Showing 4664 items
matching hat
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Hume City Civic Collection
Headwear - Wooden Milliner's Model, c1920 - 1930s
Rob. J. Godfrey was a company in Melbourne that manufactured many different forms of wooden milliners hat blocks in the first half of the twentieth century.A wooden milliner's block with no facial features on a square stand used by milliners to shape hat crowns. The headpiece can come apart from the base allowing another shape to fit on the stand.Stamped under the headpiece - 22.millinery, rob. j. godfrey, wooden hat blocks -
Bendigo Military Museum
Badge - BADGES, LIGHT HORSE, C. WW1 onwards
Hat badge & 2 collar badges of the 4th Light Horse Regiment.x 3 gold coloured metal badges mounted on blue velvet coloured cards, featuring a kangaroo & motto. Hat badge & collar badges of 4th Light Horse Regiment. Each badge is attached via ring & split pin.numismatics-badges-military, metalcraft, passchendaele barracks trust -
Tatura Irrigation & Wartime Camps Museum
headwear - Beret, German Army Uniform
German Army Uniform circa WW11Worn by German soldierKahki beret (hat) , band features a badge , kahki diamond with black, white and red bullseye type circle. Body of beret ( front centre) has the Nazi blue eagle and swastika ensignia. Metal rivet air holes one on each side. Red cotton lining. beret, hat, headgear, uniform, german army uniform -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Postcard, A J Bearling and Son Sharfesbury and Fuvant, 1917
Also a second black and white postcard of Mick and his pal wearing great coat slouch hats boots and gaitors 05454.1Sepia toned postcard of WW 1 AIF soldiers Mick and his pal S Searle wearing uniforms and slouch hats to sister Mary sent from Hurdcott Camp Salisbury EnglandMessage on reverse from brotherfashion -
Royal District Nursing Service (now known as Bolton Clarke)
Photograph - Photograph, black and white, c.1929
This is a photographic record of Matron Beatrice Williams and the Trained nurses, (Sisters), of the District Nursing division of the Melbourne District Nursing Society who worked in the community give nursing care to patient's in their homes. Their uniforms are grey and the Maltese cross on the Sisters hats is red.From its earliest years when Melbourne District Nursing Society (MDNS) began to wear uniforms the chosen colour was grey, though the style changed throughout the years as fashions changed from the late 1800s through to the 1970s. The Trained nurses (Nurses), firstly wore long grey frocks and a white cap with a long white tail hanging from the centre back. When bicycles were introduced in 1903 the headgear changed to a white pith helmet adorned with a red Maltese cross in the centre front. This was held on with a veil going over the hat and tied under the chin. Over the years there were complaints that the veils became wet in the rain and they asked for a change of uniform, but this did not happen until 1921. Later the Nurses complained their skirts became wet when riding their bicycles in the rain and asked, when raining, to be able to wear breeches and gaiters. This was granted provided they wore aprons when attending patients. It was not long before the uniform changed to a shorter length grey frock, red cardigan, grey coat and grey brimmed hat; later changed to a peaked grey hat. In 1966 MDNS were granted Royal patronage. Now as Royal District Nursing Service, RDNS, the uniform was redesigned and colour changed in 1971. By 1972 the Trained nurses (Sisters) were wearing the new winter uniform of a blue/grey skivvie under a V neck tunic style frock made of blue/grey herringbone winter material with the RDNS insignia on the upper left, and a beret of the same material. In summer the uniform became a royal blue V neck tunic style frock, with the RDNS insignia on the upper left, worn over a short sleeve white blouse. A royal blue peaked hat with the RDNS insignia in the centre front was worn at first and then only worn on official occasions. This uniform was worn until changed to a corporate style in the mid 1980s,Black and white photograph of Matron Beatrice Williams wearing a white uniform and veil, with a group of twelve Melbourne District Nursing Society (MDNS) trained nurses (Sisters) wearing their calf length uniforms of grey coats, and grey brimmed hats with pale grey hat band with central Maltese cross, standing in the garden of the MDNS After-Care home.No. 8526 on rear of photographmelbourne district nursing society, mdns, mdns uniforms, rdns, royal district nursing service, mdns matron, miss beatrice mary williams -
