Six small white china plates with decorative pierced edges and gilding around rim, centre of plates showing scenes of three female figures in Grecian style costumes, 3 plates showing figures with a musical instrument & 3 shown with fruits.domestic equipment, food consumption, plates

Paper certificate mounted on canvas being a diploma presented to Julius Cohn of Sandhurst from Lehmann's Brewers College certifying he attended the college and was appointed Brewer Foreman. Certificate shows a male figure in period costume and border of vine leaves.person, individual, julius cohn

In a black frame there is a coloured photograph of many sailors dressed up in costume to celebrate Melbourne Cup aboard HMAS Parramatta. Bottom left hand of the photograph reads Voyages To Vietnam Collection, Botton right hand reads Copyright John FrancisVoyages To Vietnam Collection, Copyright John Francisphotograph, hmas parramatta, cerberus collection

The label Jantzen was established in the United States in 1916. Aspartame's of international expansion, Jantzen Australia was formed in 1928.The Jantzen brand was one of the best-known in the world, originating in Portland, U.S.A. in 1913. It probably became popular in Australia and New Zealand in the 1940s. The diving girl logo (which is faintly visible on this costume) first appeared in advertisements in 1920, and on swimsuits in 1923.Label: "Jantzen Regd. Made in Australia" Size 38swimwear - australia, jantzen

The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Faded photograph of Jeanette Rayment in full costume in the Royal Botanical Gardens to promote The "Q" Theatre Guild's performances of Blossom Time during the Moomba Festival of 1959. The performances took place in the Alexandra Gardens. Rayment played the role of Therese in the production.Marion Tilley, the creator of the scrapbook, wrote the following underneath the photograph: "Jeanette Rayment, Botanical Gardens, promoting Blossom Time."performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, musical comedy -- melbourne -- victoria, kew recreation hall

From its beginnings in 1958, the Society has mounted exhibitions and/or displays, in early days in shop window and in community spaces located in the Kew City Hall (later Kew Library), and since 2010 at the Kew Court House. Exhibitions typically coincided with the annual Kew Community Festival in March, but after 2013 evolved into three new exhibitions yearly at the Kew Court House. Smaller displays continue to be mounted in the Kew Library.Display of objects and costumes owned by members of the Kew Historical Society or derived from the collection, exhibited during the Festival of Kew in 1979. Recognisable items include a Chinese black evening jacket embroidered with chrysanthemums in satin stitch belonging to Dione McIntyre.Inscribed verso: " Society's exhibition Festival of Kew / Donated by Janet McDermott 1979"kew historical society -- exhibitions, festival of kew -- 1979

Photograph shows a bathing beauty in a neck to knee costume posing on Torquay beach.A nostalgic memory of a past generation.Black and white photographtorquay victoria

Photograph shows six men on Torquay beach dressed in womens bathing costumes.Torquay swimmers showing their feminine side?Black and white photographtorquay victoria

Heavy, intricate, good quality lace. Use - either fashionable costume or ecclesiastical.Needle lace flounce - sample

Bobbin made lace with needle made flower centres. Use: Costume trimmingBobbin lace edging. Sample

Thirteen students standing on stage dressed in Chanukah costumes, Shakespeare Grove, 1960s. shakespeare grove, celebration, visual and performing arts, primary school, drama, chanukah, channukah, drama, music

Warrnambool Cheese and Butter Factory at Allansford commenced in 1888. By the early 1900s it had 3 subsidiary creameries where farmers delivered their milk. Often the farmers collected the skim milk to feed pigs. At this time bacon was considered to be a dairy product. There were over 200 butter factories and creameries in Victoria in 1905.This is the only known photograph of the Nirranda Creamery.Black & white photograph showing a two storey weatherboard building with horse and cart loaded with milk cans and a group of men and women standing in front.allansford, nirranda, creameries, transport, costumes, warrnambool cheese and butter factory company

Joseph Butterworth COOMBS (1842-1901), was an accountant who founded a successful mercantile trading company. At the time of his marriage to Caroline Mary MICHEL in 1869, Coombs had already purchased ten acres of Studley Park. The acreage included land on the west of Fenwick Street that extended along lower Stawell Street to the corner of Yarra Street, all of it connected directly to the Yarra environs. A right of way to Studley Park Road was on the title, though Coombs went on to purchase more land, some of which faced Studley Park Road. In addition to owning the Studley Park acreage, Coombs later acquired 1,201 acres of land abutting the Acheron River. While retaining the Kew property he became a Taggerty Councillor and was Shire President for a time. J.B. Coombs died at Acheron Station in 1901 (aged 59 years). A few months after, tenders were called to repair the Kew dwelling, the Fenwick Street property now appearing in records with the name ‘Hope Mansell’. Caroline Coombs remained at Hope Mansell until she died in 1924, survived by three sons and five daughters. Not long after her death, advertisements appeared for the sale of the Studley Park land. The sale seems to have been a mechanism for distribution of the Estate, as the following year the original ten acre holding was transferred to members of the family. The eldest daughter Mabel married William Younger who, with his brother Alexander, developed Younger and Mackie Courts, both south of Studley Park Road. [Research: Kerry Fairbank]In 1961, the granddaughter of Joseph and Caroline Coombs, Mabel Isola (Younger) Grattan, donated ten 19th century dresses and parasols to the Kew Historical Society. The costumes, now known as the 'Coombs Collection', were the earliest recorded items of clothing to enter the Society's collection. Each of the items in the Coombs Collection, of which this item forms a part, is historically, aesthetically and socially significant. As a collection, the costumes includes outstanding examples of morning wear, day dresses, wedding dresses, and clothing accessories, providing evidence of outstanding dressmaker skills in Victoria during the mid to late Victorian period. Two-piece white silk wedding dress comprised of a short tailored bodice and a bell shaped skirt. The most prominent feature of the bodice is the wide pagoda sleeves, with false undersleeves of muslin. The edge of the sleeves includes small posies of orange blossom. Separate panels of lace, dropping from the waist are the only form of decoration on the skirt. The round high neckline was later converted to v-line in the 19th century.coombs collection, women's clothing, australian fashion, fashion & design collection, costumes, wedding dresses

