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Federation University Historical Collection
Book, Prodromus of the Palaeontology of Victoria No iv, 1876 (exact)
This publication consists of many Decades which contain "figuers and descriptions of the fossil organic remains to be used for the determination of the geological ages of the different geological formations of the country." (p. 3). Frederick McCoy was born in Dublin, Ireland in 1817. He was a Professor of Natural Sciences, University of Melbourne 1854-1899. McCoy lectured in geology, zoology, chemistry, mineralogy, geography and botany. In 1858 He became the Director of the National Museum of Victoria and the President of the Royal Society of Victoria in 1864. In 1888, McCoy was awarded FRS for work in Palaeontology in Ireland, England and Australia. He died in his office while correcting examination papers in 1899A Paperback cover book. Decade IV. Title is written in black on front cover and on title page. At head of title: Geological Survey of Victoria. Illustrations, plates in b/w; 32 p. It includes figures and descriptions of Victorian Organic Remains and contents of Decades on the back cover of the book.australia palaeobotany, victoria palaeontology, geological survey of victoria, frederick mccoy, organic remains -
Yarrawonga and Mulwala Pioneer Museum
Map, Map of Victoria, 1868
Original property of Alice Rebecca Puckey [nee Ford] Born England 23/07/1867 Died rosbud Vic 16/03/1951 Grandmother of Merven Elizabeth Clarke 30 Sturt st Mulwala1868 Map of Victoria -
Whitehorse Historical Society Inc.
Pamphlet, Police in Victoria 1836 - 1980, 1980
History of Victoria Police bookHistory of Victoria PoliceHistory of Victoria Police bookvictoria police force, police -
Whitehorse Historical Society Inc.
Book, Pictorial history of Victoria, 1974
A pictorial history of Victoria.A pictorial history of Victoria.A pictorial history of Victoria.schwerkolt cottage, victoria -
Ballarat Heritage Services
Map, Physiographic Divisions of Victoria, c1940
Physiographic map of Victoriavictoria, map, physiography -
Ballarat Heritage Services
Map, Simplified Geological Map of Victoria, c1940
Physiographic map of Victoriavictoria, map, geology, geological -
Stawell Historical Society Inc
Map, Geological Survey of Victoria
Geological Survey of Victoriastawell -
The Beechworth Burke Museum
Drawing, Ernest Marcuse, Bank of Victoria – Yackandandah III, c1983
Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and pencil landscape drawing on paper.Obverse: ERNEST MARCUSE / BANK OF VICTORIA / YACKANDANDAH Reverse: Y 2 / 013 ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program -
The Beechworth Burke Museum
Drawing, Ernest Marcuse, Bank of Victoria – Yackandandah II, c1982
Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and pencil landscape drawing on paper.Obverse: BANK OF VICTORIA / YACKANDANDAH / ERNEST MARCUSE / Reverse: Y 4 / 015 ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program -
Marysville & District Historical Society
Postcard (item) - Black and white postcard, Rose Stereograph Company, The Main Street, Marysville, Victoria, 1913-1967
A postcard in a series produced by the Rose Stereograph Company in Victoria, Australia as a souvenir of Marysville.A black and white photograph of Marysville's main street. This is now known as Murchison Street.POST CARD The "Rose" Series/ De Luxe A Real Photograph/ Produced in Australia Published by the Rose Stereograph Co.,/ Armadale, Victoria Dear Max./ I arrived here/ about 12AM Master E. M. Tonkin/ C/o Mrs. H. H. Castles/ Donniflour St/ Kyneton./ Vic.main street, murchison street, marysville, victoria, p. 2749, rose series postcard, postcard, souvenir -
Federation University Historical Collection
Booklet, State College of Victoria, Ballarat Handbook, 1974
In 1958 the Ballarat Teachers' College moved from Dana Street Primary School to a custom built college in Gillies Street. Accommodation again became a problem in 1968 with the introduction of the three year Diploma of Teaching (Primary) course. On 19 December 1972 the State College of Victoria Act received Royal Assent. The Act restructured the teacher training policies of Victoria. Ballarat was one of the State Teachers' Colleges which until 30th June 1973, was under Education Department control. Ballarat Teachers' College was renames the State College of Victoria at Ballarat and had its own governing council. In 1975 State College of Victoria at Ballarat moved to the Ballarat Institute of Advanced Education campus at Mount Helen, and the name was changed to Ballarat College of Advanced Education. Small, green, soft covered booklet. Th book includes course, regulations, assessments, subject details, general information, art collection overview and student organisations. A good history of the evolution of the Ballarat Teachers' College and State College Victoria at Ballarat (SCVB) is given. 'Mr P. Fryar' on front cover. Signed 'Peter Fryar' on inside front page. ballarat teachers' college, state college of victoria at ballarat, state college of victoria, ballarat, art collection, handbook, gillies street -
Flagstaff Hill Maritime Museum and Village
Book, Acts of Parliament of Victoria 33 & 34
