Yields information about the operation of the horse tram in Wendouree Parade and some of the people involved and the way it was operated and the repainting of tram 671.Set of eight colour photographs taken by Carolyn Dean on 1 October 1995 during operations of the Horse Tram No. 1 in Wendouree Parade and of tram No. 671 during repainting. Printed on Fujicolor paper. .1 - BTM trams 27 and 14 at Gardens Loop .2 - 14 in loop (with trolley pole facing for northbound running) and No. 1 passing. .3 - ditto .4 - ditto .5 - ditto .6 - view from the top deck, with the two horses in photo - taken south bound from St. Aidans Drive .7 - No. 671 being repainted, on depot fan - prior to lining and internal blue paint panels .8 - ditto with 14 in background. .9 - as for .2 See also Reg Item 4070.1 > 4070.5 for other photos of the same event. On rear of each photo in blue ink "1.10.95" and "C. Dean"horse trams, wendouree parade, gardens loop, 671, tram 14, tram 27, tram 1, tram 671

Yields information about the 2010 Begonia Festival, the trams during the Parade and has a strong association with some of the volunteers.CD compact diskette in a paper envelope, containing a set of 14 images of the Begonia Weekend 2010, taken by Austin Brehaut. .1 - Trams on the depot fan on the morning of 6/3 .2 - 671 and 28 at Carlton St - 8/3 .3 - Begonia Festival parade spectators inside 661 - 8/3 .4 - ditto .5 - 671 and people for the Parade 8/3 .6 - The Parade about to happen - 661 and 671 at the loop - 8/3 .7 - 661 and people for the Parade 8/3 ,8 - Peter Winspur views the coming parade 8/3 .9 - Viewing the parade - 8/3 .10 - Peter Bruce viewing .11 - Bill Kingsley viewing .12 - Graeme Cleak using 671 to view the Begonia Festival 8/3 .13 - 661 and 671 laid up at the loop - 8/3 .14 - 27 being prepared for a repaint and repairs.On CD "Begonia Weekend 2010 / A. Brehaut" and on paper case "Peter Winspur"begonia festival, depot, wendouree parade

Photo - see pdf file for further information. Number Brief Description RT091 Burke Road Camberwell south of the Junction but before Inglesby St. W7 No. 1007 Destination "Special". RT092 Riversdale Road Camberwell Junction - SW6 No. 933 - "City" - route 70 RT093 Miller Street outside the Preston Workshops - W2 No. 597 - "City - Spencer St" - route 9A RT094 West Maribyrnong Terminus SW6 No. 927 - "City via North Melb." - route 57 plus Y class No. 469 - "City" RT095 Queens Way St. Kilda. PCC No. 980 - "Special" RT096 Reserve track running alongside River St. Maribyrnong Y class No. 469 west bound - "Hawthorn Depot" RT097 Footscray Terminus Leeds Street Y class No. 469 - "Special" RT098 Brunswick Depot - various trams including W3 No. 657 - W5 No. 755 "Moreland" route 20 & W5 No. 732 "Moreland" route 15. RT099 North Fitzroy Depot AETA - buses 543, 551 & 583 All AEC Mk 3's RT100 Port Melbourne Station with four car "Harris" set. RT101 St Kilda Station with four car "Harris" set. RT102 Preston Workshops W2 No. 397 - route 01 (01 overhaul) plus another W2 and a Y1 RT104 Preston Workshops, W5 No 681 - not long after a repaint. RT105 Preston Workshops, Freight car No. 19 RT106 Preston Workshops, various cars of different classes. nearest is W5 No. 793 Route 03 (03 overhaul) Demonstrates the work of Robert Thomson in photography, collection and/or production of slidesAssembled album in a black presentation folder of 16 colour slides, collected or produced by Robert Thomson. All photographs have been scanned and placed on the Museum's G drive. A list of all photographs with details has been compiled. melbourne, tramways, trams, aeta, mmtb, preston workshops, miller st, footscray, leeds st, burke rd, west maribyrnong, camberwell junction, brunswick depot, north fitzroy depot, buses, mmtb buses, aec mk iii, w2 class, w3 class, sw6 class, w7 class, w5 class, tram 793, tram 19, tram 1007, tram 681, tram 397, tram 657, tram 469, y class, tram 980, pcc class, queens way, tram 933, riversdale road, camberwell, tram 755, tram 732, bus 543, bus 551, bus 583, port melbourne railway, railways, route 70, route 57, route 15, route 20, route 9a

