Textiles. Calico bag - ''Harpers Flaked Oatmeal'' Star brand, Trademark Registered ''My Brekfus'' 7 lbs Net. Robert Harper and Company Limited Australia. Head and shoulders drawing of a blonde haired girl surrounded by wheat.On the other side of the bag is a blue and white picture of a box of ''Silver Star Starch''. Robert Harper and Co Ltd. Slogan written on box, '' The best in the world. Won't sick to the Iron''. Robert Harper and Company (1842-1919), businessman and politician, was born in Scotland. He migrated to Melbourne with his family in August 1856. He worked for J.F.McKenzie & Co., roasting and grinding millers. In 1865 he established Robert Harper & Co., trading in tea, coffee and spices from the East Indies and later in oatmeal and flour.textiles, domestic, robert harper and co calico bag

Textiles. Linen flour bag printed on both sides in red and green.1. ''WITTSCHEIBE BROS. The famous WB Brand Regd. World's Best Self Raising Flour prepared from the choicest Victorian wheat. Factory 172 MITCHELL ST>< BENDIGO< 5 lbs''. Side 1 printed in black ink KA No 712. Side 2 printed in pen ink 1149. 5lbs net. Self raising Flour W.B. Brand Self Raising Flour is mixed and prepared from the choicest Victorian grown wheat, and possessing highly nutritious qualities is unequalled for Scones, Cakes, Puddings, ETC 172 Mitchell St., Bendigo, Telephone 339''.textiles, domestic, wittscheibe bros, bendigo. flour bag

Textiles. Grey cotton gloves. Fastened at wrist with dark grey plastic button (1.4 cm) and button hole. Three pin tucks on back of glove. Three other pairs still inside cellophane sleeves. 2 X size 10; 1 x size 9 1/2. Stapled. Beehive labels removed , uncatalogued.Label inside RH glove ''Dent's cotton Made in England''.Cardboard label-removed and stored separately, ''The Beehive 4R 13/11''. Printed on Cellophane sleeves, 'Dents gloves'. 'Hand in Glove with the World'. Made in England'. Picture of a Gloved hand holding a world glove.textiles, domestic, grey cotton gloves

The supper cloth was brought to Australia and presented to the Shields family. Mary Ann Stebbing (nee Shields) then handed it on to her daughter Nancy Jean, who married Alfred Marshall in 1937. On Nancy's death, the cloth came into the possession of her daughter, Nolene Menz (nee Marshall).This large cloth with its noteworthy hand stitching is an example of the range of textile memorabilia generated during World War 1. It links a local Buffalo River family to the 1914-18 conflict.Framed embroidered white linen cloth depicting a tribute to ANZAC soldiers by the women of Belgium, dated 1915. The tribute takes the form of an ANZAC soldier and words in the English language.Accompanying the ANZAC soldier presenting arms are the centred words: "ANZAC 1915" "OUR HERO, WE'RE PROUD OF HIM". Around the border of the cloth it reads: "WE ARE PROUD OF AUSTRALIAN BRAVE SOLDIERS WHO NOBLY DID RESPOND TO THE FIGHT FOR KING AND COUNTRY. HONOUR ON US ALL AND TO AVENGE BRAVE BELGIANS WRONGS. GOD PROTECT THEM."belgian supper cloth world war 1

Gathering is a series of contemplative sculptural objects that represent a visual continuity between the Australian landscape and the city. They embody totemic beings which hold the beliefs, values and attitudes of an individual who resides within the urban context, yet has a deep connection to place through their engagement with temporal moments and meaningful interactions. They aim to facilitate dialogue between the viewer and the viewed, seeking to re-orient an individual's perception, awareness and values surrounding the importance of fostering a connection and sense of place with the land we walk on.Wangaratta Art Gallery Collection. Purchased with funds from the Friends of Wangaratta Art Gallery.A contemporary sculpture made using weaving techniques to create a mesh-like linen cylinder tuft with raw cotton fibre mounted upon a limestone base.sculpture, textile, tulla carson

Sladen House was built by Sir Charles Sladen in 1850 and it served as the amenities section of the R S & R Mill after World War 2.Mr G Kidmanwoollen mills - history textile mills - staff textile mills, returned soldiers and sailors mill, kidman, mr g. l., sladen house, geelong, woollen mills - history, textile mills - staff, textile mills

