Was purchased by the Nillumbik Shire Council after being a finalist in the 1997 Nillumbik Art awards. Small bronze sculpture of a short boy holding birds, both of different size, in each outstretched hand. He has a long thin (length-ways) head and a flat squat body.He is wearing a belt with eyelets holding up his stripy long sleeve shirt. His head and the birds are showing green patina, yet is less prominent on his body.On bottom boy's left foot, are the initials 'DB' the artist and '97'; the year created. On bottom of the right foot, '5/9' has been etched, indicating it is the fifth of nine pieces..1997, nillumbik art awards, dean, bowen, bird boy, birds, people, sculpture, bronze

An e.21st century digital print on canvas, of an original e.20th century sepia photographic print. Image features an informal group portrait of men, women, teenage girls and a boy. Many of the girls hold tennis racquets. A neo-classical sculpture of a maiden features behind the subjects. Materials: Canvas/Cotton, Ink, Wood, Metal, Paper, Paint, Linentennis

Illustrated book with dust jacket. Book has a maroon cover with title and author's surname embossed in gold on spine. The dust jacket has a maroon background with a photograph of the sculpture "Trust' by Heather Ellis 1987, and title and author's name printed in gold ink on front cover. Title and author's surname printed in gold on spine. On the back cover there is a coloured image of the RCH crestnon-fictionFounded in 1870 as a charitable hospital for sick children of indigent parents, a role it fulfilled for over 60 years. The 1930's began a long period of gradual transformation to provide services to all children and a centre for teaching and research. The pioneer and catalyst in this period was Ella Latham, the RCH tenth and longest serving President, 1933-1954. This book also tells of many of the hardworking and unsung hospital staff who underpinned the developing services for sick and disabled childrenroyal children's hospital (melbourne), ella latham, hospital administrators-melbourne, medical research, nursing

Not Just a Pretty Place, Aleks Danko (2000), Lennister Farm, Eltham South, c.2001 The sculpture was launched on 9th August 2000 by Cr Diane Bullen and welcomed by Annette Xiberras of the Wurundjeri community. Awarded the 2000 Nillumbik Art in Public Places Award and situated behind Lennister Farm near Yarra Parkfay bridge collection, 2004-06-27, aleks danko, art in public places, eltham south, lennister farm, not just a pretty place, public art

Bicentennial/Heritage Week Display, "The Eltham Tradition", Eltham Shire Office, 17-22 April 1988 See audio recording of Alan Marshall and Joh Ebeli made by Joh Ebeli at this time whilst he was modelling Alan Marshall's face - EDHS_05003 See also photo of Alan Marshall posing for Joh Ebeli for this sculpture - EDHS_02441Colour photographactivities, alan marshall, eltham shire office, joh ebeli, heritage display, heritage week

Sculpture was made by a personal friend of the subject in the mid 1940's and displayed in the home of the subject's son, John B. Crosbie until 2001. Bernard Crosbie (subject) was the nephew of Michael Loeman, former Shire of Bulla President and owner of 'Glen Loeman'. Bernard Crosbie and his brother inherited Glen Loeman from Michael Loeman.Bust of a man, Bernard Michael Crosbie, President of Bulla Shire 1936-1937. Made from plaster of Paris (?) painted metallic brown.crosbie, bernard michael, shire presidents, shire of bulla, loeman, michael, glen loeman, houses, george evans collection

In October 2000, Council invited three artists from the region (Deborah Halpern, Matcham Skipper, Tony Trembath) to submit designs for a sculpture / public art work for the Eltham Town Square. The commission was paid for by supermarket giant Safeway (Woolies) as part of its supermarket permit, which required them to contribute to beautification work in the Town Square.This is the first of three parts. The 'Spirit of Nillumbik' is a celebration of the artistic spirit of Eltham and surrounding communities. Each area is identified through the flora and fauna represented in the panels. The work honours the many creative artists and architects, past and present, who have built homes and shaped lives and livelihoods with their unique creative spirit. Halpern describes her work as a public expression of their individual and collective visions. Halpern acknowledges these contributions to our hand-made history and the influence they have on the character and identity of Eltham and Nillumbik. Five picture and six woven balustrades each made out of welded steel / organic wrought iron and coated with wax. Imagery (flora - plants, landscapes and fauna - animals, birds, reptiles, insects) are all based on the local environment. There is also a relevant aboriginal presence amongst each of the panels. Each panel represents the different areas that make up the Shire. 'Water' for Warrandyte, 'Kangaroos' for Christmas Hills, 'Cockatoos and 'Valley Creek Flats' for Hurstbridge, 'Wombats', 'Bluetongues' and 'Possums' for St. Andrews/Kinglake, 'Orchids' for Panton Hill, 'Cows' and 'Grapevines' for the Kangaroo Gound Hill landmark. N/Apublic art, nillumbik, fauna, flora, wrought iron, balustrade, halpern, laurence, kangaroo, eltham town square, spirit, warrandyte, christmas hills, kangaroo ground, hurstbridge, kinglake, panton hill, water, valley creek flats, cockatoos