Destination roll that was used in Camberwell Depot trams, Melbourne, until the late 1960's. Roll on linen, with white letters on black background. Has stencilled words "STOP CAMB" on bottom of roll, generally stencilled, though a few handwritten, miniature destination on rear to assist driver to locate the destination. Letters approx. 140 high. Roll consists of an unpainted section 525 long at top and 165 long unpainted section at base. Painted section approx. 9.9m long. Has on the bottom of the roll, a section which has been added to the roll or repaired by adding a new section. Some repainting of the old destinations also apparent. The middle of three "CITY" destinations and other parts adjacent have been repaired. Image information - btm1748i1 to 1747i9 - photos of various sections of roll from top to bottom - shows level of damage. btm1749i10, shows repair to the middle of the three "CITY" destinations. btm1749i4 shows the damage from the main side. For listing of destinations - see images.tram, trams, melbourne, camberwell depot, destination roll, mmtb

Yields information about the ex Melbourne bogie trams brought to Ballarat early 1950's and after preparation for service in BallaratBlack and white photo print from a collected negative of Ballarat tram No. 40 on the depot fan at Ballarat, probably soon after being placed in service after repainting to SEC colour scheme in 1951. Two copies of the negative held. See also Registration Number 889 for another copy of this photograph. Two copies of print held - Copy 1 - ex display board - see history of object - has been cropped on sides. - 187H x 233W Copy 2 - 180 x 243 print mounted onto heavy black cardboard sheet - 243H x 304W - for display purposes - stored in 01-03-47 Copy 3 - 165H x 216W - added 26/7/2007, ex Alan Bradley 5/2007. Colour photocopy, laminated, of this photograph on display 5/2000 at 02-02-06. Scan of the negative held added 15/5/2020 as i1. Low res version i2.tramways, trams, 40, depot, bogie trams, tram 40

Set of ten photographs taken or arranged by Carolyn Dean during the 2004 Begonia Festival. On Kodak paper. Nos. 1, 5 and 6 taken on 6/3/2004, remainder 8/3/2004. .1 - Scrubber tram No. 8 showing progress on repainting to MMTB style. .2 - John Phillips photographing John Shaw in front of No. 27, with the destination "Alstom" on depot fan. .3 - John Shaw standing in front of No. 27 .4 - John Shaw attending to the trolley rope of No. 27 .5 - Six BTM standings in front or on No. 27 - John Shaw, Roger Salen, Simon Green, Carolyn Dean, Alastair Reither and John Phillips. .6 - ditto .7 - Wearing their Alstom tops and caps, BTM Crew with 661 and 671 in the background: = left to right - Simon Green, Alastair Reither, John Shaw, Len Millar, Roger Salen , Carolyn Dean, John Phillips, Alan Snowball, Peter Winspur, Stephen Butler and Sam Boon on Monday 8/3/2004. .8 - ditto .9 - as for .3 .10 - as for .1On rear of each photo in ink, date and who took the photograph.btm, begonia festival, alstom, wendouree parade, tram 8, tram 27, tram 661, tram 671

Series of four Black and White Photographs cable trams in Melbourne at the Bridge Road terminus or city during the mid 1920's/ .1 - Bridge road terminus with the car house or depot on the left hand side with the destination of Spencer St. .2 - Gripman possibly checking his watch with a depot worker? stepping off the tram. .3 - family stepping off the tram with cable trailer 368 in the view - Elizabeth St, near Flinders St? See Brian Weedon's notes re the photo and the trailer. .4 - As for .1 - with an X marked above the lady and a very large motor car passing. Printed on Kodak Paper. Adam Chandler advised by email 5/8/2020: " note there's a destination box fitted to the grip - from memory, these started to be used from the mid-1920s with the dummy and trailer repaints into the brown colour? That also looks to be either a 1925 or 26 Buick - the "moustache" shape at the top of the front radiator grille and the distinctly angled lower sash of the windscreen are further hints. Given the Richmond line closed in 1927 for conversion I'd say some time between 1924 and 29 June 1927." Also see image i5.pdf for further notes regarding the photographs and the Bridge Road tram depot building - use the original pdf file to read. Image i6, has had the "X" removed - done by Darren Hutchesson.On rear in ink in each print, "Cable car Melbourne" and "286 Anzac Hy/Marion Rd Adelaide SA, collection of late Don Schultz"trams, tramways, cable trams, bridge road, flinders st, richmond depot, hawthorn bridge, tram 368

