John Ash succeeded Thomas Harrison as the Australian Note Printer in 1927 and oversaw the printing of a new series of banknotes, known as the Ash Series. First issued between 1933 and 1934, the new banknotes sought to improve the currency's resistance to counterfeiting. A special watermark was created to increase the security of the new series. Shaped as a medallion, the watermark showed the profile of Edward, the Prince of Wales. A new portrait of the King was also introduced, depicting him frontally rather than in profile as he had appeared in the prior banknotes of the Harrison Series (1923-1925). The back of each denomination contained an individual vignette that reflected a sector of the country's economy. The wool and agricultural industries were represented, as they had been in the first series of the nation's banknotes (1913-1914), and they were joined by manufacturing and commerce. The prominent British sculptor, Paul Montford, contributed to the design of the new series. Recognised for his sculptural works on the exterior of Melbourne's Shrine of Remembrance, Montford was commissioned to produce relief sculptures that formed the basis of the banknotes' vignettes. His sculptures were translated into wash drawings by Frank Manley, the artist and engraver for the Commonwealth Bank's Note Printing Branch. Manley accentuated the sculpture's three-dimensional qualities with deep shadows and touches of illusionism. A sheep in Montford's pastoral scene, for example, stands forward from the frame as if entering the viewer's space to escape branding and Manley preserves this visual conceit in his drawing. Whereas the printing of the previous series of Australian banknotes had been criticised for its poor definition, the sculptural basis of the Ash Series clarified the banknotes' imagery. During a period of record unemployment, the scenes emphasised the strength of the human figure in gestures of labour, evoking classical, heroic qualities in their poses. The sculptural forms suggested stability in the turbulence of the Great Depression and imparted a sense of solidity to paper currency. - museum.rba.gov.auCommonwealth of Australia paper one pound note in green and white tones depicting graphics and text. The obverse has a framed design with a blank portal to the left and King George VI in the right portal. The centre shows the Australian Coat of Arms, serial number, and detail over one pound symbol on a mosaic background, with signatories below. The reverse features a framed pastoral scene with farmers tending sheep, with a blank portal to the right.Obverse: ONE / 1 / 1 / ONE / COMMONWEALTH OF AUSTRALIA / K / 58 / 790230 / K / 58 / 790230 / This Note is legal tender for / ONE POUND / in the Commonwealth and in all / Territories under the control of the / Commonwealth. / [signature] / GOVERNOR / COMMONWEALTH BANK ON AUSTRALIA / [signature] / SECRETARY TO THE TREASURY Reverse: 1 /1 / 1 / 1 / PASTORALcurrency, money, pound note, pastoral scene, industry, commonwealth of australia, paul montford, king george vi, frank manly, john ash

John Ash succeeded Thomas Harrison as the Australian Note Printer in 1927 and oversaw the printing of a new series of banknotes, known as the Ash Series. First issued between 1933 and 1934, the new banknotes sought to improve the currency's resistance to counterfeiting. A special watermark was created to increase the security of the new series. Shaped as a medallion, the watermark showed the profile of Edward, the Prince of Wales. A new portrait of the King was also introduced, depicting him frontally rather than in profile as he had appeared in the prior banknotes of the Harrison Series (1923-1925). The back of each denomination contained an individual vignette that reflected a sector of the country's economy. The wool and agricultural industries were represented, as they had been in the first series of the nation's banknotes (1913-1914), and they were joined by manufacturing and commerce. The prominent British sculptor, Paul Montford, contributed to the design of the new series. Recognised for his sculptural works on the exterior of Melbourne's Shrine of Remembrance, Montford was commissioned to produce relief sculptures that formed the basis of the banknotes' vignettes. His sculptures were translated into wash drawings by Frank Manley, the artist and engraver for the Commonwealth Bank's Note Printing Branch. Manley accentuated the sculpture's three-dimensional qualities with deep shadows and touches of illusionism. A sheep in Montford's pastoral scene, for example, stands forward from the frame as if entering the viewer's space to escape branding and Manley preserves this visual conceit in his drawing. Whereas the printing of the previous series of Australian banknotes had been criticised for its poor definition, the sculptural basis of the Ash Series clarified the banknotes' imagery. During a period of record unemployment, the scenes emphasised the strength of the human figure in gestures of labour, evoking classical, heroic qualities in their poses. The sculptural forms suggested stability in the turbulence of the Great Depression and imparted a sense of solidity to paper currency. - museum.rba.gov.auCommonwealth of Australia paper one pound note in green and white tones depicting graphics and text. The obverse has a framed design with a blank portal to the left and King George VI in the right portal. The centre shows the Australian Coat of Arms, serial number, and detail over one pound symbol on a mosaic background, with signatories below. The reverse features a framed pastoral scene with farmers tending sheep, with a blank portal to the right.Obverse: ONE / 1 / 1 / ONE / COMMONWEALTH OF AUSTRALIA / K / 58 / 790230 / K / 58 / 790230 / This Note is legal tender for / ONE POUND / in the Commonwealth and in all / Territories under the control of the / Commonwealth. / [signature] / GOVERNOR / COMMONWEALTH BANK ON AUSTRALIA / [signature] / SECRETARY TO THE TREASURY Reverse: 1 /1 / 1 / 1 / PASTORALcurrency, money, pound note, pastoral scene, industry, commonwealth of australia, paul montford, king george vi, frank manly, john ash

