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Mission to Seafarers Victoria
Book, Melbourne Books, Wharves To The World: The Development Of Melbourne's World Trade Centre, 2011
Wharves to the World: The Development of Melbourne's World Trade Centre is a photographic chronicle of the history of the World Trade Centre and its surrounds. The book traces the journey of land and the buildings that occupied it - from its beginnings with the Wurundjeri people to its role as a trading hub in early Melbourne, then as the site of the modern-day World Trade Centre, and now as part of a flourishing residential and commercial Precinct. As with any major project The World Trade Centre has face its share of fêlures, but despite thèse it has become an integral part of the City. So it goes that was once home to swampland and the City morgue has been transformer into a Diamond of the Yarra River.A 128-page book of printed matter, photographs, engravings and drawings. The hard cover is white with the title in gold lettering on the front. The dust-cover is also white with black lettering. Along the lower half of the cover, front and back, is a strip of six photos, three coloured and three black and white. 128 p. : ill. (some col.), ports. ; 22 x 25 cm.non-fictionWharves to the World: The Development of Melbourne's World Trade Centre is a photographic chronicle of the history of the World Trade Centre and its surrounds. The book traces the journey of land and the buildings that occupied it - from its beginnings with the Wurundjeri people to its role as a trading hub in early Melbourne, then as the site of the modern-day World Trade Centre, and now as part of a flourishing residential and commercial Precinct. As with any major project The World Trade Centre has face its share of fêlures, but despite thèse it has become an integral part of the City. So it goes that was once home to swampland and the City morgue has been transformer into a Diamond of the Yarra River.yarra yarra tribe, early melbourne, world trade centre, melbourne, southbank, northbank, australian wharf, siddeley street, waterfront, amy zurrer, wurundjeri, spencer street bridge, north wharf, riverlee, wtc, wharf, harbor trust, sir john coode, harbour trust, little dock, polly woodside, wharfies, divers -
Mortlake and District Historical Society
Jug, Melba Bone China, Probably 1950's, 1960's
This small white jug was probably created as a souvenir of Mortlake. Its depiction of the 'Soldier's Monument' (War Memorial completed 1920), is quite accurate and perhaps reflects the importance of such monuments in small country towns. Memorials created in many country towns, cities and suburbs after the Great War, reflected civic pride and were created in recognition of the sacrifice of so many men in defence of the realm. Mortlake's 'Soldier's Memorial' is typical of many such memorials Australia wide. It forms one part of the Mortlake's tribute, the others being the Soldiers' Memorial Hall (which incorporates the old Mechanics' Institute) and the Avenue of Honour (cypress) along the Hamilton Highway on the eastern side of the town. Small glazed white jug, with gold rim, handle; transfer picture of the Mortlake War Memorial - showing plinth, column, soldier and fence with backdrop of mature trees. Captioned: 'Soldier's Monument Mortlake'. On base: 'Melba Bone China (followed by crown insignia) Guaranteed Made In England.'1914, 1918, world, war, memorial, memorials, mortlake, souvenirs -
Mission to Seafarers Victoria
Article, Kerrie O'Brien, Want to peek inside Melbourne’s finest mansions and buildings? This is your chance, 30 June 2022
Open House 2022: "Like many Melburnians, Ying-Lan Dann has long been fascinated by the Mission to Seafarers, in Docklands. When she was invited to create a work in response to a building as part of this year’s Open House Melbourne, she knew immediately which it would be. Taking a peek behind the closed doors of some of Melbourne’s finest and most interesting buildings is a core premise of the weekend event, now in its 15th year. During that time, the program has grown from half a dozen buildings to a 200-plus strong list that extends to Ballarat and Bendigo. “[It’s] much more expansive and citizen-led,” says Fleur Watson, Open House Melbourne’s executive director. “As a public festival, it has always had a spirit of generosity, this gesture of opening up and allowing visitors to come and look and experience things.” Swinging open their doors at the end of the month will be some of the city’s finest mansions, including Villa Alba in Kew and Brighton’s Billilla, the Cairo flats in Fitzroy, the newly renovated Jewish Museum designed by Kerstin Thompson, the Melbourne Quakers Centre, the Albanian Mosque in Carlton North and many more. Considering how to approach the event this year, held remotely for the past two, Watson decided to explore beyond the traditional, with associate professor and director of curatorial practice at Monash University Tara McDowell. The two have co-curated an exhibition of works to run concurrently with the Open House program, called Take Hold of the Clouds. That’s where Dann’s work, Circular Temporalities, comes in, one of seven commissions around town in which local and international artists respond to chosen buildings or sites. A lecturer in interior design at RMIT as well as an artist, she is interested in time and finding different mediums to show things in flux and, having