Sladen House was built by Sir Charles Sladen in 1850 and it served as the amenities section of the R S & R Mill after World War 2.Geelong R S & S Woollen & Worsted Co-operative Manufacturing Coy lLimited Robert Pockley Studios/ photographers... Copy by/woollen mills - history textile mills - staff textile mills, returned soldiers and sailors mill, kidman, mr g. l., sladen house, geelong, woollen mills - history, textile mills - staff, textile mills

Sladen House was built by Sir Charles Sladen in 1850 and it served as the amenities section of the R S & R Mill after World War 2.Sladens in residence Robert Pockley Studios/ photographers... Copy by/woollen mills - history textile mills - history textile mills, returned soldiers and sailors mill, kidman, mr g. l., sladen house, geelong, woollen mills - history, textile mills - history, textile mills

Part of the Running Stitch collection. Given to "Running Stitch" c1995 by the Korrumburra Art GalleryLarge wagga made from fabric pieces which have been hand stitched together and lined with jute wheat bags. Fabric pieces are roughly rectangular and of various sizes. They are made from cut-down cotton knit garments (green and pink), a pink cotton fabric with floral print and various woollen garment pieces and their linings. Pieces are roughly over stitched together with various woollen threads. Back of the wagga is similarly constructed but with cotton and silk fabrics, both printed and plain.handicrafts quilting quilting - history, running stitch collection, running stitch group, handicrafts, quilting, quilting - history

This small woollen suiting wagga was machine stitched, backed with orange cotton and edged with brown navy and white striped braid. It shows how important old and disused suiting fabric was for quilt making during World War Two. Part of the Running Stitch collection.Small woollen suitings wagga. It is machine stitched, backed with orange cotton and edged with brown navy and white striped braid. Two rows of orange braid and purple ric rac are stitched across the wagga.handicrafts quilting quilting - history, running stitch collection, running stitch group, handicrafts, quilting, quilting - history, world war two, wwii

Acquired when "Classewave Industries" closed down.textile mills - staff woollen mills - history world war ii, federal woollen mills ltd classweave industries pty ltd, textile mills - staff, woollen mills - history, world war ii

Aunde / Norwellan Textiles North Western Woolen Mills became Norwellan Textiles then AUNDEColour landscape photo: World map with flags, white dots showing locations of 56 plants in 19 coutries.Global Presence 56 plants in 19 Countries. Esteban logo, Isinghausen logo, Aunde logo with flagsindustry, aunde

Aunde / Norwellan Textiles North Western Woolen Mills became Norwellan Textiles then AUNDEColour landscape photo: Map of the world dots of locations and countries maps.Textile AUNDE logo 19 Plants, 14 Countries.industry, aunde

Onkaparinga started in South Australia in 1869. Migrating from Germany, two brothers, Heinrich and Edward Kramm, both weavers, purchased and brought with them some machinery and established themselves in Hahndorf in a mud hut. Their original plant consisted of one carding machine, one spinning mule of 30 spools and 2 hand looms. The spinning mule was horse driven, the others all hand operated. The wool was washed by hand and dried in the sun then teased by hand. Now 145 years later the brand name Onkaparinga, is known all over the world, the products reflect the experience, passion and ingenuity of over a century's tradition in providing luxurious home wares. Donated to the National Wool Museum by Joyce GrayLight orange waffle weave woolen blanket, with nylon trimming. Product tag included with plastic case. On product tag - The better way to sleep. Onkaparinga onkaparinga, blanket, wool, kramm