In October 2000, Council invited three artists from the region (Deborah Halpern, Matcham Skipper, Tony Trembath) to submit designs for a sculpture / public art work for the Eltham Town Square. The commission was paid for by supermarket giant Safeway (Woolies) as part of its supermarket permit, which required them to contribute to beautification work in the Town Square. This is the second of three parts. The 'Spirit of Nillumbik' is a celebration of the artistic spirit of Eltham and surrounding communities. Each area is identified through the flora and fauna represented in the panels. The work honours the many creative artists and architects, past and present, who have built homes and shaped lives and livelihoods with their unique creative spirit. Halpern describes her work as a public expression of their individual and collective visions. Halpern acknowledges these contributions to our hand-made history and the influence they have on the character and identity of Eltham and Nillumbik. Square floor mosaic. Black and white chequered border. Multicoloured coiled snake intercepted with six multicoloured peaks. Made up of small mosaic tiles and hand painted. Hand painted artist signature bottom right hand side. 'Deborah D. Halpern '01'eltham, halpern, mosaic, snake, square, laurence, painted, tiles, spirit, nillumbik

In October 2000, Council invited three artists from the region (Deborah Halpern, Matcham Skipper, Tony Trembath) to submit designs for a sculpture / public art work for the Eltham Town Square. The commission was paid for by supermarket giant Safeway (Woolies) as part of its supermarket permit, which required them to contribute to beautification work in the Town Square.This is the third of three parts. The 'Spirit of Nillumbik' is a celebration of the artistic spirit of Eltham and surrounding communities. Each area is identified through the flora and fauna represented in the panels. The work honours the many creative artists and architects, past and present, who have built homes and shaped lives and livelihoods with their unique creative spirit. Halpern describes her work as a public expression of their individual and collective visions. Halpern acknowledges these contributions to our hand-made history and the influence they have on the character and identity of Eltham and Nillumbik.Realistic depiction of 'chocolate lilies' in wrought iron (three flowers in bloom, four large buds and six small buds). Chocolate lilies are indigenous to Nillumbik.N/A

Thomas Stoddart was a miner turned local stockbroker. He bought 12 statues made of Carrara marble during a visit to Italy in 1882, and gifted them to the Ballarat Botanical Gardens. The sculptures were placed on pedestals of Sicilian marble and on bases of Victorian granite. The statues were unveiled in the gardens on Queen Victoria's birthday, 24 may 1884.Photograph of a statue of Thomas Statue in the Ballarat Town Hall.thomas stoddart, statues, bust, ballarat town hall

Thomas Stoddart was a miner turned local stockbroker. He bought 12 statues made of Carrara marble during a visit to Italy in 1882, and gifted them to the Ballarat Botanical Gardens. The sculptures were placed on pedestals of Sicilian marble and on bases of Victorian granite. The statues were unveiled in the gardens on Queen Victoria's birthday, 24 may 1884.Photograph of the Thomas Stoddart memorial in the Ballarat Town Hall.thomas stoddart, statues, ballarat town hall, memorial, marble, ballarat botanical gardens

Betty Collier (nee Thege) was a student of the Ballarat Technical Art School, and lectured in Sculpture at the University of Ballarat, both predecessor institutions of Federation University Australia. This work was requested for the collection by Brian McLennan. This item is part of the Federation University Art Collection. The Art Collection features over @000 works and was listed as a 'Ballarat Treasure' in 2007.A large oxy welded sheet steel reclining kangaroo.art, artwork, betty collier, collier, kangaroo, sculpture