grown up on Phillip Island, she often uses water as a theme. When she started spending time at the Mission, Dann found there was an oculus at the top of the dome, known as the Norla Dome. She thought about how that small but significant opening related to where sailors spent so many months of the year, the sky being the only thing they would see much of the time, stars guiding the way in times gone by, and of the recent stories she’d heard about sailors being trapped at sea during COVID. Built in the Arts and Craft style between 1916 and 1919 and designed by architect Walter Butler, the Mission includes a chapel, clubroom, Chaplain’s house, a small cottage and the Norla Dome, which was apparently inspired by the Pantheon. The Mission was funded by the government and the Ladies Harbour Lights Guild, who Dann was also intrigued by. “One of the things those women identified is that life at sea is very dangerous [and they] wanted to give them a space of sanctuary and support,” she says, adding that for many years, the dome was used as a gymnasium. Her work inside the dome includes a 35-minute loop film, recorded from the ferry during the crossing from Queenscliff to Sorrento. The horizon takes up about a third of the shot and moves as the waves rise and fall, mirroring the journeys made by the sailors who found refuge at the mission over the years; it will be projected onto a gauze-like fabric, allowing glimpses of the building behind. Dann also plans to activate the site over the course of the weekend and will read a poem by Justin Clemens.The articles gives an insight of the création of the artwork by Ying-Lan Dann. digital copy of an article with photographs published in the Ageopen house melbourne, 2022, ying-lan dann, take hold of the clouds, norla dome, exhibition, the age, cultural events -
Mission to Seafarers Victoria
Article, New Light on the Light of the World
... interest in cities and country centres here and in New Zealand ...Abstract William Holman Hunt's Light of the World (1851-53) was a remarkable painting that depicted an idealised vision of his conversion to Evangelical Protestantism. The derogatory critics and fierce debates that greeted the Pre-Raphaelite paintings at Royal Academy exhibitions from 1850 in no way abated when the Light of the World and other PRB works were hung in 1854. Acceptance of the Light of the World was gradual, significantly aided by a long explanatory letter from John Ruskin published in The Times (5 May 1854 p. 9) that explained the symbolism in great detail, championing the work as the principal Pre-Raphaelite picture in the Exhbition and one of the noblest works of sacred art ever painted. Curious Londoners flocked to see it, but there was no inkling then of its influence on religious art, poetry and illustration that would continue well into the twentieth century; no less influential was its impact on stained glass. Almost immediately it was embraced as a new subject for church windows of all denominations. The global tour of Hunt's larger copy of the Light of the World reached Australia in 1906 where, preceded by clever pre-publicity, it generated huge interest in cities and country centres here and in New Zealand. The effect of the 'blockbuster' tour was far-reaching, with hundreds of stained glass windows appearing in churches across the country for the next fifty years. This paper explores William Holman Hunt's co-option of illumination as metaphor and reality, the factors behind the longevity of the Light of the World as a stained glass phenomenon in Australia, and its universal appeal to Protestant church-goers.non-fictionAbstract William Holman Hunt's Light of the World (1851-53) was a remarkable painting that depicted an idealised vision of his conversion to Evangelical Protestantism. The derogatory critics and fierce debates that greeted the Pre-Raphaelite paintings at Royal Academy exhibitions from 1850 in no way abated when the Light of the World and other PRB works were hung in 1854. Acceptance of the Light of the World was gradual, significantly aided by a long explanatory letter from John Ruskin published in The Times (5 May 1854 p. 9) that explained the symbolism in great detail, championing the work as the principal Pre-Raphaelite picture in the Exhbition and one of the noblest works of sacred art ever painted. Curious Londoners flocked to see it, but there was no inkling then of its influence on religious art, poetry and illustration that would continue well into the twentieth century; no less influential was its impact on stained glass. Almost immediately it was embraced as a new subject for church windows of all denominations. The global tour of Hunt's larger copy of the Light of the World reached Australia in 1906 where, preceded by clever pre-publicity, it generated huge interest in cities and country centres here and in New Zealand. The effect of the 'blockbuster' tour was far-reaching, with hundreds of stained glass windows appearing in churches across the country for the next fifty years. This paper explores William Holman Hunt's co-option of illumination as metaphor and reality, the factors behind the longevity of the Light of the World as a stained glass phenomenon in Australia, and its universal appeal to Protestant church-goers.jesus, stained glass windows, bronwyn hughes, pre-raphaelite, william holman hunt (1827-1910) -
Mission to Seafarers Victoria
Photograph - Photograph, Sepia, Anne Treverton Goldsmith (nee Lobb), 1907
