From back cover: World War I in Photographs is an astonishing visual account of the Great War recounting the loss, the tragedy, the courage and the horror of military action in vivid detail.Soft, lightweight cardboard cover, white print on black background front, spine, & back. Sepia & black & white photos of WWI scenes, six on front, one on back. 159 pages, cut, plain, white. Illustrated. Black & white photos.books-military-history, photography-photographs, photographs ww1

King George V portrait at top between Union Jack & Australian flags. LHS: General Sir W R Birdwood. RHS: Lt General Sir J Monash. LHS: List of Honours awarded. RHS: Honours Awarded. Portraits of Officers commanding with a list of their division's units, engagements & casualties. Ornate brown frame, glass front, cardboard backing.Printed in colour top centre: "Record of Australia's Voluntary Effort in the Great War (AIF) August 4 1914 - June 28 1919"documents-posters, military history, ww1 record

From back flap: Here are the works of over seventy Australian poets..1) Hard cardboard cover, mid brown buckram with black print front & spine. .2) Dust cover, mid grey coloured background, black print on front & spine with photos of an oil on canvas painting by George Bell 'Laying the duckboards, France'. 146 pages, cut, plain, off white. Illustrated black & white photos. Front & back fly leaf & end papers illustrated with sepia portrait photos of men in uniform. Inscription on rear of front fly leaf.Handwritten in blue ink on rear of front flyleaf: “To Rita with best wishes from Wilbur?”book, somme, dark rising

The All Australian Memorial (Victorian Edition) A Historical Record of National Effort During The Great War. Australians Roll of Honour 1914 - 1916, Heroes and Helpers.Hard cardboard cover, black buckram, gold print on front & spine. Australian Military Forces badge illustrated on front. 158 cut, gold page edges, beige paper. Black / white / sepia photos, drawings, maps, portraits, etc. Many photos mounted on cardboard mounts. Fold out photos & maps. Fly leaf & end papers are dark green. Some photos missing. Inscription stamp.Inscription on front end paper handwritten in blue ink: “Desmond V B?er 146 Queen Street Bendigo” Title page: “RSL stamp”book, memorial, all australian

ARTHUR STANLEY SPOONER No 379 enlisted in A Coy 38th Batt on 25.2.1916 age 24 years 7 months. Embarked for England 20.6.1916, hospitalised 2.8.1916 with Influenza, hospitalised 23.9.1916 with displaced Cartlage, classified BIA. Moved through Training Battalion & No 2 Convalescent Depot in England. Returned to Australia 27.9.1917 for discharge classed Chronic Synovitis left leg, Odema left leg & discharged from the AIF 20.2.1918.Tan wooden frame, glass front, newspaper backing. Print in red & black ink."Arthur S Spooner Australian Imperial Force Served with honour & was disabled in the Great War Honourably discharged 20.2.18 George R J Certificate No V1308"documents - certificates, frame accessories, military history - service records

Daily Mail Battle Pictures, Series VII.Seven black & white postcards of aspects of the Great War..1) The glorious first of July 1916 - Our first prisoners, SVII No 49. .2) Star shell bursting near British lines, SVII No 51. .3) Army Chaplain tending British graves, SVII No 52. .4) The Fighting Fifth (Northumberland Fusiliers) after the Battle of St Eloi, SVII No 52. .5) Tommy's lookout in a captured trench at Orvillers, SVII No 52. .6) London Scottish going into their trenches,m SVII No 55. .7) Sir D Haig introducing Sir Pertab Singh to Generall Joffre, SV11 No 49.photography-photographs, military history, passchendaele barracks trust

John Joseph LOWERY Regt No 1926 enlisted in the AIF 3rd Reinforcements, 22nd Batt on 16.6.1915 aged 18. Embarked for Egypt 26.8.1915, taken on strength Gallipoli 25.10.1915. Hospitalised 23.12.1915 frost bite to feet. Embarked for France 19.3.1916, promoted T/Cpl 1.2.1917, promoted L/Cpl 2.5.1917, promoted L/Sgt 21.8.1917. KIA Belgium 2.10.1917. Refer Cat No 2564P.Wooden frame, green border around certificate, glass front, centre is a photo of a soldier.Document: “Honour the Brave. Presented to Sgt J J LOWERY by the Members and Friends of the View Street Church of Christ and Bible School in grateful appreciation of his services for God, King and Country in the Great War 1914 - 1918” Bottom centre on white label: JOHN JOSEPH LOWERY “Enlisted 16.6.1915 Regt No 1926 3rd Reinforcements 22 Batt AIF aged 18. Embarked for the Middle East 26.8.1915. Admitted to hospital Gallipoli with frostbite 15.12.1915 Embarked for France 19.3.1916. Appointed Lance Sergeant 2.5.1917. KIA 2.10.1917 at Broodseinde, Belgium. Donated by Mrs Lyla Sutton” Bendigo District RSL Museum civic mementos - certificates, religion - christian, military history