1. Rock-art of the Western Desert and Pilbara: Pigment dates provide new perspectives on the role of art in the Australian arid zone Jo McDonald (Australian National University) and Peter Veth (Australian National University) Systematic analysis of engraved and painted art from the Western Desert and Pilbara has allowed us to develop a spatial model for discernable style provinces. Clear chains of stylistic connection can be demonstrated from the Pilbara coast to the desert interior with distinct and stylistically unique rock-art bodies. Graphic systems appear to link people over short, as well as vast, distances, and some of these style networks appear to have operated for very long periods of time. What are the social dynamics that could produce unique style provinces, as well as shared graphic vocabularies, over 1000 kilometres? Here we consider language boundaries within and between style provinces, and report on the first dates for pigment rock-art from the Australian arid zone and reflect on how these dates from the recent past help address questions of stylistic variability through space and time. 2. Painting and repainting in the west Kimberley Sue O?Connor, Anthony Barham (Australian National University) and Donny Woolagoodja (Mowanjum Community, Derby) We take a fresh look at the practice of repainting, or retouching, rockart, with particular reference to the Kimberley region of Western Australia. We discuss the practice of repainting in the context of the debate arising from the 1987 Ngarinyin Cultural Continuity Project, which involved the repainting of rock-shelters in the Gibb River region of the western Kimberley. The ?repainting debate? is reviewed here in the context of contemporary art production in west Kimberley Indigenous communities, such as Mowanjum. At Mowanjum the past two decades have witnessed an artistic explosion in the form of paintings on canvas and board that incorporate Wandjina and other images inspired by those traditionally depicted on panels in rock-shelters. Wandjina also represents the key motif around which community desires to return to Country are articulated, around which Country is curated and maintained, and through which the younger generations now engage with their traditional lands and reach out to wider international communities. We suggest that painting in the new media represents a continuation or transference of traditional practice. Stories about the travels, battles and engagements of Wandjina and other Dreaming events are now retold and experienced in the communities with reference to the paintings, an activity that is central to maintaining and reinvigorating connection between identity and place. The transposition of painting activity from sites within Country to the new ?out-of-Country? settlements represents a social counterbalance to the social dislocation that arose from separation from traditional places and forced geographic moves out-of-Country to government and mission settlements in the twentieth century. 3. Port Keats painting: Revolution and continuity Graeme K Ward (AIATSIS) and Mark Crocombe (Thamarrurr Regional Council) The role of the poet and collector of ?mythologies?, Roland Robinson, in prompting the production of commercial bark-painting at Port Keats (Wadeye), appears to have been accepted uncritically - though not usually acknowledged - by collectors and curators. Here we attempt to trace the history of painting in the Daly?Fitzmaurice region to contextualise Robinson?s contribution, and to evaluate it from both the perspective of available literature and of accounts of contemporary painters and Traditional Owners in the Port Keats area. It is possible that the intervention that Robinson might have considered revolutionary was more likely a continuation of previously well established cultural practice, the commercial development of which was both an Indigenous ?adjustment? to changing socio-cultural circumstances, and a quiet statement of maintenance of identity by strong individuals adapting and attempting to continue their cultural traditions. 4. Negotiating form in Kuninjku bark-paintings Luke Taylor (AIATSIS) Here I examine social processes involved in the manipulation of painted forms of bark-paintings among Kuninjku artists living near Maningrida in Arnhem Land. Young artists are taught to paint through apprenticeships that involve exchange of skills in producing form within extended family groups. Through apprenticeship processes we can also see how personal innovations are shared among family and become more regionally located. Lately there have been moves by senior artists to establish separate out-stations and to train their wives and daughters to paint. At a stylistic level the art now creates a greater sense of family autonomy and yet the subjects link the artists back in to much broader social networks. 5. Making art and making culture in far western New South Wales Lorraine Gibson This contribution is based on my ethnographic fieldwork. It concerns the intertwining aspects of the two concepts of art and culture and shows how Aboriginal people in Wilcannia in far western New South Wales draw on these concepts to assert and create a distinctive cultural identity for themselves. Focusing largely on the work of one particular artist, I demonstrate the ways in which culture (as this is considered) is affectively experienced and articulated as something that one ?comes into contact with? through the practice of art-making. I discuss the social and cultural role that art-making, and art talk play in considering, mediating and resolving issues to do with cultural subjectivity, authority and identity. I propose that in thinking about the content of the art and in making the art, past and present matters of interest, of difficulty and of pleasure are remembered, considered, resolved and mediated. Culture (as this is considered by Wilcannia Aboriginal people) is also made anew; it comes about through the practice of artmaking and in displaying and talking about the art work. Culture as an objectified, tangible entity is moreover writ large and made visible through art in ways that are valued by artists and other community members. The intersections between Aboriginal peoples, anthropologists, museum collections and published literature, and the network of relations between, are also shown to have interesting synergies that play themselves out in the production of art and culture. 6. Black on White: Or varying shades of grey? Indigenous Australian photo-media artists and the ?making of? Aboriginality Marianne Riphagen (Radboud University, The Netherlands) In 2005 the Centre for Contemporary Photography in Melbourne presented the Indigenous photo-media exhibition Black on White. Promising to explore Indigenous perspectives on non-Aboriginality, its catalogue set forth two questions: how do Aboriginal artists see the people and culture that surrounds them? Do they see non-Aboriginal Australians as other? However, art works produced for this exhibition rejected curatorial constructions of Black and White, instead presenting viewers with more complex and ambivalent notions of Aboriginality and non-Aboriginality. This paper revisits the Black on White exhibition as an intercultural event and argues that Indigenous art practitioners, because of their participation in a process to signify what it means to be Aboriginal, have developed new forms of Aboriginality. 7. Culture production Rembarrnga way: Innovation and tradition in Lena Yarinkura?s and Bob Burruwal?s metal sculptures Christiane Keller (University of Westerna Australia) Contemporary Indigenous artists are challenged to produce art for sale and at the same time to protect their cultural heritage. Here I investigate how Rembarrnga sculptors extend already established sculptural practices and the role innovation plays within these developments, and I analyse how Rembarrnga artists imprint their cultural and social values on sculptures made in an essentially Western medium, that of metal-casting. The metal sculptures made by Lena Yarinkura and her husband Bob Burruwal, two prolific Rembarrnga artists from north-central Arnhem Land, can be seen as an extension of their earlier sculptural work. In the development of metal sculptures, the artists shifted their artistic practice in two ways: they transformed sculptural forms from an earlier ceremonial context and from earlier functional fibre objects. Using Fred Myers?s concept of culture production, I investigate Rembarrnga ways of culture-making. 8. 'How did we do anything without it?': Indigenous art and craft micro-enterprise use and perception of new media technology.maps, colour photographs, b&w photographswest kimberley, rock art, kuninjku, photo media, lena yarinkura, bob burruwal, new media technology

