Note from collector: Godfrey Hirst Diamond blankets from the mid-1950s are always delight to find. Some of these were found in the Geelong area but one came back with me from an op shop road trip around Tasmania, another from the St Pauls op shop in Romsey. I love this pattern and find the lemon and grey colourway particularly special.Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." King-sized, pink and mint diamond blanket, ribbon edgedName tag 'O'Malley' sewn above label/"An All Wool Blanket" /By Godfrey Hirst of Geelong/100% Virgin Woolwool, blanket, blanket fever, diamond blanket, godfrey hirst, geelong

Collector says: Godfrey Hirst Diamond blankets from the mid-1950s are always delight to find. Some of these were found in the Geelong area but one came back with me from an op shop road trip around Tasmania, another from the St Pauls op shop in Romsey. I love this pattern and find the lemon and grey colourway particularly special. Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." King sized Diamond blanket, pink, mint and lemon Mothproofed/Godfrey Hirst/Pure Wool Pelage Blanketwool, blanket, blanket fever, diamond blanket, godfrey hirst, geelong

Collector says: Godfrey Hirst Diamond blankets from the mid-1950s are always delight to find. Some of these were found in the Geelong area but one came back with me from an op shop road trip around Tasmania, another from the St Pauls op shop in Romsey. I love this pattern and find the lemon and grey colourway particularly special. Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Godfrey Hirst diamond blanket in pink, grey and lemon"An All Wool Blanket" /By Godfrey Hirst of Geelong/100% Virgin Woolwool, blanket, blanket fever, diamond blanket, godfrey hirst, geelong

Collector says: Godfrey Hirst Diamond blankets from the mid-1950s are always delight to find. Some of these were found in the Geelong area but one came back with me from an op shop road trip around Tasmania, another from the St Pauls op shop in Romsey. I love this pattern and find the lemon and grey colourway particularly special. Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Godfrey Hirst Diamond blanket in pink and grey"An All Wool Blanket" /By Godfrey Hirst of Geelong/100% Virgin Woolwool, blanket, blanket fever, diamond blanket, godfrey hirst, geelong

Collector says: Godfrey Hirst Diamond blankets from the mid-1950s are always delight to find. Some of these were found in the Geelong area but one came back with me from an op shop road trip around Tasmania, another from the St Pauls op shop in Romsey. I love this pattern and find the lemon and grey colourway particularly special.Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Godfrey Hirst diamond blanket in pink and cream"An All Wool Blanket" /By Godfrey Hirst of Geelong/100% Virgin Woolwool, blanket, blanket fever, diamond blanket, godfrey hirst, geelong

This is a small book of 64 pages with a buff-coloured plasticised cover with printed material and a photograph of Elizabeth Rafferty. The pages contain printed material, maps, photographs and illustrations and an index.non-fictionFamily history of Elizabeth Rafferty bostock family, elizabeth rafferty, warrnambool, rachel rafferty, robert bostock

The League evolved out of concern for the welfare of returned servicemen from the First World War. In 1916, a conference recommended the formation of The Returned Sailors and Soldiers Imperial League of Australia, which included representation from Queensland, South Australia, Tasmania and Victoria. New South Wales was admitted to the League the following year, Western Australia in 1918. In 1927, the Australian Capital Territory formed a branch and was admitted. The Returned Sailors’ and Soldiers’ Imperial League of Australia (RSSILA) the forerunner of today’s Returned and Services League of Australia (RSL) was formed in June 1916.Returned Sailors and Soldiers Imperial League of Australia Badge. The centre of the badge shows a sailor and a soldier in raised detail. A blue enamel circle surrounds the central detail and has 'RETURNED SAILORS & SOLDIERS / IMPERIAL LEAGUE' in gilt lettering. The outer edges of the badge are white enamel with a floral spray to the top left and right of the blue circle. At the bottom of the badge is a red enamelled scroll with 'AUSTRALIA' written in gilt lettering. On the reverse of the badge are soldered two brass lugs with a split pin attached for securing the badge to clothing. Stamped at the top of the badge is 'COPYRIGHT' and at the bottom of the badge is impressed V40289 and the maker's details 'STOKES & SONS MELBOURNE'.Returned Sailors and Soldiers Imperial League Australia.Stamped on the reverse of the badge is 'COPYRIGHT' and at the bottom of the badge is impressedV40289and the maker's details 'STOKES & SONS MELBOURNE'.badges, world war one lapel badge,lara r.s.l.returned sailor's & soldier's imperial league (rssila) membership badge