Poster produced “ with the compliments of the Herald and Weekly Times Ltd”Poster- paper, colour print of “distinguishing Badges of Australian Imperial Forces “ Plastic laminated. Mount- black painted edge MDF boardTitle to Poster “THE GREAT WAR / 1914-1918”posters, military history ww1

Heavy wooden frame, brown with khaki border, glass front, sepia photo showing ruins in Ypres Belgium.“The Great War 1914-1919 Ruins of the Cathedral and Cloth Hall Ypres, Belguim October 23 1917”photography - photographs, frame accessories, military history - souvenirs, ypres, cloth hall

From the Quarry Hill Congregational Church. 1914 The Great War 1918. gold printed names Heavy timber frame."Greater Love Hath No man than this"memorials-honour boards, military history-service records, church,

Church HONOR Roll board, heavy frame timber with gabled top. All inscriptions are in gold lettering. At the top, “Buckley St Methodist - SS - HONOR ROLL, For God and Country” At the bottom, “1914 The Great War 1919”memorials-honour boards, military history-service records, buckley street

Pte HARRY THOMPSON No 69437 New Zealand Expeditionary Force WW1. Refer 2027 for his service details. Illustrated certificate, brown & black ink printed on cream paper, mount in brown & green cardboard & brown frame.The Great War 1914 - 1918 Certificate of Service in the NZEF for Pte Harry Thompson 69437 Stamp on back: Bethany Gallery 116 Bridge St Bendigodocuments - certificates, military history-service records

Copyright J W SANDERS (late AIF).Black decorative wooden frame without glass. Poster in colour with white border & cardboard backing. Poster shows history of 1st, 2nd, 3rd, 4th & 5th Australian Divisions, also campaign medals.Printed top section of frame: “RECORD OF THE AUSTRALIAN IMPERIAL FORCE IN THE GREAT WAR 4TH AUG. 1914 - 28TH JUNE 1919”documents-posters, military history-army, aif

Arthur E. Woodley donated the WW1 Military Carbide Signal and General Purpose Lamp to Frankston RSL. It was given to Arthur E. Woodley of Crib Point during the 1960s by Captain Ivan E. Layton MBE who was then the Executive Officer of Melbourne Legacy. During WW2 Ivan Layton was secretary to General Blamey. Ivan Layton died on 15th September, 1979. The carbide workings of the lamp were removed because of corrosion, otherwise it is almost complete.WW1 Military Carbide Signal and General Purpose Lamp which is round and made of brass. The lamp has a latched and hinged brass top. Brass and wood hinged handle with knurled access knob which is situated at the top of the lamp. In between the handle uprights is a round chimney flu which allows heat to escape. Approximately one third down from the top of the lamp there is a brass side handle. Immediately to the left of the handle is a rectangular curved view port with brass cover. Directly opposite the side handle is a convex glass window. Air vents are located at the bottom of the lamp. Inside the top half of the lamp is a chamber which contains the carbide lamp and perpendicular sleeves for the insertion of coloured glass panels. The bottom half of the lamp contains the carbide.Manufacturers Stamp, 'PLAYER & MITCHELL LTD', 'SENTINEL WORKS' 'BIRMINGHAM'ww1, military, brass, lamp, world war 1, round, great war, carbide, signal lamp, player mitchell, birmingham

