From Glen Iris.Dark blue felt triangular pennant with gold screen print text. The pennant has grosgrain ribbon at the edge of its short side."PRES. BOYS ASSN. ZONE PREMIERS HARTWELL BASKETBALL PERMIERS 1950"

Blue cotton oblong table cloth with blue felt screen printed Methodist Girls' Comradeship Rays' section emblem in one corner.methodist girls' comradship rays section, albert street methodist church sebastopol ballarat

Transfer drawing made at Wunggurrwil Dhurrung Community Centre, and screen printed at Negative Press. public art, australian first nations art, printmaking

Triangular navy blue felt pennant with gold felt edging down the short side with two felt loops. The pennant has gold screen printed text."R.A.Y.S. MERIT BADGE AWARD 1969"methodist girls' comradeship rays' section, awards, pennants

From Glen Iris.Dark blue and red felt triangular pennant with red cotton edging and cream screen printed text. The pennant has the club badge at its short edge.'B. GRADE CAMBERWELL CHURCHES TABLE TENNIS ASSN. Hartwell Pres. PREMIERS 1951"

Produced in the 1990's for use by the primary school concert band. Possibly screen printed by the company who did the school uniforms.The music stand banners identified the school when its music groups were performing at events in the community or at competitions such as the Latrobe Valley Eisteddfod, adding a professional appearance to the groups. Set of approximately 30 banners. Bottle green satin banner, embossed with 1990's school logo in white, with white fringe on lower edge. Elastic attached to back of banner to hold it on a music stand.concert band, traralgon, music, grey street, lv eisteddfod

Edwina Green is a Trawlwoolway First Nations multidisciplinary artist based in Naarm (Melbourne, Australia) that works across painting, film, design, installation and sculpture to investigate narratives of perception, historical re-framing, cultural reclamation and the post- colonial paradigm and its impact on people and place. Graduating from The University of Melbourne with a Bachelor of Fine Arts, she has since been exhibited extensively across Australia and internationally. Her research influenced practice, connection to culture, and ties to reclaiming intergenerational disconnection, inform her practice and it’s aims to challenge understandings and interactions of Indigeneity through dynamic and poetic works. She has exhibited in respected galleries and festivals such as Firstdraft, Pari Ari, Incinerator Gallery, The Granville Centre, SEVENTH Gallery, TCB Gallery, Collarworks (New York), Yirramboi, Gertrude St Projection Festival, Brunswick Music Festival, and EFFA (Environmental Film Festival.) She has also worked as an art director, producer and programmer for RISING Melbourne, Samsung, Arts Centre Melbourne, Next Wave, and Darebin City Council. Edition of 4 + A/P. Pigment print by Hound & Bone Studio, screen printed and assembled by the artist and Trent Walter at Negative Press. public art, australian first nations art, printmaking

CEMA Art Collection part of "A Community View" 150 years in Portland Screen print Exhibition Part of Angela Gee Residency 1983 and 1984Laminated screenprint of a group of people on Portland's foreshore. People are dressed in late 1800's dress and are watching the rotunda. The work is a photographic screenprint and colour has been added to areas of the photo. In particular, green for the grass, red for the rotunda, blues for the ocean and sky, and various colours for some of the clothing.Front: 34/8 Rotunda (lower left) Lucia Natale 84' (lower right) (pencil) Back: 28

Created for the memorial service that was held on friday 20th may 1910, held in front of the shire hall in Heathcote to honour king edward VII who died on the 6th may 1910 at 2.30 p.m. this was arranged by the local ministers of religion at the request of the president and councillers of the shire of McIvor.Believed to be the only one in exsistence, after intesive research have been unable to come up with any information, from the shire, local churches or senior members of the community,only mention was in the Bendigo Advertiser newspaper.research in to archives further afield have not produced another.Piece of cream silk printed on face and inside, screen printed in purple and black ink on front and inside the order of service. details of all ministers of religion and shire dignitries as well as hyms sung. "McIvor Times" Print, Heathcote on left hand side below main print. in black inkvictoria, silk memorial booklet, king edward vii, 1910, heathcote, ministers, of, local, churches, shire, president, mcivor, times

