Huttley - Martin FamilyB/W: Bride with Bouquet in front of drapes, floral headband, floor length veil. Long sleeved, floor length dress v cut in neck.Lorna Cleland (Nee Huttley) (wedding)huttley, martin

Jean Maddock married Arthur Victor Burgess in 1923.Sepia photograph of a young woman wearing long wedding gown, pearl necklace and long veil, seated with right hand at waist left hand by side.On card mount, handwritten beneath photograph "Best wishes from Jean". On reverse: "Jean Maddock, post master's daughter".jean maddock, arthur victor burgess, weddings

This nurses veil is preventative of what was part of nurses uniforms in the mid 1900's. Tawonga and district hospital was the only hospital in the Upper Kiewa Valley and was then moved to Mt Beauty to cater for the increased population due to the Kiewa Hydro Scheme. Many of the hospital equipment KVHS has in its collection is from the time when the hospital was moved to Mt Beauty. This veil could also be from this period.This has historic significance due to being representative of what nurses wore in the Tawonga and district hospital during the mid 1900's. As KVHS has many hospital instruments in its collection from the towns hospital the veil has good interpretive capacity and is in a good condition to be placed on display. White linen fabric with 3-4 cm bound edging.nurse's uniform. civilian uniform. veil. headwear. tawonga and district hospital.

Bought at local Op Shop for collectionWorn in 1950's for attendance at Church, parties, funerals and the like.Black satin 4.5cm fascinator (cocktail hat) shaped as a crown less hat, decorated with two ribbon bows at side and a 23cm black eye veil with spots.costume, female headwear

This wedding dress and headpiece were worn by Emily Elizabeth (Betty) Cock (1907-2001) when she married Euston Murray Nutchey at St Andrew's Church, Brighton, on 28 April 1938. The bride's great-grandmother, Emily Cock (nee Smith), was married in the same church 69 years earlier; Emily's dress is also in the Brighton Historical Society collection. The dress was made by Melbourne dressmaker Beatrice Cook, with distinctive blue beaded panels worked by Betty's younger sister Margaret (1915-2006) to match the wedding's blue-and-pink colour scheme. The dress was accessorised with a pale blue tulle veil and a bouquet of blue hydrangeas, delphiniums and pale pink roses.Satin dress cut on the bias, originally ice-blue, now faded to cream. The dress features a long train and broad v-neck. The bodice and waist are softly ruched and gathered on either side of a finely beaded centre panel running from the neckline to the hem. The beadwork features a design of small cream-coloured leaves winding between large stylised blue flowers and leaves, all bordered with silver beads. Full-length sleeves are slightly puffed at the shoulder, narrowing to a close fit, with beaded cuffs matching the centre panel. The dress is accompanied by a matching blue, cream and silver beaded coronet or headpiece; this was originally worn with a pale blue tulle bridal veil.Label, woven mauve on beige silk, centre back: Beatrice Cookbetty cock, betty nutchey, emily elizabeth cock, emily elizabeth nutchey, euston murray nutchey, beatrice cook, wedding dress, st andrew's church brighton, 1930s, frances margaret cock, frances margaret ward

The occasion of the photograph is unknown, but it depicts a group of Melbourne District Nursing Service (MDNS) Sisters with Matron Tupper. She is wearing the Matron uniform of a white frock and veil and a red cape. The Sisters are wearing their grey MDNS uniforms and one is wearing a uniform red cardigan. The Sisters peaked hats have a red Maltese cross applied in the centre front.From its foundation in 1885 the Melbourne District Nursing Society (MDNS), were instrumental in giving nursing care to patients in their own homes, and to assist them if they had financial problems or resided in poor living conditions. Miss Dorothy Tupper who, as a Trained nurse, had undertaken a course in hospital housekeeping at London Prince of Wales Hospital, was contacted by MDNS in 1939 and, possessing both business and humanitarian qualities, was asked to organize their newly established Social Service Department. As the MDNS Social Service Sister, she assessed the living conditions in patient's homes. She continued in this role until being appointed Matron of the Society's District Nursing division in 1941; a role she continued in until her retirement at the end of 1962.Black and white photograph of a group of seven Melbourne District Nursing Service (MDNS) Sisters and Matron Tupper with two men and four ladies standing in two rows in front of a brick house which has a tiled roof. To the left in the back row is a gentlemen with dark hair, who is wearing a dark suit, then two MDNS Sisters, next is a lady who is wearing glasses and is dressed in a light colour coat and hat. To her right is a tall MDNS Sister wearing dark rimmed glasses, then a lady with dark curly hair looking over the shoulder of a man with grey hair who is wearing a dark suit; on his right is Matron Tupper, who is wearing her white nursing uniform, her dark cape, and white veil over her short dark curled hair. In the left front is a Sister; to her right is a lady with dark curly hair and wearing a light coloured coat over a dark skirt and jumper; then a lady with blonde curly hair who is wearing a dark coat over her light dress and is carrying a handbag. Three Sisters are to her right - the end one is wearing glasses and a dark cardigan over her grey uniform frock The other MDNS Sisters in the group are wearing their grey uniform coats over their partly seen grey uniforms. All the MDNS Sisters are wearing grey uniform peaked hats. A three storey building is to the left rear of the photograph and and parts of three other buildings behind and to the right of the house.melbourne district nursing society, mdns, mdns social service department, mdns matron, matron dorothy tupper