Stawell Historical Society Inc
Photograph, Salvation Army Group of Ladies and Girls
Group of Salvation Army women and girls. The hat bands have "Salvation Army Sunbeam Brigade." There are no names or year on the photo, could be c 1920's. Sepia photo of a group of women & girls. Two women have Salvation Army Hat bands and another two in lighter coloured dresses. A young girl in the center of the group is holding a flag. stawell religion -
Bendigo Military Museum
Badge - HAT BADGE, INSIGNIA
RAAF full size badge uniform Hat Cap beret. Worn on the cap to signify the branch of the services. Belongs to "Peter Stoklahsa". Enlisted 1966 refer Cat No. 7674P.Gold circular Insignia. Circle of Golden Wattle with a crown on top. The centre filled with the letters of "RAAF". On the back attached 2 metal pins and 2 metal studs to pin to hat.raaf, uniforms, peter stocklahsa -
Melbourne Legacy
Photograph, Comradeship event - Dugout
Photos of an event at Legacy House for the Legatees approximately 1992 or 1993.There are flags including the Union Jack, Australian flag, the Navy flag and possibly a French flag. There is a display of military hats as well. Likely to be a 'Dugout Night' where Legatees have a comradeship event around the time of Anzac Day in April. As well as flags there are signs such as 'Tiger Balm, Arrack, Jack Juice, Rice Wine, Suez Canal Water'. Identifiable legatees include John Stevenson (President in 1992), Fred Holdsworth (in airforce cap), Don Simonson (President in 1991) and Charles Munnerley who was chairman of the widows committee for many year to 1993. Also a legatee playing piano. A record of the comradeship of the Legatees.Colour photo x 8 of a legatee event with flags and military hats.legatee event, comradeship, dugout -
Lara RSL Sub Branch
Service Gear, Clothing Military Various - Puggaree
The term ‘puggaree’ originates from the Hindu word, ‘Pagri,’ meaning a turban or thin scarf of muslin. Intended for insulation, the puggaree was a traditional Indian head-wrap, adapted by the British for headdress worn in hot, sunny regions. During World War One (1914-1918) a plain khaki cloth band was worn and this practice continued until compulsory training was suspended in 1929. Following the introduction of Voluntary Training in 1930, new puggarees were issued to the Commonwealth Military Force with different coloured folds denoting Arm or Service. During World War Two, a flat type of band was issued. Troops who were on active service in the Middle East at the time introduced a folded puggaree as a distinguishing mark of active service. Later, the Army reverted to various types of plain bands, green dyed puggarees for example, for jungle warfare. However, the official puggaree at the conclusion of World War Two was still the flat band. The current puggaree has seven pleats, one for each state and one for the Australian Territories. It is made from light khaki coloured cotton and is worn on the slouch hat with a unit colour patch sewn on the right side. While the majority of the Australian Army wear the light khaki coloured puggaree, there are slight variations for members of the 1st Battalion, the Royal Australian Regiment, and the Corps of Staff Cadets. Soldiers of the 1st Battalion, the Royal Australian Regiment, wear jungle green puggaree. The dark green puggaree was introduced during the Battalion’s service in Malaya over the period 1959-61. Unable to get puggarees from Australia for an official parade; the task of producing them was given to the Battalion tailor, Mr. Mohavved Beseek. Mr Beseek used ‘bush shirts’ (common issue British field uniform at the time) to make the puggarees as he was unable to obtain the khaki material locally or from