Showing 31994 items matching "1860's"
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The Beechworth Burke MuseumAnimal specimen - Common Starling, Trustees of the Australian Museum, 1860-1880
The Common Starling is an introduced species to Australia (as well as widely throughout the world), and is considered a pest due to its attacks on fruits and seedlings, as well as competing with the native bird population. It was introduced to Victoria in 1861, and has since become abundant, whose sheer numbers cause many problems. These birds are a social species, which can mass in very large flocks (murmations), and show spectacular synchronised aerobatic displays. This species has a distinctive plumage, with glossy black bodies, white spots on their backs and wings, and a purple and green tinge to their underparts and wings. This species, when moving across the ground, has a distinctive 'walk' or 'run' rather than the traditional hopping of many other bird species. This bird is a noisy species, often becoming a nuisance to people. Starlings prefer to nest in holes in trees or buildings, yet there are at least two recorded cases of this species nesting on the backs of living sheep. This specimen is a good and intact example of this species. As the white spots are large and visible, as well as the purple and green shine, this specimen likely died close to Autumn and the breeding season, when these birds get their new bright plumage. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This adult Common Starling has glossy-black plumage with a metallic sheen, and white speckles throughout. The plumage has a purple and green shine. The irises are white. Its beak is black and pointed. This specimen appears to be male, with less white spots on its underparts. This specimen stands upon a wooden platform and has an identification tag tied around its leg, and a metal tag tied around its foot.Swing-tag: 139a. / Starling / Catalogue Page, 59 / Metal-tag: 1250 (?)taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, sheep, common starling, starling, murmations, pest, australian bird -
The Beechworth Burke MuseumAnimal specimen - Grey-headed Woodpecker, Trustees of the Australian Museum, 1860-1880
The Grey-headed Woodpecker is a medium-sized woodpecker of the Picidae family, that is sometimes mistaken for the similar-looking Green Woodpecker. The species is known to have a grey face, neck, and underparts, with green wings and back, and underwing feathers that are a dark brown to dark grey-black with white dots. Although this can vary depending on location, with European and Northeast Asian birds having overall paler colours, to mainland Asian birds being darker overall. The species has a distinctive black mustache-like stripe on both sides of the face and the mature males have a red patch on the top of the head. These tree-clinging woodpeckers usually feast on ants, insects, and berries. This specimen differs in appearance from the common Grey-headed Woodpecker as its back feathers appear a dark grey, where in the wild these birds have sometimes quite vibrant green feathers. The eyes of the grey-headed woodpecker are also usually red with black iris, not white with black iris as in this specimen. The beak is also a pale yellowish colour on this bird, whereas commonly the species has a grey upper beak and pale yellow lower beak. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This male Grey-headed Woodpecker has a bright red head patch and distinctive black mustache-like stripes on both sides of the face, with additional black stripes running from the pale yellowish beak to the inner corner of the eye. The underbelly is a light grey and the back is a slightly darker grey. The underwing feathers are a light rufous-brown with white dots. The specimen is mounted on a sloping vertical wooden cylindrical stick attached to a mount. There are also two paper swing tags, one of which is torn in half.149a. / Unnamed / Catalogue page 60 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, woodpecker, grey-headed woodpecker, gray-headed woodpecker -
The Beechworth Burke MuseumAnimal specimen - Red Wattle Bird, Trustees of the Australian Museum, 1860-1880