Originally would have been issued with a scroll & letter from the King but neither with plaque. 1914-1918 Memorial Plaque In early 1920 it was announced that the next-of-kin of all Australian servicemen and women whose deaths were attributable to the First World War would receive a memorial plaque and scroll "as a solace for bereavement and as a memento". The memorial plaques were not uniquely Australian. In fact they were designed and produced in Britain and issued to commemorate all those who died as a result of war service from within the British Commonwealth. The idea for the plaques was originally conceived mid-way through the war. In 1917 a competition was announced to obtain a suitable design and 800 entries were eventually received. The winner, Mr. E. Carter Preston of Liverpool, England, was chosen in 1918. He was awarded a prize of 250 pounds. Mr Manning Pike directed the manufacture of the memorial plaques at the Memorial Plaque Factory set up at Acton, London. Some later plaques were also made at the Woolwich Arsenal. The cost of manufacturing so many plaques must have been considerable. Each plaque had the name of the soldier commemorated individually embossed (some were engraved) as part of the design. The full name was given without any indication of rank or honours to show the equality of sacrifice of all those who had lost their lives. The scroll designed to accompany the plaques was of thick paper, headed by the royal coat-of-arms, and bore the following message: "He whom this scroll commemorates was numbered among those who, at the call of King and Country, left all that was dear to them, endured hardness, faced danger, and finally passed out of the sight of men by the path of duty and self-sacrifice, giving up their own lives that others might live in freedom. Let those that come after see that his name is not forgotten". Underneath the message the serviceman or woman’s name, rank, honours and unit were written by hand in red ink. Because of the late arrival in Australia of the plaques many scrolls were sent out separately. A message from the King, "I join with my grateful people in sending you this memorial of a brave life given for others in the Great War", was included with the scroll. The first plaques were distributed in Australia in 1922. Each plaque was sent out from Base Records Office at Victoria Barracks in Melbourne by second-class mail. Approximately 60,000 plaques were issued in Australia. Families of deceased members of the Royal Australian Navy and the Australian Army Nursing Service also received plaques and scrolls Bronze Memorial Plaque 1914-1918 for 4876 Pte. Harry Milne , 46 Battalion KIA 10/5/1918, In a cardboard square envelope. http://www.awm.gov.au/research/people/roll_of_honour/person.asp?p=493414Embossed around edge of plaque "HE DIED FOR FREEDOM AND HONOVR" Name of serviceman embossed on plaque right of centre "HARRY MILNE"ww1, dead mans penny, kings penny, memorial plaque

A WW1 Mills type Hand Grenade converted into a desk inkwell. It has a hinged lid which when opened reveals a ceramic ink pot. This is an original casting for a Mills Grenade mounted on a black glazed ceramic base. The base has lettering around the circumference with the wording "Memento of the Great War, Actual Hand Grenade Casting, as Used by the Allies, Regd No 651542, 1915"grenade, mills, world war 1, ww1, inkwell, trench art

When the Fort Cameron Presbyterian Church closed the Committee donated the Honour Board. Believed to be the only such Honour Board - the original Fort Cameron WW commemoration artefact. Large rectangular wooden Roll of Honour hanging on north wall of Wycheproof Historical Society with 24 WW1 names of local Wycheproof District - Fort Cameron men who enlisted.J.FIELDING; C. FIELDING; A. JOLLY; A.McDONALD; N.McDONALD; J.MCFARLANE; F.ELDER; R.T. HASSE; T .YOUNG; T .HARDING; M.HARDING; W. LOOSE; E.LOWE; V.LOWES; J.LOWES; T. ANDERSON ; J.MILLER; J. MILLER; J. STELLE; M. Mc IVOR; T. CULL; E.CAMERON; C. SKINNER; S. KING; ww1, world war one, great war, first world war, 1914-1918, servicemen, wycheproof district, fort cameron presbyterian church

One of the few remaining items from the hamlet of Karyrie near Wycheproof, Victoria, Australia. The memorial plaque links family tragedy to world conflict. It represents the impact such events had on small communities.Varnished timber, rectangular shape with script : ERECTED TO THE MEMORY/OF OUR MEN / WHO GAVE/ THEIR LIVES IN THEIR DUTY/ TO GOD AND EMPIRE / IN THE GREAT WAR / 1914 -1919. Eight names engraved in black text on metal.Rev. A. E. Goller; Denney A. ; Hunter M.C. ; Kelly E. ; Kerr A. ; Kerr J. ; Lee, G.R.; Williams E. ww1; karyrie; supreme sacrifice.

