Wooden gavel - used to operate bell at meetings. Given to new Probus Group by Forest Hill Rotary Club. Probus Club Blackburn October 1993Wooden gavel, round head, moulded handle. Used with bell given (NA5641) by Forest Hill Rotary Club to Blackburn Probus. Commemorate the Foundation of new Group - October 1993probus and rotary clubs

These money boxes were made at the Hardings Foundry, who had the mould for them. The Foundry was situated on the corner of Doveton and Norman Streets, Ballarat.An example of early industrial heritage in BallaratColour photograph of a money box.money box, hardings foundry

Before the era of powdered instant coffee; the main method of non-percolated coffee was to have a bottle of 'coffee essence' on hand. These bottles contained a thick liquid compound of coffee and chicory and were added to hot water to make a drink. The product is still available. The earlier bottles had the name of the manufacturer embossed into the glass but later versions had a label panel onto which a label was affixed. This allowed for several different flavours or variations to be sold in one type of bottle with different labels. The bottles came in brown or clear glass and have a distinctive shape. Bottle One has a screw top enclosure with 'Robur Tea Co. Limited' on a side panel. The bottle manufacturer's mark is AGM; used post 1938. It is a 2-piece mould and mould marks are visible on the shoulders and through thread of screw top. The neck is slightly askew and looks stretched on one side; perhaps because it was removed from the mould before being fully cooled. Bottle Two has a cork stoppered neck in clear glass. It has no embossing and has the AGM monogram on its base. It is from a 2-piece mould with a strong mould mark through to the top of the stopper closure. Bottles are 8 ounce size and were recovered from the garden of a GHS member.Small collection of 3 bottles.bottles, glass bottle, coffee and chicory essence bottles

This is one of four bottles in our Collection that were recovered by a local diver from the quarantine area just inside the Port Phillip Heads. Ships were required to pull into this area to check for diseases etc before they could head up to Melbourne. Quite often they would drink and throw the bottles overboard. Handmade glass bottle, manufactured in 1850's - 1900's. Glass bottles and glass jars are in many households around the world. The first glass bottles were produced in south-east Asia around 100 B.C. and the Roman Empire around 1 AD. America's glass bottle and glass jar industry were born in the early 1600s when settlers in Jamestown built the first glass-melting furnace. The invention of the automatic glass bottle blowing machine in 1880 industrialized the process of making bottles. In 2019, plans were made to re-introduce milk glass bottle deliveries to Auckland in early 2020 The earliest bottles or vessels were made by ancient man. Ingredients were melted to make glass and then clay forms were dipped into the molten liquid. When the glass cooled off, the clay was chipped out of the inside leaving just the hollow glass vessel. This glass was very thin as the fire was not as hot as modern-day furnaces. The blowpipe was invented around 1 B.C. This allowed molten glass to be gathered at the end of the blowpipe and blown into the other end to create a hollow vessel. Eventually, the use of moulding was introduced, followed by the invention of the semi-automatic machine called the Press and Blow. In 1904 Michael Owens invented the automatic bottle machine. Before this time most glass bottles in England were hand blown. This is one of four bottles in our Collection that were recovered by a local diver from the quarantine area just inside the Port Phillip Heads. Ships were required to pull into this area to check for diseases etc before they could head up to Melbourne. Quite often they would drink and throw the bottles overboard. Handmade glass bottle, manufactured in the 1850s-1900s. The bottle gives a snapshot into history and a social life that occurred during the early days of Melbourne's development and the sea trade that visited the port in those days. Bottle, opaque brown glass, concave base, tapering slightly wider towards shoulder then inwards towards neck; ring of glass just below opening. Base is blown glass; pontil mark on base. "STUBBY 1850-1900 SMALL SIZE", ENGLISH 3 PIECE MOULD, HAND MADE TOP", "PAPER LABEL, CORK & WIRE SEAL $6flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, brown glass bottle, handmade glass bottle, handmade beer bottle, handmade late 19th century bottle

