Child's cream silk dress with lace inserts and hand sewn flowers and press stud fasteners made from 'bits and pieces' in 1937 by the family of Mrs Valma Sharp . This child's cream silk dress was made in the austere time after the Depression 1930 - 34 and shows the practical ingenuity of a mother to make a pretty dress for her child from 'bits and pieces' of material c1937 a child's cream silk dress made from ' bits and pieces' ,hand sewn flowers, with lace, press studs clothing, baby, nylon, machine pressed designs, layette, knitting,craftwork, wool, early settlers, city of moorabbin, bentleigh, ormond, moorabbin, post war settlers, world war 11 1939-40 sharp valma,

Victorian padded, embossed and paper lace New Year card with silk intaglio of a New Year greeting. The card has opening front panels with the cross and a Christian message. A small card with a cross central feature (with message entwined) on opening panels revealing a silk intaglio with a New Year message.padded greeting card, new year,

Baby's cream silk short sleeved top with V neck and hand sewn scalloped neckline, cuffs and hem is an example of the dressmaking skills of the women of the early settlers families in Moorabbin Shire in the early 20th C Early settlers and market gardeners established their families in Moorabbin Shirec1900 and this item shows the skill and craftsmanship of the women of these families Baby's cream silk short sleeved top with V neck and hand sewn scalloped neckline, cuffs and hemclothing,needlework, haberdashery, crochet, doilies, brighton, moorabbin, pioneers, dressmaking, market gardeners, early settlers, craftwork , bentleigh, lacework, moorabbin shire, dairy farms, fruit orchards

This lady’s full length cream silk long sleeved nightgown with lace insert around neckline and cuffs is an example of the dressmaking and lacework skills of the women of the early settlers families in Moorabbin Shire in the early 1930'sEarly settlers and market gardeners established their families in Moorabbin Shire c1900 and this item shows the skill and craftsmanship of the women of these families A lady's full length cream silk long sleeved nightgown with lace insert around neckline and cuffs c1930clothing, petticoats, fashion, moorabbin, bentleigh, cheltenham

3 wooden reels of silk thread,. 5 - 6 strands together on reel 9026.1 Shade S3, mushroom colour 9026.2 Shade S5, dark brown 9026.3 Khaki colourOn label on top of Reel - Super Silk Twist. Yellow Label. Made in England On label bottom of Reel - Hand buttonhole twist, No. 6, 72 yards.

This simple white silk, full length, v-neck nightdress with lace insert and capped sleeves and waist ties, is an example of the style worn by women in the post World War 11 Estates in the City of Moorabbin c1950 Gladys Reed was a member of the Ormond Choral Society c 1950. and this simple white silk nightdress is an example of her dressmaking skill A white silk, full length, v-neck nightdress with lace insert , capped sleeves with lace edging and waist ties clothing, dressmaking, lacework, nightdress, early settlers, moorabbin shire, mechanics institute cheltenham, ormond choral society, postworld war 11 settlers, housing estates moorabbin 1950, bentleigh, ormond, moorabbin, cheltenham, drama societies, musical society cheltenham, clark judy, reed gladys, reed george

The cape is of a style from the Victorian or the Edwardian Era and so provides a good example of women's clothing from that time. The light colour, silk material and lace suggest a cape used for special occasions with the possibility of initially being a wedding cape.The item is of significance historically and socially as an example of women's clothing in the Victorian and Edwardian eras.Ladies cape consisting of two circular tiers and a collar. The inner tier is knee length with a thin lace insert around the hem. The outer tier is elbow length with a wide lace edge and the thin lace insert inside this. The collar has lace edging and a lace insert of the same width. The lace used is of a repeat flower pattern most likely made of a combination of silk and cotton. The cape material appears to be a cream ribbed silk with the lining being of a polished cotton or silk variety. Both materials have a silken sheen in the right light. A silk ribbon ties the cape at the neck. The lining and lace have been sewn with fine hand stitching.flagstaff hill, warrnambool, maritime village, maritime museum, flagstaff hill maritime museum and village, shipwreck coast, great ocean road, ladies cape, double cape, silk cape, layered cape, cape with lace collar, decorative lace edging, victorian era, edwardian era