This meticulously hand crafted ship model is one of the most intricate and challenging projects for a ship modeller to create. Jim Williams took up the challenge, choosing to make all of the components by hand, following a plan of the ship rather than purchasing a pre-made kit. He even made his own tools specifically for working with this model. The “Sovereign of the Seas” 1637-1697 - The magnificent ship “Sovereign of the Seas” was ordered by Charles I of England, who desired a giant Great Ship to be built. It was built by Peter Pett under the guidance of his father Phineas, the King's master shipwright, and launched with 102-guns at Woolwich Dockyard on 13th October 1637, as the Navy’s second three-decker first-rate ship. It was the most extravagantly decorated warship in the Royal Navy, bought with the help of a special 'Ship Money' tax imposed by the King. Soon afterwards the ship was remodelled and cut down to a safer and faster ship. Over the ship’s lifetime it was renamed “Commonwealth”, then in 1650 it became simply “Sovereign” then again after a rebuild in 1660 it was named “Royal Sovereign”. By 1642 the ship’s armament had been reduced to 90 guns. In 1651 Sovereign was made more manoeuvrable by reducing the upper works. It served throughout the wars of the Commonwealth and became the flagship of General Robert Blake. It was involved in all of the great English naval conflicts fought against the United Provinces and France and was referred to as 'The Golden Devil' by the Dutch. By 1660 the armament was changed attain to 100 guns. After the English Restoration, it was rebuilt as a first-rate ship of the line, with flatter gun decks and 100 guns, and most of the carvings were removed. During the First Anglo-Dutch War, in a secret session on 21 October 1652, the States-General of the Netherlands announced reward money for the crews of fire ships that succeeded in destroying enemy vessels; the Sovereign was singled out with an extra prize of 3000 guilders to sink or ruin it. Although repeatedly occupied by the Dutch, the Sovereign was retaken every time by the British and remained in service for nearly sixty years as the best ship in the English fleet. The Sovereign was in regular service during the three Anglo-Dutch Wars, surviving the Raid on the Medway in 1667. After a second rebuild in 1685 the Sovereign was relaunched as a first-rate ship of 100 guns, before taking part in the outset of the War of the Grand Alliance against Louis XIV of France, venturing into the Irish Sea, and later participating in the Battle of Beachy Head in 1690 and the Battle of La Hougue. At this time she was more than fifty years old. It was the first ship in history to fly ‘royals’ above the topgallant sails and a top gallant sail on the jigger-mast. The Sovereign eventually became leaky and defective with age and was laid up at Chatham when, on 27th January 1697, the famous ship caught fire, burning to the waterline. Jim Williams, the model’s maker - Jim (James Bernard) Williams was born in 1888 at The Forth in Scotland. He lived in Tasmania for some time and enlisted to fight in France in WW1. After the war he moved to Warrnambool, Victoria, where he worked at the Cramond & Dickson clothing store until the Great Depression in the 1930’s. He was later employed at Fletcher Jones Menswear, where he worked for 27 years until just before his death in 1959. Jim was a passionate ship model builder. He worked on his model ships between 1930 and 1955, including The Endeavour and The Sovereign of the Seas, which was one of the most intricate historic ship models to build. He had a table set up in a bay window and worked on them on and off using a jeweller's eye glass on the finer pieces. Jim’s long-time employer, Fletcher Jones, knew of Jim’s hobby and skill as a ship model builder and requested Jim to describe the model, Sovereign of the Seas, with the view of putting it on display. When the model was finished there was a full article and photo in The Standard newspaper. Jim described his work on the ship mode “Sovereign of the Seas” in correspondence to his then employer, Fletcher Jones. The document gives us an insight into his skill, patience, and regard for replicating the details of the original ship. Some of the details are: "In making the model the time taken to make certain items might be of interest. For instance "The Great Lantern" on the stern, four weeks, a similar time for the figurehead of St George & the Dragon. "The lower shrouds three to each side about six weeks & the rigging as whole several months. There are nearly 300 blocks and pulleys ranging from nearly 1 / 16 inch in diameter. Dead eyes were bored with 3 to 5 holes. To do this needles of different sizes, set in handles & ground to wedge ends were used. Glass cut and ground to shape were used windows. All gun-port covers (74) hinged. "All guns and anchors made of wood. Nothing for the model was purchased ready-made; everything hand made." Jim’s family donated the ship model along with many associated tools, accessories and papers. The model represents the Sovereign of the Seas. The Royal Navy ship of the line launched in 1637 has a significant British maritime heritage. These days the Sovereign of the Seas still remains one of the most intricate historic ship models to build, representing to the model enthusiast a true challenge to the art of model shipbuilding. The model of Sovereign of the Seas in Flagstaff Hill's collection is an exemplary example of a ship model built and hand crafted from a plan with the making of every item on the model, not a model kit with prefabricated parts. It was made by a local Warrnambool man Jim Williams as a leisure activity in the mid 20th century. The hobby and craft of ship model making has resulted in visual representations of the changes in maritime technology and advances in world-wide navigation. Ship model of HMS Sovereign of the Seas, a 17th century British warship. The handmade model is in wooden framed, airtight glass case. All components were hand crafted. Many of the tools used were made by the model maker, Jim Williams. An inscribed plaque is within the case. Inscribed on plaque "SOVEREIGN OF THE SEAS / 102 GUNS - 1634"flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, model ship, vessel sovereign of the seas, jim williams, james bernard williams, the forth tasmania, freda williams, heather williams, phyllis bowditch, fletcher jones staff 1936, 17th century sailing ship, cramond and dickson, sovereign of the seas, royal sovereign, sovereign, charles 1