Large caste iron wheel on which two knife cutters are fitted - hand rotated - material to be cut is fed through a canter-levered wooden box - reduction gears are used to ease the effort for the person operating it. All of this is mounted on a caste iron frame. Capable of cutting 'I/2 . 1/2 Chaff'|Similar one sold by Welch, Perrin & Co P/L in 1929 for 8 pound .The 'Bentall' Chaff Cutter moulded on the reduction gear cover. 'Bentall Improved (or Patented?) Chaff Cutter 913 Heybridge, Maldon, England' - on the body and wheel.rural industry, livestock

According to his son John Withers, Charles Withers was known as "Bill" and Mervyn Britain was a good friend of Charles from school.Inscribed on back of photo: "Mervyn, Bill on edge of picture" Many items in this collection have suffered from significant water damage and black mouldjohn withers collection, eltham, southernwood, orchard, charles meynell pitt withers, mervyn britain

Eldest daughter of Walter and Fanyy Withers, Emily Gladys in the fortified trench constructed by her younger brother Charles Withers (aka Bill) and his good friend from school, Mervyn Britain at the Withers family home, Southernwood, Eltham. The view is looking to the east with Main Road and associated buildings near ridge in distance. [Charles son, John Withers explained that his father and friend liked to play war games.]On back of photo: "Bill & Mervyn's trench 1916 or 1917" Many items in this collection have suffered from significant water damage and black mouldjohn withers collection, eltham, 1916, southernwood, trenches, charles meynell pitt withers, mervyn britain, emily gladys withers