Battle of Atlantic T- shirt and cap. White T-shirt screen printed with anchor in circle. 1993 Commemorative 50th Anniversary 1939-45 Blue sports/baseball cap with matching logo. souvenir, battle of atlantic, wwii, second world war, navy

MGC019.1; MGC019.2 and MGC019.3 Square felt Methodist Girls' Comradeship Rays' felt symbol with gold and white screen printing. MGC019.4 Round Rays' gold and white screen print symbol on blue felt."R"methodist girls' comradship rays section

Yellow protest tee-shirt, worn by a protester against the creation of the F19 Freeway (now Eastern Freeway). Th tee-shirt has a design screen-printed in green with a design of traffic underneath the slogan.Nilf19 freeway, protest clothing, protest tee-shirts

A computer screen-print, from the eBay website, advertising this postcard for sale, was found filed with our photographs. Not recognising it as one already held, Martha Valentine purchased the card from eBay and donated it to the collection.Early black and white photograph of Rutherglen Park, printed on a postcard. A horse and cart and a bicyclist are on a path between large trees, with a very large pine tree at the centre of the photograph.At foot of photo: "The Park Rutherglen." On back of card, in the space for a message, is written: "Springhurst, Monday May 15th", and the card is addressed to "Miss Ivy Blackwood, Castella St, Healesville, Victoria"rutherglen park

The tablecloth was used at Methodist Girls' Comradeship and Methodist Girls' Comradeship Rays' Section meetings.MGC055.1 Square white cotton tablecloth with five press studs in one corner. MGC055.2 and MGC055.3 Methodist Girls' Comradeship screen-printed emblems in white and gold on felt. Each has five press studs on the back.methodist girls' comardeship, methodist girls' comradeship rays' section

Tapered triangular navy blue felt pennant with gold screen-printed writing "Morongo" and coloured School crest, featuring royal blue circle, with white diagonal cross, with dark green background and golden lantern with white flame, on top of cross.pennant, education, school, morongo, geelong, girls, boarding, presbyterian, uniting, history, banner, private-girls-school, lucy-shaw, gertrude-pratt, dulcie-brookshaw, 1920-1994, kindergarten-year-12, sint-lucernae-ardentes

Trophy ribbons won by the Wettenhall's Stanbury Stud. According to Mr Parsons, (19 Mar 2004) the quilt was almost certainly made by Mrs Janet Wettenhall. It was hung in her sun room.Quilt, composed of felt ribbons stitched together and lined with beige woollen fabric. Most of the ribbons are royal blue, there are two purple ribbons and the quile is edged with green ribbons. All the ribbons have been screen printed in yellow ink. There is a velcro strip attached at upper back edge.The ribbons are prizes from sheep breeding competitions from 1958 to 1961.[various]corriedale sheep sheep breeding agricultural shows, stanbury corriedale stud, wettenhall, mr rupert e. wettenhall, mrs janet, victoria, corriedale sheep, sheep breeding, agricultural shows

Popular souvenirs during World War Two that were easy to fold and post home to Australia. Like the First World War Egyptian embroideries, they used cotton sateen in a range of bright colours (although sometimes velveteen was used instead) and bear the words 'Souvenir of Palestine', a year date, and sometimes a personal message, as well as images of specific mosques or landmarks, camels, goats and date palms. The Palestinian souvenirs were often seen displayed for sale outside houses in country villages.Colourful cotton sateen Souvenir of Palestine. Beige background with painted images, probably screen-printed, with machine embroidered outlines. Pink fringe. Objects depicted are two brown/yellow camels and one donkey with rider; two date palms with orange trunks and green leaves; the Union Jack and the Australian Flag; and the Australian Commonwealth Military Forces Rising Sun badge."Souvenir of Palestine" "Australian Commonwealth Military Forces"souvenir of palestine, rising sun badge, australian commonwealth military forces, embroidery, screen-printed, aif, ww1, world war 1, first world war

Clothing. Pure cotton fawn/cream coloured, short sleeved T-shirt. Round crew neckline. The blue, yellow and black screen printed logo of the Emu Creek Bush Band is featured in a shield shape on the centre front of the T-shirt. Short sleeves. The T-shirt was worn by Peter Ellis, OAM, founder and leader of the celebrated Emu Creek Bush Band - circa 1990's.The Celebrated Emu Creek Bush Band (logo) Cotton tag with size XL. Another cotton tag at back neckline L8 L BAKER 054 417555 (possibly screen printer).costume, male, t-shirt