Australia. It is thought that the Commanding Officer, Lieutenant Colonel W. Morrow decided that the green puggaree would be the puggaree worn by the 1st Battalion, the Royal Australian Regiment, in Malaya. After the battalion’s return to Australia, the dark green puggaree was adopted for permanent use. Because the dark green puggaree is so distinctive, the battalion does not wear a colour patch. Royal Military College staff cadets wear a distinctive puggaree of olive drab colour. The puggaree has eight pleats, with seven representing each state and one for the Australian Territories. The eighth pleat signifies the graduation of the first international cadet through the Royal Military College who hailed from New Zealand. Worn on slouch HatHat BandNilpuggaree,hat band, slouch hat, lara rsl -
Queenscliffe Maritime Museum
Instrument - Barometer and Clock mounted on a timber cabinet and 10 associated items from the TSS Nairana, 1915
Bass Strait passenger ship Nairana. Built for Bass Strait ferry operator Huddart Parker & Co. Ltd. of Melbourne during World War One, the Nairana was requisitioned by the Royal Navy and completed as a seaplane carrier, HMS Nairana. Serving from 1917 to 1920 participating in the capture of Archangel during the Bolshevik Revolution. After 1920 she was decommissioned as a seaplane carrier and returned to her Australian owners crossing Bass Strait until she was laid up in 1948. Just off Port Phillip Heads on April 12 1936, a strong wave struck the Nairana, tipping her over for two minutes before she righted herself again. During the horrifying two minutes, four people were drowned, and eight people were injured. The ship was reportedly carrying roughly one tonne of concrete in the hull when she tipped. Reports from the local papers said that it was a tidal wave meanwhile others were saying it was either an earthquake or a total lie. A later paper said that the ship had been caught in a rip at the mouth of the bay, causing the tragedy. The S.S Nairana, was sold for £4,000 (over $170,200 in today’s money!) in 1951 after two years of being stranded on the beach at Port Melbourne, when the moorings broke one night during a storm and drifted ashore, causing her to wreck.Items associated with the TSS/HMS Nairana in its military and civilian roles and items relating to Capt. JF Spence, navigation Officer and possibly later the captain who sailed with the Nairana out of Plymouth after WWI. .01 Barometer and Clock from Dining Saloon .02 Commemorative plaque describing the HMS Nairana's WWI service with timber mount for plaque with information sheet attached. .03 Clock Key .04 Two 2 Log books owned by Capt. Spence containing the navigation calculations for the journey from Plymouth to Melbourne. .05 Huddart Parker hat badge [Capt. JF Spence].Barometer and Clock from dining saloon, TSS Nairana 1917 - 1951 Clock Key - 4 50-No9 Hat badge - HPtss nairana, wwi, bass strait, huddart parker, capt. spence -
Shepparton RSL Sub Branch
Uniform, Hat, Pre 1952
This hat was part of a RAAF uniform and likely dates to the Second World War due to the style of crown. Hats such as these are often misshapen at the crown due to the use of earmuff-style headphones worn by aircrew during the Second World. Navy peaked cap in cotton with beige topstitching along crown. Black cotton grosgrain ribbon band. Black leather chin strap buttoned to left and right with black metal button carrying image of crown atop eagle. Centre of hat carries embroidered patch with crown in gold-coloured metal and red fabric with red and green additions mimicking jewels. Crown sits above two metal shapes, an eagle with arms outstretched and laurel branches. Two eyelets on left and right side of the cap, bronze on interior and painted black on exterior. Interior of cap brim is green plastic or patent leather now cracked. Interior of hat cotton is dark cotton with quilted top.second world war, royal australian air force, raaf, r.a.a.f., flying, uniform, world war ii, world war two, world war 2 -
Melbourne Legacy
Photograph, Annual Demonstration, 195
