The extensive fashion and design collection of the Kew Historical Society has been assembled over a number of decades. One subsection of this collection is shoes, designed and manufactured for Australian women by Australian and European designers. Many of the shoes, while often mass-produced, were generally constructed by skilled artisans using traditional shoe-making techniques. The shoes date from the 1890s to the 1980s. Pair of two tone, navy and beige women’s shoes by Bruno Magli, retailed by Hermann.BRUNO MAGLI / MADE IN ITALY / EXCLUSIVE TO HERMANN 37 1/2bruno magli, women's shoes, footwear, court shoes

The extensive fashion and design collection of the Kew Historical Society has been assembled over a number of decades. One subsection of this collection is shoes, designed and manufactured for Australian women by Australian and European designers. Many of the shoes, while often mass-produced, were generally constructed by skilled artisans using traditional shoe-making techniques. The shoes date from the 1890s to the 1980s. Pair of black leather women’s shoes with black velvet bows, retailed by Rules of LauncestonExclusive to / Rules of Launcestonwomen's shoes, rules of launceston, footwear, court shoes

The extensive fashion and design collection of the Kew Historical Society has been assembled over a number of decades. One subsection of this collection is shoes, designed and manufactured for Australian women by Australian and European designers. Many of the shoes, while often mass-produced, were generally constructed by skilled artisans using traditional shoe-making techniques. The shoes date from the 1890s to the 1980s. A pair of open-toed women’s sandals by 'Vince', styled in bands of red, white and blue.VINCEwomen's shoes, footwear, sandals, vince -- shoes

One of fifty one photographs originally in a photo album found in the National Wool Museum’s office. The album was water damaged and the images were removed for conservation. The images follow the process of wool. Beginning in a sheep paddock and finishing as a folded fabric. It includes all the steps in between in this process, including shearing, transporting, selling, washing and the many different steps in the process of turning a single thread of wool into fabric.Black and white image showing two women working at a worsted spinning machine.AUSTRALIAN NATIONAL PUBLICITY / ASSOCIATION / FLINDERS STREET RAILWAY BUILDING, / MELBOURNE AUSTRALIA / W19 / W19. , Worsted Spinning.wool industry, working life, women, boonoke station, farming, sheep farming, agriculture, sheep stations, transport, wool processing, shearing, textile industry, wool

One of fifty one photographs originally in a photo album found in the National Wool Museum’s office. The album was water damaged and the images were removed for conservation. The images follow the process of wool. Beginning in a sheep paddock and finishing as a folded fabric. It includes all the steps in between in this process, including shearing, transporting, selling, washing and the many different steps in the process of turning a single thread of wool into fabric.Black and white image showing two women working at a cone roving machine.AUSTRALIAN NATIONAL PUBLICITY / ASSOCIATION / FLINDERS STREET RAILWAY BUILDING, / MELBOURNE AUSTRALIA / W22 / W22. Cone Roving.wool industry, working life, women, boonoke station, farming, sheep farming, agriculture, sheep stations, transport, wool processing, shearing, textile industry, wool

This book contains maps and walking tours of Melbourne with a focus on places that are important to the development of women's rights over the years.96 p., paperback, illus. (some col.), maps.melbourne, women, women's rights, walking tours

Three women sit around a table eating a warm lunch. Two of them are more viewable to camera. It is unknown where these images were taken, however assumed to be at Elanora in 1999 due to the processing imprint on the back (Hampton). Four strips of negatives include these images and others taken at that time.4 colour photographs of women eating a cooking lunch and 4 strips of negatives, some of other peopleelanora home (brighton), association for the blind

Two young women pose in military uniform. One on the left is Edith Pickford of Clunes.world war one, world war 1, world war i, chatham, chatham family collection, pickford, soldier, edith pickford, unform, music, women, clunes

Four page knitting pattern booklet featuring black and white printed graphics and text. The colour cover shows two women wearing pink and white knitwear, in a garden setting.front: [printed] 923 / PRICE / CODE / C / VillaWOOL Machinewash 5 plyknitting, pattern, fashion, knitwear, women, villawool