Magazine, published by the Metropolitan Transit Authority of Victoria "Met Lines" (Metlines) - A3 when folded, printed on white gloss paper, with the MTA logo or symbol. Issued under the name of L. A. Strouse as Chairman. Continues from Reg Item 1040 - "Headway News" Major tram and bus items listed. Tramway and bus names only listed, not railway. .1 - Vol 1 No. 1 - September 1984 - 8 pages - 130 years of rail service. Has note about former name, station revitalisation, Met Miles achieved, travel club, Centre page spread of photos of Preston workshop activities, names in Key Associations, repainting of Scrubber 8W, 8, 745, Vic Tramways Bowls Association, Alan Edwards retirement, item on Hawthorn Clothing Workshop (with photo), Munitions bus 301 - Geoff Foster, John Weighman and Daryl Mead and sporting news, - Preston Workshops Soccer team. .2 - Vol 1 No. 2 - 8 pages - Christmas Issue 1984 - Intermodal - Box Hill, Royal Show, A class tram introduced - Driver Don Everard, new tourist guide, Neighbourhood bus revamp in Ringwood, Westona station, Bundoora extension, Transit brass band, Beppie Hedditch - Occupational Welfare Service at Hawthorn, B class trams, sporting news and restored Tacit train. .3 - Vol 1 No. 3, March 1985 - 8 pages - introduction of AVM, bus driver Geoff Neicno, Communications Technician Bruce Smith with MTA Posters or advertisements, Bundoora extension opened, exporting tramway expertise, bus neighboured planning, English on the Job, Met card travel competition, 130 new B class trams and auction sale of Tait Trains. .4 - Vol 1 No. 4 June 1985 - 8 pages - Flagstaff opened, Men at Work band, investigation Officers, library moves to Queen St, first annual report, families on the job - Kimber, Sutton and Luciews, AVM at Nicholson St Engine house. The magazine continues to an A4 version ,see Reg item 1059 and onwards.trams, tramways, mta, preston workshops, hawthorn, buses, sports, box hill, a class, tramway band, welfare, b class, posters, advertisements, metcard, competition, new trams, flagstaff station, nicholson st, tram 8, tram 745, tram 8w