Synopsis: “In WW1 Melbourne a pioneering network of women at the Mission to Seafarers called the Ladies Harbour Lights Guild supported sailors who risked their lives at sea. The documentary “Harbour Lights” tells the remarkable story of the Ladies Harbour Lights Guild and the lives of seafarers in early 20th century Melbourne. It focuses on Melbourne’s iconic Mission to Seafarers building, its connection to the Great War and to a unique community of ships crew and volunteers. Featuring Melbourne historians, commentators, archivists and architects and rare footage and images of sailing and social life in and around the ports of Melbourne, this film will inform and connect audiences young and old.” Commissioned by Victorian Government The movie was produced in collaboration with the Mission to Seafarers Victoria. It was directed by Jary Nemo and written and produced by Lucinda Horrocks and Jary Nemo with executive producers Sue Dight and Gordon MacMillan. The film features: Jill Garner Kate Darian-Smith Chris McConville Janet Miller (curator) Gordon MacMillan (former seafarer and board committee member) Narrated by Sharon Turley. Music by Richard Chew (professor of the Arts Academy in Ballarat) The film was presented at several festival in Australia and abroad in 2020-2021. Credits: Narrator Sharon Turley Featuring (in order of appearance) Dr Chris McConville, Gordon MacMillan, Janet Miller, Professor Kate Darian-Smith and Jill Garner With Raul S Gantalao Jr, Escoto Lemuel, Ben Schroeder, Cinda Manins And Ian Fletcher, Yuan Jia, Uma Kothari, Gordon Lansley, William Reed and Cheka Samaranayake Directed by Jary Nemo Written and Produced by Lucinda Horrocks and Jary Nemo Music by Richard Chew Executive Producers Sue Dight and Gordon MacMillan Research advisors Geraldine Brault, Maria Culka, Professor Kate Darian-Smith, Ros Fletcher, Professor Uma Kothari, Dr Barbara Lemon, Catherine McLay, Dr Chris McConville, Janet Miller, Rick Mitchell, Duncan ‘John’ Perryman, Dr Annette Sheill and Peter Taylor Archival photographs, music and footage courtesy of Australian Red Cross Society, Central Highlands Libraries, Internet Archive, National Film and Sound Archive, National Library of Australia, Mackarness Family Personal Archives, Mission to Seafarers Victoria, Public Record Office Victoria, State Library of Victoria and US National Archives Music Harbour Lights. Music by Richard Chew. Westering. Music by Richard Chew. Twilight (Crépuscule) by Jules Massenet. Performed by Amelita Galli-Curci. I Love You So, Waltz from The Merry Widow by Franz Lehár. Performed by Elise Stephenson and Harry Macdonough with Orchestra. Harbour Lights 2. Music by Richard Chew. If I Could Fly by Walking Hearts featuring Jennifer Holm. Courtesy of Epidemic Sound. With thanks to Peter Barrow, Sarah Bartak, Lin Bender AM, Patty Braumueller, Csilla Csongvay, Emer Diviney, Moira Drew, Ian Fletcher, Ajith Jayasuriya, Ben Jones, Patience Jones, Cinda Manins, Madeleine Martiniello, Georgia Melville, Elisabeth Moglia, Tara Oldfield, Lyn Pasquier, Nigel Porteous, Rev’d Onofre (Inni) Punay, Dr Rosalie Triolo, Ben Schroeder, David Simpson, Cheka Samaranayake, Daria Wray, the Helen Macpherson Smith Trust and KPMG. A special thanks to The women of the Ladies Harbour Lights Guild 1906 to 1961 Produced in collaboration with The Mission to Seafarers Victoria Created with the support of The Victorian Government Licensing This film has been released under a Creative Commons BY-NC-ND 4.0 International license Acknowledgement of country Project production and development took place on the lands of the Kulin nation. We acknowledge Traditional Owners and pay our respects to Elders past, present and future. Production company A Wind & Sky Production Copyright with © Wind & Sky Productions MMXIX The film was launched on Wednesday 26th February 2020 at the Mission. Speech by Veterans Affairs. Amongst the guests were current and former volunteers (Maria Culka, Gordon MacMillan, Elisabeth Moglia), curators (Georgia Melville, Jay Miller, Geraldine Brault)18mn documentary mixed of photographs from teh collection and interviews about the Ladies Harbour Lights Guild work during WWIladies harbour lights guild, documentary, jay miller, janet miller, geraldine brault, lucinda horrocks, gordon macmillan, jary nemo, kate darian-smith, jill garner, chris mcconville, sharon turley, richard chew, footage, archive