In the 17th century young girls were taught embroidery as a necessary skill for marriage, this also helped them make very beautiful handbags. By the late 18th century, fashions in Europe were moving towards a slender shape and women wanted purses that would not be bulky or untidy in appearance, so reticules were designed. Reticules were made of fine fabrics like silk and velvet, with wrist strapA lady's beige, beaded, silk lined, evening bag with press stud fastenerevening wear, purses, personal effects, handbags, fashion, needlework, craftwork, dressmaking, moorabbin, brighton, early settlers, pioneers, cheltenham

Lady's silk short nighties with shoulder straps, button crutch, crochet edging and needlework flowers is typical of the fashion c1930 and is an example of the dressmaking skills of the women of the early settlers families in Moorabbin Shire in the early 20th C These lady’s silk nighties are an example of the dressmaking skills of the women of the early settlers families in Moorabbin Shire in the early 20th C 2x Lady's silk short nighties,with shoulder straps, 2 mother of pearl buttons at crutch, crochet edging,and needlework flowers clothing, , crochet, brighton, moorabbin, pioneers, dressmaking, needlework, market gardeners, early settlers, craftwork , bentleigh, lacework, moorabbin shire, hunt ailsa, dairy farms, fruit orchards

This dress belonged to Bayside woman Wendy Young, who bought it around 1980 from Melbourne designer Prue Acton's Toorak shop for about $300. She recalled, "It was one of her off the peg creations, but I never saw it on anyone else... she made limited runs, especially as this is hand painted silk." The belt has been signed by Acton.Sleeveless bias-cut dress of watermelon pink silk featuring red and gold hand-painted abstract designs. The dress features a Mandarin collar with a button fastening at the throat. A matching silk belt with tapered ties wraps around the waist.The belt features two signatures in gold paint: "Prue" and "P Acton"prue acton, 1980s, melbourne designers, wendy young

This babies dress was possibly worn by Mrs Cuthbertson nee Hooper, after her birth in 1881,( Mother of Joan Charles) and is approximately 150 years old.It is hand made cream silk with smocking to the front and back of the bodice.and the wrists of the full length sleeves. It was donated by the children of Joan M Charles- Melville J Charles,Joell E Stern, Beth Z Charles and Rhonnie M Dryne.Hand made Baby's dress, depicting the craftmanship and style of dress for the late 19th century.It is only one of two Silk baby's dresses in the Learmonth and District HIstorical Society Inc.collection.Baby's dress hand made of cream silk , with smocking across front, back,and wrists.clothing, babys dress, smocking, family of joan charles, haberdashery, mrs cuthbertson hooper

Part of the "Wagga" collection. Maker unknown. Veranda quilt made from silk organza and containing duck feathers. Made in Korrumburra, c. 1914 - 1918.Quilt, with three large panels of pink printed fabric. Floral and patterned verandah quilt cover encasing duck feathers. Made from silk organza and other materials.quilting history, running stitch group, running stitch collection, quilting - history

Simple night caps had been worn by women in the 1800s for practical purposes such as to keep warm at night. In the early 1900s silk boudoir caps became popular to protect hairstyles while sleeping. It was also thought to maintain or even improve the condition of the hair. This boudoir cap was amongst the belongings of the donor's Great Aunts who were both dressmakers at the original Terang & District Co-Op which was established in 1908.Socially this item is significant as an example of women's headwear from the early 1900s. Historically this item holds significance as a possession of the donor’s Great Aunts who worked as dressmakers at the original Terang & District Co-Op established in 1908.The boudoir cap is constructed of cream silk with a pale floral pattern. A cream crocheted border and top insert are attached using hand stitching. The small ruffle is machine stitched. The silk fabric is fragile and has perished in some places.flagstaff hill, warrnambool, maritime village, maritime museum, flagstaff hill maritime museum & village, shipwreck coast, great ocean road, boudoir cap, nightcap, female headwear, sleepwear, vintage women's clothing, terang & district co-op

The silk maps were carried by Aircrew. This item carried by A.F. Goodall DFC, RAAF, refer Cat No 543.2 for his service details.Framed silk map of Italy and Sicily, black frame with black backing, map is in all black, the other side shows Northern Italy, inset is a photo of A.F. Goodall DFC, RAAF.silk, maps