Photograph - black and white. A full lengh portrait of a female in her wedding dress, flowers around her waist, collar and bouquet on floor, veil hanging at back of headpiece.Richards & Co., 19 Sturt Street, Ballarat.person, individual, female portrait, portrait of a female. wedding dress.

Made for and worn by Jeanette Margaret Bennett for her wedding at Uniting Church, Riversdale Road, Wattle ParkWide, white 1978 headband padded and covered with nylon net, and decorated with satin flowers. Veil trimmed with 4 cm wide satin ribbon|NA3596 wedding dresscostume, female headwear, female ceremonial

Emma Gerte (Gertrude) Uebergang married William James Atkinson in 1930. Emma was born in East Doncaster in 1903, the daughter of Carl Heinrich Uebergang and Sarah Buck. Emma’s grandparents were pioneers in Doncaster from 1855 and her father had an orchard in Andersons Creek Road. Mr & Mrs Atkinson had a greengrocery business and general store at 815 Whitehorse Road, almost on the corner of Elgar Road from 1930 until about 1950. (See file for further details). In retirement the couple lived at 63 Zetland Road, Mont Albert and William continued to work as an orchard hand. Emma died in 2000 and is buried in Templestowe Cemetery. A black and white photograph of a happy bridal couple. The lady is wearing a knee length dress and a calf length veil. The man is dressed in a suit. The bride is carrying some flowers.wedding dresses, clothing and dress, miss emma gerte uebergang, mr william james atkinson

Dora Walker was a student of Milverton school, one of the Ladies Schools, a branch of the Ladies Harbour Light's Guild. Amy Dora Walker (known as Dora) of East Malvern married Harold Priestley Simpson of Surrey Hills on 14 February 1928. The bride's maids were Ella Kendall and Molly Walker. The article in the Herald of the day describes the event: "WEDDING AT SEAMEN'S CHAPEL Reception at Hotel Windsor The pretty little chapel at the Sea men's Institute was packed with interested friends this afternoon, when Miss Dora Walker, one of the Mission's most enthusiastic and efficient voluntary helpers, chose it as the setting for her marriage with Mr H. P. Simpson, son of Mr and Mrs J. H. Simpson, of Mornington. A group of her fellow workers decorated the chapel with lovely pink and white gladioli, carnations and roses. The ceremony was performed by the Rev. J. R. Weller, chaplain of the Mission, and the bride was given away by her father, Mr A. W. Walker, of Manning road, East Malvern. She wore a lovely ivory georgette frock, the finely tucked skirt being fashioned with a deep transparent hem of Chantilly lace. Over it fell a beautiful Honiton lace veil mounted on tulle and arranged to give the ef fect of a train. Fragrant white roses composed her bouquet. Two attendants followed her down the aisle — her sister, Miss Molly Walker, and Miss Ella Kendall — both wearing dainty shrimp pink georgette frocks and large crinoline straw hats in the same shade with a dainty edging of tulle. They carried bouquets of pink cactus dahlias nnd delphiniums. Mr Louis Buscombe was best man, and Mr George Thompson grooms man. After the ceremony Mr and Mrs Walker entertained about 50 guests at the Hotel Windsor."A member of the Ladies Harbour Lights Guild, Dora is one of the few ladies who married at the Mission.Sepia toned photograph of bride and attendants in the courtyard of the Mission to Seafarers. The bride's dress is calf length and she is standing with her veil draped in front of her, holding a large bouquet. There is one attendant to the right of the photograph, wearing a layered calf length dress and holding a smaller bouquet. Both are standing in front of one of the columns in the courtyard which has ivy growing over it.Blue ink on rear of photograph: 4 49hat, flowers, veil, wedding, dress, ivy, columns, shoes, dora walker, dora simpson, milverton school, ladies school, lhlg, mrs h.p. simpson, mrs harry simpson, courtyard, amy dora walker, ella kendall, molly walker, reverend j.r. weller, david simpson