WARM was a community textile art project that saw over 250 knitters come together to create a beautiful collage tapestry. Made entirely from wool, the artwork contains more than 1000 individual hand knitted sections. The project takes aim at global warming, it highlights both the causes and solutions for us to create a sustainable and safe climate for future generations. Lisa Kendal, the co-creator of the project, said “One of the problems in the world is that we have forgotten how to warm ourselves with wool. We have become too dependent on fossil fuels (for heating)”. This is the key idea surrounding the project. WARM began as two large scale images created by Lars Stenberg. The first image is a landscape scarred by coal mining. The second image is the same landscape only many decades later. Regeneration and regrowth have taken over the landscape and hidden the past coal mine completely. In its place is a beautiful landscape including trees, native flowers, a lake, lots of greenery and wind turbines. From March to the end of August in 2016, knitters worked hard to create the over one thousand pieces that came together to form the final tapestry. The pieces were all designed by Fibre Artist Georgie Nicolson of Tikki Knitting Designs, who converted the second image of the healed landscape into patterns for the 250 plus knitters to follow. These patterns included unusual designs such as gum leaves, trees, native flowers and even the wind turbines. During several days of installation, the knitted pieces were stitched together by Lars Stenberg over a picture of the first image of the operational coal mine. They worked to create the second image of the renewed landscape; like an enormous collage. The WARM project was donated to the National Wool Museum in 2021. It was a much-loved hanging within the Ballarat Hospital for many years before coming to the museum. More information about the project can be found on the following website. http://www.seam.org.au/warm The tapestry is made from 1000+ hand knitted sections stitched together to make an image. In the foreground of this image is a large gum tree that stretches from the bottom left to the top right corner. The trunk of this tree follows the left edge of the tapestry, with foliage from the gum tree spanning its top border. The bottom third of the tapestry is predominantly green grass with yellow, pink and red flowers providing sporadic colour. The middle third encompasses a lake, with orange colours surrounding the banks of the water as opposed to the green grasses of the bottom third. To the right of the lake are wind turbines. The top third of the tapestry is blue sky with white clouds. It also contains the previously described gum tree leaves. Each piece of the tapestry is 100% wool and was hand knitted and stitched together. The Tapestry is accompanied by an oil painting on canvas. It is a painting that matches the tapestry and served as a template for the final tapestry. Finally, the tapestry is accompanied by another pointing on wood board. This final panting is of a coal mine. This is the setting before regeneration and regrowth have reclaimed this site, which is the theme captured in the final tapestry. In the foreground of the coal mine painting is the same gum tree described in the tapestry; however, it is grey and sickle with only 4 leaves visible at the top border, compared to the numerous leaves in the tapestry. Also in the foreground is a broken barb wire fence adding to the unwelcoming nature of the site. The colour scheme of this image is of dark greys and browns. A coal fired power plant can be seen in the final third of the image with four chimneys emitting plumes of smoke into the sky. In front of this power plant is the spiral shape of a coal mine, burrowing deep into the earth’s crust. Inside of the coal mine 3 yellow trucks are seen mining and transporting coal to the top of the mine.warm, community textile tapestry, knitting, community artwork, global warming

The Excelsior Woollen and Worsted Mills were controlled by Godfrey Hirst & Co. Pty. Ltd. The Excelsior name originated from the union in the one enterprise of two of the earliest mills established in Victoria, the Old Victorian Mill, and the Old Barwon Mill. Godfrey Hirst combined his expertise with the capital of Charles Shannon to purchase the Barwon Mill in 1890 and the Victorian Mill in 1899. They commenced production of high-quality flannels in readiness for an anticipated lifting of tariff barriers in 1901, the year of federation. These were the first flannels to be produced in Australia rather than imported from England. In April 1912 the No.2 Excelsior Mill burnt down during the installation of electricity and was rebuilt. The No.1 Excelsior Mill was closed in 1930, with most hands moving to the No.2 Mill. In 1966 the firm changed ownership and became a subsidiary of the McKendrick family and commenced manufacturing of tufted carpets. Godfrey Hirst has since emerged as Australia’s leading manufacturer of tufted carpets. It has also expanded into hard flooring, including timber, laminate, and other surfaces. In 2018, the Godfrey Hirst business was acquired by Mohawk Industries, the world’s largest flooring company. Brown blanket featuring a design of four lines of cream, and a single line of orange, spanning the blanket vertically and horizontally, to form a plaid pattern. At the vertical ends, the blanket ends in a fringe.Label. Stitched. "The Atlantic Rug / Excelsior/ Guaranteed Product / Australian Manufacture"godfrey hirst & co. pty. ltd., excelsior mill, the atlantic rug

"Skinner's Wool Trade Directory of the World 1969-70" - Thomas Skinner & Co. (Publishers) Ltd, England.wool processing textile industry textile production, wool processing, textile industry, textile production

"Skinner's wool trade directory of the world 1971-1972"wool brokering textile industry textile production wool processing, wool brokering, textile industry, textile production, wool processing