Acts of Parliament of Victoria 33 & 34 Victoria 1870 Publisher: Government Printer Melbourne Date: 1871warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, great ocean road, book, warrnambool library, warrnambool mechanics’ institute, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library, warrnambool public library, acts of parliament of victoria 33 & 34 -
Kew Historical Society Inc
Award, Tennis Victoria, Premiers Men's Grade 6 Pennant, 2014
Sports Clubs in Kew in the final decades of the 19th century and in the early 20th century were often umbrella organisations with facilities for a number of sports. Typically in Kew, this included teams in lawn bowls, tennis and croquet. The Kew Bowling Club was formed in 1880 while the privately owned Auburn Heights Recreation Club was opened in 1904. By 1998, the two Clubs decided to amalgamate at the Auburn Heights site in Barkers Road, forming the Kew Heights Sports Club. The combined club was itself taken over by the Melbourne Cricket Club in 2012 becoming MCC Kew Sports Club. In 2017 MCC Kew closed and its landholding was subsequently sold to Carey Baptist Grammar School. Both the Kew and Auburn Heights Clubs assembled important collections. These historically significant and large collections were donated to the Society in 2020. The collections include manuscripts, pictures, trophies, plans, honour boards etc. The combined collections of the four sporting clubs making up the collection number hundreds of items that are historically significant locally. They are also significant to the sporting history of the greater Melbourne area and to the sports of lawn bowls and tennis in Australia in the 19th and 20th centuries. The collection illuminates two of the Victorian historic themes - 'Building community life' through forming community organisations and 'Shaping cultural and creative life' by participating in sport and recreation.Blue and white pennant, provided by Tennis Victoria to MCC Kew Sports (Tennis) Club as the Premier team in Grade 6 in 2014. The names of team members are handwritten in the white space provided.TENNIS VICTORIA PENNANT / PREMIERS 2014 / MEN'S GRADE 6. [TEAM} BILL MADAFFERI, RENI DEACON, AARYN NANIA, AIDEN NANIA, ROGER MADAFFERI, SIMON PIPPETTmcc kew sports club - 397 barkers road - kew (vic), mcc kew tennis club - pennants -
Ringwood and District Historical Society
Memorabilia, Record of Historic Lane and formation of Carmel Haven Kindergarten, Ringwood East, Victoria - 1956
Buying of Carmel Haven and formation of kindergarten after Mrs. Olive Raftis and a committee bought the historic lane which ran between Victoria St. Lois St. and Wenwood St. Ringwood East.Six pages of memorabilia about the historic lane running between Victoria Street across Lois Street and Wenwood Street, Ringwood East formed by Ringwood Council at the request of Mrs. Olive Raftis and Committee who collected and subscribed to the lane, including picture of house bought to use as a Kindergarten. 26269-1. Description of location and photograph with summary of Kindergarten activities 26269-2. Newsletter - Second meeting of ratepayers to discus lane 26269-3. Receipt from Borough of Ringwood for supply of 400 square yards of concrete path Victoria Street to Wenwood Street to Mrs. Raftis 26269-4. Receipt to Committee for 18 yards of gravel for concrete gutter. 26269-5. Receipt to Mrs. O. Raftis £5 with 2d Victoria Stamp Duty attached. 26269-6. List of contributers. -
Whittlesea Historical Society Inc.
Book - Register, Declaration of Age and Health - Loyal Whittlesea Lodge No 5351 No 63 Port Phillip District Manchester Unity Independent Order of Oddfellows of Victoria MUIOOF, 1867
Manchester Unity Independent Order of Oddfellows (MUIOOF) is a fraternal order and was founded in Manchester, England in 1810. In 1840 Manchester Unity IOOF was founded in Victoria and the first lodge was established in Adelaide.A small soft cover black and beige book holding declarations of members of Loyal Whittlesea Lodge No 5351 No 63 Port Phillip District Manchester Unity Independent Order of Oddfellows of Victoria MUIOOF (1867-1895)whittlesea loyal lodge, manchester unity of victoria, manchester unity independent order of oddfellows (muioof) -
Marysville & District Historical Society
Document (item) - Historic Site Register Sheet, Parks Victoria, Historic Site Recording System-Site Register Sheet-Chester & Locke Mine, 1989
A copy of a historic site register sheet for the Chester and Locke gold mine near Marysville in Victoria.A copy of a historic site register sheet for the Chester and Locke gold mine near Marysville in Victoria. The Golden Bower gold mine was a quartz reef mine. William Edward Chester discovered the Golden Secret gold vein which became part of the Golden Bower Mine at Chesterville near Donovans Creek on the Cumberland goldfield which he mined with George Locke until the late 1930s. chester and locke mine, william chester, george locke, cambarville, yarra ranges, walker's hotel, marysville, victoria -
Federation University Historical Collection
Booklet, Royal Historical Society of Victoria 45th Annual Report and Financial Statement of Council, 06/1954
The RHSV was established in 1909.14 page annual report of the Royal historical Society of VictoriaFront cover "Mr Keith Rash Golden Point Ballarat" "Your article will be published in the 100th magazine".royal historical society of victoria, annual report -
Victorian Interpretive Projects Inc.