The Fred Rochow Railways Collection incorporates photos related to the operation of the Wodonga Railway Station including different types of trains and railways staff C. 1930 – 1990. It was donated to the Wodonga Historical Society by Fred Rochow, a railwayman who spent many years based in Wodonga. He joined the Victorian Railways on 17th June l947 and retired in 1988. For some time, he was a member of the Australian Federated Union of Locomotive Enginemen and served a term as a member of the Trades Hall Council. He had an extensive knowledge of the struggles that took place to achieve better conditions for railway workers. Fred worked for many years as a fireman and then worked his way up the ranks to driver, experiencing many changes from the days of steam locomotives through to diesel trains, locomotives and even the modern XPT train. He worked throughout Victoria at different stages of his career, with his final working years focused on the northeast of Victoria and the Albury to Melbourne line. After his retirement, Fred continued to share his love of steam miniature trains with the community.This collection has local and statewide significance as it captures images of trains, locomotives and personnel who operated the railway services in Wodonga and throughout Northeast Victoria. The railways played a critical role in opening up Victoria and connecting Australia for trade, business, social communication and transport.Driver George Lynch and Fireman David Brown at the controls of Locomotive R707. This parallel run took place between Wodonga and Wangaratta on 24 November 1973 with 3820 on the standard gauge and R707 double-headed with R761 on broad gauge. This occasion marked the Centenary of the opening of the North Eastern railway from Melbourne to Wodonga. Locomotive 3820 was a NSW Railways locomotive and is now a key exhibit at the Trainworks Museum, Thirlmere, NSW In circle on front of the locomotive on left "NORTH EAST CENTENARY/ WODONGA/ 1873-1973" On front of locomotive on left "R797. On front of locomotive on right "3820"railways wodonga, fred rochow, wodonga centenary locomotive, locomotive r707, locomotive 3820, north east line centenary

The Music Advancement Society of Bendigo presents the Fifth Concert 1961 Series 'The New Music Ensemble' (Members of the V., S. O.) Oboe: Jiri Tancibudek, Clarinet: Thomas White, Flute: Patrica Byrne, Horn: Alec. Grieve, Bassoon: George Dreyfus, Baritone: Murray Marmardy. McGillivray Hall, Bendigo on Wednesday, 4th October,1961 at 8.15 p. m. Programme One Shilling. Boltons Print, Bendigo.event, entertainment, music, the new music ensemble, the music advancement society of bendigo, jiri tancibudek, thomas white, partica byrne, alec grieve, george dreyfus, murray marmardy, boltons print

