Until Linton was connected to the statewide electricity grid in 1939, this gas light was used to light the altar at the Presbyterian Church in Linton.Curved gas light wall bracket, ornamented with leaves. One end designed to be attached to a wall, the other end has a valve, presumably to control the flow of gas. Beyond this valve, the end of the fitting is threaded, to facilitate attachment of a glass cover.gas lighting, presbyterian church linton

The original photo is part of an album taken by W.Walls, the front page of which is inscribed "The Hill/Sunbury/April 1897". Whilst most of the photos relate to the environs of the asylum, there are others taken around Sunbury and elsewhere. The original album is held as part of the Mental health Library collection. During 2000 this was transfered from Mont Park to the Royal Melbourne Hospital.A man and a boy and a dog are in front of a weatherboard shed and in a garden with a fence. There is a brick building in the background.walls, w., sunbury asylum, walls album, george evans collection

The original photo is part of an album taken by W.Walls, the front page of which is inscribed "The Hill / Sunbury / April 1897". Whilst most of the photos relate to the environs of the asylum, there are others taken around Sunbury and elsewhere. The original album is held as part of the Mental Health Collection. During 2000 this was transfered from Mont Park to the Royal melbourne Hospital.Two men are standing near a garden with a dwelling on the right hand side of the image. There are trees in the background. Unmounted black and white.walls, w., sunbury asylum, walls album, george evans collection

The original photo is part of an album taken by W.Walls, the front page of which is inscribed "The Hill / Sunbury / April 1897". Whilst most of the photos relate to the environs of the asylum, there are others taken around Sunbury and elsewhere. The original album is held as part of the Mental Health Library collection. During 2000 this was transfered from Mont Park to the Royal Melbourne Hospital .One house and an outbuilding is behind a picket fence with a white gate. A road leads to the gate under the trees. Unmounted black and white.walls, w., sunbury asylum, walls album, george evans collection

The original photo is part of an album taken by W.Walls, the front page of which is inscribed "The Hill / Sunbury / April 1897". Whilst most of the photos relate to the environs of the asylum, there are others taken around Sunbury and elsewhere. The original album is held as part of the Mental health Library collection. During 2000 this was transfered from Mont Park to the Royal Melbourne Hospital.A woman is standing on a creek bank in a bush setting. Unmounted black and whitewalls, w., sunbury asylum, walls album, george evans collection

Black and white photograph"Written on back of photograph" Centenary Wall Bev Donald (Parent) Wayne Salt (Parent) Jessica Salt Rebecca Darlow

Postcard size photograph'Written on back of photograph" Ringwood Coolstores, pre demolition, circa 1967. (Say "no" to 1967 Referendum for Aboriginal Vote ,on wall.

Written on backing sheet, "Inside front bedroom of miners cottage. Note split palings for walls. Round tree trunks".