Photographs - Colour, Killarney Beach, Victoria, 2014, 13/09/2014
Killarney beach is in close proximity to Port Fairy and Koroit,A number of colour photographs showing scenes of Killarney Beach, Victoria.killarney, beach -
Victorian Interpretive Projects Inc.
Photograph - Colour, Clare Gervasoni, Lone Pine at Ballan, Victoria, 2015
Three photographs relating to a Lone Pine planted at Ballan Victoriaballan, world war, world war one, lone pine, gallipoli, mmm -
Ballarat Heritage Services
Photograph - Digital photographs, Clare Gervasoni, Emus at Tower Hill near Koroit, Victoria, 29/06/2020
Digital images of emus on Tower Hill near Koroit, Victoriakoroit, moyne shire, volcano, maar, game reserve, tower hill, tower hill, emu, wildlife, native, bird, flightless -
Ballarat Heritage Services
Photograph - Colour, Clare Gervasoni, Southern Cross, Victoria, 2019, 01/01/2019
A number of photographs of the main road through Southern Cross, Victoria. southern cross -
Ballarat Heritage Services
Image - Black and White, Closing Rabbit Burrows, Victoria, c1950
A black and white image of a person closing of a rabbit burrow in Victoria . vermin, rabbit, rabbit burrows -
Ballarat Heritage Services
Image - Black and White, Walhalla, Victoria, c1950
A black and white image of the former mining town in Victoria - Walhalla.walhalla, mining -
Ballarat Heritage Services
Photograph - Photograph - Colour, Clare Gervasoni, Magpie Primary School, Victoria, 2019, 18/05/2019
The red brick Magpie Primary School opened on 31 May 1880.Colour photographs of the Magpie Primary School near Ballarat, Victoria. magpie, magpie primary school, education, magpie state school -
Ballarat Heritage Services
Photograph - Colour, Queen Victoria Statue, Sturt Street, Ballarat, 2011, 29/12/2011
Colour photograph of the Queen Victoria Statue in Sturt Street, Ballarat. sturt street ballarat, christmas tree, pioneer women, ballarat, plaque, queen victoria -
Ballarat Heritage Services
Photograph - Colour, Queen Victoria Statue, Sturt Street, Ballarat, 2011, 29/12/2011
Colour photograph of the Queen Victoria Statue in Sturt Street, Ballarat. sturt street ballarat, christmas tree, pioneer women, ballarat, plaque, queen victoria -
Ballarat Heritage Services
Photograph - Colour, Queen Victoria Statue, Sturt Street, Ballarat, 2011, 29/12/2011
Colour photograph of the Queen Victoria Statue in Sturt Street, Ballarat. sturt street ballarat, christmas tree, pioneer women, ballarat, plaque -
City of Ballarat
Artwork, other - Public Artwork, Queen Victoria Memorial Fountain, 1902
In memorial of Her Majesty Queen Victoria. Presented by the Women's Christian Temperance Union of the city of Ballarat. J. J. Brokenshire, Mayor, 24th May, 1902. The fountain is appropriately situated in Queen Victoria Square, and immediately behind the statue of the late Queen in Sturt Street.Of historic and aesthetic significance of the people of BallaratTwo children carved in white marble atop a tall granite base.For God. Home and Humanity. In Memoriam Her Late Most Gracious Majesty Queen Victoria presented by the Woman's Christian Temperance Union to the City of Ballarat J.J. Brokenshire, Mayor 24th May 1902.queen victoria, women's christian temperance union -
Ringwood and District Historical Society
Booklet, Record of Sales of Properties in Victoria 1973-1979 (missing 1977)
Multiple listing Bureau of Victoria compiled the booklets. Carter Real Estate Agents were members of the multiple listing bureau and were issued with the booklets11 spiral bound booklets with covers of various colours of buff and green. Containing addresses, number of rooms, age, selling agents and the price of houses in Melbourne. Country areas included - Geelong, Ballarat, Bendigo Mornington and South Western."RECORD OF SALES OF PROPERTIES ... This Booklet is compiled by the Multiple Listing Bureau of Victoria for issue to Bureau members only. It must not be made available to non-member agents or the public." -
Stawell Historical Society Inc
Photograph - Valentine Series No. 1082 Lake Victoria Park, Stawell, Victoria Park Stawell with two Rotundas one cast iron and one wood (Now Cato Park)
Valentine Series Postcard. Victoria Park later Cato Park at Head of the St George Mine Dam originally established with donations from Mr E Simmons and voluntary efforts. Shows two rotundas.B/W Photo. Valentine Series No. 1082 Lake Victoria Park, Stawell. Taken between the two rotundas showing lake, pier and older willows. Both now renamed Cato lake and Cato park.Valentines Real Photo Series Logo. Published by the Valentine Publishing Co. Pty. Ltd. Queen St. Melb.stawell