Note that the block of land which was traded was not the block in Sussex Street, Linton on which the Sandows had a shop and house, but a block just outside the town boundary, near the Geelong Road (Linton-Naringhil Road). See map of Parish of Argyle for clarification.Photocopy of original handwritten receipt, which was for payment in full for a block of land situated just outside of Linton - Section A, Crown Allotment 1, Parish of Argyle. This land was purchased by Rubina (Ruby) Sandow from George Bolte in 1918. Receipt is for fifteen pounds, it is made out to "Rubinia Norwood Sandow" and is signed by Alf J. Smith, "for Geo. Bolte". Two Victorian Stamp Duty stamps are attached to the original document.rubina (ruby) sandow, george bolte, receipts, sale of land

Piano keyboard enclosed in a black wooden box. Box has three rusted hinges back, closed with two latches. Printed on front in white paint " George Lansell, Sandhurst, Victoria" Sticker on front of piano keyboard "Pleyel Wolff et cie". Numbers under keyboard '2 2 6 5 4. Keyboard was purchased from an antique shop in Rosebud in late 1990s by the donor, Joan McEwan."Pleyel Wolff et cie"musical instruments, keyboard, george lansell

George Pethard Collection including references to Taraxale Brewing Company Pty Ltd / Leather bound photographic album 29x23x1.5cm / Photographs of Tarax Factory - title -'Life at the Tarax Factory'/ 20 black and white photographs -8 x10 inch -of Tarax factory showing bottling of Tarax soft drinks including 5 shots of Tarax workers ./ Commercial Photographic Co Pty Ltd 217 Queensberry St Carlton.Commercial Photographic Co Pty Ltd 217 Queensberry St Carltonbendigo, industry, taraxale brewing company, george pethard /taraxale brewing company pty ltd / commercial photographic co pty ltd 217 queensberry st carlton

Media Release. Four page media release about the link between Bendigo and the Royal Military College, Sandhurst UK. 1991 celebrates 100 years since the name Bendigo was changed back from Sandhurst and 250 years since the foundation of the College by King George 2 in 1741. Also included is a two page list of anniversary items project items for the period 4 May to 12 May 1991.John Jenningsdocument, newspaper, bendigo theme, royal military college sandhurst, bendigo, anniversary project, john jennings

Nineteen page list of events in Melbourne Transport, in date order and then year order, titled "Melbourne Transport - Day by Day Year by Year". Has been photocopied onto A4 paper. Has dates out to 1995. Format has similarities to the "Timeline history of Melbourne's Government Cable and Electric Trams and Buses" by Barry George, Don Storey John Birch et al. Possibly produced for a tram tour.trams, tramways, mmtb, mto co, opening, melbourne, lists

This photograph was printed from a glass negative held in the Society's picture collection. The original glass negative is part of a set donated to the Society by Ian McKenzie, a professional photographer in Kew. Patmore & Dinham, Scottsdale, ca. 1910 - ca. 1920. A large corrugated iron store owned by ‘Patmore & Dinham: Produce, Manure and General Merchants’. The store was located in Scottsdale, northeast Tasmania. For more than forty years, George Melville Dinham had occupied a prominent position in the Scottsdale community. He and his partner, Mr. Patmore were to ultimately own four businesses in this farming town, of which this is one.patmore & dinham, scottsdale, glass negatives

Items in the collection re: "William Anthony (Bill) THEODORE DSM". Refer Cat No. 7926P for his service record.Flag - white Naval ensign. White, red and dark blue colour woven cotton fabric. Ensign has red colour fabric, St. George's Cross on a white field with the Union Flag (red, white, dark blue) in the upper left canton. The design has been appliqued - sewing one piece of fabric to another. Header on hoist side with halyard hessian rope threaded through and attached at top and bottom.Handwritten in black ink pen on back of header - "WT"/ "W.T."flags, naval ensign, ww2, william anthony theodore dsm