The red wattlebird is a passerine bird native to southern Australia. Measuring 33–37 cm (13–14.5 inches) in length, it ranks as the second-largest species among Australian honeyeaters. The species was first described by John White in 1790, and three subspecies are currently recognised. The red wattlebird is found across southeast Queensland, New South Wales, Victoria, South Australia, and southwest Western Australia, inhabiting open forests, woodlands, and urban gardens or parks. Known for its loud and conspicuous presence, the red wattlebird primarily forages in trees, although it occasionally searches for food on the ground. As one of the world's largest nectar-feeding birds, it consumes nectar from a wide variety of flowering plants, supplementing its diet with insects. Territorial and sometimes aggressive, it defends rich nectar sources from other bird species. Breeding occurs throughout its range, with the species constructing cup-shaped nests in trees and raising one or two broods annually. Despite localized declines due to habitat loss, the red wattlebird is listed as Least Concern on the IUCN Red List. This specimen was falsely identified as a yellow wattlebird in original catalogue records and is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The red wattlebird has predominantly grey-brown plumage, featuring red eyes, pale pinkish-red wattles on each side of the neck, white streaking on the chest, and a prominent yellow patch on the lower belly. Swing-tag: 58a. / Wattled - Honeyeater / See catalogue page 18taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, bird, yellow wattlebird, tasmanian wattlebird, anthochaera paradoxa, australian birds, wattlebird, red wattlebird -
The Beechworth Burke MuseumAnimal specimen - Australasian Swamphen, Trustees of the Australian Museum, 1860-1880
The Australasian swamphen is a visually striking and socially complex bird found across Oceania. It can be found in eastern Indonesia (specifically the Moluccas, Aru, and Kai Islands), Papua New Guinea, New Zealand, and Australia. As a member of the rail family (Rallidae), it belongs to the diverse order Gruiformes, which also includes cranes and other rail species. Like other rails, it possesses relatively short wings and a strong, elongated bill, both adaptations suited to its semi-aquatic wetland habitat. This swamphen is easily identified by its deep blue-purple plumage, prominent red frontal shield, and sturdy red legs. It primarily inhabits swamps, marshes, and other wet lowland areas, though its range has expanded to include pastures, roadsides, and farmland due to significant landscape modifications over the past 150 years. Unlike many wetland birds, it is highly adaptable and thrives in both natural and human-altered environments. Its diet is similarly flexible, consisting mostly of plant material such as grass stems, shoots, and leaves, but also including invertebrates and, on occasion, the young of other bird species. This specimen was misidentified as a Purple Swamphen in original catalogue records and is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This taxidermy specimen is of a Australasian swamphen which is mounted standing on a wooden platform and has a paper identification tag tied to its upper left leg. The specimen has dark colouring on its back and head with a purple-blue coloured neck, breast and belly. The bill is oversized and is orange/red which is the same colour as the frontal shield on the bird's face. The eyes are made from a red and black glass and the legs of this specimen are orange. The legs are elongated and the toes also long and unwebbed. 17e. / Purple Gallinule / Catalogue Page 35 / taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, australian birds, swamphen, moorhen, purple bird, hen, purple swamphen, water bird -
The Beechworth Burke MuseumAnimal specimen - Southern Boobook, Trustees of the Australian Museum, 1860-1880
Known for its distinctive ‘boo-book’ sound which gives it its name, the Southern Boobook owl inhabits a variety of environments, including woodland, rural, open desert and dense forest. It is found on mainland Australia as well as Tasmania and other costal islands. Some similar species can be located in New Zealand, New Guinea and Indonesia. Young Boobooks’ plumage is mostly off white, and there are slight variations in subspecies based on location - the Cape York rainforest owls are a larger, darker brown bird while the Tasmanian Boobooks are smaller and often have more white flecks on their plumage. Southern Boobooks hunt and eat nocturnally and, like most owls, their diet consists of smaller animals including smaller mammals and insects. While elements of this particular specimen are representative of the actual bird, the form and structuring of this specimen’s neck area appears to be somewhat out of shape in comparison to images of the actual bird, which present a distinct head structure. The eyes on this specimen are also problematic, as they are solely black - not aligning with accurate representations of this species that have a distinct golden yellow outer ring in their eyes around a large black pupil. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.One of the most commonly found Australian species of owl, the Southern Boobook is also Australia’s smallest owl. With a coating of dark chocolate brown coloured plumage on its wings, dorsal area, continuing onto the top of the head and around its eyes, the owl’s breast plumage is flecked with hazelnut brown and white feathers. Its chin and nose areas are a soft creamy white, and the owl’s beak is a darker grey. Traditionally, the eyes are yellow as are the legs and taloned feet. This particular specimen stands upon a wooden perch and an identifying tag hangs from its right leg.Swing-tag appears to read: '39. Boobook Owl / Catalogue page 53.' The 2 digit number at the beginning of the label could also be '3a'. taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, southern boobook, mopoke, australia, boobook, nocturnal, ninox novaeseelandiae, owl -
Surrey Hills Historical Society CollectionPhotograph, Back Creek (later South Surrey Park), c 1936, 1936
This photo was taken at the opening of the footbridge by Sir Winston Dugan in 1936.South Surrey Park was developed on land which had been the property of the Kleinert family. Their land extended from Union Road to Essex Road. They ran horses, ducks and fowls and Emily Kleinert grew flowers. Alan Holt research: Lot 6 was sold to Martin Klienert by Karl Richter in 1860 together with a portion of another adjacent lot. From 1860-1885 Martin worked it as a market garden leasing some land for grazing when it was not required for gardening. He died in 1898. In a formal document, William declared he was the son of Martin "who purchased land in 1860, died in 1898 and the land has been continually occupied by father and family since. It has been cultivated as a market garden; when not being used for gardening it was let for cultivation and grazing." William died in 1939 and the property passed to his sons Martin and Ernest. The family sold the land to the Camberwell Council in the 1950s.This photo is significant as it shows the transition from rural to urban land use in Surrey Hills.Black and white photo taken in the area later known as South Surrey Park. Back Creek is in the foreground. There is a tent on the LHS and approximately 7 houses which front Verdun Street. Some of their backyards face onto the open space along the creek bed.parks and reserves, creeks, south surrey park, civic occasion, official events, back creek, verdun street, 1936, kleinert family, sir winston dugan, topography -
Surrey Hills Historical Society CollectionPhotograph, Back Creek (later South Surrey Park), c 1936, 1936
This photo was taken at the opening of the footbridge by Sir Winston Dugan in 1936.South Surrey Park was developed on land which had been the property of the Kleinert family. Their land extended from Union Road to Essex Road. They ran horses, ducks and fowls and Emily Kleinert grew flowers. Alan Holt research: Lot 6 was sold to Martin Klienert by Karl Richter in 1860 together with a portion of another adjacent lot. From 1860-1885 Martin worked it as a market garden leasing some land for grazing when it was not required for gardening. He died in 1898. In a formal document, William declared he was the son of Martin "who purchased land in 1860, died in 1898 and the land has been continually occupied by father and family since. It has been cultivated as a market garden; when not being used for gardening it was let for cultivation and grazing." William died in 1939 and the property passed to his sons Martin and Ernest. The family sold the land to the Camberwell Council in the 1950s.This photo is significant as it shows the transition from rural to urban land use in Surrey Hills.Black and white photo taken in the area later known as South Surrey Park. Back Creek is in the foreground. There is a tent on the LHS and approximately 7 houses which front Verdun Street. Some of their backyards face onto the open space along the creek bed.parks and reserves, creeks, south surrey park, civic occasion, official events, back creek, verdun street, 1936, kleinert family, sir winston dugan, topography -
Surrey Hills Historical Society CollectionPhotograph, Footbridge across Back Creek, 1980, 1980