"The fist references the Black Lives Matter movement and also represents the strength of Indigenous peoples all over the world and symbolises solidarity and justice for everyone affected by systematic racism. Bunjil (wedge-tailed eagle) is flying high on the building. He is the creator spirit for Wurundjeri people who looks over us and protects us. Bunjil represents healing and power to our people. The blue circles and lines represent revival and waterways; in particular, they depict the Birrarung (Yarra River), which is very significant for the Wurundjeri people. Our people are known as the Manna Gum people. The leaves in the artwork highlight Wurundjeri people and their Country. These leaves also represent the cleansing of negative spirits. The Manna Gum leaf is also an important symbolic offering in our traditional Welcome to Country ceremony. Leaves are offered to visitors as they are granted safe passage through our land. They are made welcome to everything from the tops of the trees to the roots of the earth. We ask that they take care of the land, plants and animals and to respect the protocols and rules of the Traditional Owners whilst on our Country."In 2020 Council declared its support for the global Black Lives Matter (BLM) movement. In consultation with Yarra City Council's Yana Ngargna advisory group a motion was prepared and passed unanimously by all Councillors. A number of actions were generated from this decision; one of which was for Council to commission a large-scale mural that aligned with the movement. Emerging artist Ky-ya Nicholson-Ward, a proud Wurundjeri, Dja Dja Wurrung, Nguarai Illam-Wurrung, German and Irish woman, created the mural installed on a building in Peel Street Park, Collingwood. Selected by Council's Yana Ngargna, Black Lives Matter Working Group the artwork identifies the cultural importance of the local area to the Wurundjeri Woi Wurrung people as the Traditional Owners. With a strong focus on Aboriginal identity the mural outlines the local context of the Black Lives Matter movement, which is connected to racism, policing of Aboriginal and Torres Strait Islander peoples and associated deaths in custody. The artwork acknowledges the ongoing challenges faced by Aboriginal community members and their struggle to survive white systems, policies and institutions. Ky-ya's mural tells the story of Aboriginal resilience, strength and self-determination; and will support the process of healing. It is a celebration of the local Aboriginal and Torres Strait Islander community; the significant Aboriginal history of Fitzroy, Collingwood and surrounds; and community's continuing cultural connection to the area. Importantly, this artwork provides a platform to educate a broader audience about the local context of the Black Lives Matter movement and Aboriginal deaths in custody. The mural will activate this site, enliven the area, promote inclusion, incite conversation and contribute to the creative capital of this locale. A welcoming environment for Aboriginal and non-Aboriginal communities.Aboriginal Lives Matter Ky-ya Nicholson WardOn a black background a hand fist (strength, solidarity and justice) is placed at the centre of the building; Bunjil (wedge-tailed eagle) is depicted flying high on the building; blue circles and lines represent revival and waterways (Birrarung-Yarra River) and the leaves in the artwork highlight Wurundjeri people (cleansing of spirit and welcome to Country)The artist name 'Ky-ya Nicholson Ward' painted in white, low right of the wall facing into Peel Street Park. black lives matter (blm) movement, wurundjeri woi wurrung, bunjil, identity, birrarung, country

Born in Ireland 1864, Daniel Mannix entered into the Catholic Church and in 1917, he became the Archbishop of Melbourne. Dedicated to the community and its issues, he was known to have spoken against conscription. In 1963, at the senior age of 99, Daniel Mannix passed and was buried in St Patrick's Cathedral, Melbourne. Mounted b/w photgraph of Dr. MannixStamped on back: ALF. H. WALL / PHOTOGRAPHER / "Espero," 40 Brighton Road / St. Kilda / Tel. Windsor 3678clergymen, mannix, - (dr), george evans collection

This report was written by Dianne Lavell for the Department of Conservation and Land Management. Dianne Lavell worked for the Department of Conservation and Land Management in Orbost. She was a long time resident of Orbost. A spiral bound, plastic covered book titled Scout Camp Wall Creek. It is a report on Scout Camp at Wall Creek in Orbost. It contains description and history of the site deemed to be a place of potential cultural significance. on the front cover is a coloured photo of the site.scout-camp-wall-creek

Slide. Bendigo Views. Interior view of the Cathedral showing wooden pews and one of the small altars. Thee are large stone columns connected to the wall on the right by a high archway. Between the archways are timber ceilings. Along the right wall are picture frames.slide, bendigo, bendigo views, bendigo views

The Aitkens Gap Gaol was removed from its original site at Gap Village on the Calder Highway and relocated in front of the Sunbury Police Station in 1993.A coloured photograph of the resiting and rebuilding of the Aitken Gap Gaol outside the Police Station in Sunbury. The two end walls have been constructed as far as the windows and work has commenced on the front and back walls. Some stones are scattered around the site.peter free, aitkens gap gaol, sunbury police station, police historical association, george evans collection

Woodlands Homestead was erected by William Greene in 1843 and is one of the state's oldest buildings. Over the years the complex has been renovated and extended. The property has connections with the racing industry over the years along with the neighbouring properties of 'Cumberland' and 'Attwood'. In 1978 654 acres of the original property was purchased by the state government and placed under the management of the National Park Service.A black and white photograph of part of a building showing the verandah with a paved floor. The hipped roof is covered with corrugated iron and the walls are weatherboard. An old steel kitchen chair is on the LHS at the end of the verandah and asparagus fern is growing up over the rear wall.woodlands homestead, greene, william pomeroy, anne, woodlands park, gellibrand hill, george evans collection