These dishes were part of a crockery set used in the George Rolfe household at Lyndoch, Warrnambool. George Rolfe (1836-1919) was a Melbourne tea merchant who acquired land at the mouth of the Hopkins River in Warrnambool from the 1880s on as a holiday home. He developed the property over the years, adding a windmill and reservoir, bone and chaff sheds, a stable, jetty and boathouse and an extensive garden. In 1891 he married Mrs Annie Lake and it was his stepdaughter, Florence Lake who built the house, Lyndoch in the 1920s. This building today forms part of an Aged Care Facility. This item is part of the larger Rolfe dinner set as described on Victorian Collections at VC001421 and VC001422These dishes are of importance as they belonged to the George Rolfe family of Lyndoch, Warrnambool. They demonstrate the quality of the household goods used by more affluent families in the second half of the 19th century. These are four china serving dishes or plates which are part of a set of crockery used in the Rolfe Lyndoch household in Warrnambool. The dishes have a circular base with a circular dish resting on the base. The dishes have or had two handles with these handles and the edges of the dishes being gold trimmed. Around the rim of the dishes is a pattern of loops and dots etc of teal and gold. One dish (.1) has no handles, one dish (.4) has one handle only and two dishes are cracked (.3 & .4) . Two dishes are stained, one severely (.2 & .4) ‘Minton’ george rolfe, florence lake

These saucers are part of a crockery set that belonged to George Rolfe and his family. George Rolfe (1836-1919) was a tea merchant in Melbourne who bought land at the mouth of the Hopkins River in Warrnambool in the 1880s. He had adjoining land and the properties of ‘Shipley’ and ‘Fairy Hill’ and developed ‘Lyndoch’, adding stables, jetty, boat house, windmill and reservoir, chaff and bone sheds and an extensive garden. In 1891 he married Annie Lake and it was his stepdaughter, Florence Lake who built the ‘Lyndoch’ house still standing today. ‘Lyndoch’ today is now the site of an Aged Care Facility. This item is part of the Rolfe Dinnerset as described on Victorian Collections at VC001420 and VC001422.These saucers, part of a crockery set, are kept because they belonged to George Rolfe, a prominent property owner and farmer in Warrnambool in the late 19th century and early 20th century. The items, dating from 1864, have social significance showing the type of crockery used by a more affluent family in the 19th century. These are six circular china saucers with a gold rim and ornamentation in a scallop design in gold and teal around the rim and the outer edges. The base of the saucers has a gold rim. One of the saucers has a chip on the edge and four show significant wearing of the inner gold circle. Some of the outside gold edging also shows wear. The maker’s marks and name are indented on the bottom of the saucers ‘Minton’ lyndoch, warrnambool, rolfe and co., george rolfe, history of warrnambool, florence lake

These dishes were part of a crockery set used in the George Rolfe household at Lyndoch, Warrnambool. George Rolfe (1836-1919) was a Melbourne tea merchant who acquired land at the mouth of the Hopkins River in Warrnambool from the 1880s on as a holiday home. He developed the property over the years, adding a windmill and reservoir, bone and chaff sheds, a stable, jetty and boathouse and an extensive garden. In 1891 he married Mrs Annie Lake and it was his stepdaughter, Florence Lake who built the house, Lyndoch in the 1920s. This building today forms part of an Aged Care Facility. This item is part of the larger Rolfe dinner set as described on Victorian Collections at VC001421 and VC001422These cups are part of a crockery set, and are kept because they belonged to George Rolfe, a prominent property owner and farmer in Warrnambool in the late 19th century and early 20th century. The items, dating from 1864, have social significance showing the type of crockery used by a more affluent family in the 19th century.Four small white cups decorated with aqua band around the top of each cup . A scalloped pattern of dots are suspended from the solid band which is decorated with a row of gold dots. There is a gold rim at the base of the cup.Mintonrolfe, lyndoch, warrnambool, minton cups, mrs annie lake

Believed to be "George Goulding No. 4886" Britain. The collar badge is that of the Suffolk Regiment. Service of George Frederick Goulding, British Army Boer, South Africa. He was NR 4886 Suffolk Regiment DOB c1878. POB White Chapel, London. Served 1899-1902 Cape Colony, Colesberg, Transvaal - with the Mounted Infantry. WW1 - DOE 11 Dec 15, Middlesex Regiment 5 Bm. (A Reserve Bn). Discharged from Middlesex 19 Apr 1916. M.U. Number 1710 Pte. The British I.W.M. also shows he served in the Royal Field Artillery in WW1. That info is not available. Rank Gunner NR L/10626.This is a black and white portrait of a British soldier waist upwards. He is in uniform, wearing two medals. One medal on the soldier has 3 bars, the other has 2 bars. His belt is probably white. The badges on his collar appear to be a Castle with gate. The soldier is hatless. The photo is glued onto a cardboard surround.The bottom of the cardboard backing has written in white ink "The Imperial Studio - E. Dennison. Binns, 44 Measea Road, Colchester"boer war, south africa, british soldier