South Surrey Park was developed on land which had been the property of the Kleinert family. Their land extended from Union Road to Essex Road. They ran horses, ducks and fowls and Emily Kleinert grew flowers. Alan Holt research: Lot 6 was sold to Martin Klienert by Karl Richter in 1860 together with a portion of another adjacent lot. From 1860-1885 Martin worked it as a market garden leasing some land for grazing when it was not required for gardening. He died in 1898. In a formal document, William declared he was the son of Martin "who purchased land in 1860, died in 1898 and the land has been continually occupied by father and family since. It has been cultivated as a market garden; when not being used for gardening it was let for cultivation and grazing." William died in 1939 and the property passed to his sons Martin and Ernest. The family sold the land to the Camberwell Council in the 1950s. The original footbridge was opened by Sir Winston Dugan in 1936.Black and white photo of a wooden footbridge with large trees and shrubs obscuring its surrounds.parks and reserves, creeks, south surrey park, back creek, verdun street, footbridges -
Glen Eira Historical SocietyBook - O’Neill College, Nagle Avenue, 2, Elsternwick
A commemorative history titled "O’Neill College 1908 – 1981" published at the time of the amalgamation of O’Neill College with star of the Sea, 1982 (2 copies). The book (64 pages) includes a short history of O’Neill college, reports from Monsignor Lyons, Principal's report and reports from various other sisters from 1930’s, 40’s, 50’s, 60’s and 70’s. Reminiscences from students activities in the 80’s. Many school photographs of staff, class photos, school outings, sporting events and year 9 camp. Date and author unknown.o’ neill college, sister margaret canoll, presentation secondary, nagle avenue, sister mary kavanagh, education committee, sister christine walsh, elsternwick, sister francis muirhead, peart leanne, sister marie therese harold, star of the sea college, collina filomena, gammaldi tony, mcwilliam lorraine, o'neill college mothers auxillary, mcwilliam barry, st. jospeh's school, sister mary claver stone, sister mary de sales mckenna, sister angela johnston, sister bonaventure harrington, cooper sheila, cooper robert, harnett eileen, harnett desmond, beldart dorothy, catholic schools, primary schools, secondary schools, land subdivision, richard o'neill ecclesiastical college, romanesque style, schreiber r.a., architects, diocesan teacher training college, registers, lists, diaries and journals, halls, kindergartens, school concerts, basketball, choirs, festivals and celebrations, fundraising events, sport, harrison bessie, lynch eileen, murray veronica, mullamby kathleen, mullamby mary, mullamby eileen, miller joseph, strachan barry, webster mary, waldam geoffrey, checchi norman, delaney ella, hooper george, cahill john, cooper john, doyle albert, sister catherine walsh, carr archbishop, mother mary peter fitzgerald, couch mary, couch ambrose, checchi thomas, cahill francis, cooper robert, cooper sheila, castieau margot, castieau john, collinson eileen, collinson john, carolan veronica, carolan james, coates emily, coates henry, cato helena, cato herbert, cato yootha, cahill vincent, cleverley ernest, cleverley francis, cleverley maisie, collins dorothy, collins alfred, clark madge, clark william, gough father, ryan father, morris father, sister benedicta, sister anglea, brennan father, o'neill sarah, riddell parade, mother peter fitzgerald, mother mary bernard justice, sister marie bernade, sister kath coury, hoy hubert mrs, dowling mr, dowling mrs, mclaughlin mr, mclaughlin mrs, collis-brown mr, collis-brown mrs, keane tom, smith coral-anne, dwyer coral, lyons monsignor, miller collin henry, sister catherine curtin, sister peter, sister laserian, sister clare, sister fintan, sister cyril, domec-carre inez, murphy eileen, miller joy, guiney leo, tennis, wood joyce, toomey marie, hayes teresa, sister mary chanel, cobern wanda, sister mary gabriel, jeffrey lorna, sister mary genevieve, pitt jean, clark veronica, phipps sheila, sister sheila, youngberry kathleen, sister benedict, lowday dulcie, sister anne-marie, keary brenda, briglia rita, sister immaculata, burns n., brennan b., wright s., baker e., brdawshaw billy, barnes joan, mason patricia, roberts connie, shelton june, murray betty, keane peggy, taylor audrey, feiss margaret, hoy rosemary, sans lydia, smythe victor, hoy agatha, souter bobbie, brennan kathleen, shelton moira, wallman vera, cox s., rogers s., brennan b., wright s., mckeeran k., power e., maloney j., fyfe p., wright e., chambers f., baker