Windcheater which the midwives in old E1 had made and were sold to staff to fund raise. Some proceeds were to assist midwives attend state conferences. Other fundraising activities were also undertaken at that time to modify the stark hospital environment of E1 to a more homely environment. Graphic artist and seamstress, Geraldine Roberts of Wendouree, made the windcheaters as well as screen printed the logo which the staff designed. Geraldine also did the graphics for an educational booklet the staff produced for expectant parents. These activities were initiated by the enthusiastic staff of E1 during the early to mid 1980s."Midwifery Team, BBH, We Deliver"midwifery, 1980s, windcheater, logo, courier, new, director of nursing, broad, 1995

Object. A rectangular reinforced cardboard green silk and velvet covered chocolate box. Inlaid with a trapezoid of green silk padding and screen printed silk decoration of 2 ladies in Edwardian costume holding a bouquet of flowers. Centrepiece is bordered in green binding. Lid has a gold clasp and base has 4 brass round feet but one is missing. Tag on Base Pure Concentrated Cocoa By Special Appointment J.S. Fry & Sons Limited Bristol & London.J.S. Fry & Sons Limited Bristol & London.domestic equipment, food storage & preservation, container chocolate box

This cloth or rag book “The Life of a Bold AB on his Ship in the Rolling C” is a child’s ABC or A-Z illustrated book written in poetic form with the theme of the British Navy at turn of 20th century. This rare book is one of the first cloth books manufactured for children. It is likely that the book was illustrated by Will Kidd and published in London by Dean and Son, circa 1902, according to research of similar books. The book was sent to Flagstaff Hill as padding around the donated medal of Nelson Johnson for bravery at the time of the shipwreck of Eric the Red. This medal is also in our collection. The book was published by Dean & Son of London, established around 1800.This book is an early example of early 20th century children's literature.Rag book (or cloth book), child's book "The Life of a Bold AB on his ship in the rolling C". Illustrated ABC book with poetic text, telling the story of a young sailor's life at sea. Images are screen printed onto cloth pages. Bottom edges are salveges, top and side edges are frayed. The book is bound by stitching through the middle of the centre pages. Original red coloured print of front cover has faded. Theme of book is British Navy at turn of 20th century. Published by Dean and Sonflagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, dean and son, child’s book, cloth book, rag book, children’s sailor book, 20th century children's literature, abc book, nautical book, maritime storybook, dean & son, toy book

Print was part of "A Community View, 150 years in Portland Screenprint Exhibition." Part of CEMA Art Collection. Part of Angela Gee residency workshops, 1983 and 1984.Image of approximately 125 people's faces and two dogs, surrounded by a border of line-drawn flowers, leaves and stems. At top centre are the words "1834 Portland 1984" with a decorative underline in bold alluding to the shape of the Portland Bay and Cape Nelson. Background colours are in vertical swathes: aqua, pale green, apricot, blue, mauve, pink, turquiose.Front: (no inscriptions) Back: Portland C.S.P. (Community Screen Print) Design Studio 1983-1985. Initiated by C.E.M.A., Portland Access Printshop and Anne O'Kane, C.A.O. Purpose - an employment project to train 5 people in print-making, costume and design. A grant of $200,000 was obtained from the Commonwealth Employment Program; the products - costumes, flags, posters, banners - were used for Portlands 150th Anniversary Celebrations.angela gee, portland centenary, 1984, screenprint, cema, female artist, female artists

The Grand Order of Oddfellows was a friendly Society founded in Manchester in 1798. It began in Australia in 1844 with the first Victorian branch established in 1854. The first mention of the Eaglehawk group was in 1868.Small ceremonial apron for the "Grand United order of Odd Fellows" on white/cream silk cotton sateen with blue tape border. Centre to screen print main panel has large printed crest showing quartered shield (top left) hour glass (top right) crossed keys (bottom right) dove with olive branch (bottom left) Noah's Ark. In centre of shield is a right hand palm forward with heart symbol. Supporters to shield, woman left holding sword and scales next to seated lion, woman on right holding mirror and flaming torch next to seated sheep. In centre above the shield is a seated women with four children, one at breast. Banner at base of women and shield reads "Amicitia Amor et Veritas". Long tapes top left and top right corners. At base of print are two hands joined in a handshake in a panel surrounded by flowers.In pen and ink on back "George Braysher"?grand united order of odd fellows, ceremonial apron