How many matches did these men play? Away games, home games? Any remarkable runs or scores? How long had each been playing? Were they professionals or amateurs? 1961-62 brought the Blackburn Cricket Club a triple premiership winning the A Grade, C Grade and D Grade flags in addition to the Under 16s. Team Standing (L-R): George Allerton, Keith Sturgeon, George Stone, Brian Pickett, Keith Blackley, Jim Robertson, Peter Grant. Sitting: Alan Taylor, Les Reed (President), Neveille Jacobs (vc), Don Meehan (c), Stuart Walker, Allan Berry (Sec), Ken Henwood.Black and white portrait of the cricket team anf officials. cricket, a grade, blackburn, blackburn cricket club, cricket whites, 1961-62, a grade premiers, george allerton, keith sturgeon, george stone, brian pickett, keith blackley, jim robertson, peter grant, alan taylor, les reed, neveille jacobs, don meehan, stuart walker, allan berry, ken henwood

Back Row L-R: Garnet Burges, Keith Poulter, Jack McColl, Geoff Braithwaite, Pat Carrucan, Teddy (Alf) Harvey, Jack Carrucan, Jack Burgoyne Second Row L-R: Dorothy Butler, Dulcie Stone, Nell Leadbeater, Gwen Ryan, Gwen Butler, Maisie McColl, Mollie Russell, Phyllis West, Grace Braithwaite, Evie Bunker, Violet Fraser Front Row L-R: Jack Newton, Cyril Bowman, George Harrison, Fred Butterworth, Stan Ellis, Loftus Hancock, Harry Butherway, George Pitcher, Sid Castledine Cross Reference Photo No.(s): 641, 642, 672, 717This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as the 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital image and 4 x 5 inch B&W Negsepp, shire of eltham pioneers photograph collection, eltham, dalton street, state school no. 209, cyril bowman, dorothy butler, dulcie stone, evie bunker, fred butterworth, garnet burges, geoff braithwaite, george harrison, george pitcher, grace braithwaite, gwen butler, gwen ryan, harry butherway, jack burgoyne, jack carrucan, jack mccoll, jack newton, keith poulter, loftus hancock, maisie mccoll, mollie russell, nell leadbeater, pat carrucan, phyllis west, sid castledine, stan ellis, teddy (alf) harvey, violet fraser

The British Empire Exhibition was opened by King George V on St George's Day, 23 April, 1924. Its official aim was "to stimulate trade, strengthen bonds that bind mother Country to her Sister States and Daughters, to bring into closer contact the one with each other, to enable all who owe allegiance to the British flag to meet on common ground and learn to know each other". The Exhibition was also the first occasion for which the British Post Office issued commemorative postage stamps Many souvenirs were made to commemorate the exhibition. This tea caddy, produced by Lipton's, includes the exhibition's official mark of the stylised lion designed by F. C. Herrick.This item is a souvenir of a historic event which took place in the first half of the 20th century.A Lipton's souvenir brass tea caddy from the British Empire Exhibition of 1924. The lid fits on to form a sphere. It has a knob on the top"Lipton" on bottom. "Lipton's souvenir tea caddy British Empire Exhibition 1924" on top. A lion on the side.souvenir container tea-caddy lipton-thomas british-empire-exhibition