The newsletter was published to address the Mercantile Marine primarily officers in the service. This is the number 19. The term "Merchant Navy" was coined in 1919 by King George V. So this foyer predates 1919.An unusual example of newsletter circulated by the Missions to Seamen (UK) during WW1. The aim may well have been to boost morale but clearly targeting Merchant mariners.Small paper and ink (2 colours, black and blue) 4 page stapled paper pamphlet/booklet. First page features some small black and white printed hand drawn graphics of a river mouth and a decorative angel or female. ww 1, mercantile marine service, mercantile marine, ww1, first world war, great war

The LHLG newsletter of 1918 features this image and notes that they accompanied their shipmaster father Captain Aviss, of the Barque Inverneill who with his wife Catherine Florence Aviss, travelling through dangerous European waters, brought the family of three children to visit Melbourne. The two children featured are Margaret and Ronald, born at sea in 1915. Their young sister, Ruth Neil, was also born at sea on the 27 August 1918. The family re-united with a first meeting for the children and grandparents, Captain and Mrs Frampton, who "had lost two ships to enemy submarines and were now on their third". The family participated in "a happy Communion service in our chapel , in which the parents and grandparents joined this formed the keystone of their visit to Melbourne". Unfortunately the young Mrs Aviss contracted the Spanish influenza on their arrival in St John, New Brunswick, Canada, she succumbed in November 1918 after spending a week in the Parks Hospital. Herbert Aviss was left with 2 toddlers and a 3 month old baby. He went back to England with his children in March 1919 on passenger ship, accompanied by a nurse. Martin Frampton and his wife were in New York at the time, but they probably learnt about Catherine's death in the local newspaper. A memorial plaque in her name unveiled in the chapel at the Mission in April 1919. The parents and grandparents left their names and signatures in the visitor book (0149) on the 28 April 1918.One of the rare stories of seafarer visits illustrated with a photograph of the children of a family accustomed to life aboard ship. The impact of influenza also affected this family and others are recorded amongst the supporters of the Mission and reflects the widespread impact that the epidemic of the post WW1 period had on people, Mission activities and restrictions affecting public events. Both Framptons and Aviss are noted in the annals of the Cape Horne society.Small monochrome photograph of two small children, a girl and a boy posed in front of the ship's wheel of a sailing vesselshipboard life, seafarer families, martin frampton, elizabeth frampton, herbert aviss, children, catherine florence aviss nee frampton, wwi, world war one, great war, first world war, german, submarine, u boat, torpedo, spanish influenza, flu, pandemic, st john, new brunswick, sea mites, wheel, boy, girl, margaret aviss, ronald aviss, ruth aviss, ruth neill aviss, ruth neill paterson nee aviss (1918-2017), ronald aviss (1915-1996)