e., keary d., lynch maeve, mcilroy j., corrigan p., harris p., gill p., keogh k., hennessy d., garrett j., feiss j., deverall j., langley j., griffin moya, ashton norma, hull fay, linehan mary, murphy eileen, odgers shirley, brennan jean, mahony denise, meyer margaret, mornament ina, cox s., wright s., borelli marie, flanagan c., smythe p., whelan mary, hawkridge v., johnson v., filippina contessa, rawlings a.b., beer letty, sister mary joseph, eisma joan, langley joan, sister raymond, sister aloysius, garrett betty, sister gertrude, sister elizabeth, sister mary hilary, sister marie louis, stratford c., sister james cantwell, dance mrs., mcnamara colleen, share kath, sister adrian, sister patricia carroll, sister rose, sister pius, dunne patricia, sister james, sister sheila, sister jude, dawes pat, sister beatrice, mason june-maree, sister domenica, guatta win, sister marie cline, sister marie de lourdes, hale mrs, sister robert, sister merle, sister philomena, sister francis xavier, sister frances borgia, sister margaret bullock, sister bruna, mother peter, sister genevieve, kendall vern, collette leonie, sister philomena consedine, ashton francine, maher frank, mcgrath brian, van heeswick julie, west liz, ferrier fran, molloy miss, cooney jenny, tkalcevic josephine, sirianni lena, danielis simonetta, simmonds louis, richardson sharon, giannelli irene, carter louise, ettia gie, williamson helene, galli mrs, meagher mrs, fitzgibbon mrs, beveridge cathy, cocciardi bernadette, emmett mr, emmett mrs, brother moore, farrow sandra, warren angela, peters kim, tarcasio rina, tuohy helen, massey jayne, o'sullivan kerrie, killingsworth miss, conheady mrs, gray mrs, clark fiona, ferrier margaret, dotter andrea, muller mary, young samantha, aquilina tania, baker patricia, bean dianne, bouchereau brenda, brohier audrey, curtis debbie, ferrier frances, hynes nerida, jones leanne, krelle brenda, lamanna ann, loiacono chris, morin jackie, musster judy, renshaw susan, stratford margaret, hoareau marlene, clark nicole, o'neill college, williamson helen, victorian congregation of presentation sisters, sister margaret walsh, archbishop carr -
Whitehorse Historical Society Inc.Domestic object - Milk jug cover
Cover for milk jug; used during 1930's and 1940's before refrigeration, by Betty McPheeCrocheted circular piece, cream cotton centre; bordered edge 4 cm wide with 16 glass beadshandcrafts, crocheting or crochet work, domestic items, food storage & preservation -
Whitehorse Historical Society Inc.Domestic object - Milk jug cover
Milk jug cover used pre-refrigeration during 1930's and 1940's, by Betty McPheeRound ecru/croom crochet cover , centre 3-dimensional cup with yellow edge, yellow edge also surrounding saucer; trimmed with yellow glass beadshandcrafts, crocheting or crochet work, domestic items, food storage & preservation -
Port Fairy Historical Society Museum and ArchivesPhotograph
1 William St - rearview Mary Griffith occupied this house between 1970’s to 1990’sColoured photograph of the backyard of 1 William Street1 william street, house, building, cottage -
Trafalgar Holden MuseumAccessory - "D"for girth strap, Ca 1900
used on horse tackle during 1800's and early 1900's and Imported and used by Holden and frostImported , sold and utilised by Holden and frost Ca 1900D shaped ring for use on horse girth strapequine military, agriculture, civilian c1900, girth strap ring -
Trafalgar Holden MuseumTool - Fabric shears
Cloth cutting shears as used in dress making during the late 1800's and early 1900'sObject holds significance in the tailoring industry as retailed by Holden and FrostSteel dress makers cloth cutting shearsdress making shears, steel -
Lakes Entrance Historical SocietyPhotograph - Historic House, Holding M, 2009
Built early 1900's for member of the Sutherland family, early residents of Lakes Entrance. Late occupied by Tom Beyer and family 1930's, Jean and Ray Green (baker at Freeman's store) 1950 - 1960's.Colour photograph timber dwelling with hipped roof at 4 Orme Street, the dwelling was demolished. Lakes Entrance Victoriahouses, township, heritage study -
Bendigo Military MuseumPhotograph - PHOTOGRAPH 1888 - 98, C.late 1880’s
Sepia tone photograph on cream coloured card backing, shows two soldiers standing and two sitting wearing pre Commonwealth uniforms , setting is in a studio background. Under the photo there is a red seal Coat of Arms with “By Special Appointment” under, Other lettering red says “Williamson St Sandhurst Bendigo” The studio name is mostly missing with the only letters visible are “ROS”. The studio will be “Bartlett Bros Bendigo” There is faint pencil writing on rear put there which appears to be in the 1990’s.On rear, “Photograph in Bendigo 1888/9 - 1897/8”photographs, commonwealth, sandhurst -
