"Dalgety's Annual Wool Review for Australia and New Zealand: 1937-1938". Part of the NWM Woolbroker's Office exhibit until late 1990's.wool stores wool brokering, dalgety and company limited, wool stores, wool brokering

"Dalgety's Annual Wool Review for Australia and New Zealand: 1935-1936". Part of the NWM Woolbroker's Office exhibit until late 1990's.wool stores wool brokering, dalgety and company limited, wool stores, wool brokering

"Dalgety's Annual Wool Review for Australia and New Zealand: 1931-1932". Part of the NWM Woolbroker's Office exhibit until late 1990's.wool stores wool brokering, dalgety and company limited, wool stores, wool brokering

"Dalgety's Annual Wool Review for Australia and New Zealand: 1932-1933". Part of the NWM Woolbroker's Office exhibit until late 1990's.wool stores wool brokering, dalgety and company limited, wool stores, wool brokering

"A listing of Registered Professional Woolclassers" Australian Wool Board . Registered to July 1964. The listing shows stencil numbers which correspond to names and addresses.wool sales wool brokering woolclassing, australian wool board, wool sales, wool brokering, woolclassing

John Stratton's Wool and Skin Store Commission Agent in Lower Main Street Stawell. Photo taken from Central Park No1 Grandstand.stawell

Typed below one of photographs, "Recreational man made lake on north side of Loughnans Hill. It was the local swimming hole. Was in Werac Drive gully beyond Kubis Drive." Printed on photo "Lake Loughnan Ringwood"

Xavier 'Plant Man' David will shortly be vacating 479 Mitcham Road, Mitcham after operating the Mitcham Hobby Garden and Nursery on site for 34 years.Xavier 'Plant Man' David will shortly be vacating 479 Mitcham Road, Mitcham.mitcham hobby garden and nursery, david, xavier, mitcham road, mitcham, no.479, rangeview shopping centre

About the 1992 Barcelona Olympic Games donor Doug Pleasance wrote- During the 1980's the Australian wool industry was at its most prosperous times with record numbers of sheep producing wool receiving ever increasing values due to the success of the Reserve Price Scheme, and the overall guidance of the Australian Wool Corporation (AWC). As a humble technician, my role was a low profile newly created position of Controller, Technical Marketing where wool was to be marketed on its technical properties, as distinct from the Product Marketing Group which exploited the traditional high profile approach of marketing wool's superior fashion attributes. The Woolmark was the tool central to this approach. The 1992 Barcelona Olympic Games saw an evolutionary change in designer selection. A Declaration of Interest Form was communicated to over forty potential designers. The task and especially tight timelines that were involved deterred many aspirants, however, there remained eight designers with the potential we were seeking. These eight designers were paid $3,000 per submission and the winning designer, Wendy Powitt, was paid $15,000. For the first time the judging panel included two athletes, one male swimmer and one female basketballer, their influence was pivotal. The ensemble consisted of three elements- 1. The Official Uniform which was used for travel and all official functions. This included: a tailored blazer and trouser/skirt (all water repellent) by Fletcher Jones, pure wool olive-green faille fabric by Foster Valley, cotton PE formal shirt by Pelaco, pure wool knitwear by Spangaro, printed wool tie by TD Noone, wool nylon socks by Holeproof and footwear by Hush Puppy. 2. Opening Ceremony Uniform a lightweight wool fabric printed with floral designs that had been inspired by the work of Australian artist Margaret Preston. This included: Lightweight W/PE shorts by Fletcher Jones in Foster Valley Fabric, socks by Holeproof and footwear by Hush Puppy. 3. Village Clothing was designed to be highly visible garments to make it easy to spot the Aussie and helped to contribute to good team spirit. This included: A pure wool shirt featuring blocks of contrasting colours, and a newly developed stretch 50:50 wool/cotton fabric by Bradmill was made into shorts and jeans by Fletcher Jones.8144.1 - Men's cream coloured shorts. Manufactured from a cotton and wool blend fabric. 8144.2 - Cream fabric sample with labels attached. 8144.3 - Cream fabric sample. 8144.4 - Cream fabric sample.8144.1 - On label- FLETCHER JONES 60% Wool, 40% Cotton 8144.2 - Stapled label- WOOL COTTON 50:50 STRETCH1992 barcelona olympics, sport, athletes, fashion, design, uniform

Sketch of a man with a fishing pole standing on a bridge over a creek, stream or river in a bush setting. Unidentified artist and location.This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book, "Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital imagesepp, shire of eltham pioneers photograph collection, fishing, creek, sketch, tranquil, unidentified, other areas, bush, outdoors, country life

Photograph of unidentified man, possibly from the Partington family. [Faye Partington verified 12/1/2017 that this IS certainly William Partington]Charles Partington and family came to Melbourne in the 1840s and moved to Greensborough where they farmed along the Plenty River. Descendants still live in Greensborough.Digital copy of black and white studio photograph.partington family

B/W 1960's C Hunt & Sons Building. 3 Holden cars parked out front and man waving.

“Swinton” workers with horses and Wool bail in front of large wooden shearing shed. Horse on right has both front legs on a box. Property owned by Gray Family.Large group of males outside a weather board building with two horses.glenorchy

Inscribed on reverse: 'Ranee Doray at Colac June 1954'. Also inscribed on reverse (more recent writing): 'Fundraising concert'. intergenerational