Although the 'Waler' was specifically bred for the Australian bush it proved a tough, reliable mount in the desert battles in the Middle East during WW1. Over 130,000 were sent overseas and of these 15,000 served with the Light Horse. None would return to Australia.Cold cast bronze figurine of an Australian Light horseman kneeling beside his "Waler" horse. Mounted on a wooden base with an engraved brass nameplate.THE WALER'S MATE AUSTRALIAN LIGHT HORSE

Ancestor of Sub Branch memberPte. Dempster was an ancestor of a Montmorency/Eltham sub-branch member.British War Medal Silver disc with a straight clasp suspender without a swivel Ribbon (in clasp) - wide central watered stripe of orange, flanked by two narrow white stripes, which are in turn flanked by two black pin-stripes, further flanked by two outer stripes of blue Obverse ... bare headed effigy of King George V (by Sir Bertram Mackennal) facing left with the legend around circumference Reverse ... St. George on horseback trampling shield of eagle (symbol of "Central Powers"); above is rising sun of victory. Victory Medal Bronze disc with circular loop which is threaded with ribbon Ribbon - a ‘two rainbow’ design, with the violet from each rainbow on the outside edges moving through to a central red stripe where both rainbows meet Obverse ... image of "winged Victory" Reverse ... inscription surrounded by laurel reathBritish War Medal Obverse ... GEORGIVS V BRITT OMN : REX ET IND. IMP. (George V, King of all the British Isles and Emperor of India) Reverse ... 1914 1918 Rim ... Pte J. H. Dempster, 24 BN AIF Victory Medal Obverse ... no inscription Reverse ... THE GREAT WAR FOR CIVILIZATION 1914 - 1919 Rim ... Pte J. H. Dempster, 24 BN AIFwar service medals, ww1

For Trafalgar Day, 20 October 1914, the Archbishop of Canterbury in England had "drawn up a new form of private prayer to be offered up specially for the sailors of the Fleets in the present crisis. He suggested its use particularly at noon as a silent prayer, when those at work may be reminded by the ringing of the " Angelus" bell to lift up their hearts to the Lord. The prayer was as follow: "O Thou that slumberest not nor sleepest, protect, we pray Thee, our sailors from the hidden perils of the sea, from the snares and assaults of the enemy. In the anxious hours of waiting, steady and support those on whom the burdens of responsibility lies heavily, and grant that in dangers often, watching often, in weariness often, they may serve Thee with a quiet mind, through Jesus Christ our Lord. Amen.” The prayer illustrated by English artist G.M. Langley became popular. Prints were sold as gift for 7/9 each with an oak frame. As mentioned in the ' Quarterly Jottings from our log" no 47 midwinter 1917: the etching was gifted to the Mission for display in the new Chapel by the Godfrey sisters. The frame was gifted by their cousin's wife, Mrs William Scott Purves Godfrey ( ' Quarterly Jottings from our log" no 48 Michaelmas 1917).The print was gifted by the Misses Godfrey, influential and long term members and supporters of the Ladies Harbour Light Guild. At the time of the completion of the St Peter's Chapel in September 1917, it was dedicated to the memory of all merchant seamen serving in the long war. The print subject, of the sailor guarded by Jesus was no doubt intended to inspire faith and hope but also acknowledges and reflects the anxious days of waiting not only of the sailors and seafarers negotiating the dangerous waters and oceans but also the challenge for families, experiencing the widespread anxieties of a world at war. Wood framed and glazed engraved print of Jesus Christ with sailor in the foreground and printed inscription on mount belowSignature of artist lower left of print.: G M Langley Printed on mount at lower right: "In the Anxious hours of waiting"g.m. langley, prints, engravings, merchant seamen, seafarers, ww1, godfrey family, ethel augusta godfrey, frederica godfrey, first world war, great war, mrs william scott purves godfrey, rica godfrey, rita godfrey, artwork-paintings

Gathering of seafarers and two ladies on Xmas day outing to Brighton, 1917. see item 1650/1651/1652/1653Small monochrome outdoor photograph, depicting a small group of reasonably formally dressed men and women, gathered for the photograph to be taken Xmas Day at Brighton 1917 The "Cricketers"brighton, picnic, lhlg, 1917, ww1, first world war, great war, cricket, bats, officers, apprenctices, ladies, xmas, christmas day