Art CollectionImage depicts a black background featuring two white squares on top of one another. The white squares have rust-coloured lines and circles in them, as well as blue circles and lines. These blue lines are much thicker. The frame is wooden and has a white mount and glass.Front: 8/10 (lead pencil, lower left) Sentinel (lead pencil, centre) Stephen Spurrier 68 (lead pencil, lower right) Back: Stephen Spurrier "Sentinel" (1969) Silk Screen and Etching (printed on white strip, clear plastic cover)

Jan Senbergs was born in Riga, Latvia, in 1939 and came to Australia when he was ten. Senbergs’ work has been characterised by a simple and bold aesthetic. From lush landscapes to barren urban spaces, his body of work signifies an artist who has continually experimented with shape, form and motif, a fundamental humanist vision, a finely-honed sense of the absurd, and a rigorous studio practice spanning printmaking, drawing and painting. Senbergs is Baldessin's exact contemporary. He was also born in Europe and fled his homeland because of the war, arriving in Melbourne in 1950. Like George, Senbergs also worked at the RMIT and in 1973 represented Australia at the Bienal de Sao Paulo. Senbergs first met George when he was living in St. Kilda. George asked if he could screen print his 'Argus' catalogue for a show at the gallery in the Argus building. George Baldessin (1939-1978) was born in San Biagio di Callalta, in the Veneto in Northern Italy and arrived in Australia ten years later. A printmaker and sculptor he built his bluestone studio at St Andrews (Nillumbik) in 1971. The bluestone studio was hand built by George, his partner Tess and the three Hails brothers, Rob, Doug and Don. Made of recycled materials the studio today contains all of George’s equipment including the large press, which he modelled himself with the help of Neil Jeffrey (Enjay Presses). George won many prizes throughout his career and is represented in many of Australia's public art collections including his famous 'Pears' sculpture in front of the National Gallery of Australia, Canberra. In 1975 he represented Australia in the Sao Paulo Biennale, before living and working in Paris until his return to St Andrews in 1977. In 1978 George was killed in a car accident aged 39 years. In 2001 Tess returned to St Andrews to reclaim the run-down studio and reconstitute it as The Baldessin Press & Studio - a printmaking retreat. It operates in George’s memory, so that artists may continue to create, perpetuating the generous spirit of George.'New Jersey - rust belt' is one of eight prints in the 'Baldessin & Friends commemorative folio. The folio was conceived by Tess Edwards as a fundraising initiative in celebration of the The Baldessin Press & Studio's fifteen year anniversary, and as a way to honour George Baldessin's memory. The Baldessin Press & Studio is a not-for-profit organisation created in memory of the late George Baldessin (1939-1978), whose original studio is now open to the public for creative use and as a practical legacy to living artists. The Studio is located in St Andrews, Nillumbik. The folio is a unique coming together of seven very different and acclaimed artists who are connected by their friendship to the missing eighth member, George Baldessin. This print finds its' origins in the time Senbergs spent at Harvard in America in 1989-90. In the context of Baldessin it explores an industrial urban surreal vision that was common to both artist. The image captures the life force of the city revealing the keen and observant eye of Jan Senbergs. Similar in sensibility to his large scale charcoal drawings of the 1990s, the artwork is not only a record of what the artist sees, but of what interest him. By following the movement of each line the viewer can witness the artist's eye travelling through, over and around each element of the urban landscape. The scale is deceptive with the image bled to the full-size of the sheet of paper like a microcosm of a much bigger whole. sugar lift etching of an urban (cityscape - New Jersey) scene - bridges, roads, buildings, in thick black brushstrokes. The image is busy; full of energy and movement. A bleed print in which the paper barely contains the city scape. In pencil (handwritten): top centre: left '14/25' (edition); centre 'New Jersey-Rustbelt' (title); right 'Jan Senbergs' (signature); print, sugarlift etching, urban landscape, ekphrasis2018, new jersey, line, rust belt