Entrance requirements for a full-course student was an Intermediate Certificate of equivalent. The Certificate of Art was a two year course of basic study to enable students to undertake a further two years of specialised training in a chosen field of art. The Diploma of Art was a two-year course of specialised training available to students, who have passed the Certificate of Art Examination or its equivalent. Candidates of the examination must be at least 19 years of age, must have completed two years' full -time training or not less than three years' part-time training, and must present for the Matriculation examination for English Expression. Part-Time classes at the Ballarat Technical Art School c1948 were: Day: Dressmaking, Weaving, Leatherwork, Pottery, Metalwork, Painting, Sculpture, Junior Art. Evening: Dressmaking, Weaving, Leatherwork, pottery, Metalwork, Painting, Sculpture, Ticket Writing, Lettering, Figure Drawing. Two fold, 6 page information flyer on classes held at the Ballarat Technical Art School. The Art school offered Diploma of Art, Certificate of Art and Part-time classes.ballarat technical art school, art, diploma of art, certificate of art, part-time classes, syllabus, design, scholarships, diploma of art in pottery, diploma of art in advertising, art education, dressmaking, weaving, leatherwork, pottery, metalwork, painting, sculpture, junior art, dressmaking, weaving, leatherwork, pottery, metalwork, painting, sculpture, ticket writing, lettering, figure drawing

One of a collection of photographs from the Iggsten Estate. Post Office lane ran from Main Street to Reid Street, and much of it is now the car park for the IGA Supermarket. The Main Street end between the supermarket and the post office is closed to all but pedestrian traffic, and is now called Gollings Square. It is a rest area with trees, garden, sculptures and benches. Colour photograph showing the Victoria Hotel from the vantage point of Post Office Lane.victoria hotel, post office lane, florence iggsten, gollings square

One of a collection of photographs from the Iggsten Estate. Post Office lane ran from Main Street to Reid Street, and much of it is now the car park for the IGA Supermarket. The Main Street end between the supermarket and the post office is closed to all but pedestrian traffic, and is now called Gollings Square. It is a rest area with trees, garden, sculptures and benches.Colour photograph taken in Post Office Lane, Rutherglen. The front of the Victoria Hotel is visible at the end of the road.post office lane, post offices, victoria hotel, florence iggsten, gollings square

One of a collection of photographs from the Iggsten Estate. Post Office lane ran from Main Street to Reid Street, and much of it is now the car park for the IGA Supermarket. The Main Street end between the supermarket and the post office is closed to all but pedestrian traffic, and is now called Gollings Square. It is a rest area with trees, garden, sculptures and benches. Colour photograph showing the Victoria Hotel from the vantage point of Post Office Lane.victoria hotel, post office lane, florence iggsten, gollings square

The Widow and Children statue was installed in the Legacy Garden of Appreciation at the Shrine of Remembrance on 29 September 1988. Sculptured by Louis Laumen a Melbourne artist. It symbolises the work that Legacy does with the families of deceased veterans since 1923. The artwork is a sketch of the statue and does not have a artist name on it. Put on display on Level 1 reception when Legacy House was remodelled in 2020.A record that the statue is a symbol of Legacy's work with the families of veterans.Black and white sketch of the widow and children statue in a black and gold frame.statue, widow and children statue

Framed colour poster titled: "new energies/Contemporary Artists of South Gippsland" 18-19 March 2000, Memorial Hall, Leongatha. Black card window mount set in green powder coated metal frame. features a photomontage of art and craft images with text headings which include: "ceramics, photography, sculpture, print, paint, furniture, advice, workshops, technology, galleries, exhibitions, and networking".

A flat straight metal woodworking tool with two wooden line patterned handles used to remove surplus large chunks of wood and taper the sides of timber for floorboards, paneling and such before planing them. It can be used to to fashion tool handles, wooden sculptures stool legs or wheel spokes. The final finishing on such work was done by a Spoke Shave tool which we also have in our collection.Stamped on the blade is a horse head with the manufacturer's name Hale Bros Sheffield England below.woodcarving tools, drawing knives, shaves, handtools, iron

NoneAbstract image. Centre image is a human (shown without skin) climbing a narrow mound/hill form. At the top is a screen supported by three poles. The screen reproduces a photograph of what appears to be a classical narrative bas-relief sculpture. On each side of the hill are Celtic and Norse carvings/gilded artefacts/metalworks mounted on long poles. Abstract could patterns are at the top of the print. No matt. Silver metal frame.Front: 1/10 (lower left) Ikon to a Fossil King (lower centre) Allan Mann (lower right) (pencil) Back: (no inscriptions)