Australian births, deaths and marriages (B.D.M.) index for N.S.W. 1788-1888; Victoria 1837-1888; Tasmania 1803-1905; W.A. 1841-1905. Each disc contains records for the 4 States in alphabetical order of surnames: Disc 1 A-D; Disc 2 E-K; Disc 3 L-Q; Disc 4 R-Z; Disc 5 labelled as "Viewer".A database of vital records (births, deaths, marriages) from several Australian states.5 x compact discs in plastic casesContents listed on each CDgenealogy resources, family history, registers of births deaths marriages

Advertisement in Advocate Newspaper Burnie Tasmania May 7th 1940 “THE CUT CORNERS of "REPEATER Cigarette Papers make rolling easier and quicker. The cigarettes are neater smoke better – and there's no tobacco wasted Make better cigarettes. REPEATER 'Cut Corner' Cigarette Papers Superfine 44 Leaves 2d Special Rice 40 Leaves 2d Registered Design No. 14846." per TroveA packet of pre-cut cigarette papers. 'Repeater' brand REPEATER / HIGHEST QUALITY / CIGARETTE PAPERS, back - REPEATER / 60 PAPERS / CIGARETTE PAPERS cigarettes, tobacco, cigarette paper, cheltenham, moorabbin, bentleigh, early settlers, australian paper manufacturers pty ltd, amcor pty ltd, fairfield melbourne

The Rev. Dr D'Arcy Wood, now retired and living in Riddells Creek, Victoria, has been President of the UCA, lecturer at Parkin-Wesley College in Adelaide, and parish minister. For full details, see Proceedings of the UC Historical Society Synod of Victoria & Tasmania, Vol. 22, No. 2, December 2015. For the story of the interview with Hugh Morgan, see C&N 25/7/1984.(1) Clipping from "The Star" showing Wood with 5 recipients of the Dr Wood Scholarship. (2) Head & shoulders Wood in alb and scar. (3) Wood with Rev. Dr Gregor Henderson as President and General Secretary of the UCA Assembly. (4) Wood preaching, wearing an academic gown. (5) Wood reclining in a chair. (6) Wood sitting at a table interviewing Hugh Morgan (see C&N 25/7/84). (7) Wood facing Hugh Morgan during the interview. (8) Wood leaning on the table during the interview with Hugh Morgan.Identification of Wood.wood, d'arcy

Born in goldfields (Stawell) in 1858. Began work as teacher in Victoria and then New Zealand. In July 1881, joined cousin Thomas Moran and established their chain of grocery stores. By 1935, they operated some 120 stores in Victoria and Tasmania, plus 40 in New South Wales. Died 1935. Ardent Methodist, philanthropist - gave properties to MLC Hawthorn and Elsternwick, Wesley College and other institutions.Head and shoulders studio portrait of Mr. Frederick John Cato wearing suit.moran and cato grocery stores, cato, f. j., methodist, methodist ladies' college, wesley college

Born in goldfields (Stawell) in 1858. Began work as teacher in Victoria and then New Zealand. In July 1881, joined cousin Thomas Moran and established their chain of grocery stores. By 1935, they operated some 120 stores in Victoria and Tasmania, plus 40 in New South Wales. Died 1935. Ardent Methodist, philanthropist - gave properties to MLC Hawthorn and Elsternwick, Wesley College and other institutions.Line drawing by E. Powell of Mr. Frederick John Cato from the shoulders up (reproudced in Church + Nation in 22/06/1988, page 20).Identification on rear.moran and cato grocery stores, cato, f. j., methodist, methodist ladies' college, wesley college