The wooden crate contains a set of patterns or moulds that were once used at Briggs’ Brass Foundry for making sand moulds. The traditional method of sand casting is over 2000 years old. It is part of a crafted process used to make brass and copper alloy goods suited to marine use; bells, boat hooks, cowls, propellers, handles, lids, rowlocks, hooks, letters, bolts, rail holders, brackets, deck plates, flanges, rudder guides, portholes and covers. Briggs’ Bronze is a copper-based alloy made from local ingots of copper, tin, zinc and lead in carefully measured quantities. The finished product is non-corrosive and can last indefinitely. The crate of patterns was donated by the Briggs family in the early years of Flagstaff Hill, along with other related items such as brassware, tools and machinery. The donated items were displayed in a simulated Brass Foundry in the Village. The items were on show from the completion of the building in 1986 until 1994 when the building was repurposed. The patterns represent the trades of foundering and metalwork, both supporting maritime industries such as shipwrights and boatbuilders. Farmers, manufacturers and other local industries also needed the castings made by foundries. The Brass Foundry display was one of the early ‘working craft’ shops at Flagstaff Hill. It included a historic Cornish chimney that was set up as a working model, telling the story of heat from furnaces to smelt metal, which would then be poured into the sand moulds. This chimney is made from specially curved bricks and is about two-thirds of its full height when originally located at the Grassmere Cheese factory. HISTORY of BRIGGS BRASS FOUNDRY: - The family business was founded in 1912 by Herbert Harrison Briggs (1963-1931) with his son George Edward Briggs, trading as Briggs & Son Foundry at 70 Wellington Street, Collingwood. Younger son Cyril Falkiner McKinnon Briggs joined the foundry in 1922, and it was renamed H H Briggs & Sons Foundry. Both sons ran the firm after Herbert’s death in 1931, making products mainly for marine purposes. They became Bell Founders in 1936 and were known for their specialty of high-quality ship bells. They produced miniature varieties of these and other decorative items such as small propellers. The firm became known as Briggs Marine Foundry. The great-granddaughter of Herbert Briggs inherited the Briggs Brass Bell, similar to the one at Flagstaff Hill. Cyril became the sole family member of the firm in 1965. The Briggs Marine was an exhibitor at the 1965 Boat Show, where he advertised as “non-ferrous founders” and “Bell Specialists”. The foundry relocated to Chesterville Rd, Moorabbin. Cyril passed away in 1967. It is thought that either Cyril or his business partner Frank Lee donated the objects from the Briggs’ Foundry around the time when the business moved to Moorabbin. However, Flagstaff Hill hadn’t been thought about until 1972. The donated items were registered in the Collection in 1986 but they could have been in storage from an earlier date. In October of that same year, Briggs Marine restored Schomberg Bell, a shipwreck artefact from the collection at Flagstaff Hill. Peter Oram, who had worked for the previous owners of Briggs Marine as a fitter and turner, took over the firm in 2014, reviving some of the old casts for current use. The business is now located at Seaford in Victoria and is part of Alliance Casting & Engineering Solutions (Alliance Casting Pty Ltd). In 2016 the original Collingwood Foundry building was repurposed as a thriving business hub named The Foundry. The crate and its patterns are significant for their association with brass foundries locally and generally in coastal areas of Victoria. Marine industries such as ship and boat building rely on good quality castings for their machinery, equipment and fittings. The patterns are associated with the long-running firm, Briggs Brass Foundry, that specialised in cast goods for the marine industry, ready to supply the needs for once-off or mass-produced items. Their products would have been fitted to sail and steam vessels along coastal Victoria including Warrnambool. Briggs Marine is also associated with the Schomberg Bell in Flagstaff Hill, restoring the bell to is former state to show an example of the bell from a luxury mid-19th century vessel. The craft of sand-casting from carved wooden patterns to create metal is an example of skills from the past that are still used today. Wooden rectangular crate with removable wooden lid. Inside is a set of wooden patterns of various shapes and sizes for making sand moulds in a metal foundry. The crate is made from thick wooden planks nailed together. The extended wooden struts on the long sides form a frame to hold the wooden lid. A pair of metal handles are at each short end of the crate, fixed with strong metal bolds. Between each pair of handles is an inscription stamped into the wood. The underside of the crate has red paint splashes. There are insect holes in the wood but no sign of current infestation. Stamped: "H.33 / II" (H may be N or a square B)flagstaff hill maritime museum and village, great ocean road, shipwreck coast, pattern, mould, foundry, brass foundry, metal foundry, crate, box, wooden container, briggs, traditional method, trade, sand cast, cast, brass alloy, copper alloy, marine equipment, marine tools, marine fittings, briggs' bronze, copper tin zinc lead, non-corrosive, briggs family, brassware, metalware, foundering, metalwork, maritime, casting, cornish chimney, curved bricks, grassmere cheese factory, 1912, herbert harrison briggs, h h briggs, george edward briggs, briggs & son foundry, collingwood, cyril falkiner mckinnon briggs, cyril briggs, h h briggs & sons foundry, bell founders, schomberg bell, alliance casting & engineering solutions, collingwood foundry, ship chandlers, marine products, flagstaff hill, warrnambool, maritime museum, maritime village, briggs & son brass foundry, briggs marine, moorabbin

Concrete bricks formed pattern mould, made in shed at Kimmell's farm by Clyde Worseldine, WW2 returned service man, in employ of Tambo Shire.Colour photograph of a concrete brick afternoon-tea pavilion built 1946c for Lakes Entrance Cricket Club. Building has a chimney at each end and corrugated iron roof, sited flush of south fence of Recreation Reserve. Also in image small wooden shed which was moved from Post Office residence 1960c when Post Office was extended. Lakes Entrance Victoriasports, cricket, buildings