Photo - see pdf file for further information. Number Brief Description date DFC1 A general view from the former railway platform at Port Melb Station looking towards Station Pier on opening day 20-12-1987 DFC2 A2 285 in the Tramway Platform at Port Melbourne Station on opening Day 20-12-1987 DFC3 A2 285 in the Tramway Platform at Port Melbourne Station on opening Day 20-12-1987 DFC4 A2 285 in the Tramway Platform at Port Melbourne Station on opening Day 20-12-1987 DFC5 A2 273 at St Kilda Tramway Station on opening day 22-11-1987 DFC6 A2 273 turning from Fitzroy St into St Kilda Tramway Station on opening day 22-11-1987 DFC7 B1 2001 at St Kilda Tramway Station turning into Fitzroy St on opening day 22-11-1987 DFC8 B1 2002 enters St Kilda Tramway Station on opening day 22-11-1987 DFC9 An A2 approaches St Kilda Tramway Station on opening day 22-11-1987 DFC10 Concreting the connecting curve from Fitroy St into St Kilda Station c July 1987 DFC11 An MTA AEC MKVI bus in Grey St St Kilda at Dalgety St with Tramway works in the background c July 1987 DFC12 Grey St St Kilda at Dalgety St with Tramway works in the background in Fitzroy St c July 1987 DFC13 Concreting the connecting curve from Fitroy St into St Kilda Station c July 1987 DFC14 Restaurant Tram 442 in Fitzroy St at Grey St Passing MTA bus 59 outside St Kilda Station c1986 DFC15 Former VR tram stop sign painted on a pole at Glenhuntly Rd & Broadway DFC16 Former VR Elwood Tram Depot under demolition 1996 DFC17 Former VR Elwood Tram Depot under demolition 1996 DFC18 Former VR Elwood Tram Depot under demolition 1996 DFC19 Former VR Elwood Tram Depot under demolition 1996 DFC20 Former VR Elwood Tram Depot under demolition 1996 DFC21 Former VR Elwood Tram Depot under demolition 1996 DFC22 Former VR Elwood Tram Depot under demolition 1996 DFC23 Former VR Elwood Tram Depot under demolition 1996 DFC24 MTS Tower waggon in use at the former VR Elwood Tram Depot under demolition 1996 DFC25 A Sign advertising the sale of the Former VR Elwood Tram Depot – 10/8/1996 1996 DFC26 Former VR Elwood Tram Depot under demolition 1996 DFC27 Interior of a shed at the former VR Elwood Tram Depot under demolition 1996 DFC28 Former VR Elwood Tram Depot under demolition 1996 DFC29 Former VR Elwood Tram Depot under demolition 1996 DFC30 Former VR Elwood Tram Depot under demolition 1996 DFC31 VR 20, former breakdown car in Bob Prentice’s Back Yard Jan 1974 DFC32 VR 20 on a low loader en route to Bob Prentice’s for preservation 1959 DFC33 VR 20 as the breakdown car on the St Kilda Electric Street Railway c1955 DFC34 VR 39 waits in St Kilda St as breakdown car 20 enters Elwood Depot c1955 DFC35 VR 54 and 50 in the rear yard of Elwood Depot c1958 DFC36 VR 50 in the rear yard of Elwood Depot c1958 DFC37 VR 50 in the rear yard of Elwood Depot c1958 DFC38 VR 28 in St Kilda St outside Elwood depot after the line had been cut back to this point c1958 DFC39 VR 29 in St Kilda St outside Elwood depot after the line had been cut back to this point c1958 DFC40 VR 35 passes 28 on the St Kilda Electric Street Railway c1955 DFC41 VR 39 on the St Kilda Electric Street Railway c1955 DFC42 Y1 613 on a tour c1970 DFC43 VR 54 in St Kilda St outside Elwood Depot c1955 DFC44 VR 28 at Brighton Beach Terminus c1955 DFC45 VR 33 being washed in the wash bay at the rear of Elwood Depot c1955 DFC46 VR 20 breakdown car running into Elwood Depot c1955 DFC47 VR 3 in the rear yard at Elwood Depot c1955 DFC48 VR 51 on an AETA Tour running out of Elwood Depot c1958 DFC49 VR 28 on the St Kilda Electric Street Railway c1955 DFC50 VR 28 with crew in St Kilda St outside Elwood depot after the line had been cut back to this point 1959 DFC51 VR 52 in Grey St near Fitzroy St c1958 DFC52 VR 51 on a AETA Tour passes 33 in Grey St near Fitzroy St c1958 DFC53 VR 29 in Grey St near Fitzroy St c1958 DFC54 VR51 on an AETA Tour shunts as 52 waits on the St Kilda Electric Street Railway c1958 DFC55 VR 51 on the Black Rock Electric Street Railway c1955 DFC56 VR 28 in St Kilda St outside Elwood depot after the line had been cut back to this point c1958 DFC57 Combined Rail-Tram Tickets of the Black Rock Electric Street Railway Feb 1975 DFC58 Combined Rail-Tram Tickets of the St Kilda Electric Street Railway Feb 1975 DFC59 Electric Street Railway & Motor Coach Paper Tear off Tickets Feb 