Black and White Photograph showing Wall Plaque, Ellie Pullen and friend, and Mrs Pullen on stage."Written on back of photograph" Opening of Archives - 28.11.92

Photograph taken by Jessie "Girlie" Smith of San Remo who owned the Penguin Cafe in Thompson Avenue, Cowes.Photograph of scen during fire at Isle of Wight Hotel. Walls still standing, roof on fire.Isle of Wight, Cowes. Post Cardphillip island, isle of wight hotel fire, jessie smith

Five photographs of the former Ballarat Gaol gates and walls, now part of the Ballarat School campus.former ballarat gaol, gaol gates, gao walls

Bradley and Hubbard established their company in 1852 in Meriden, Connecticut when Nathaniel and William Bradley, Orson and Chitten Hatch, and Walter Hubbard, formed Bradley, Hatch & Company. This incarnation of the company only manufactured clocks. The Hatch brothers sold their interest in the company in 1854 and it was renamed, Bradley & Hubbard. Clocks remained the firm's primary product into the 1860s. In addition to their line of clocks, Bradley & Hubbard also produced a wide range of household items including match safes, call bells, andirons, urns, bookends, frames, desk accessories and vases. Technological advances in drilling and refining crude oil in the late 1850s and early 1860s paved the way for the demise of whale oil as lamp fuel. Soon after Colonel Edwin Drake struck oil in Titusville, Pennsylvania on August 27, 1859, Nathaniel Bradley saw an opportunity to capitalize on the future of this new fuel. Nathaniel decided to produce an extensive line of kerosene burning lamps this proved to be a wise business decision. Kerosene was soon to become a widely used, safe and relatively inexpensive lamp fuel. Between April 7, 1868, and December 23, 1913, the company was listed as the assignee for at least 89 lighting patents. Many of these patents were for lamp and chandelier designs and various improvements in lamp burners. In 1875 the company reorganized to form the Bradley and Hubbard Manufacturing Company. Walter Hubbard served as President and Nathaniel Bradley as Treasurer. The firm enjoyed rapid growth throughout the 1880s. By 1888, the company employed over one thousand workers and had showrooms in major cities including New York, Philadelphia, Boston and Chicago. One of the most prolific of the B&H products was the Rayo lamp it produced under contract for Standard Oil. In keeping with the changing times, Bradley & Hubbard produced a variety of electric lamps as well. Walter Hubbard passed away in 1911 and Nathaniel Bradley in 1915. The company continued through the 1930s and was purchased by the Charles Parker Company, also of Meriden, Connecticut, in 1940. The Parker Company was quite diversified in its product line, also producing an extensive line of lamps and high-end chandeliers. Parker operated its acquisition as the "Bradley & Hubbard Division." Parker ceased production of the Rayo lamp in the early 1950s. In 1973, the Bradley and Hubbard buildings were demolished, effectively ending that chapter in American lighting manufacture.Early innovation in kerosene lamp burner design by Bradley and Hubbard lamp manufacturers who at the turn of the 20th century were the biggest lamp producers in the world. The item is significant due to its historic connection with a major innovator of lamp design.Lamp Burner, metal container with turning screw for wick and mesh walls. Is made in 2 parts. Raised embossing on wick adjustment screw " PAT APPLIED FOR" on top of burner "B & H Patented.July.1.90.Nov.20.94"flagstaff hill, warrnambool, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, bradley & hubbard manufacturing company, kerosene lamp burner, early lighting

This timeline was researched for the Ballarat Heritage Weekend by Lorayne Branch. Colour photographs of the Henry Sutton Timeline on the wall at the Ballarat School of Mines Old Chemistry Buildinghenry sutton, ballarat school of mines, old chemistry building, timeline

Port of Portland Authority archivesFront: (no inscriptions) Back: COPYRIGHT/ PORTLAND/ OBSERVER (Black type on white lable) Capt Ron Waters' farewell/ L-R/ Bob + Maureen Harrison (GM)/ Ron + Vol Waters/ Theo + Jean Jarrett (blue pen, centre)port of portland authority archives

3 workers standing on wall of channel looking at the trench being dug and the pipe ready to be connectedKodakbendigo, waterworks, bendigo creek