John Oxley was a shoe and butchers’ knife manufacturer, who was listed in Whitecroft UK in 1822 . By 1825, he was based in Hollis Croft. John apparently died in about 1837. He had two sons – George (1808-1879) and James (1811-1881) who took over the business. George moved to Indianna, USA and in 1868 James continued to manufacture 'Cooks’ and palette knives and steels" Oxley’s trade mark was a butcher’s knife crossed with a sharpening steel (and the letters ‘JO’). The firm stayed in the family until 1960. Early settlers were self reliant and repaired their own equipment for kitchen,dairy, farm, horses, carts using various tools . This strong steel knife is typical of the type used by early settlers in Moorabbin Shire c1900Heavy duty curved steel knife with a wide blade encased in 2 thick leather straps secured with steel rivets Blade ; James Oxley with Trade Mark - a butcher’s knife crossed with a sharpening steel (and the letters ‘JO’). scratched into leather handle ; J EVANSknives, sheffield steel, oxley james ltd. , leatherworkers, saddles, horses, bootmakers, shoes, boots, builders, carpenters, early settlers, market gardeners, blacksmiths, tools, building equipment, hammers, moorabbin shire, bentleigh, mckinnon, highett, cheltenham,mcewan james pty ltd, melbourne, bunnings pty ltd,

Original Climax Loco Headlight Lamp made by the Star Lamp company THE HISTORY OF STAR HEADLIGHT & LANTERN COMPANY 1889: On April 20 of 1889, "Star Headlight Company" formed. The company is located on Allen Street in the city of Rochester, New York. There were five original investors. The original founders were Elias C. Glazier, George L. Estes, Allen D. Close, James H. Crouch and George S. Riley. 1914: Name of company changes to "Star Head Light & Lantern Company." 1915: Star Head Light & Lantern Company catalog now lists more than 100 versions lamps and lanterns. Historic - Industrial railway - Forests Commission of Victoria, Timber Logging Climax Locomotive Headlight Lamp Original Climax Loco Headlight Lamp made of metal climax loco headlight lamp, star loco headlight lamp, star head light & lantern company, puffing billy

Critical letter to Director from S. Allan Johnson re drainage. This letter (original and carbon copy) is addressed to the Director School of Horticulture Burnley. It is from S. Allan Johnson who gives the address of Henry George League, 18 George Parade, Melbourne. It is undated , and suggests that two authors are Mr Lothian and Miss N Chisholm, graduates of Burnley offer incorrect information on drainage in gardens. He includes 3 pages of instructions on drainage in gardens. There is a handwriten note on the back of the copy. The letter is full of typing and spelling mistakes. The brown paper envelope is addressed to the Burnley Horticultural Gardens, Burnley and is not postmarked. There is no stamp. (Hand delivered.) Letter to Director, Burnley School of Horticulture re drainage s. allan johnson, drainage, gardens drainage, incorrect garden drainage, criticism of garden drainage practice, horticulture drainage instructions

Frank Millett and his nephew Hopper Cahill are the two people standing by the building after spending the day shooting rabbits in 1922. They are standing in front of the Aitkens Gap Police Barracks. In the 1860s the gaol and stables were sold to George Millett and added to the Millett property. The Barracks and the new farm homestead were built by Mick Morrison. The Bald Hill Hotel at Aitkens Gap on the Bendigo Road (Calder Highway) was guilt by George Millett in 1854 and functioned until the gold began to run out after the Victorian Gold Rush of the 1850s. The Millett family continued to farm until 1967. The family also and operated hotels in the local area. A black and white photograph backed onto a white board of a man and a child holding some dead rabbits and standing in front of the doorway of a bluestone building. frank millett, george millett, aitkens gap gaol, hopper cahill

This journal has been produced in 1905 for the Government of Victoria under the direction of the Minister for Agriculture, the Hon. George Swinburne, M.L.A. It has articles on agriculture in Victoria, including an article on how to increase and improve our dairy products and an article on the Grasmere Butter Factory. This journal produced in 1905 is of considerable interest because it has an article on the inspection of the Grasmere Butter Factory and the resultant erection of a new building on the site. Dairying is a major industry in the Warrnambool area and this journal contains important historical information and photographs.This is a soft cover journal of 68 pages (pages 482 to 550 in Part 7 of a journal). The front cover has a black and white photograph of a wheat harvesting scene. The back cover is missing. The first two pages have advertisements for insurance and banking firms. The journal contains black and white photographs and statistics tables. The pages show considerable silverfish damage. The journal is bound with cotton thread and rust marks show where metal staples may have been removed. grasmere butter factory, dairying in the western district, warrnambool history