BLACK AND WHITE PHOTOGRAPH TAKEN BY CON WEICKHARDT OCTOBER 1917 OF LADY WEARING CROSS ON BODICE OF WHITE APRON OVER WHITE LONG SLEEVED, LONG DRESS AND WHITE VEIL.TAKEN BY CON OCT. 1917local history, photography, photographs

Sepia toned photograph taken prior to marriage of Charles Hancock and Shirley Eaton showing bride with veil over face with her mother Ina Burchell Lakes Entrance Victoriagenealogy, celebration

In 1957, its first year as an active residential college, International House hosted a drama presentation called 'Oriental Rendezvous'. Domestic and international students from the University of Melbourne presented cultural performances, including Rajeswary Thambiah, a science student, and Lalita Rajasooria, an arts student, both of Malaysia.performing arts, fundraising

A hat pin is a decorative pin for holding a hat to the head, usually by the hair that was styled in a Chignon or French Roll style and usually worn in a pair. They are typically around 20 cm in length, with the pinhead being the most decorated part. The hatpin was invented to hold veils in place, and was handmade. Birmingham, England was the centre of production when demand eventually outgrew the number that could be supplied by hand-making and they also began to be imported from France. In 1832, an American machine was invented to manufacture the pins, and they became much more affordable. During the 1880s, bonnets gave way to hats, some of which were very large and the popularity of hatpins soared. In the Victorian era, when appearance was everything, it just wouldn't do for a fashionable lady's hat to blow off in the wind. They remained a standard women's' accessory through the 1910s and were produced in a vast range of materials and types. Hat pin holder boxes were also produced. One of the most well-known makers of hatpins is silversmith Charles Horner, of Halifax, whose turn of the century jewellery company became a leader in the market by creating a series of mass-produced pins that were still of exceptional quality. As a result, thousands of Horner's pins are still on the market and on display in museums worldwide. Women of the 1920’s used hat pins as decoration on their Cloche hats that fitted snugly to their heads. The women of the pioneer families liked to dress up in their best hand made dresses and fashionable hats for Church gatherings and special occasions as a relief from the daily chores of hand washing, ironing with flat irons and cooking over open fires.2 lady's long steel hat pins with sequents in a flower design on mauve material bonnets, hats, veils, scarves, moorabbin, bentleigh, brighton, cheltenham, early settlers, pioneers, clasps, hairdressing, combs, steel pins, jewellery

As a wedding photograph, this photograph shows the fashions of the time, which can be traced back to the 1930s, based on the length and style of the dress. This photograph shows one of the many uses of the Mission.This photograph shows one of many weddings held at the Mission to Seafarers. The image is relevant to the Mission and the services of the affiliated Anglican Church.This is a copy of a black and white photograph of wedding party in the courtyard at Mission to Seafarers. The bride is wearing an ankle length gown with peep toe shoes and a floral headpiece with veil. The groom is in full naval uniform.Pin hole through the top centre of the photograph.hat, coat, uniform, veil, wedding, dress, suit, courtyard, mission to seafarers, seamen's mission, mission to seamen, wedding dress, flinders street, melbourne

"Whacko" the cocktoo was the Camp mascot.Black and White photo of three nursing sisters in their uniforms and veils: Sr L Danson, Sr P Hooper who is holding "Whacko" the cockatoo and Sr P WIllis. Camp building in the backgroundwhack, cocatoo, 28 camp hospital, army nurses, danson, hooper, willis

Blue satin elasticised garter decorated with 2 white flowers. See also items NA4579 - wedding dress NA5077 - Good luck Charm NA5078 - Bible NA5090 - Stocking NA5091 - Veil costume, female ceremonial, costume accessories, clothes accessories, female