Premiership cap presented to Hercules "Hec" Vollugi after Essendon won the 1901 premiership. Premiership caps were presented by both the VFA and the VFL until about 1924. The caps were traditionally made of navy silk. This one has had Essendon's colours embroidered on the peak in the shape of a shield. Vollugi was a fine wingman who played 70 games for Essendon from 1901 to 1906.Navy blue grosgrain silk cap with small peak; cap is divided into six segments separated by cream silk braid with navy button on top; embroidered badge in metallic and silk gold thread at front of cap; badge consists of monogram of interwined V F L with "Premiers" in a scroll beneath and "1901" beneath that; shield embroidered in red and black longstitch on peak. Cap is lined with "H. A. Vollugi 1901" handwritten in ink in centre."H. A. Vollugi 1901" is handwritten in ink on the inside of the cap

These baby's silk socks x2 were made by a member of Gladys Reed's family c1930 in Moorabbin Shire and show the needlework skills .of residents . Gladys Reed was a member of the Ormond Choral Society c 1950 that performed plays and musicals in the the City of Moorabbin These baby's silk socks x2 were made by a member of Gladys Reed's family c1930 in Moorabbin Shire and show the needlework skills .of residents 1 pair x Finely hand knitted cream silk baby socks . Sole of foot is plain with decorative stitches on upper foot and leg. clothing, craftwork, silk, baby wear, early settlers, moorabbin shire, mechanics institute cheltenham, ormond choral society, postworld war 11 settlers, housing estates moorabbin 1950, bentleigh, ormond, moorabbin, cheltenham, drama societies, musical society cheltenham, clark judy, reed gladys, reed george

The photograph was taken by George Silk on Christmas Day 1942 near Buna, Papua New Guinea. George Silk was a War Photographer for Australian Government, his appointment began in 1939. He was in New Guinea with the AIF when this photograph was taken.The photograph shows the work and assistance of the Fuzzy Wuzzy Angels to Australian Servicemen who were Serving in Papua New Guinea during WW2.Photograph - black and white copy of the original in a wooden frame. Statue - free standing bronze statue on a wooden block.Photograph has a information on the bottom of the frame describing the picture and who is the photographer - George Silk. The men in the photograph are Pte G C Whittington 2/10th Battalion AIF and Papuan Raphael Oimbari. The photograph was taken on Christmas Day 1942 near Buna, Papua New Guinea.ww2 fuzzy wuzzy angel, qx23902 pte g c whittington, raphael oimbari, george silk

A silk patchwork quilt in a hexagons pattern originally owned by the Denbigh family of ‘Wimba’. The Denbigh family is recorded as living at ‘Park Villa’ ‘near Kew’ in 1856. John Denbigh was at this stage the superintendent of the local Baptist school. By 1869 they are listed as residing in Cotham Road. John Sharp Denbigh’s death in 1875 resulted in the sale of Wimba. This is an important early English silk hexagons quilt with outstanding technical workmanship, and is well-provenanced.The quilt is constructed in the popular hexagon pattern of silk off-cuts of an earlier period. Hexagon patchwork quilts were typically constructed of individual hexagons, which were formed using paper or card templates. Where these are visible, it would indicate that writing paper was used to form the templates. The quilt is unlined and has a green silk border, added at a later date. Early 19th Century patchwork quilts tended to use cotton to create the hexagons, whereas silk became the preferred medium mid-century. The quilt has been dated to the middle decades of the 19th century due to the colour range, and the exclusion of black silk hexagons. Most of the silk used in the quilt has a sheen, however there is some use of velvet in one or two larger hexagons. The exposed reverse of the quilt includes a large amount of very fine hand stitching.An unlined quilt was typically used as a summer spread. patchwork quilt, hexagon pattern, denbigh family, wimba, cotham road, kew, john denbigh, helen johnston, quilt, patchwork, textiles, migration to australia

Brown leatherette case containing ladies' sewing kit. Lined with flesh coloured moire silk, gathered pocket containing a sheet of 200 pins, brass thread holder containing 2 reels of silk thread, one shade 677 the other 706. Other half of case has leather strap with 2 packets of Lighthouse brand needles, scissors, thimble, two needles, punch, button hook, one unknown tool, 1loose '30's button, 2 needle cards, one containing 12 safety pins of various colours.Lithgow Sheet, 200 solid headed English Pins. Abel Morrall's Dress and Lingerie Pins. Art Silk Hose Mending, Flora MacDonald Needles are a Pleasure to Use.domestic items, sewing