Four page knitting pattern booklet featuring black and white printed graphics and text. The colour cover shows two women in lace knitted tops eating ice cream.front: [printed] THOROBRED / scheepjeswol / No. 136 / 75-95 cm / Pure Wool Brushedknitting, pattern, fashion, knitwear, women, thorobred scheepjeswol

The Tawonga branch of the C.W.A. commenced on the 7th Feb. 1946 and often combined activities with the other branches in the Kiewa Valley. The C.W.A. aimed to improve health, welfare and education for women and children in the country. Doing craft helped the women achieve these aims as they would get together and learn from each other. Women living in Tawonga were mostly on farms and, in 1946, when the branch commenced would have been feeling more remote with WW11 having an effect on available workers and the well being of the women and children.Hard covered book with a yellow and black sleeve. The sleeve has a picture of a lady sitting on a lounge chair under a lamp admiring her glove. Inserted in the book is a page with further instructions on glove making. The book is bound and has 90 pages. The first and last 3 pages consist of advertising.Cover page "Country Womens' Association / of Victoria" stamp with purple ink Title: Clove-Making / At Home / by Frances Staite / Sir Isaac Pitman & Sons, Ltd 5/- net.tawonga. cwa. gloves. craft. country women's association of victoria

The Country Women's Association of Victoria was a popular widely known organisation throughout Australia. The CWA aimed to improve health, welfare and education for women and children in the country.Each town / area in the Kiewa Valley had an active CWA. The Tawonga branch commenced in Feb. 1946 and often combined activities with other branches in the Kiewa Valley. One of their activities may have been to play cards.Green cotton square tablecloth for a fold-up card table. It has an yellow with a little bit of white embroidered circle / emblem in one corner. Inside the circle is "Victoria' and CWA (on top of each other as per the CWA emblem.) The edges are hemmed and a seam runs around all edges so that the square sits correctly on the table.Victoria CWAcountry women's association, tablecloth, community, volunteers, women, charity

1. Women of Australia medal issued in World War 2 2.Relatives of J.F.Kemp1. Silver medal with bar, crown on top, 'To the women of Australia' around the edge, bronze star on bar. 2. Gold medal with coat of arms, 2 rifles, crown on top1. No 101032 Angus and Coote 942 on back 2. 'Presented by the citizens of Port Fairy to relations of J.F.Kemp who made the supreme sacrifice Great War 1914-18'local history, numismatics, medals - commemorative

The Honor Roll book was created in 1921 to capture a greater depth of information about World War 1 service men and women who were born in the Borough of Eaglehawk. A full leather bound volume of approximately 30 pages recording information about men and women from the Borough of Eaglehawk who served in World War 1. Title deboss on front cover. Screw binding. Handwritten entries listing alphabetically service men and women with address, service number, rank, unit, embarkation, days served and any casualty.BOROUGH OF EAGLEHAWK / HONOR ROLLborough of eaglehawk honor roll, city of greater bendigo ceremonial item, city of greater bendigo community partnerships, borough of eaglehawk, world war 1

Wangaratta Base Hospital staff early 1900s.wangaratta, hospital, nurses, men, women

Booklet titled 'The 51% Minority' A Summary of Government Programs and Policies for Women. Cover is coloured white and shades of pink and purple. Booklet dated November 1984. Forward by John Cain, Premier.organisation, women, national council of women, national council of women of victoria bendigo branch collection, the 51% minority, john cain

An early black and white photograph which shows a man and a women standing on the track that leads to the base of Steavenson Falls in Marysville in Victoria.An early black and white photograph which shows a man and a women standing on the track that leads to the base of Steavenson Falls in Marysville in Victoria. The Steavenson Falls are named after the Victorian Assistant Commissioner of Roads and Bridges, John Steavenson who arrived in Victoria in the early 1860s.steavenson falls, marysville, victoria, waterfalls, john steavenson

Uniforms were part of Women in War Exhibition, Albury May 1993 in which VMR Museum collaborated with Albury Regional Museum.Colour photograph of two uniforms of Mrs Shirley May ( Steele ) who served with Australian Army Medical Women's Service ( AAMWS) ion World War Two.aamws, steele, albury