Murray Comrie Collection.A sepia photograph depicting a woman in wedding attire (high-necked white dress, floral hairpiece and veil, holding a bouquet) and man seated beside her, wearing a dark three piece suit. Studio portrait taken at Richards & Co, 19 Sturt Street Ballarat.tarnagulla, weddings, bock

Sepia photograph of a man wearing suit, seated with hands on thighs, and lady in wedding long gown and veil holding bouquet in right hand, left hand by her side standing beside him."Mr and Mrs Tom Cunningham (long Tom)"mr and mrs tom cunningham, weddings

Henry (Harry) O'Beirne married Julia Ann Porter on 28th May 1919 at St Mary's Church, Smythesdale.Sepia photograph of man wearing suit with buttonhole, seated with hands on knees, at left of young woman in ankle length bridal outfit and long veil, white shoes holding large bouquet of flowers."Mr and Mrs Harry O'Beirne".henry (harry) o'beirne, julia porter, weddings

Photo of Mary (Molly) Sprunt on marriage to John (Jack) Leith on 12 March 1938. Gown made by her aunt, Edith Brydon (NA3494) and veil by Madge Brydon (mother) NA3495Photo of bride - hand tinted on light brown paper background, covered in plastic attached to tin back and stand. Description of bride on paper stuck to top. See also NA3494, 3495, 3497, 3496photography, photographs / slides / film

A woman dressed in a white dress and pinafore, starched collar and cuffs and headscarf with veil. A black cross armband is worn on her left arm. Image was on display at Kelaston. Unfortunately the subject is unknown.1 sepia toned photograph of an unknown nurseassociation for the blind, kelaston home (ballarat)

This photograph shows one of the many weddings held at the Mission to Seafarers over the years and provides an overview of wedding fashion of the late 1920s. The Bride is posing in the courtyard of the Mission to Seamen. The bridesmaids were Ella Kendall and Molly Walker. The Walkers and Dora had a long association with the Mission and the LHLG and in the 1960s becoming president of the Flying Angel League which amalgamated with the LHLG in the early 1960s. In 1970 Dora received an OBE. Private images of the day for the record were supplied to the Mission by sons David and Brian in 2018. The article in the Herald of the day describes the event: "WEDDING AT SEAMEN'S CHAPEL Reception at Hotel Windsor The pretty little chapel at the Sea men's Institute was packed with interested friends this afternoon, when Miss Dora Walker, one of the Mission's most enthusiastic and efficient voluntary helpers, chose it as the setting for her marriage with Mr H. P. Simpson, son of Mr and Mrs J. H. Simpson, of Mornington. A group of her fellow workers decorated the chapel with lovely pink and white gladioli, carnations and roses. The ceremony was performed by the Rev. J. R. Weller, chaplain of the Mission, and the bride was given away by her father, Mr A. W. Walker, of Manning road, East Malvern. She wore a lovely ivory georgette frock, the finely tucked skirt being fashioned with a deep transparent hem of Chantilly lace. Over it fell a beautiful Honiton lace veil mounted on tulle and arranged to give the ef fect of a train. Fragrant white roses composed her bouquet. Two attendants followed her down the aisle — her sister, Miss Molly Walker, and Miss Ella Kendall — both wearing dainty shrimp pink georgette frocks and large crinoline straw hats in the same shade with a dainty edging of tulle. They carried bouquets of pink cactus dahlias nnd delphiniums. Mr Louis Buscombe was best man, and Mr George Thompson grooms man. After the ceremony Mr and Mrs Walker entertained about 50 guests at the Hotel Windsor."This photograph shows one of the many weddings performed at the Mission to Seafarers chapel over the years. Cross referencing with the marriage registers, also held in the collection, records that this photograph is Amy Dora Simpson (nee Dora Walker) of East Malvern marrying Harold Priestley Simpson of Surrey Hills / Mornington? on 14 February 1928.Sepia toned photograph of bride and attendants in the courtyard of the Mission to Seafarers. The bride's dress is calf length and she is standing with her veil draped in front of her, holding a large bouquet. There are two attendants to the right of the photograph, wearing layered calf length dresses and wearing cloche hats and holding small posy bouquets. The bridal group is posed standing in in the courtyard near the entrance to the MTS chapel.Small circular Blue ink stamp on rear of photograph: Printed by Harringtons stamped 2 small numerals : 3 and 8hat, flowers, veil, wedding, dress, ivy, shoes, dora walker, dora simpson, ella kendall, molly walker, amy dora walker, reverend j.r. weller, flinders street, st peter chapel, mission to seamen, seamen's mission, mission to seafarers, david simpson