The sculpture was launched on 9th August 2000 by Cr Diane Bullen and welcomed by Annette Xiberras of the Wurundjeri community. Awarded the 2000 Nillumbik Art in Public Places Award and situated behind Lennister Farm near Yarra Park Part of a slide show presentation "A Trip Down the Diamond Creek" by Russell Yeoman to the Eltham District Historical Society meeting of 14 Nov. 200135mm colour positive transparency Mount - Black and Whitealeks danko, art in public places, eltham south, lennister farm, not just a pretty place, public art

The sculpture was launched on 9th August 2000 by Cr Diane Bullen and welcomed by Annette Xiberras of the Wurundjeri community. Awarded the 2000 Nillumbik Art in Public Places Award and situated behind Lennister Farm near Yarra Park Part of a slide show presentation "A Trip Down the Diamond Creek" by Russell Yeoman to the Eltham District Historical Society meeting of 14 Nov. 200135mm colour positive transparency Mount - Black and Whitealeks danko, art in public places, eltham south, lennister farm, not just a pretty place, public art

Zilles Printers was begun by Lewis Zilles in the early 1930s. It was in McKenzie Street Ballarat. His son Jeffrey also became a printer - letterpress, offset and screen printer. The business became Zilles Printers/Graphics and was in Armstrong Street and later Bell Street Ballarat. Small booklet outlining terms used in painting, sculpture and other fine arts. It is a production of Avantgarde Art Company.Small pocket size booklet with orange cover and black printzilles printers, lewis zilles, jeff zilles, ballarat, booklet, art manual, art terms, painting, sculpture, fine arts, avantgarde art company

Louise Paramor says, “I just love colour and playing around with it, it makes me feel good. I get a kick out of harmonising colour in conjunction with form. I think if there was more finely tuned colour in the world it would be a better place. There exists a lot of untamed colour in the everyday and to me this is often creates a feeling that is the opposite of uplifting.” In this work, Paramor creates a utopian building from collaged pieces of paper, which have been painted in planes of coloured enamel. Often these collages become sculptures, for which Paramor is mainly known. Andy Gomez writes of Boomtown, “Louise Paramor invites us into her own fabricated domain, where colours are coherent and vivid, buildings are unique and non-conformist, where public sculpture exists for the sake of form, colour, line, and levity. There is an inherent optimism at work here, exalting the accomplishments and ingenuity of the urban sprawl and the enforced participation of a shared culture and experience that offers.”

Ian Hassall (1899-1971) and his wife Joan, nee Stevens (formerly Narbeth) (1910-2003) were married in England in 1932. They migrated to Australia in 1949. They came to Eltham in 1955. In July 1962 they opened their open-air gallery: Hassall’s Roadside Gallery, the first of its kind in Australia. Ian exhibited paintings, sculptures, pottery and jewellery, including his own work as a painter. ian john dingwall hassall, joan eleanor maud hassall, open-air gallery, roadside gallery

One of a collection of photographs from the Iggsten Estate. Woman in photo may be Florence Iggsten. Post Office lane ran from Main Street to Reid Street, and much of it is now the car park for the IGA Supermarket. The Main Street end between the supermarket and the post office is closed to all but pedestrian traffic, and is now called Gollings Square. It is a rest area with trees, garden, sculptures and benches.Colour photograph taken in Post Office Lane, Rutherglen. Roof of the Post Office is visible on the left, and the front of the Victoria Hotel at the end of the road.post office lane, post offices, victoria hotel, florence iggsten, gollings square

Representing Apollo, this statue embodies beauty, music, and prophecy. Its detailed design captures ancient Greek sculpture, transporting you to classical art's golden age. It would have been used for a decorative display. It belonged to Vera Therese Meredith nee Sebire, the daughter of John and Christine Sebire. She was the grandaughter of Henry and Martha Sebire of Mont De Lancey in Wandin, Victoria.Embrace Greek mythology with this small white resin or plaster Apollo Bust Statue which embodies beauty, music, and prophecy. Apollo is looking to his left. He has a robe draped around his shoulders attached to his right shoulder with a clasp. The bust stands on a round plinth.'4106' is stamped on the lower back of the statue.statues, human figures, busts