The RSS&AILA was the name of the RSL in 1956, called Returned Sailors and Soldiers and Airmen Imperial League of Australia. The Australian Imperial Service of Women’s Auxiliary of the RSL was formed by mothers, wives, widows, sisters, daughters and aunts of men who served in the Australian Imperial Forces in the First World War (1914-1918). The auxiliaries grew from this beginning to raise money for the welfare of men and women who served and their widows and families. In Victoria, the RSL Women’s Council of Victoria is headquarters for Auxiliaries throughout Victoria. The aim of Women’s Council is to support the Auxiliaries, in assisting the Returned & Services League to give a helping hand to Service Members, their families and the wider community. RSL Sub-Branches and their Women’s Auxiliaries work together towards the same goals. As of August 2015 there are 64 Women’s Auxiliaries with approximately 1250 members. The Lara Ladies Auxiliary was disbanded in September 1952, due to not enough members to continue the auxiliary (the ladies from the beginning becoming too old – First World War). Those left promised to continue to support the RSL in all its future activities, which the ladies continue to do today as members and Associate members. Here is the last entry, dated 8th September, 1952: “Since our last meeting our President Mrs Marshall has passed away. It was decided that as there is not enough members to continue the Auxiliary the Lara Sub Branch was requested to have the Auxiliary disbanded. Assistance was promised the League by the ladies present in all its futher activities.” There were four present at this meeting. Signed by P. Walker, Hon Secretary and Treasurer.This badge is of historic significance as it represented a badge held by a member of the Ladies Auxiliary of the RSL in 1956.A metal circular badge with outer blue rim with words R.S.S.&.A.I.L.A. Women's Auxiliary. Inner gold circle has blue Australian flag. At top of badge is 56.On the reverse side of the badge is the stamped number 6965

Death notice for Mary Jane Partington (nee Price), first wife of William James Partington.Copy of text of death notice.Names of women written in pen.mary jane partington, william partington, mary jane price

The badge belonged to Lucy Stafford born 1878, the grandmother of the donor, Dorothy Wiliams.Small oval badge. Blue enamel on gilt metal base with pin on the underneath. Weekly Times .WEEKLY TIMES WOMEN'S BUREAUnumismatics, badges

Medal was issued during World War 2 to recognise mothers and wives of enlisted personnelMedal of silver metal and bar with one star attached; crown, laurel leaf design around edgeFor the women of Australia 1835-88numismatics, medals - commemorative

Magazine with woman in head scarf on front.The Wartime Australian Women's Mirror.books, magazines

Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Patriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.A postwar fundraising button featuring a simple design using white text in a red boarder with and central blue cross. In February when the buttons were sold, The Argus reported that: ‘Each suburban municipality has formed a committee under its mayoress, to assist in the button distribution, and local committees in the country are also working for the success of the appeal. Kiosks are prohibited in the city streets, but many suburban councils have granted permission for their erection. In addition to buttons, many kinds of saleable articles will be obtainable at the kiosks.’"Women’s Hospital Appeal 1923"royal womens hospital, fundraising buttons, badges

enamel bagde suspended under treasurer officer titletreasurer RSL women's auxiliary

the three women appear to be in 'Silent Street', part of the Wonderland Range on the pathway to The Pinnacle lookout.3 young women sitting and standing amongst 2 rock cliffs with tumbled rocks that appear to form steps. a railing can be seen behind standing girl. Clothing is suggestive of the 1970s period.scenery, wonderland range

Pocketbook produced by the Australian Comforts Fund as a guide to Sydney for service women and men stationed or visiting there. Contains usefull information, contact details for support organisations, public transport information and a map. The book has 32 pages and has a buff coloured paper cover. The booklet cover has the following printed in black ink: "An Official Guide to Sydney for Men & Women of the Services" "Issued by the Australian Comforts Fund (NSW Division) and the Amenities Branch of the Army"

The extensive fashion and design collection of the Kew Historical Society has been assembled over a number of decades. One subsection of this collection is shoes, designed and manufactured for Australian women by Australian and European designers. Many of the shoes, while often mass-produced, were generally constructed by skilled artisans using traditional shoe-making techniques. The shoes date from the 1890s to the 1980s.Pair of two tone beige and brown leather women’s court shoes designed by Pedro Garcia, EspanaPedro Garcia / ESPANA / Pedro Garcia / Made in Spainwomen's shoes, pedro garcia -- espana -- shoes, footwear