This bottle comes from the chemist’s business in Timor Street Warrnambool of R.F.Kennedy & Co. Richard Frank Kennedy came to Warrnambool in 1880 and established a retail, wholesale and manufacturing business in Timor Street. The business was described in the 1904 ‘Cyclopedia of Victoria’ as the largest and best-appointed pharmacy in Victoria. Kennedy was prominent in community affairs in Warrnambool, being a Town Councillor, a Justice of the Peace, and on the committees of the Warrnambool Hospital and the Mechanics Institute and Art Gallery. He was the first Vice-President and fourth President of the Warrnambool Bowls Club. After Kennedy’s death in 1903 the pharmacy business continued as a company and this bottle comes from that time. The Kennedy chemist bottles were well-known for their lighthouse logo (Warrnambool having two operating lighthouses during the company’s time, with these still operating today).This bottle is significant as an example of a chemist’s bottle from R.F. Kennedy & Co. This pharmacy was a dominant business in Timor Street, Warrnambool for over 40 years. This is a small clear glass bottle with a rectangular-shaped body with rounded sides, a small neck and a moulded open top. The stopper is missing. The chemist’s name and a lighthouse logo are etched into the side of the bottle. ‘R.F. Kennedy & Co Chemists Warrnambool’ ‘M297 AGM’ r.f. kennedy, warrnambool chemist, history of warrnambool

This bottle was found under a building some years ago (Hand’s tobacconist shop, Liebig Street, Warrnambool). It is believed to be a beer bottle from the Warrnambool brewery of Sheldrick and Co. In 1868 Walter Sheldrick formed a company and established the New Brewery at the corner of Timor and Fairy Streets, Warrnambool. Two of the original directors, Walter Sheldrick and Thomas Price, took over the business under the title of Sheldrick and Co. When Walter Sheldrick died in 1876 Richard Sheldrick succeeded his father in the business. In the early 1890s Richard Sheldrick sold out and by 1892 a group of Warrnambool businessmen was operating the brewery. In 1894 it was sold to William McGee and Company and in 1922 the brewery closed when the Ballarat, Melbourne Co-operative and Carlton and United Breweries took over the business.This bottle is of interest as an example of a beer bottle from Sheldrick’s New Brewery. This brewery was prominent in Warrnambool for over 50 years. This is a green glass beer bottle with a rounded body and a heavily indented base producing an inverted hump inside the bottom of the bottle. The neck is rounded with a moulded glass top. There is no stopper. There are no markings on the bottle.walter and richard sheldrick, warrnambool, sheldrick’s new brewery. warrnambool, breweries in warrnambool, history of warrnambool

Displayed in History HouseGlass bottle with moulded words on side. Impressed semi-spherical pattern near neck, forming a marble and rubber ring stopper (marble still in bottle) (possibly Dobson Patent type).Front: E. Rowlands/Ballarat/Melbourne/Katoomba/and/Sydney.bottle, domestic

This handmade ceramic bottle was made and used for pouring ink to fill ink wells. Businesses such as banks and post offices provided ink and dip pens for their customers' use, along with blotting paper to dry their writing.This bottle is significant for being both and example of handmade bottles and for its association with earlier methods of writing.Bottle, cream coloured, glazed ceramic bottle, cylindrical shape, with spout and flared lip moulded into mouth of bottle. Hand made. Bottle was used for pouring ink. Inscription stamped into base. "82 PRICE" (illegible) Label provided with donation is marked "SLATER AND PALMER works: MARSHGATE MILLS, STRATFORD ESSEX"flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, ink and pen writing, ink pouring bottle, bank stationery equipment, writing with pen and ink