I have lived in Box Hill now City of Whitehorse since 1970 I have belonged to Box Hill Spinners and Weavers Inc. since 1990.During the 90s' Box Hill Spinners and Weavers participated in the Annual Sheep and Woolcraft Show, at that time held in the Melbourne Showground. As well as submitting individual entries we always entered the Group Competition, known as the '5 articles' the entry had to have 5 separate articles made by a group and displaying different woolcraft techniques . In 1997 our Box Hill entry focused on 'The Planets' featuring five capes. The red one representing Mars the red planet. It was woven. The dark cape represented Jupiter. It was also woven. the Neptune cape was felted in blue and greens. The Earth cape featured knitting and crochet. My contribution was the Venus cape featuring spinning from raw merino fleece and silk. Once completed this wool/silk yarn was fashioned using hairpin lace. I was adept at spinning by this time but knew nothing about the old technique of hairpin lace. Box Hill Spinners and Weavers won First Prize. Margaret Dimelow.Cream coloured cape spun from raw merino fleece and silk, technique is hairpin lacecostume, female

9066.1 One elbow length lace fingerless glove 9066.2 Single short lace fingerless gloveMade in England Artificial silk

Clothing. Deep V neckline, front and back, has a tapered tie, at the shoulder to 4.5 cm, and slanted at the lower edge of the tie. The V neckline has a fine binding finish as do the armholes, and the lower edge of the bodice. Shadow, and pulled thread embroidery, in a floral design, outlines the V neckline in the front. A tiny 10 cm x 10 cm heart shaped pocket is bound at the edges and sits at lower right front. A small dart, 1 cm x 6 cm long is below the armholes, on each side seam. Fabric is cut on the cross to add flair. A two cm x 60 cms tie attaches at each side seam, and would tie at the back. Clothing. Pyjama pants have a V shaped waistband 11 cm deep at front and back, below which is a small 1.5 cm wide pleat on either side of front and back. An 11 cm deep plackett on both side seams - on the left hand side two x 1 cm pearl buttons and buttonholes fasten the plackett. The two buttons on the right hand side are missing. A panel of shadow embroidery decorates the outside lower edge of the trouser leg. Fabric is woven with a floral design. Lower edge of legs are finished with a fine binding. 11 cm peak at waistband. Pants with hem 88 cms, width at ankles 64 cms.Silk and Rayon Made in Chinacostume, female, pink silk pyjamas (bodice)

These gloves were worn by a Bridesmaid at the wedding of Dorothy James & Frank Merrett. Bridesmaid wore a different coloured outfit.One pair mauve lace fingerless gloves to elbow, worn by a bridesmaid. Mauve bridesmaid's dress NA4231 and mauve Bridesmaid's hat NA4138 and Bride's dress and accessories NA3985.Artificial Silk. Made in England.costume accessories, glove accessories

Hand embroaded on silk memento by Bill Handcock to his mother from Pelestine 1940. Main feature is the Rising Sun Bagde.silk hand embroaded memento Mrs P G Handcock from Bill Palistine 1941 Australian Commonwealth Military Forces Rising Sun Badge in centre Crown is centered on top of Garlands with flowers embossed in corners Blue fringed on all edges"Palestine" Lower L/H Side, "1940" Lower R/H side, "Mrs P G Handcock /From Bill" centre bottom, "Australian Commonwealth /Military Forces, on Rising-Sun-Badge centre world war two, embroidery, memento, rising sun badge, palestine, 1940, handcock

The silk maps were carried by Aircrew. Item in the collection re A.F. Goodall DFC RAAF, refer Cat No 543.2 for his service details.Framed black with black mounting background, silk map over in colour, scale 1: 3,000,000 showing the area of North Africa, Spain, France, Sardinia, the opposite side has mostly Southern France. Inset over is a photo of A.F. Goodall.maps, silk