Ballarat Tramway MuseumPhotograph - Black & White Photograph/s, early 1960's
Black and White print of Bendigo SECV Bendigo trams 29 and 28 (Birney's) at night at the Charing Cross terminus for the Golden Square - North Bendigo route. Trams have dash canopy lights, but no large white strip under the drivers windows. Photo not dated but appears to be at during early 1960's. Has the Beehive Stores building, "Dad and Dave Cafe" and "W.I. Jones Chemist" store in the background. Tram 28 has a SECV briquette ad on the roof.trams, tramways, pall mall, bendigo, charing cross, tram 28, tram 29 -
Ballarat Tramway MuseumSlide - 35mm slide/s, Travis Jeffrey, late 1960's
Agfa plastic mount (blue base, white cover) of a photograph of No. 26, leaving Sturt St in Lydiard St Nth, with destination of Lydiard St. North. Photo taken late 1960's. Photo has two other trams in the background. Buildings in the background are National Mutual Life and the ANZ Bank. Slide rescanned at 3200 dpi 25-10-2020, jpg replaced, tiff file retained. This file was scanned in 2003 and may show colour changes."BAS 40" in penciltramways, trams, lydiard st. nth, sturt st, tram 26 -
Ballarat Tramway MuseumSlide - 35mm slide/s, Travis Jeffrey, late 1960's
Agfa plastic mount (blue base, white cover) of a photograph of No. 12 entering High St or Macarthur St. Loop, Macarthur St. Photo taken late 1960's. Has Lake Wendouree in the far background. Tram has destination of Victoria St. and a "Twin Lakes" sign on the front dash panel. Slide rescanned at 3200 dpi 25-10-2020, jpg replaced, tiff file retained. This file was scanned in 2003 and may show colour changes."BAS 42" in penciltramways, trams, macarthur st, high st, macarthur st., twin lakes, tram 12 -
Ballarat Tramway MuseumSlide - 35mm slide/s, Travis Jeffrey, late 1960's
Agfa plastic mount (blue base, white cover) of a photograph of No. 28 Lydiard St North entering Gregory St loop. Photographed from a car. Destination has not been changed from Lydiard St. Nth. Photo taken late 1960's. "Local Maid Bakery" on the right hand side of the photograph. Slide rescanned at 3200 dpi 25-10-2020, jpg replaced, tiff file retained. This file was scanned in 2003 and may show colour changes."BAS 46" in penciltramways, trams, gregory st, lydiard st nth, tram 28 -
Ballarat Tramway MuseumDocument - Illustration/s, Chandler, Extract from "The People Movers - A History of Victoria's Private Bus Industry 1910-1992", 1930's?
Illustration was loose within Reg. Item 2488, opposite page 99, of a photo of three steeplejacks working on the ESCo power station chimney stack. Has some support scaffolding near the top of the tower. Caption to the photo on the bottom has part missing but would have been "Steeplejack on the Electric Supply Co.'s Stack." in capitals and notes "Chandler, Photo". Has been glued to another sheet of paper. (item within plastic folder within book container)Written notes in pencil.trams, tramways, esco, power station, chimney stack -
Ballarat Tramway MuseumEphemera - Ticket/s, Melbourne and Metropolitan Tramways Board (MMTB), MMTB 1 1/2d pre-purchased tickets, 1930's?
Set of three MMTB 1 1/2d tickets joined on a strip with perforations between tickets. Manilla or light brown card, printed with MMTB name, letter W, fare and availability on rear. Printed with details of the cable tram lines. Donated by J. T. Doherty, with a written letter detailing use - says 1940's Letter with worksheet file and envelope. Eight tickets purchased of a 1/-, instead of 2d per fare in the Central Business District of Melbourne.trams, tramways, tickets, cable trams, mmtb, melbourne -
Ballarat Tramway MuseumPhotograph - Black & White Photograph/s, John Phillips, early 1980's
Black and white print of Ballarat Trams 27 and 38 at Gardens Loop in Wendouree Parade during the early 1980's by John Phillips. Tram 27 has a "Brambles" advertisement and a "TWIN LAKES" sign. Both trams showing St. Aidans Drive destination and "TRAMS RIDES" sign. See also Reg. 1781 for a similar photograph, taken at the same time and used in a postcard. Note the witches hats along side the trams - possibly taken during the Begonia Festival time.tramways, trams, wendouree parade, btm, gardens loop, btps, tram 27, tram 38 -
Ballarat Tramway MuseumPhotograph - Digital image, c1890's