Black and white photo of two girls in elaborate costumes with straw hats for an Annual Demonstration. The year is not known but it is in the 1940s or 1950s as the album was a collection of press photos taken during dress rehearsals from that time. Throughout the year Melbourne Legacy provided classes for Junior Legatees such as dancing, gymnastics and Eurythmics. The Demonstration was an annual event to showcase their skills. Melbourne Legacy conducted Annual Demonstrations / Parades from 1928 through to the 1980's, usually held at Melbourne Town Hall. The beautiful costumes were made by members of the Junior Legacy Mothers' Club and the Melbourne Legacy Wives' Association.A record of the displays at the Annual Demonstrations. Also that Legacy provided classes for junior legatees and the skills learned were displayed in the Annual Demonstration.Black and white photo in an album of 2 girls in colourful outfits with straw hats backstage.junior legatees, demonstration, annual demonstration, girls classes, costumes -
Ballarat Clarendon College
Badge
Epaulet or hat badge for The Kings Royal Rifle Corps. Donated with other medals belonging to John Garbutt. Connection unknown. John Garbutt was Principal of Ballarat College for thirty-three years - 1877-1909. He was educated at Geelong National Grammar School and in 1860 was the first dux of the college. Fist class Honourman Arts and Laws at Melbourne University 1866; Two years a master at Geelong College; seven years master and three years senior master at Scotch College, Melbourne. Silver maltese cross hat badge with crest of The Kings Royal Rifle Corp on circle at centre of crossFace: THE KINGS ROYAL RIFLE CORPS ballarat-college, principal-john-garbutt, badge, the-kings-royal-rifle-corps -
Shepparton RSL Sub Branch
Slouch Hat, 1972
Possible used by Cadets because of the several names inside the hatPossible use by CadetsKharki Slouch hat, no rising sun cap badge or hook to brim, 7 fold Pungaree with 2x small Australia buttons on right hand side, chin strap missing and replaced with leather bootlace, several names written on inside One of the names is Sgt J. Kelly. 351414Size 6 3/4. Made by Fayrefield. Melbourne. Circa. 970s -
Melbourne Legacy
Pamphlet, Can you keep a promise?, 2011
This is an example of Melbourne Legacy promotional material. It is an A3 leaflet folded into pocket size from 2011 for Badge Week. The slogan "Legacy is keeping their promise to my dad" by Charlotte was used with an image of a girl in a slouch hat. The main time of year for fundraising is September when Legacy holds 'Badge Week'. Similar to other marketing material from the 1990s to 2009, also see items 01240 to 01258, 02196-02198. The collection shows the types of marketing materials that were produced and the celebrities that were helping Legacy.An example of promotional material from the 2000s. Marketing material and photos were compiled and released to newspapers, also printed as brochures and sometimes as stickers and collection tin wrappers.Colour A3 promotional leaflet for Legacy Week, featuring a girl in a slouch hat folded into pocket size.legacy promotion, badge appeal, legacy week, marketing -
Melbourne Tram Museum
Clothing - Hat band - Victorian Tramways Bowling Association
Made for the representatives of the VTBA, (Victorian Tramways Bowling Association) lawn bowling club, worn at competitions to identify bowlers from the various teams. The second items showed that the bowler was a past President as well. Third copy has a different layout to the first, fitted with hat clips.Demonstrates the hat bands used by the VTBA members.Set of two hat bands - navy blue cotton with the insignia or details sewn in white cotton. 3rd copy has the word "Tramways" under the letter V.vtba, lawn bowls, tramways, mmtb, fred turner, hat bands -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Personal Effects, lady's hat pins various x 14, c1880 - 1950
