On the morning of the Piney Creek Picnic Race Club's annual meeting Squire Pilkington of Piney Creek Homestead, President of the Club, draws the Calcutta Sweep. Graeme Oliver nominates his horse for the Ladies' Bracelet in the name of Elaine Montieth and O'Day, as Manager for MacLough gives his nomination to her friend Penny Sefton whom Reg Apperton is sparking. With Keiran O'Hara for his rider, Squire Pilkington nominates in the name of his pretty niece, Susan Bundy. Harry MacLean as Squire Pilkington. Bill Tenteye as the Hon. Secretary Jim McGrath as the Hon. Treasurer.The album and images are significant because they document literature written by a prominent member of the Wodonga community. The presentation of this precis was supported by several significant district families and individuals.Ringer's River Album Coloured photo Plate 17des martin, many a mile, ringer's river, northeast victoria stories

fictionmelbourne, libraries, fawkner, book collector

Unframed realistic drawing of a jersey cow.christine rushworth, drawing, cow

This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed drawing of a man.art, artwork, drawing, available

Three framed drawingsdrawing, skeleton, alumni, horsham campus art collection

Framed copy of original pen and ink drawing. Soldier in battledress main - smaller drawings L & R of main also soldiers in Army uniformPossibly copy of a drawing from the publication "Australian Military Uniforms 1800-1982" (Author & Illustrated by "Monty" Wedd.

Photographs of a PMTT Drawing/blueprints of a Rest House or tram stop shelter, giving details, basic dimensions, and details. Provided by the AETM Adelaide, St Kilda Tramway Museum. A second drawing, coloured, drawing 1684C shows a T-shaped building - no examples known of. Drawings by Leonard & Flannagan, Architects - stamped on 1684B - dated 20/12/1911. Would have been sent to the Metropolitan Tramway Trust Adelaide for information. Photograph of the shelter at Hawthorn Road and Dandenong Road by Mal Rowe 2-5-2023. Yeilds inforamtion about PMTT Rest Houses or shelters for which they was always a demand.Photograph of a PMTT Drawing held by the AETM Adelaide. Drawing No. 1684B and 1684Ctramways, shelters, waiting shelters, rest houses, pmtt, hawthorn road, dandenong road, leonard & flannagan

Doug Wright was a painting lecturer at the University of Ballarat, a predecessor of Federation University.Framed drawing of the Pyranees, Victoria.doug wright, drawing, pyranees, available

Dyeline print of Brisbane City Council Drawing No. 4614, titled "Brisbane City Council - Four motor tramcar General Arrangement - 504-" scale 3/4" to 1 foot, dated 17/7/1950, providing a overall vertical and floor plan of the tramcar. Marked as F2805Has drawing title and drawing number on outside when folded and numerous Preston Workshop stamps.trams, tramways, brisbane trams, drawings

Artwork. Norman Penrose collection:various drawings and notes relating to anatomy and drawing the human fi gure.drawing, ink, norman penrose collection, artwork, anatomy drawings and notes

Original plans for the Mount Buffalo Chalet, framed architectural drawings for the Chalet, titled " Additions to Government Chalet Mt Buffalo. Dated 1909. Signed Jas G Spence & E F Leary. "Ground Plan, first floor plan, elevation, Section M5 and side elevation –beautiful coloured plan, hand price onit of £970, also called Drawing No. 1.Beautiful plan suitable for reproduction for graphic work." (Pg 45. Heritage Impact Assessment, September 2013. MGS Architects and McDougall & Vines, Conservation and Heritage Consultants) 'The Mount Buffalo Chalet opened in April 1910 as a remarkable Victorian State government venture into alpine tourism and recreation. Designed by Public works Department architect, George Austin (1860-1921)." (Pg 4 Historica, 2011). "The collection of ephemera builds on the Chalet's holding of archival material with a range of interesting, original items. Dinner menus., stationery., luggage labels, tickets, dockets and plans help to interpret the structured routine and social conventions of the Chalet that held sway for so many years." (pg 127 MBCC) These plans drawn were most likely to have been drawn upon recommendation by Government Tourist Officer, J.C.Boyce. John Newton (the Lessee) suggests the addition of 2 new wings (24 rooms) and creation of a billiards room. Treasury approved money for these extensions which were not completed until1914. Listed in Draft Inventory of Significant Collection Items. Four framed hand-drawn and coloured drawings / plans of the Chalet. Framed and mounted behind glass. 1: Dated 1911 -1912. 2: -dated 6th oct 1909 3: -Dated 25th Sept 1909. 4: -Dated 6th Oct 1909.Handwritten at the top of each drawing," Mount Buffalo / Wood Chalet"