A 175cm diameter circulet of cotton roses and leaves. Cream cotton roses and green leaves. Veil attached over a 21cm wide section of circlet. The fine silk fabric with embroidered 'swirl'pattern is the same as matching bodice and skirt. All edges are trimmed with a double row of finely embroidered lace, stitched together to form a 4.5cm wide edging. Roses are attached at 10cm intervals. Veil dips to a V shape at centre back. PART OF WEDDING OUTFIT 11400.780; 781costume, female, wedding veil

Wedding veil and headpiece. Soft cream in colour, the fine soft tulle is embroidered with a continuous, curvaceous, chain stitched embroidered leaf design. The tulle has been cut to follow the curves of the embroidery.The three tier veil is tightly gathered onto a one cm band, which is stitched to a clear plastic, curved comb 8.5 cm long and which would hold in the hair of the bride. The headpiece is made from cream coloured ribbon and simulated pearls. WITH 11400.1105 AND 11400.1107costume accessories, female, tulle three tier wedding veil and head p

At 5pm on 2 May 1975 at Christ Church, Hawthorn, the wedding took place between Kathryn Gwynn Marx of Mason Street, Hawthorn, and William Peter Reeve of Mountain Grove, Kew. The bride's dress was purchased from the 'House of Franke, Stuart', 612 Glenferrie Road, Hawthorn, a very popular place in the 1970s for brides. Kathryn was educated at Ruyton Girls' School with Margaret Franke so it was a nice connection. Margaret's family business had been in operation since 1926. I loved my wedding dress. It was soft and comfortable to wear and kept me warm on the May evening. It was elegant and I knew I would never get the chance to wear something with a long train again. Walking down the staircase at the Windsor Hotel in Melbourne felt very grand; a memory I still hold today. (Kate Reeve, 2022) [Note: Two photos and a newspaper article which are viewable in the image carousel are held in the donation file]Strong local provenance to Hawthorn, Kew and Boroondara due to owner and retailer. It is a representative example of wedding dresses sold in the 1970s. The wedding dress is made of fine soft white jersey with guipure lace around the neckline, wrists and bodice. The long train has three small discreet loops along the hemline which can be slipped onto a finger for a draped effect giving ease of movement for dancing etc. A satin trimmed veil covered the length of the train and was secured on the head with a satin coronet. White leather shoes were worn. The bouquet Phalaenopsis orchids. (Note: the veil and shoes were not part of the donation)Label: Franke Stuart / Hawthornfashion & design - 1970s, wedding dresses, kate reeve, peter reeve, franke stuart, retailers - glenferrie road - hawthorn (vic.)

Wedding photograph of Lyn Sprunt & George Hendrie, with attendants, Pat & Geoff Cook. Wedding dress made by her aunt, Edith Brydon, and veil handmade in 1912 by her mother for her weddingPhotograph of wedding of Lyn Sprunt to George Hendrie, 10 November 1945 at St John's Church Elsternwick. Attendants, Pat & Geoff Cook|See also NA3494, 3495 & 3498, 3496Munty Malvernphotography, photographs / slides / film

Grace D'Alton is holding child, Ellen D'Alton is seated in buggy Amy Evans is other female.Photo shows 3 women one holding a child. One woman with a veil around her head is seated on a buggy holding the reins attached to the horse. All three women are wearing long dresses.accommodation, bellfield, people, d'alton

This 1920s wedding portrait helps understand the social and spiritual contexts of the Ararat community at a time when religious ceremonies were of great significance. The clothing helps identify the status of the couple and reflects their economic standing.Representative of the early social and spiritual Western ceremonies in the area of Ararat in the 1900sLarge, portrait-orientation black and white photograph mounted on card. Two people, dressed in formal wedding attire stand together in a studio. Bride carries a large boquet of flowers and has a ¾ length veil.Rear: "To Uncle Jim with best wishes / from Tom and Daisy / 11 2 20" / 1627 [cat.nbr]wedding, ceremony, photography, 1920s