Fashion & Design collection. It includes clothing and clothing accessories worn by four women in the Cohen and McIntyre families across three generations. The items worn by Melbourne architect, and Kew resident, Dione McIntyre date from the 1960s and 1970s, and include evening wear, day wear, hats and shoes. As Dione McIntyre often accompanied her husband, fellow architect Peter McIntyre, to formal events, there are a number of pieces of evening wear among the items. The McIntyre Collection also includes items worn by women of an earlier generation: by Lilian Cohen, Dione McIntyre's mother, and by her mother-in-law, the wife of the architect Robert McIntyre. At the other end of the chronological spectrum are a number of outfits belonging to, worn and donated by Annie McIntyre. These include outfits created by notable late 20th century Australian and/or international fashion designers. The McIntyre Collection is significant historically and artistically as it includes examples of design that demonstrate changing tastes in fashion over an 80-year period. The collection is also significant in that it includes the work of a large number of Melbourne designers from the 1960s to the 1990s. Black satin and velvet evening shoes, by Enrico Coveri. The shoes were purchased by Annie McIntyre and worn with her Martin Grant outfit in 1985 at her 21st birthday party. The shoes, donated by Annie McIntyre, form part of the McIntyre family collection.A note by Dione McIntyre, describing the outfit, of which this item is a part reads: "Martin Grant outfit, including black satin and velvet shoes. Martin Grant was originally from Melbourne, now internationally and renowned and designing and living in Paris. The outfit was worn by Annie McIntyre on her 21st birthday, 1985"mcintyre collection, enrico coveri, international fashion - footwear - 1980s, women's shoes -
Phillip Island and District Historical Society Inc.
Book, SHAKESPEARE, William, dramatic works of William Shakspeare [sic] , from the text of Johnson, Stevens & Reed ; with glossarial notes, his life, etc., by Nicholas Rowe, Esq, 1863
Labelled 'Phillip Island & District Historical Society', 'Scotch College Melbourne, First Prize, Arithmetic, 5th class 1st division, awarded to John McGregor, Alexander Morrison A.M., Principal, 11th December 1866', 'Presented to the Phillip Island & District Historical Society by Mrs Sybil Justice of Ventnor, 1969' ; Inscribed '.....eter Justice with love from Jessie'. Blind stamped 'Scotch College Melbourne, Deo et literis'. -
Federation University Historical Collection
Photograph, Tim Reed of Verus Testing Solutions
Tim Reef shows new softwsre solutionsat the Greenhill Enterprise Centre, Ballarat Technology Park.tim reed, verus testings solutions, greenhill enterprise centre, ballarat technology centre -
Maldon Brass Band Inc.
Clipping, Chappell's Brass and Reed Band Journal
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Heidelberg Theatre Company Inc..
Program Photos Reviews Newsletter Special Events, Burke's Company by Bill Reed directed by David Small
1985, 231, director david small, waverley festival of theatre, heidelberg theatre company inc. -
Eltham District Historical Society Inc
Journal, Angry Penguins, Editors: Max Harris-John Reed, December 1944
Contains articles by Alan Marshall, Albert Tucker and Clem Christesen (prior to his settling in Eltham) and an art review by Paul Haefligler on Seven Paintings From the 6th Annual Exhibition of the Contemporary Art Society of Australia (including Albert Tucker's "Images of Modern Evil")Alan Marshall, Albert Tucker and Clem Christesen were all notable identities of the Shire of Eltham districtSoftcover; 114 pages; 27.6 x 21 cmalan marshall, albert tucker, angry penguins (journal), clem christesen -
Darebin Art Collection
Artwork, other - Maree Clarke, River reed necklace, 2014
Maree Clarke is a pivotal figure in the reclamation of south-east Australian Aboriginal art and cultural practices and has a passion for reviving and sharing elements of Aboriginal culture that were lost – or lying dormant – as a consequence of colonisation. She a leader in nurturing and promoting the diversity of contemporary Koorie artists through her revival of traditional possum skin cloaks, together with contemporary designs of kangaroo teeth necklaces, river reed necklaces and string headbands adorned with kangaroo teeth and echidna quills. River Reed Necklace forms a key element of the artist’s practice regenerating cultural practices and strengthening cultural identity and knowledge. Maree