Yields information about the appearance of Sturt St Ballarat c1971.Digital image copy of a black and white print of Sturt St from the Fire Brigade tower looking east. Has title "Sturt St from fire Brigade Tower, Mount Warrenheip (in the distance), St. Patricks RC Church (on the right), and Spire of St Andrew's (on the left). Has a well loaded horse tram outbound on the north side of Sturt St. C1890's, trees in the median strip are still young. On rear is "BTPS Sales department" in green ink. trams, tramways, sturt st, horse trams -
Ballarat Tramway MuseumPhotograph - Digital image, late to mid 1930's
Yields information about the appearance of one of Ballarat Scrubber tram soon after it was converted from a Ballarat Sebastopol car in Wendouree Parade.Digital image from the Wal Jack Ballarat Album of the Ballarat Scrubber, in Wendouree Parade mid to late 1930's. Could have been photographed after completion. Wal's album notes "Water & Scrubber car ex "Sebastopol Type No. 23 converted 1935". Has a broom inside the tram. Lake Wendouree in the background. See image i2 for rear of photograph. See image i3 for hi res scan of print. See image i4 for hi res scan of negativeon rear of photo in ink, "Ballarat Tramways water car"trams, tramways, scrubber tram, lake wendouree, scrubber -
Ballarat Tramway MuseumPhotograph - Colour Photograph/s - set of 3, E. Ewers, late 1980's
Yields information about the appearance and activities of the BTPS mid to late 1980's, includes photos of St Aidans Drive terminus and one of active members - John Phillips.Set of three colour prints of photographs taken by Earl Ewers mid to late 1980's. Printed on paper, donated to BTM Christmas 2009. .1 - Trams 33 and another single trucker at St Aidans Drive - 33 has a Peters Ice Cream and Eureka Roof Tiles roof advertisement. .2 - Tram 33 at ditto with John Phillips standing alongside with the handles. .3 - Tower truck on access track, probably with Peter Winspur working on the overhead with tram 18 in the background.On rear in ink "E. Ewers"trams, tramways, access track, st aidans drive, overhead, btps, tram 18, tram 33 -
Ballarat Tramway MuseumNegative, Wal Jack, early 1960's
Yields information about Ballarat tram operations in Drummond St South during the early 1960's at the Urquhart St Loop.Negative and Digital images of the Wal Jack Ballarat Negative file of 41 and 21 northbound in Drummond St South after crossing No. 39 at the Urquhart St loop. No. 41 (Lydiard St Nth) and No. 21 (City). Both cars have adverts for dancing at Civic Hall and No. 21, Twin Lakes. In the background is a store advertising The Age, The Sun and The Herald newspapers. Photo early 1960's. See Reg Item 376 for a photo taken at the same time - note the car mirror.trams, tramways, drummond st south, urquhart st, tram 41 tram 21 tram 39 -
Melbourne Tram MuseumNewspaper, The Age, "The last cable tram makes its final run", mid to late 1980's
Cutting from The Age, date unknown, mid to late 1980's? when he was a columnist for "A Day in the Life of Australia", titled "The last cable tram makes its final run", about the closure of the Bourke St cable system 27-10-1940. Notes the early run in to prevent damage, quotes Mr. Bell, life of the cable in Bourke St (17 weeks), quotes a gripman Mr. Arthur Coppledick about the rules, and has a photo of a cable tram set.trams, tramways, cable trams, closure, last tram -
Melbourne Tram MuseumAdministrative Record - Table Cards, The Met, Malvern and Camberwell depots, 1980's
Set of four hand written table cards written on paper and laminated. Gives sign on times, car out, trip details and which "run" takes the tram from the crew. Not dated - could be either late 1980's. .1 - table 25 - Malvern depot - stamped Saturday - includes a requirement to do a phone test at pole 35. .2 - table 140 - Camberwell depot .3 - table 155 - Malvern depot -weekdays .4 - table 36 - Camberwell depot - weekdaystrams, tramways, table cards, malvern depot, camberwell depot, drivers -
Melbourne Tram MuseumSign, Yarra Trams, tramcar stop sign - door, mid to late 2000's
Sign - galvanised steel sheet with a baked white enamel paint finish and overlaid with a reflective white and red "Stop" and two walking legs to warn motorists that a pedestrian or passenger was about to leave or board a tramcar. Fitted to the folding doors of Z, A and B class tramcars mid to late 2000's?. It replaced a larger green fold out sign with an image of pedestrians and the word "stop" on it. Sign has not been used. See Reg Item 4386 for another example.trams, tramways, tramcars, signs, passengers, safety