Private James Marquis Cairns, No 485, 10th Battalion AIF, Wounded, RTA. Re-enlisted No. 4370, 23 Battalion, AIF, Wounded RTA. Private Leslie George Cairns, No 50732, 6th Battalion AIF, Declared unfit for active service. RTA.Memorabilia - framed story of two brothers in colour using memorabilia of the soldiers and their lives. Printed on paper. Frame - black extruded plastic, glass front, cardboard backing. CAIRNS BROTHERSframed items, anzacs, eaglehawk

.1) & .2) Addressed to R C ALLARDICE who spent leave time with the people in Somerset. The letter is signed off: Lillian & George. .3) Addressed to R C ALLARDICE 418577 RAAF. Refer Reg No 3627.5 for his service records & collection..1) & .2) 2 page letter, off white, red letterhead, handwritten in blue ink, written on both sides. .3) Envelope, off white, blue postage stamp, stamped Somerset..1) Printed in red top L: Train symbol, Taunton: ELECTRICITY Electricity symbol: BUCKLAND Phone symbol: ST MARY 223 Printed in red top R: BUCKLAND HOUSE BUCKLAND ST MARY CHARD SOMERSET .3) Handwritten in blue ink: R Allardicefriends visiting, war over soon

Possibly Emma Smith (b Keys) and daughter Clara Emma Smith. Emma and her husband George Henry Smith emigrated to Australia and settled at Happy Valley near Linton (Victoria) on the invitation of her brother Edward who owned two houses there..1 Ambrotype of a woman and child .2 Photo taken off ambrotype. Woman and childambrotype

Displayed in History House. Time capsule was interred in George V. Memorial, Memorial Triangle, Cliff Street. For history of object, see details in object file. Time capsule found to be roached during relocation works in the Memorial Triangle, Cliff Street in 1984.Glass jar with fragments of paper inside. Paper is in wads, with no evident ink on them. Fragments of yellow-stained glass also inside. Clay traces on jar. Paper is believed to be the signature paper interred in capsule on June 19th, 1911.Front: (no inscriptions)

Contents: Mayger family trees; entries from Digger database; copies of emails relating to family; copies of photographs; references to George Mayger in Melbourne directories 1874-1908; unassisted passenger list, G.Mayger; The Mayger family in Australia, compiled by Colin McKenzie.History of the origins of this Greensborough family.20-page plastic binder, spiral bound, clear cover. Contains documents relating to the Mayger/Maygar family.Collected by Greensborough Historical Society. Folder commenced 2012mayger family, maygar family, greensborough

Captain Stanley Bruce, M.H.R. with Shire of Eltham Councillor William George Gray owner and manager of Allwood Nurseries at Allwood, Hurstbridge. They met on the occasion of the planting of trees to form the Anzac Avenue (of honour). Bruce would become Prime Minister of Australia in 1923. This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book, "Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital imagesepp, shire of eltham pioneers photograph collection, hurstbridge, w.g. gray, capt. bruce, stanely bruce

Francis Box 1836 1912 migrated, from Sussex England 1855, with his father George Box b1808, and joined his brother William Box in the Parish of Moorabbin . he established a market garden and with Eliza Jane Box raised his familyFrancis Box was a member of the pioneer family who migrated from Sussex England 1955 and established market gardens in the parish of Moorabbin, County of Bourke.Black & White photograph of Francis Box 1836-1912 who married Eliza Jane Box in 1871 box george b 1808, box francis 1836- 1912, box eliza jane , box william, box elizabeth, box cottage museum ormond, smith j l; smith mary ann, stanley helen, smith vic, early settlers, bentleigh, mckinnon, parish of moorabbin, city of moorabbin, county of bourke, moorabbin roads board, shire of moorabbin, henry dendy's special survey 1841, were j.b.; bent thomas, o'shannassy john, king richard, charman stephen, highett william, ormond francis, maynard dennis, market gardeners, vineyards, orchards