Clarke has exhibited widely both nationally and internationally, and in 2021 she was the subject of a major survey exhibition Maree Clarke – Ancestral Memories at the National Gallery of Victoria. Other recent exhibitions include Tarnanthi, Art Gallery of South Australia, Adelaide (2021), The National, Museum of Contemporary Art Sydney (2021), Reversible Destiny, Tokyo Photographic Museum, Tokyo Japan (2021) and the King Wood Mallesons Contemporary Art Prize, for which she was awarded the Victorian Artist award. In 2020 she was awarded the Linewide Commission for the Metro Tunnel project and was the recipient of the Australia Council Aboriginal and Torres Strait Islander Arts Fellowship. -
Bass Coast Shire Council - Art Collection
Photograph - Inverloch Coast, Warren Reed
AustraliaOriginal Limited Edition PhotographSigned -
Park Orchards Community House
Newspaper, Eira Reed, Park Orchards Kindergarten's first directoress, farewelled after 21 years. The kindergarten started in 1965. Doncaster and Templestowe News, 4 November 1986
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Ararat Gallery TAMA
Clothing, Christian Dior, Shoes - pair - and shoe clips
The Lady Barbara Grimwade Costume Collection is comprised of Lady Barbara Grimwade's personal apparel and includes 145 pieces of clothing, 10 hats, 19 handbags, 66 pairs of shoes and assorted accessories of gloves, belts and scarves. In its breadth, this significant acquisition ranges from the mundane to the memorable, therefore giving a balanced representation of one person's taste. Following Lady Barbara Grimwade’s death in March 1990, Ararat Gallery formally accepted the generous gift of clothing and accessories donated by Lady Grimwade's son, Mr Angus K Grimwade, on 28 August 1991. Subsequent smaller donations in 1995 enhanced the collection. Lady Grimwade's Scottish forebears, the Gaerloch Campbells, first settled in Australia in 1861 in the Ararat-Beaufort district. Her great great grandfather, Mr Henry Campbell, died on the voyage to Australia. His widow, Jane, with 10 of her 13 children, farmed and grazed land, firstly at Stockyard Hill then at Fiery Creek, near Buangor, before leaving the shire in 1873. Lady Grimwade held a privileged position in Melbourne society. As the wife of Sir Andrew Grimwade, a prominent businessman, Chairman of several boards and a Trustee of various committees, Lady Grimwade met with royalty, heads of state, politicians, corporate directors, and horse and cattle breeders. Excerpt from 'Hot Pink Summers' catalogue essay, Helen Jackson, 1995. -
Flagstaff Hill Maritime Museum and Village
Container - Tin, Kiwi Shoe Polish Manufacture, 1940s
The polish was developed in Australia by William Ramsay who named it Kiwi after the flightless bird endemic to New Zealand, the home country of his wife, Annie Elizabeth Meek Ramsay. Its success in Australia expanded overseas when it was adopted by both the British and American armies in World War I. In the UK, Kiwi was for many years manufactured at its British headquarters in Ealing (Brumwell Road, London W5 1DT). From here the factory manufactured for the UK market and exported the Kiwi brand too much of Europe and the Middle East. In the mid-1970s, as part of a major streamlining, the UK factory was closed with production switched to France. The UK operation moved to Surrey at Yately becoming, effectively, a sales and marketing office, with distribution contracted to a third party. In 1980, production for the UK market moved back to the UK and was housed in a factory near Huddersfield. The UK head office was relocated to Maidstone, Kent, where Kiwi had other product interests. Following the global merger with Nicholas Laboratories, the UK head office was again relocated to Slough at the Nicholas building on Bath Road.A significant product as Kiwi is an Australian brand name of shoe polish, first launched and sold in Australia in 1906 and as of 2005 sold in almost 180 countries. Previously owned by the Sara Lee Corporation since 1984, it was sold in 2011 to S. C. Johnson. It is the dominant shoe polish in some countries, including the United Kingdom and the United States, where it has about two thirds of the market. In Malaysia and Singapore, Kiwi has become such a household brand for a shoe polish that the word "kiwi" has been genericized into a verb in the Malay language, meaning "to polish one's shoes".Metal cleaning outfit of Kiwi boot polish brush, scraper, & polish missingKiwi Boot Polish to front of containerflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village