Erected in 1888 by Robert Milburn and family, the coffee palace on the corner of Mollison and Mitchell Streets was opposite the entrance to the railway station and as such provided ready access for travellers. Built at a cost of L4000, it consisted of 40 rooms that provided retail outlets and a ballroom on the ground floor and accommodation on the upper level. In 1945 it was converted to provided hostel accommodation for 43 student teachers. The building was demolished in the 1980's.An ink and pencil drawing of the Bendigo Coffee Palace signed by Bill Klemmer in 1968. The drawing reproduces the building like it would have looked in 1875.bendigo, sandhurst coffee palace, drawing, bill klemmer

Project: House for Mr and Mrs Robin Boyd drawn by Robin Boyd of Grounds Romberg and Boyd. Working Drawing - Drawing no. 1Working Drawing, Colour Photocopy

Framed drawing of an animals skeleton.drawing, artwork, alumni, horsham campus art collection, skeleton

Drawing of Melbourne Electric Supply Co. Ltd (MESCo) Geelong tramways - "Combination Car Mounted Brill E1B Special Radiax Truck" - trams 16 to 23, built by Pengelley & Co in Adelaide 1924-25. Details the tramcar elevation with dimensions, and shows the towbars. Drawing dated Jan 1985, prepared for the TMSV. Scale 1/4"=1' Second drawing is titled "Elevations of body Pengelley tram Nos. 20-23" - based on MESCo drawing GE-T9-8358. Drawing dated Jan 1985, prepared for the TMSV. Scale 1/4"=1' Yields information about the Pengelley built tramcars for Geelong.Set of Drawings printed on light brown paper with brown ink - Drawing GE-T9-8350 and GE-T9-8358trams, tramways, geelong, drawings, pengelley

This particular box of brass drawing pins would have been used before the introduction of cheaper polished chrome drawing pins manufactured in Asia. The box construction and label would suggest that supply of this boxes contents could have been in the early 1950's. Drawing pins or push pins were first invented in 1900 by Mr Edwin Moore. The need for a secure fastener to accommodate temporary signs and notes for domestic and commercial environments sprang up from the need to cope with an increasing faster method of presenting information on removable surfaces such as temporary notice boards. In the 1950's and later the increase in the pace of "living" brought about many time saving written communication notices. This temporary method of providing fast temporary notices is being surpassed by the computer age and mobile telephone "applications". The information spectrum of the computer age has made many "hands on" (drawing pin) applications go to the "dodo" level. This box of drawing pins is very significant to the Kiewa Valley and its region because it demonstrates that the pace in rural regions especially those that were once semi remote regions has moved at the same pace as the bigger towns and cities. Differences are still noticeable, such as the requirement of drawing pins for temporary signs and mail box commercially important "sales" notifications. The pressures that produce the "rat" syndrome, that is pressure by increased population levels infringing upon the individual's day-to-day existence is still not present in rural areas such as the Kiewa Valley. Drawing pins are still a requirement for leased accommodation (which are usually short term accommodation) for the personalisation of "home" wall decorations and shopper's "notice and information boards"This small box, similar to a "match box" (thumb activated slide, top open, cardboard container), holds brass drawing pins. These brass pins are also known as brass tacks, thumbtacks or push pins. The top of the brass tack has a "domed head" with the manufacturer's logo stamped on it. The number "2" on the bottom right of the label is the "weight" of the drawing pin. On the front and within a red border and red letters "BRASS" and below this in script form "Drawing Pins" and below this in smaller letters "Made In Germany" Below this and on the bottom left side "100" and also on the bottom but to the right "No. 2"notice and information boards, quick temporary fasteners., pins, tacts, brass tacts, domestic, decorations