A cap liner is an item that helps to seal the contents in a container to avoid spoiling and leakage. This cap liner was recovered from the Falls of Halladale shipwreck. The Falls of Halladale was an iron-hulled, four-masted barque, used as a bulk carrier of general cargo. She left New York in August 1908 bound for Melbourne and Sydney. In her hold was general cargo consisting of roofing tiles, barbed wire, stoves, oil, and benzene as well as many other manufactured items. After three months at sea and close to her destination, a navigational error caused the Falls of Halladale to be wrecked on a reef off the Peterborough headland on the 15th of November, 1908. The captain and 29 crew members survived, but her cargo was largely lost, despite two salvage attempts in 1908-09 and 1910. The Court of Marine Inquiry in Melbourne ruled that the foundering of the ship was entirely due to Captain David Wood Thomson's navigational error, not too technical failure of the Clyde-built ship. The Falls of Halladale was built in1886 by Russell & Co., at Greenock shipyards on the River Clyde, Scotland for Wright, Breakenridge & Co of Glasgow. She was one of several designs of the Falls Line of ships named after waterfalls in Scotland. The company had been founded between 1870- 1873 as a partnership between Joseph Russell, Anderson Rodger, and William Todd Lithgow. During the period 1882-92 Russell & Co. standardised designs, which sped up their building process so much that they were able to build 271 ships during that time. The Falls of Halladale had a sturdy construction built to carry maximum cargo and was able to maintain full sail in heavy gales, one of the last of the 'windjammers' that sailed the Trade Route. She and her sister ship, the Falls of Garry, were the first ships in the world to include fore and aft lifting bridges. Previous to this, heavily loaded vessels could have heavy seas break along the full length of the deck, causing serious injury or even death to those on deck. The new raised catwalk-type decking allowed the crew to move above the deck in stormy conditions. The Falls of Halladale shipwreck is listed on the Victorian Heritage Register (No. S255). She was one of the last ships to sail the Trade Routes. She is one of the first vessels to have fore and aft lifting bridges. She is an example of the remains of an International Cargo Ship and also represents aspects of Victoria’s shipping industry. The wreck is protected as a Historic Shipwreck under the Commonwealth Historic Shipwrecks Act (1976).Glass cap liner, moulded disc opaque aqua colour, with indented ring and gripping bumps on the top. Paper sticker attached, has inscription. Recovered from Falls of Halladale wreck. "F/16"flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, falls of halladale, cap liner, russell & co., glass liner, glass seal

Ash tray, rectanglar, moulded glass with coloured photo of Blue Lake, Mount Gambier on base. Donated by Mrs G Angus, 309B Koroit St, W'bool 27 Feb 1979.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Part of the collection of Dr Frank Forster.Pessary, medium size. Clear plastic pessary consisting of three sections moulded together including a flange with elevated ring, stem and bulb. A hole extends right through the centre of the device.intrauterine device, pessary

Coloured photograph of John (Jack) and Jean Cannon in a Gold Moulded Timber Frame with a brief summary of their work with the Bendigo Theatre Co on back, Donated by Mr Atkinson related to Mary ReibyBarry Searle Photographyperson, family, personal portrait, jack & jean cannon, bendigo theatre co

This plaque was made to commemorate the generous funds donated Mr A.M Nicholas in 1936 almost entirely funding the building of the new Mission to Seamen at Port Melbourne opened in 1937. Mr Nicholas died in Feb 1937. The new building was opened on the 4th of December 1937 by Lord Huntingfield, the plaque was dedicated and unveiled the same by his nephew Mr Nicholas Lightfoot. The plaque was removed from the building which ws demolished in 1995. The plaque is really similar to the memorial plaque made in memory of Ethel Godfrey (see item 2053).Mr Nicholas together with Mr HW Shmith organised rights to produce Aspirin aka ASPRO in Australia in 1915 during WW1. The Nicholas Family were significant philanthropists in Melbourne and Victoria and this plaque commemorates his gift to the Mission for visiting seamen between 1937 and late 20th C. The story of the donation is told in an unpublished autobiography by the then Rev'd Frank Oliver, based at 717 Flinders st. as senior Mission Chaplain 1930-1960.A heavy ceramic plaque with moulded metal alloy frame, polychrome glazed irregular ceramic tesserae design and memorial text in Gothic script in central lozenge set into a rectangular clay base.in each corner design features initials: "ihs" / IN central lozenge of design text reads: " To the Glory of God/ and in grateful memory of/ ALFRED MICHAEL NICHOLAS Esq / through whose generous gift/ the whole of this Institute / and Chapel were built./ Died February 26th 1937"1908, plaque, alfred m. nicholas, memorial, alfred michael nicholas, port melbourne, 1937, aspro