1975 DFC60 VR 52 & 53 on Rt 82 pass in Cordite Ave near Wests Rd Sept 1975 DFC61 Z 68 & 52 in East Preston Depot in M&MTB Livery c1977 DFC62 Copy photo of VR 18 in Elwood Depot c1910 DFC63 VR 51 as a one man car at Black Rock Terminus c1955 DFC64 VR 53 on Rt 82 in Droop St Footscray Jan 1974 DFC65 B2 2027 on Rt 96 in South Melb Station c1988 DFC66 VR 20 as preserved in Bob Prentice’s backyard High St Prahran Jan 1974 DFC67 VR 700 on Rt 82 in Droop St Footsray c1978 DFC68 VR 28 as the last car from ST Kilda Station 28-2-1959 DFC69 VR 700 at the Rt 82 Moonee Ponds Terminus c1978 DFC70 VR 52 waiting time at the Rt 82 Footscray Terminus, the driver intently stares at the bundy clock as the Braid and the Connie gossip Jul 1972 DFC71 VR 54 shunting outside Elwood Depot to return to St Kilda Station 1959 DFC72 SW6 969 in MTA Livery blocking the entrance to South Melb Depot presumably during the scratch ticket dispute Jan 1990 DFC73 VR 52 & 53 on Rt 82 pass in Droop St Footscray Sept 1975 DFC74 VR 700 after withdrawl in the Newport Railway museum in the process of a repaint c1985 DFC75 VR 700 after withdrawl in the Newport Railway museum in the process of a repaint c1985 DFC76 VR 700 on Rt 82 in Droop St Footsray at The Cresent c1978 DFC77 VR 700 on Rt 82 in Droop St Footsray c1978 DFC78 Former VR tram depot in use as an MTA Bus depot c1990 DFC79 VR 52 waiting time at the Rt 82 Footscray Terminus Jul 1972 DFC80 VR 52 waiting time at the Rt 82 Footscray Terminus with Connie changing the pole Jul 1972 DFC81 VR 52 at the Rt 82 Moonee Ponds Terminus with the crew chatting 7-12-1974 DFC82 VR 52 on Rt 82 on the reserved track in Raleigh Rd Ascot Vale Jan 1974 DFC83 VR 53 on Rt 82 in Leeds St Footscray about to turn into Hopkins St April 1976 DFC84 VR 53 on Rt 82 in Droop St Footsray Jan 1974 DFC85 VR 700 on Rt 82 in Droop St Footsray at Hopkins St c1978 DFC86 Z 52 in MTA livery on Rt 19 in Elizabeth St near Bourke St c1985 DFC87 VR 52 at the Rt 82 Moonee Ponds Terminus Jul 1972 DFC88 VR 53 at the Rt 82 Footscray Terminus Jan 1974 DFC89 VR 52 freshly outshopped from the workshops and W7 1011 at the Bourke St Terminus with 52 on display for the 1968 railway exhibition 1968 DFC90 Painting of W class 369 in Chocolate & Cream c1930 DFC91 Charing Cross, Bendigo at night c1965 DFC92 Ballarat ? c1965 DFC93 Bendigo 18 on an AETA tour in McCrae St near Tramway Ave c1965 DFC94 View from the roof of a tram in the body shop at Preston Workshops 1977 DFC95 View from the roof of a tram in the body shop at Preston Workshops 1977 DFC96 View from the roof of a tram in the body shop at Preston Workshops showing the panto on 546 1977 DFC97 Interior view of Carlton Control Centre showing desk and wall panel c1968 DFC98 W2 493 on Rt 55 in Kingsway outside South Melb Depot Aug 1973 DFC99 W2 496 in Sturt St at Kingsway on Rt 1 Jul 1973 DFC100 Z class truck c1975 DFC101 Z3 116 in Bourke St at King St as new c1979 DFC102 Bob Prentice on tour c1968 DFC103 SW6 900 as an advertising tram for Newsday at night 1969 DFC104 597 Jul 1973 DFC105 W2 480 on Rt 3 passing under the railway bridge at Caulfield Oct 1972 DFC106 Interior view of Carlton Control Centre showing desk c1968 DFC107 SW6 856 on Rt 77 at night Jul 1973 DFC108 W2 496 in Sturt St at Kingsway on Rt 1 Jul 1973 DFC109 PCC 980 on a tour at South Melb Depot c1968 DFC110 SW6 856 on Rt 77 at night Jul 1973 DFC111 View from the roof of a tram in the body shop at Preston Workshops showing the panto on 546 1977 DFC112 Dandenong Rd from Chapel St Nov 1968 DFC113 A Z class car turns from Gertrude into Nicholson St c1990 DFC114 SW6 900 as an advertising tram for Newsday at night 1969 DFC115 Port Melbourne Station showing Centennial bridge and station building prior to closure. 10-1987 DFC116 Port Melbourne station with train prior to closure, looking south 10-1987 Demonstrates the work of David Frost in photography and or collecting slides.Assembled album in a black presentation folder of 116 colour slides, 6 slide sleeves, collected or photographed by David Frost. Many are TMSV or Windsor Publications slides. All photographs have been scanned and placed on the Museum's G drive. A list of all photographs with details has been compiled. melbourne, tramways, trams, vr trams, elwood, st kilda light rail, port melbourne, opening, elwood depot, buses