These hat pins represents women's fashion in the late 19thC and early 20thC. As the material used in the construction is not of a high monetary value it can be assumed it was everyday woman's apparel to keep the hat firmly fastened into the hair. It does indicate that fashion of the time was important and many women used their craftwork skills to create their own hat pins. This item is a reflection of the fashion mode of the late 19thC and early 20thC when long hair needed to be controlled by hair pins It is also an example of society's mores of tidiness 14 lady's steel hat pins in various styles numbered A -i A) 6x pearl tear-drop ; B) 1x pink metal beads;C) gold ball in 'oyster shell'; D) gold ball; E) pink plastic weave; F) silver metal ball; g) black bead; h) white ball; i) pale blue glass set in brassmoorabbin, brighton, early settlers, pioneers, cheltenham, craftwork, clothing -
Glenelg Shire Council Cultural Collection
Headwear - Town Crier's Hat - Syd Cuffe, n.d
Syd Cuffe's Town Crier's hat. Black felt sides, turned up with point in brim at front, back of brim also turned, trimmed in gold fabric black ribbon rosette on front brim, also 4 badges - gold map of Victoria Australia, Victorian flag, silver buffalo (Manitoba) and Canadian flag. Cockatoo feather threaded through gold ribbon on back. two small fabric appliqués on back turned up brim - red maple leafFront: Maker's tag inner crown. Red flower with green stemsyd cuffe, town crier, hat, headwear -
Broadmeadows Historical Society & Museum
Headwear - Top Hat, c1900
Worn by Broadmeadows Shire SecretaryOwned by previous Shire SecretaryTop Hat worn by Mr. Albert T.C. Cook, Broadmeadows Shire Secretary, Black silk with cork skeleton with box white card. Inside Hat: Crown: Logo Christys' London/ Made in England for Lincoln Stuart & Propt. Ltd. Melbourne. On leather band, Logo Christys' London/ 6 5/8 / Made in England for/ Lincoln Stuart & co. Propt. Ltd. Melbourne Box: Logo Christy's London/ Trademark. Top of Box: Shipping label, Lincoln, Stuart, See imagesbroadmeadows, shire, secretary, cook -
Kew Historical Society Inc
Headwear - Cream Silk Floral Hat, Erik London [C&G Kobenhaven], 'Cezanne', 1950s
Erik of London was an internationally significant milliner. He was a recognised authority on fashion, frequently quoted in the Australian press of the day. A number of his models are illustrated in Australian newspapers. It was not unusual for him to glamorise his hats with French names. A model 'Carmen' was launched in 1952.The Kew Historical Society’s fashion and design collection is comprised of costumes, hats, shoes and personal accessories. Many of these items were purchased or handmade in Victoria; some locally in Kew. The extensive hat collection comprises items dating from the 1860s to the 1970s. While most of the hats in the collection were created by milliners for women, there are a number of early and important men’s hats in the collection. The headwear collection is particularly significant in that it includes the work of notable Australian and international milliners.Ivory coloured woman’s hat bordered and almost completely covered with abstract floppy flowers of the same colour. Beside the label on the brim is the handwritten word ‘Cezanne’ which is presumably the name of the model.Label: Erik London. C & G Kobenhavenerik london, c & g kobenhaven, milliners -- london, women's clothing -- hats -
Running Rabbits Military Museum operated by the Upwey Belgrave RSL Sub Branch
Slouch Hat
Slouch Hat with Raaf Officer Hat Badgeheadgear, current, raaf -
Kew Historical Society Inc
Headwear - Ivory Silk Floral Hat, Harbig, 1950s
The firm of Harbig was a Melbourne millinery company owned by Mr and Mrs Richard Ernest Harbig. In 1949, an article in the West Australian newspaper reported their return from the United States. It records that: 'FEATHERS SYDNEY, Sept. 14: Mr. and Mr. Richard Harbig, Melbourne milliners who reached Sydney by air tonight from America, gave these details of hat trends for next winter. Shapes: Head-hugging cloches to suit short hair, cut away at the back to clear high collars, and built up and out at the front to give height. Materals: Felts, velours, velvets, and a new long-haired fur fabric called flamond. Colours: Muted pastels, few jewel shades, and no vivid colours. Trimmings: Little veiling, "but feathers and feathers and feathers".'The Kew Historical Society’s fashion and design collection is comprised of costumes, hats, shoes and personal