Joseph Butterworth COOMBS (1842-1901), was an accountant who founded a successful mercantile trading company. At the time of his marriage to Caroline Mary MICHEL in 1869, Coombs had already purchased ten acres of Studley Park. The acreage included land on the west of Fenwick Street that extended along lower Stawell Street to the corner of Yarra Street, all of it connected directly to the Yarra environs. A right of way to Studley Park Road was on the title, though Coombs went on to purchase more land, some of which faced Studley Park Road. In addition to owning the Studley Park acreage, Coombs later acquired 1,201 acres of land abutting the Acheron River. While retaining the Kew property he became a Taggerty Councillor and was Shire President for a time. J.B. Coombs died at Acheron Station in 1901 (aged 59 years). A few months after, tenders were called to repair the Kew dwelling, the Fenwick Street property now appearing in records with the name ‘Hope Mansell’. Caroline Coombs remained at Hope Mansell until she died in 1924, survived by three sons and five daughters. Not long after her death, advertisements appeared for the sale of the Studley Park land. The sale seems to have been a mechanism for distribution of the Estate, as the following year the original ten acre holding was transferred to members of the family. The eldest daughter Mabel married William Younger who, with his brother Alexander, developed Younger and Mackie Courts, both south of Studley Park Road. [Research: Kerry Fairbank]In 1961, the granddaughter of Joseph and Caroline Coombs, Mabel Isola (Younger) Grattan, donated ten 19th century dresses and parasols to the Kew Historical Society. The costumes, now known as the 'Coombs Collection', are the earliest recorded items of clothing to enter the Society's collection. Each of the items in the Coombs Collection, of which this item forms a part, is historically, aesthetically and socially significant. As a collection, the costumes includes outstanding examples of morning wear, day dresses, wedding dresses, and clothing accessories, providing evidence of outstanding dressmaker skills in Victoria during the mid to late Victorian period. Two-piece royal blue heavy silk dress comprised of a tightly waisted top that extends below the waist at the front and the back, and a floor-length skirt. The full skirt and the sculpted fabric that is part of the top are designed to cover a bustle. The elaborately styled bodice is joined with fabric-covered buttons at centre front. The bodice is distinctively styled with the use silk velvet banding and tassles that extend the woven silk webbing. The outfit is in excellent condition apart from some wear on the velvet and the buttons.women's clothing, australian fashion, dresses, costumes, fashion & design, outerware

Joseph Butterworth COOMBS (1842-1901), was an accountant who founded a successful mercantile trading company. At the time of his marriage to Caroline Mary MICHEL in 1869, Coombs had already purchased ten acres of Studley Park. The acreage included land on the west of Fenwick Street that extended along lower Stawell Street to the corner of Yarra Street, all of it connected directly to the Yarra environs. A right of way to Studley Park Road was on the title, though Coombs went on to purchase more land, some of which faced Studley Park Road. In addition to owning the Studley Park acreage, Coombs later acquired 1,201 acres of land abutting the Acheron River. While retaining the Kew property he became a Taggerty Councillor and was Shire President for a time. J.B. Coombs died at Acheron Station in 1901 (aged 59 years). A few months after, tenders were called to repair the Kew dwelling, the Fenwick Street property now appearing in records with the name ‘Hope Mansell’. Caroline Coombs remained at Hope Mansell until she died in 1924, survived by three sons and five daughters. Not long after her death, advertisements appeared for the sale of the Studley Park land. The sale seems to have been a mechanism for distribution of the Estate, as the following year the original ten acre holding was transferred to members of the family. The eldest daughter Mabel married William Younger who, with his brother Alexander, developed Younger and Mackie Courts, both south of Studley Park Road. [Research: Kerry Fairbank]In 1961, the granddaughter of Joseph and Caroline Coombs, Mabel Isola (Younger) Grattan, donated ten 19th century dresses and parasols to the Kew Historical Society. The costumes, now known as the 'Coombs Collection', are the earliest recorded items of clothing to enter the Society's collection. Each of the items in the Coombs Collection, of which this item forms a part, is historically, aesthetically and socially significant. As a collection, the costumes includes outstanding examples of morning wear, day dresses, wedding dresses, and clothing accessories, providing evidence of outstanding dressmaker skills in Victoria during the mid to late Victorian period. Single-piece, floor length, gold silk taffeta evening dress featuring the use of a very long fishtail train to which is attached a silk cord to allow the wearer to hold it above the floor. The dress includes a number of decorative features including the extensive use of box pleats on the sleeves and on the hem of the skirt; contrasting gold and cream braiding and tassles; and the extensive use of ruching on the bodice at the front. Due to the age and fine quality of the silk taffeta used, there is evidence of the degradation of the fabric on one shoulder and a tear in the rear of the skirt. Otherwise the dress is in excellent condition.fashion - 1870s, australian fashion, wedding dresses, costumes, women's clothing, coombs collection