Yields information about the launch of No. 18 by the Sebastopol Mayor following its recovery/repaint from storage in Sebastopol.Black and White copy photograph of a newspaper photograph taken by The Courier of No. 18 is re-commissioned by Sebastopol Mayor Cr G Collins. Photo taken 23/3/1985, published 25/3/1985. See Reg Item 3438 for the newspaper clipping the photograph was used in and further details.. Collected by Alan Bradley from the Ballarat Courier early 1980's. See Excel file "Record of Ballarat Courier Photos BTM era" (Archive Documents) for source of details.On rear stamped "Copyright, The Ballarat Courier Proprietary Limited." and a label with "Photo page 18, 3.25" x 5" Reduce" and trim markings and mark in black pen "80%".tramways, trams, btps, borough of sebastopol, launch, tram 18

Shows 671, a BTPS acquired tram prior to repainting soon after it commenced operations for the BTPS in 10/1980.Kodak slide, white cardboard of No. 671, Wendouree Parade, cMay 1981. Photo by Carolyn Dean. Slide dated May 1981. Tram has the destination of "University" and route number "8". Tram commenced running for the BTPS in October the previous year. . .tramways, trams, ballarat, wendouree parade, btps, tram 671

Yields information about Geelong Depot and tramcar No. 5 and its repainting with zebra stripes in 1955Two Black and white digital print from scan of a donated negative showing Geelong No. 5 in the depot after it was repainted with strips. Also fitted with mirrors. Shows the coupling arrangements. Photo by John Webster, 1955. See page 44 of Destination Eaglehawk for details. Black and White prints made from scan of negative. Original Negative stored with Negatives. Negative scanned at hi res 2/6/2020 and image updated.On left hand side of the negatives in ink is "EI 9" and "EI 10"tramways, trams, geelong, tramcars, tram 5