Metal laryngoscope in two parts. A round hollow handle with a textured grip and a screwed in base for holding batteries. The metal blade screws in to the handle and has a moulded section for a small light bulb. Engraved in to top of blade, D.A. Engraved in to base of handle, B.T.S. / R.W.H. D.A. Stamped in top of the handle, PAT.NO.683731 Stamped in top of the handle, BRITISH [indecipherable]laryngoscope, light bulb, battery

The service being held is in the front of the Soldiers Memorial Institute Pall Mall Bendigo post 2008.Photograph - colour copy of a photograph of a Cenotaph assembly on ANZAC Day. In background is a catafalque party with assembled public. Frame - brown colour moulded plastic frame with MDF back and glass front..brsl, smirsl, anzac day

This type of butter mould was used by rural families in the Kiewa Valley to fashion/shape home/farm made butter either for domestic use or to sell locally.Kiewa Valley was a dairying district with many farms in remote locations especially before the State Electricity Commission of Victoria built the Kiewa Hydro Electric Scheme from the 1940's. This pair of butter pats have been crafted from wood. One has one side with grooves running from the handle to the tip of the rectangle. the other side is smooth. These grooves would stop the wet butter from clinging to the pat. The top side of the pat has been bevelled. The second pat is longer and wider without grooves along the handle. This one also has 3 arrows on the handle pointing down towards the handle end and isn't bevelled. 3 arrows.kiewa valley. butter pat. farm produce. domestic produce. dairy. farms

Made by the brother of Bruno Weinmann. The camp children collected toothpaste tubes, melted them down and poured into moulds carved out of wood, sand and clay.Small zinc dagger made from a melted toothpaste tube and cast into a mold. Housed in a 4 cm square plastic container with lid and sitting on yellow foam.bruno weinmann, dagger, toothpaste tubes

On reverse: "Emily Gladys Witrhers, Kew Studio, 3 years" Many items in this collection have suffered from significant water damage and black mould1891, emily gladys withers, john withers collection, walther withers kew studio

Charles Withers (aka Bill) with his good friend from school, Mervyn Britain with mock trenches and rifles at the Withers family home, Southernwood, Eltham. The view is looking to the east with Main Road and associated buildings near ridge in distance. [Charles son, John Withers explained that his father and friend liked to play war games.]On back of photo: "Bill (left) Mervyn (right) in their trench 1916" Many items in this collection have suffered from significant water damage and black mouldjohn withers collection, eltham, 1916, main road, southernwood, trenches

Dr Alan Holmes á Court enlisted in the Australian Army in 1916 as a medical officer with the rank of Captain. In 1918, Holmes á Court was promoted to Major and attached to the 4th Australian Field Ambulance on the Western Front. As the front advanced, the Casualty Clearing Stations became further removed from the battlefield, creating an urgent need for immediate resuscitation prior to transfer back to the CCS. In June 1918, Holmes a Court and his colleagues established a forward resuscitation team. The team consisted of one doctor trained in surgery, blood transfusion and resuscitation, another doctor trained in anaesthesia, resuscitation and blood classification, and four other assisting staff. This team moved out to the wounded, rather than waiting for them to be stretchered back. They provided on-the-spot, life-saving resuscitation. The wounded were then transported back to the Casualty Clearing Station or Regimental Aid Post for further treatment. Among the assorted surgical and resuscitation equipment carried by the forward resuscitation team, were a number of Kimpton-Brown flasks. Blood was collected from patients with minor injuries using the flask. It was then administered to those in need, after establishing their blood type. Citrated blood was introduced by the Americans in 1917. This allowed blood administration to be delayed for up to two hours but there were many problems with transport, storage and infection in these early experimental days.Round, clear glass bottle with white [discoloured] paper label, with red printed, and metal screw-top lid.Handwritten on white [discoloured] paper label: Phillip HARRIS Moulded into the top of the screw-top lid in red ink: RED CROSS BLOOD TRANSFUSION SERVICEblood transfusion, red cross, world war one