accessories. Many of these items were purchased or handmade in Victoria; some locally in Kew. The extensive hat collection comprises items dating from the 1860s to the 1970s. While most of the hats in the collection were created by milliners for women, there are a number of early and important men’s hats in the collection. The headwear collection is particularly significant in that it includes the work of notable Australian and international milliners.Rounded hat covered with ivory coloured silk, simulated flowers attached to a stiffened net. Label: Harbigmilliners -- melbourne (vic.) -- harbig, women's clothing -- hats, headwear -
Halls Gap & Grampians Historical Society
Photograph - B/W
Photo shows Charles D'Alton (left) and Fred Paasch (right & seated) looking at a point in the distance. Fred Paasch has arm raised & finger pointed. Both are standing on new & rough section of Mt Victory Rd. Dog in foreground.Charles D'Alton & Frederick Paasch (white hat)access routes, mt victory rd -
Stawell Historical Society Inc
Photograph, Salvation Army Stawell Cadet Brigade 1927
Salvation Army Corps Cadet Brigade Group 1927. Females in the group are wearing hats and those seated are holding tambourines. Stawell Corps Cadet Brigade Back Row, Mavis Vince, May Clark, Charlie Carter, Ruth Parry, Joyce Reeve, Kath Reeve. Centre Row, Margaret Frazer, Amy Clark, Adj. & Mrs. Barnes, Eunice Perry, (Mrs. Colonel Wright), Mabel Mackay. Front Row, Don. Reeve, Pearl Reeve, Robert Clark. Photograph of a group of Salvation Army band people with musical instruments. All females have hats on and those seated are holding tambourines. stawell religion -
Montmorency/Eltham RSL Sub Branch
Souvenir - Male Army Doll
Male doll wearing camouflage fatigues and carrying an M4 Carbine, radio, magazine clips, knife, pistol, hat, a zipped backpack and tan coloured boots.male, doll, army, camouflage, m4 carbine, flash separator, knife, pistol, fatigues, hat, backpack, boots -
Running Rabbits Military Museum operated by the Upwey Belgrave RSL Sub Branch
Hat Badge
Hat Badge RAAOC (Ordanance) Now on Hat H172badge/buttons, army -
Running Rabbits Military Museum operated by the Upwey Belgrave RSL Sub Branch
Hat Badge
North Vietnam Hat Badge PAVN Hat Badgebadge/buttons, vietnam, general -
Port Melbourne Historical & Preservation Society
Photograph - Faulkner's straw hat and dyers shop, Bay Street, Port Melbourne, 1876
Donated by Charles Lewis. Elizabeth Faulkner made straw hats and dyed gloves to match your costume, whereas her husband William was a carpenter who specialised in organs. The position of the shop was later occupied by one of the two Building Societies.Small faded Sepia photo of Faulkner's straw hat and dyers shop in Bay Street on east side between Bridge and Liardet. With Elizabeth and William Faulkner in front, picket fence and pepper trees to south east.built environment - commercial, faulkner, dyer's hat shop -
Ringwood RSL Sub-Branch
Memorabilia - Headgear, Hills Hats PTY. LTD, Naval Cap, 1981
White Cap, black rimmmed with gold laurel containing crown and anchor.Halls hats pty ltd Sydney 1981. RAN No. Name and “Made in NewZealand”; and indicates 6 and 7/8 inches hat size.ran, royal australian navy, naval headgear, navy cap -
Kiewa Valley Historical Society
Pin Hat
Historically this item represents women's fashion in the 1920s to 1950s. As the material used in the construction is not of a high monetary value it can be assumed it was a day to day working woman apparel to keep the hat firmly fastened into the hair. It does indicate that fashion of the time was important within the regionThis item is a reflection of both the fashion mode of the 1920s to 1950s when long hair needed to be controlled by hair pins rather than later manufactured hair sprays. It is also an example of society's mores of tidiness and quasi religious beliefs of covering the hair and head when outdoorsThis hat pin is adorned with a flat metal circular head. There are two circles of narrow patterns around the outer edge. The centre is decorated with three shiny black faceted shapes producing a spoke like appearancecostume female head ware accessories, hat pin