Yields information about the appearance of Ballarat 28 following its repainting in ESCo colour scheme by the BTM 2002.Set of three colour photographs, from the same photograph of No. 28 running out into service across Wendouree Parade, first day in service following BTM Refurbishment, 5.11.2002. Photograph by Austin Brehaut. .1 - small print - car in the background - printed on Kodak Royal paper .2 - medium size print with the car in the background removed - see image 2 - printed on Canon hyper photo paper - colour inkjet print .3 - larger size print with the car in the background not removed - printed on Kodak picture maker paper - colour inkjet print.On rear in ink .1 - "63)" / "28 entering Wendouree Parade on first day back in revenue service 5.11.02 / Austin Brehaut" and "Returning into traffic after refurbishment over a 6 year period and carrying the company livery" .2 "63)" / Ballarat car 28 5.11.02, Ballarat Tramway Museum / Austin Brehaut pic / car returning into traffic after refurbishment over a 6 year period and carrying the company livery" "Modified image (background only) and a "William F Scott" address label .3 "photo Austin Brehaut: / Ballarat Tramway Museum / car 28 leaving the depot access track to enter into Wendouree Parade on its first day in service after extensive refurbishment an din the company livery 5.11.2002"trams, tramways, wendouree parade, depot junction, restoration, esco, tram 28

Yields information about the appearance of Ballarat tram No. 27 following is repainting to the 1930's colour scheme mid 1980's.Black and white photograph of the scene after No. 40 had run the last tram and was running into the depot, prior to the doors closing, saying "The End", with a number of people around the rear of the tram. Taken Sun 19.9.1971, Andrew C Ward. On rear in ink "47)", "Sun 19.9.71", "Ballarat Tramways (SEC) . Last car into depot" / "Andrew C Ward" and in bottom left hand corner, "William F Scott" address label.trams, tramways, closure, last tram, depot, tram 40

Yields information about SEC No. 23, its repainting and the streetscape at a Service station.Digital image from the Wal Jack Ballarat Album of No. 23 at Rubicon St, Redan, has the destination of Lydiard St North. Has in the background a service station with shell bowsers. Note the oil bottles alongside the bowsers. Note very similar image to Reg Item 4346. See image i2 for rear of photograph. See image i3 for hi res scan of print. See image i4 for hi res scan of negativeon rear of photo in ink, "Ballarat No. 23 ex Adelaide 69 Rubicon St 11-10-39" and in bottom right hand corner "W. Jack T35"trams, tramways, redan, rubicon st, sebastopol, tram 23

Yields information about No. 27 about its repainting to an earlier colour scheme, May 1985.Set of seven black and white photographs of various photographs of the volunteers building the depot fan and resting late 1972. .1 - The Loddington's - John and Stuart .2 - Peter Winspur and Gavin Young .3 - Stuart Loddington, ? , Richard Gilbert .4 - Bill Jessup .5 - Geoff Cargeeg, Peter Winspur, ? Graeme Jordan .6 - The Loddington's and Rolf Jinks .7 - Richard Gilbert, Graeme Jordan, Peter Reece? Extract of .1 - see image i8 - added 28/3/2011 Extract of .4 - see image i9 - added 28/3/2011 Printed on Kodak Paper.On rear in ink and 8.1.75 and Nov. 74.trams, tramways, depot construction, btps, operations, volunteers

Has a strong association with the BTM volunteers who worked on the repainting of W4 671 and yields information about its appearance.Colour photocopy of a colour photograph of BTM W4 671 in "City of Ballarat" colours at depot on 12/11/1995, just prior to completion of work on that day. Standing by tram are Alastair Reither, Paul Mong, Simon Jenkins, Len Millar and Darren Hutchesson. Record updated 21/9/2013.w4 class, btm, city of ballarat, livery

The EK was the first model Holden that had the option of automatic transmission. This was the 3 speed hydra-matic that offered performance and economy that was not far short of the manual. This vehicle still used the tried and true 138 cubic inch power plant.This was a local Trafalgar vehicle formerly owned by Graham Cook and family. The interior of this vehicle is totally original while the exterior has undergone a substantial repaint and re-chrome, This was required because the previous owner kept the external spotlessly clean and wore the paint out.Blue body sedan with white roof ,sun visor, upright rear vision mirrors added on .Hub caps featured lion emblem. Chrome arrow shape ornament on bonnet.Holden Special Registered number 63453-Hvehicle, holden, 1961, car

Set of four photographs of ex Melbourne scrubber tram No. 8 or 8W being repainted by the Ballarat Tramway Museum. Photos by Steven Altham. 1 - cabs painted, with The Met logo still visible on the tank - 11-10-2004 2 - work largely complete - but not numbers - 5-2-2005 3 and 4 - complete with numbers 25-9-205.Yields information about the repainting of ex Melbourne scrubber tram 8 or 8W.Set of four Colour prints with photographers notes on the rear.In ink on all photo dates and "Steven Altham"tramcars, tramways, btm, scrubber tram, scrubber, tram 8, tram 8w