This mat was donated to the Museum by the Rev. Andrew Rule Osborn. Reverend Osborn donated several artefacts including Aboriginal artefacts, Zulu and Pacific Islander objects. The Reverend came over from Tasmania to serve here in Warrnambool. His wife Annie was a fantastic author and wrote children's literature which was serialised in the newspapers. She was a supporter of women's suffrage and also the first woman editor of The Age.A flat circular mat made from native Australian grasses. Indigenous Australians would use this as a baby-carrier on the back. One band would be placed around the lower back and mat and two higher up. The child would be placed between the back and the mat. It was also sometimes used as a sun shade or something to sit on. It is a spiral form with grasses woven around to bind it together.aboriginal, indigenous, child carrier, mat, native grasses, reverend andrew rule osborn, annie osborn, women, mothers

"Winnie Wattle" was a radio announcer who conducted shows specifically for children. H R Hughan was originally from Tasmania and started his first news agency in Prahran before opening his establishment in View Point Bendigo. He was advertising as an importer of books, magazines and school requisites in 1923 . Whilst in Bendigo, he was active in the Chamber of Commerce. He left the area in 1926.Bookmark "Winnie Wattle", "You're tired of reading, I see by your face, so put down your book and I'll mark your place". Advertising item produced by "H. R. Hughan, Bibles, Hymn gifts, Presentation and Library gifts, school requirements.bookmark, adverising, hughan

Annual report of the Braille & Talking Book Library including Minutes of the AGM, Board of Director's Report, President's report and financial statements. Items also included are: a picture of the 'The Greatest Thing in the World' - the oldest Braille book in the library, acknowledgement of the work of May Harrison, Joyce Cunnington, Joan Armytage, involvement in the Library Promotion Committee of Victoria to increase visibility, and receipt of Hear A Book's from Tasmania.1 volume with text and illustrationsbraille and talking book library, annual reports

Moran & Cato's Tea Label: Cream with brown print. Logo is a shield with M and C entwined with the words in a scroll underneath is We Keep Froth. Trade and Mark on either side of the shield. Large scroll is Moran & Cato's, underneath Pure Blended TEA. Also on the packaging is Tea Merchants and Importers. Warehouse & Offices, Brunswick St * Fitzroy. Branches in all the suburbs of Melbourne and throughout Victoria and Tasmania. Pure Tea. Has a Rich, Delicious Flavour. Most economical to use. Our Guarantee of satisfaction goes with every packet. Fragrant and Refreshing. Box 625Distributors for N.S.W.: Moran & Cato (N.S.W) Pty Ltd., Sydneybusiness, retail, general

National Bank calendar 1974 featuring thirteen coloured views of provincial towns in early Australia. Part two in series. 1. Richmond looking West. 2. New Norfolk [Tasmania] 3. Mount Barker [SA] 4. West Maitland [NSW] 5. Gympie in 1887 [Qld] 6. Sandhurst [Vic] 7. Kiama [NSW] 8. View of Fremantle [WA], 1832. 9. Goulburn [NSW] 10. Yorkton, Port Dalrymple, Van Diemen's Land 1808. 11. Daylesford [Victoria] 12. Stanthorpe, 1888 [QLD]australia, history, colonies, establishing

Diggers & Mining. Gold. The growing trade union movement all over Australia took the lead in an anti-Chinese agitation. By 1881, all the Australian colonies except Tasmania (where few Chinese had ever gone) and Western Australia had re-introduced fairly uniform laws restricting Chinese immigration. In 1866, Western Australia fell into line. The only part of Australia where the Chinese continued to come in any numbers was the Northern Territory (then under South Australian control) . . . Markings: 14 994.GOL. Used as a teaching aid.hanimounteducation, tertiary, goldfields