The S.S. Peterton a steamship was built in Glasgow and launched 1917.Small black and white photograph of informal group of seafarers with one member of crew dressed up as a king with crown (possibly Neptune). Photographed on deck of ship while in a PortHandwritten in black ink on page or mount beneath image " Officers and crew of the S.S. Peterton"seafarers, officers, costumes, crew, life on board, duncan album

black and white photograph: Bendigo centenary celebrations ? Woman in costume - light coloured dress, full sleeves caught above elbows. Hat with ribbons tied under chin. On back MP 191. 'copyright Bendigo Advertiser, CD 286' ' 1960/97'Bendigo Advertiserperson, individual, female

Pipe cleaner doll, dressed in green and red costume, mounted on buff cardboard. Written in top RH corner 'Gertrude Perry, to remind you of Nina, 'Wildflower, July 1955' M.W. Small card, not attached, is written 'Wildflower" Nina - Lead 1955.person, individual, gertrude perry

Coloured photograph of Pat Lyons in Period Costume with blue sash under glass in an ornate gold moulded timber frame, Sash reads 'National Driving Trials Swan Hill Pioneer Settlements 1979', Donated by Mr Atkinson related to Mary Reibyperson, individual, personal portrait, pat lyons, pioneer, pioneer settlement

ORIGINAL PHOTOGRAPH OWNED BY MR. WILLIAM HARRIS OF SUTHERLAND STREET CLUNES.BLACK & WHITE [COPY] PHOTOGRAPH OF BACK TO CLUNES CELEBRATIONS 14TH TO 21ST OF NOVEMBER 1925. LARGE GROUP OF PEOPLE AND DECORATED VEHICLES IN FRASER STREET OUTSIDE M. DOWNES BOOT WAREHOUSE, SOME PEOPLE IN COSTUME. ORIGINAL PHOTO TAKEN BY HORNBY OF BALLARAT.local history, photography, photographs, shops- l.cook/tea rooms, m. downes boot warehouse, millinry-cash draper, f.c.henry, h. miles central garage., events and celebrations, back to clunes

Colour photograph. Children in costume. Hessian sack. Jeans. Boots. Kiandra. Center of the outback with dragons so go slow. Sweeney's general store and universal emporium. Painted scenery. Church. Gravel Hill Primary School. 1988 Production 'The Wallaby Track''.photo, group, children in costume

A temple tomb in the form of a Greek temple with a triangular pediment. Dark pillars on a flat, paved base support the plinth of the memorial. The memorial is situated on lawn, surrounded by trees and shrubs. Between the pillars, a glass enclosure can be clearly seen. The enclosure was removed at a later date. Harold Desbrowe-Annear designed the Springthorpe Memorial, while Bertram Mackennal sculpted the statuary on the sarcophagus. William Guilfoyle is belived to have advised on the design of the garden.An early black and white postcard of the Springthorpe Memorial in the Boroondara General Cemetery. There are numerous often undated postcards showing the memorial. This example features two women standing at left and a man at right. Based on the women's costumes, the postcard can be dated to 1900-1910.A Temple Tomb / Boroondara springthorpe memorial, boroondara general (kew) cemetery, postcards -- cemeteries, postcards -- kew (vic.)

Colour lithograph reproduction with caption 'TENNIS COSTUMES -1888'. Depicts four women with in tennis attire, three with racquets. A tennis net is visible behind them. Artist's initials 'LFE' in bottom left corner. Materials: Ink, Wood, Paper, Glass, Metaltennis

This photograph was printed from a glass negative held in the Society's picture collection. The original glass negative is part of a set donated to the Society by Ian McKenzie, a professional photographer in Kew. Bathers, ca. 1920. A group of nine young people pose for a group portrait at the beach. The bathing costumes worn by the group are in a number of styles. The photograph represents the stages of transition towards a briefer swimsuit typified by that worn by the man second from left at rear. bathers, glass negatives

Black and White Photograph of a group of "Guests of the "Hanro" Girls and Boys. Photograph taken "In commemoration of the Swiss National Day, Aug 1st, 1927". "Favaloro's Cafe, Bendigo" Includes seventeen young women in National Costume plus twenty-two other guests.Percival Pinder, Flashlight. Bendigophoto, group, swiss national day, hanro staff, swiss workers