Drawing, coloured with water based drawing wash, titled "Plan of Survey of Part of Crown Allotments 15 and 16 at Hawthorn, Parish of Boroondara, County of Bourke". Shows the tram track, Wallen Road, changes around the intersection with Power St, buildings. A note at the bottom notes who owns what - MMTB and City of Hawthorn. Prepared by H. S. McComb, licensed Surveyor 6-9-1922. Stored folded.Stamped "Drawing Office" "Office Copy" and in red pencil "Hawthorn" in the bottom right hand corner, and on the rear "Drawing Office" "Office Copy" and "Hawthorn Depot" in pencil.trams, tramways, htt, mmtb, hawthorn depot, plans

Slawa Horowitz-Duldig) was both an artist and a designer, and both aspects of her practice are represented in the collection. There is an archive of approximately 255 drawings by Slawa dating from 1917 until 1922. Slawa’s sketchbooks from this period provide an insight into her early training and demonstrate the artist’s early interest in portraiture. A number of the drawings have been framed, but the majority remains 'in situ'. Slawa was a student at the Viennese Kunstschule für Frauen und Mädchen (the Viennese Art School for Women and Girls) (KFM) from 1917 until 1921, and in 1922 she became a student of Anton Hanak. The KFM School had been established in 1897 as a private school, and it was highly regarded both for its teaching staff and academic curriculum. By 1918 it had introduced stringent admission policy similar to those of the Austrian Academy of Fine Arts, and obtained government funding for its academic program, and began to focus on students seeking to pursue careers as professional artists. In 1921 when Slawa applied to the Austrian Academy of Arts for a place in its program, her application was unsuccessful, as her work was considered advanced, and a place in the third or fourth year of the program was not available. In 1922 she became a private student of Anton Hanak. Many of the portrait images from this early period concentrate on capturing the physical appearance of the face of the model. A number of these studies, in which the subject is not identified, display an academic approach to the genre. Her technical skills in capturing precise facial features of the model, the expression of eyes and the texture of hair are evident. These drawings were perhaps completed in the studio of the KFM School. There are also portraits of friends and family members, including her sister Rella and others, perhaps parents and grandparents, who have yet to be identified conclusively. It is these images of family and friends that particularly demonstrate Slawa’s confidence with pen, charcoal and crayon on paper. Amongst the group are several portraits that indicate the artist’s interest in conveying the inner psyche of a subject, as well as capturing a likeness. Ann Carew 2016The drawings from this period give us an insight into the artist’s early training, and the teaching methods of Viennese Kunstschule für Frauen und Mädchen, one of the first professional art schools for women in Vienna. The drawings and sketchbooks have artistic, interpretative and research significance as records of the art education of women in Vienna in the early 20th century. Ann Carew 2016Charcoal over pencil sketch on paper of Slawa's sister Rella.Artist signature in the bottom left corner.

Drawing of the floor plan showing seats, controls, dimensions and technical data for the Birney X class tram No. 217. Drawn by C Andrews 10/1967 and based on MMTB drawing R2462.Yields information about the MMTB Birney X 217Drawing - ink on mylar sheet.tramways, tramcars, x class, tram 217, drawings, birney

Project: Tower Hill State Game Reserve Natural History Centre drawn by Robin Boyd of Romberg & Boyd . Drawing no. 14. Water damaged copy of Drawing no 14 (item PL145.1), The bottom right hand corner is missing and paper sellotaped.Working Drawing, Dyeline

Sybil CRAIG (18 November 1901-09 September 1989) Born London, England Arrived Australia 1902 The National Gallery School, Melbourne, gave Craig a sound training for her popular flower and portrait studies. However, her association with leading modernists between the wars led her to pursue her art in a deliberately experimental and spontaneous way. Sybil Craig was the third woman appointed by the Australian War Memorial as an official war artist. She was the first woman to paint women working in the munitions’ factories. The Castlemaine Art Gallery & Historical Museum, held the first retrospective exhibition of Sybil Craig's in 2006. The exhibition highlighted her wonderful use of colour and design in a diverse range of media, techniques and subject matter. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed pencil drawing of a flower.art, artwork, sybil craig, craig, flowers, drawing

Dyeline print of MMTB Drawing R7489 - "Class SW6 Car Stanchion Bracket", Rev C, dated 1/7/1957. Gives pattern numbers and material.Hand date stamp on bottom right hand corner of "12 Sep 1969". Stamped "P/O 34597 return to drawing on completion of job", drawing number and summary title on outside.trams, tramways, sw class, drawings