Framed letter of greeting and goodwill from the Municipality of Georgetown, Tasmania to the South Gippsland Shire to mark the linking of the communities through the introduction of the Bass Strait Catamaran Ferry Services dated 22 December 1990. Signed by Lionel Young, Manager and Cr. Ted Pearce, Warden. George Town Council logo upper left corner. Brown timber frame. Note: Item approved for deaccession August 2023. SGSC will now follow deaccession procedures as outlined in the Arts and Civic Memorabilia Collection Policy - https://www.southgippsland.vic.gov.au/downloads/file/2763/arts_and_artefacts_collection_policy_c69.

Alexander Morison was ordained in Hobart, Tasmania 19/02/1839. Ministry: CMS missionary in Van Dieman's Land 1838 - 1839; Independent Church Collins St. Melbourne 1843 - 1864; Presbyterian supply ministry 1865 - 1869; Presbyterian Church Clunes 1869 - 1872; Honorary Librarian/Professor of Hebrew and Church History, Congregational College Victoria 1880 - 1887. Died 14/04/1887.Photocopy of original B & W head and shoulders portrait of the Rev Alexander Morison.Rev A. Morison 1843 - 1864

Note from collector: Godfrey Hirst Diamond blankets from the mid-1950s are always delight to find. Some of these were found in the Geelong area but one came back with me from an op shop road trip around Tasmania, another from the St Pauls op shop in Romsey. I love this pattern and find the lemon and grey colourway particularly special. It was hard to let go of this one!Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Queen sized diamond blanket , lemon & grey "An All Wool Blanket" /By Godfrey Hirst of Geelong/100% Virgin Woolwool, blanket, blanket fever, godfrey hirst, diamond blanket, geelong

Replica shed built in 2005 to house radio equipment for the centenary celebration of the first radio transmission from mainland Australia to Tasmania in 1906. A re-enactment was performed in Royal Reserve between Point Lonsdale and Queenscliff. The replica radio equipment inside was supplied by the Geelong Amateur Radio Club Inc [GARC Inc]. The shed was built by a Geelong Trade School with materials donated by Fagg Bros Pty Ltd.Commemoration of a local historical event.Building, Marconi shedradio transmission, marconi

Pale pink silk banner with blue text and hand painted decoration of butterflies, pink blossoms and a scene of moonlight over water in the lower left-hand corner. The banner has a scalloped lower edge with metallic fringing."VICTORIAN AND TASMANIA WESLEYAN METHODIST SUNDAY SCHOOL UNION SCHOLARS' EXAMINATION DISTRICT TROPHY GEELONG & BALLARAT DISTRICT Schools Under 100 Average Attendance Won by BELMONT, MAY, 1897. GONG GONG, OCTOBER, 1897. GONG GONG, MAY, 1898. GONG GONG, OCTOBER, 1898. JAS McGREGOR, Supt."victoria and tasmania wesleyan methodist sunday school union, belmont wesleyan methodist sunday school, gong gong wesleyan sunday school

Rev. Dr Andrew Melville McMaster, B.A., B.D., was born in 1922 at Mataura, New Zealand, where his father was the Presbyterian minister. The McMaster family came to Victoria in 1924. Rev A. M. McMaster entered the University of Melbourne in 1941, and after graduating Bachelor of Arts, studied at Ormond College, obtaining his Bachelor of Divinity in 1947. In 1947 he married Jean Langdon Buller, and in 1948 he was ordained and inducted into the Presbyterian Charge of Newtown, Tasmania. In 1951 he was called to Oatlands, Tasmania, where he served until 1956. From 1950 - 1952 he was Moderator of the Tasmanian Assembly. He was called to Swann Hill in 1956 and Croydon in 1962. From 1970 - 1972 he undertook post graduate studies at the McCormick Theological Seminary in Chicago. He was awarded a Doctorate of the Ministry in 1972. In December 1972 he was called to Kew Presbyterian Church. He was called to Noble Park in 1979 and to Wesley Church Shepparton in 1981. Hi retired in 1988 and died on 5th September 2009. B & W head and shoulders photograph of the Rev. Andrew Melville McMaster dressed in an academic gown, mounted on cream card.Rev Dr A. Melville McMaster B.A., B.D. 1972 - andrew melvill mcmaster, presbyterian, minister, new zealand, ormond college, moderator, kew, mccormick theological seminary