Alonzo Box, of Oakleigh ,a nephew of William and Elizabeth Box who resided in 'Box Cottage' 1865 - 1914, married Mary Closter (Kloster), of Oakleigh, on June 12th 1918. Alozo's elder sister, Rebecca, sent a bolt of Chinese hand-embroidered silk from which this wedding dress was made. Rebecca Viloudakia, nee Box, was a missionary in China, and married to a Greek Silk Merchant. Alonzo Box, the 9th child of John and Martha Sheldrake Box , enlisted in the Army and landed at Gallipoli 25/4/1918. He was evacuated to Egypt and then sent to the battlefields of France and Flanders before returning home to Melbourne in February 1918. Rebecca Box, the eldest child of John and Martha Sheldrake Box, was in the first party of Methodist Missionaries to leave Australia for the China Inland Mission in 1890. During the Boxer Uprising 1900-1901 her Mission outpost was attacked but she escaped and was taken to Shanghai. She later married one of the rescue party Nicholas Viloudakia a Greek silk merchant .Australian Dress Register ID 573 12/5/2015 Following Henry Dendy's Special Survey 1841 pioneer settlers bought allotments of land in the area of Moorabbin Parish. Alonzo Box was the nephew of William and Elizabeth Box who bought the cottage on the 30acre allotment from an unknown pioneer settler in 1868 and resided there until Elizabeth's death in 1914. Alonzo Box served in the Army World War 1 1914- 1918 at Gallipoli, France and Flanders. Rebecca Box -Viloudakia was in the first party of Methodist Missionaries to leave Australia for the China Inland Mission in 1890 and was rescued during the Boxer Rebellion 1900-1901 and taken to Shanghai by her future husband.A cream two piece wedding dress made from a bolt of hand embroidered Chinese silk for the marriage of Mary Closter and Alonzo Box on June 12th, 1918. The bolt of Chinese silk was sent by Alonzo’s older sister, Mrs Rebecca Viloudakia, a missionary in China, who was married to a Greek silk merchant. The machine sewn dress was made by a dressmaker in Dandenong, Victoria. The jacket is blouson, with a front opening and is gathered at the waist by a band enclosing a drawstring. The collar is a sailor style that forms a slight / high V-shape front neckline. Four vertical roses are separated by three bands of lacework. The back of the jacket is plain silk. The right front of the jacket has a panel of embroidered roses, band of lacework and a facing fold that encloses 4 fastening presses. There are crocheted bobbles on the front representing buttons. The left jacket front also has the panel of embroidered roses, lacework and matching fold for the 4 fastening studs. The full length inset sleeves are gathered to a cuff that fastens with silk covered buttons. The sleeves have floral embroidery down the outside centre line. The left sleeve has an extra detachable cuff with embroidery on the flounce that matches the bottom panel of the skirt. It is held in position around the wrist by 4 white metal press studs. The skirt sits above the ankle. It consists of 5 panels slightly gathered at the back waistline with a left side placket 21cm with hooks and eyes and press studs. The waistband is lined with petersham and has 6 whalebone inserts. The front of the skirt has small pleats to fit the 3 decorated panels to the waistline. The front has 3 bands of lacework around the lower part. 3 panels form the centre front each embroidered with a different floral pattern. The back of the skirt is plain with 3 bands of lacework rising from the hem, which is sewn with spoke work stitch. The long waist sash/belt is plain silk with embroidered ends and 3 silk balls with crocheted caps suspended on 3 crocheted silk chains. It has a rose knot with 2 metal press stud fasteners. There are a variety of floral designs embroidered on the material including ‘corner motifs’ on the 2nd inner front panel of skirt. brighton, moorabbin, silk, box william, box elizabeth, box alonzo, box mary, kloster mary, closter mary, oakleigh, dandenong, chinese silk merchant, boxer rebellion 1900-1901, box rebecca, methodist china inland mission, viloudakia nichols, anzac landings, world war 1, gallipoli

Tibetan hats are in various forms. The men are known to wear cloth/felt hats; these sometimes come with tassels or even purplish decorations woven out of silk. On the other hand, women are seldom seen wearing hats during summers but are seen wearing hats made of white felt or white Woollen raincoats with a hat during the monsoons. The winters due to the biting cold they face; individuals are seen wearing fox or sheepskin hats or scarves. The Tibetan hats not only help to keep warm, but also add beautiful decorations to the clothing they wear.Traditional hat with silk brocaded crown and large fur flaps to protect the ears and face from high winds.The TFG initials written in ink inside.everyday life, clothing, hats

Elbow length gloves, beige/milky coffee colour, pattern of bands of 8mm stocking stitch offset to each other continuously down the gloves.6 Artificial Silk Made in Germany.costume accessories, glove accessories