Ben RICHARDSON (1951- ) Born Hobart, Tasmania In 1972 Ben Richadson was awarded a B.Commerce degree in 1972 at the University of Tasmania. From 1978-81 he studied ceramics at the School of Art in Hobart and completed a Master of Art, Design and Environment degree in 2004. Starting out with raku, he was converted to working with local materials and firing with wood by Col Levy, Les Blakebrough and Gwyn Hanssen Pigott, who conducted a woodfiring workshop he attended in 1980. In 1982, he set up the Ridgeline Pottery at Sandford, where he still lives and works, teaching two days a week at TAFE. He was a part-time lecturer in ceramics at the School of Art from 1985-95, and a researcher in the development of Southern Ice porcelain from 1995-97. In 2004, he completed a Master of Art, Design and Environment degree and, in the same year, participated in an international woodfiring workshop and conference in the United States. His work is marked with an impressed 'BR'.Woodfired stoneware jar purchased from Woodfire 86.ben richardson, ceramics, jan feder memorial ceramics collection, gippsland campus, ridgeline pottery, woodfire 86

An exploration of the flora and fauna of South-Eastern Australia.Colour photographs, b&w illustrationsvictorian southern tablelands, riverina, wimmera, gippsland plains, south australia, tasmania, grasslands, flora, fauna, ecology

This book is one of a series used by grades III to VI in Tasmanian primary schools between 1954 and 1960.A cream and orange book with orange lettering on the cover. 136 pages of arithmetic lessons and answers.whitcombe & tombs, stocks, f.n. ba., bed.(melb), teaching, primary school, tasmania, education department, university of melbourne, george evans collection

This specimen was recovered from Broken Hill, NSW. It was given the name Mangan Hedenbergite in 1819 by Jöns Jakob Berzelius in honor of Mr. Anders Ludvig of Hedenberg who was the first to define hedenbergite as a mineral. Hedenbergite, belongs in the pyroxene group having a monoclinic crystal system. The mineral is extremely rarely found as a pure substance. Mangan Hedenbergite is a manganese bearing variety of Hedenbergite. Manganese is the world’s fourth most used mineral after iron, aluminium, and copper primarily because it has no satisfactory substitute in its major applications. Globally, the steel industry is the primary user of manganese metal, utilizing it as an alloy to enhance the strength and workability of steel and in the manufacture of tin cans. Manganese is a key component of certain widely used aluminium alloys and, in oxide form, dry cell batteries used in electric vehicles. These batteries are in high demand. Another potential use for manganese may as an additive to help coat and protect a car’s engine. Manganese is also used for non-metallurgical purposes such as plant fertilizers, animal feed, and colorants for bricks. This specimen is part of a larger collection of geological and mineral specimens collected from around Australia (and some parts of the world) and donated to the Burke Museum between 1868-1880. A large percentage of these specimens were collected in Victoria as part of the Geological Survey of Victoria that begun in 1852 (in response to the Gold Rush) to study and map the geology of Victoria. Collecting geological specimens was an important part of mapping and understanding the scientific makeup of the earth. Many of these specimens were sent to research and collecting organisations across Australia, including the Burke Museum, to educate and encourage further study.A hand-sized mineral specimen in shades of silver and blackmanganese, open cut mine, manganese ore processing, bell bay, tasmania, northern territory, steel industry, zinc-carbon batteries, alkaline batteries, tin cans