... from Hobson's Bay to the city centre. Originally planned ...The Siddeley Street institute, designed by renown architect Walter Butler was built in 1907. The foundation stone was laid in February 1907 by Lord Northcote and the institute was opened in December the same year.The Siddeley Street Seamen's Institute is the first central structure to be built in central Melbourne on the banks of the Yarra River as the shipping was moving from Hobson's Bay to the city centre. Originally planned and budgeted for in the mid 1880s and petitioned by Ships masters in 1897 this was a long awaited project for the Mission.Sepia toned photograph depicting the Siddeley Street facility under construction. There are two women dressed in white wearing picture hats and carrying either cloaks or coats to the right of the photograph and a group of five men standing in a row beside them. They are all standing in front of the entranceway with arched windows to either side all of which is covered in scaffolding.Pencil mark on reverse of photograph: "2"siddeley street institute, australian-wharf, 1907, walter richmond butler (1864–1949), seamen's institute, seamen's mission, ladies, lhlg, officers, seamen, sailors, seafarers, mission to seafarers, scaffolding, anne treverton goldsmith (nee lobb -
Mission to Seafarers Victoria
Photograph - Photograph, Black and white, Allan Charles Quinn, Rouen Centre, Amiens, Paris, 6 June 1949
This photograph is one of a series taken by Allan while travelling through France in mid-1949. It shows the Saint-Ouen Abbey Church from Rue d'Amiens- Rouen. Rouen, a medieval city was heavily damaged by Allied bombings during the Battle of Normandy. There are several letters relating to this journey.This is a photograph from the Allan Charles Quinn collection which is a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.A black and white photograph taken on the 5th of June, 1949, of Saint-Ouen church built in the 14th century in Rouen, France. The sign to the right of the foreground reads: ROUEN CENTRE / AMIENS PARIS and probably indicates the photograph was taken from Rue d'Amiens (Amiens Street). The photograph shows the level of demolition of the city during World War II.On reverse: PARIS 6-6-49 handwritten in blue ink. below this is a pencil mark, similar to "ItI".allan-quinn, photograph, rouen, france, normandy, ww2, battle of normandy, 1939-1945, saint ouen abbey, amiens, paris -
Greensborough Historical Society
Newspaper Clipping, Diamond valley Leader, Gum tree faces the chop, 07/08/2019
Neighbours in Watsonia are dismayed a beloved tree faces the chopping block after Banyule Council agreed to accept $150,000 from an architecture firm in exchange for the towering gum at Diamond Village Shopping Centre.News article 1 page, black text.diamond village, gum tree, banyule city council, c kairouz architects -
Greensborough Historical Society
Invitation, Long Neck Turtle Project. Opening, 21/11/2019
Official opening of Long Neck Turtle Project, a collaborative community sculpture project at the Lower Plenty Shopping Centre, 21 November 2019.Colour leaflet, printed both sideslower plenty shopping centre, long neck turtle project -
Greensborough Historical Society
Newspaper Clipping, Diamond Valley Leader, Pool death family sues, 28/02/2018
The family of a young man who drowned at a Greensborough swimming pool is suing Banyule Council and Belgravia Leisure, which runs the aquatic centre, claiming the pool was not supervised appropriately.News article 1 page, black text and colour image .pool death, watermarc, paul rayudu, banyule city council -
Greensborough Historical Society
Newspaper Clipping, Diamond Valley Leader, Decade of $37m debt, 30/05/2018
The [Banyule] council accumulated a $37.4 million debt in the past decade, with swimming and fitness centre WaterMarc the primary project accruing the debt.News article 1 page, black text and colour image .watermarc, banyule city council -
Greensborough Historical Society
Newspaper Clipping, Diamond Valley Leader, Proposal rejected, 25/07/2018
Banyule Council has refused a planning permit application that would have seen a double-storey childcare and medical centre built at a bustling intersection in Grimshaw Street Watsonia.News article 1 page, black text.watsonia, childcare centre, grimshaw street watsonia, macorna street watsonia, banyule city council -
Greensborough Historical Society
Calendar, Banyule City Council, Banyule Community Calendar 1997, 1997_
This community calendar is distributed to residents of the City of Banyule each year. Each year it focusses on an aspect of the local community. The 1997 calendar contains photographs of historical landmarks in the City of Banyule. Some council services are detailed in the centre liftout.The annual report is a record of the activities and services in the Banyule City Council area.28 page calendar. Colour illustrations of historic places. Includes 30 page liftout of Council information.banyule city council, banyule community calendar -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Panorama, 1987
Panorama of 7 colour photos. View of Municiple Offices over bay. Shows History House, Cannons, Charles Street, War Memorial and Court House.Back: For History House - Taken 1987 while employed as cleaner for City Council/Regards/Robert (?) Morris.... (?) (blue pen, upper centre) -
Glenelg Shire Council Cultural Collection
Magazine, 150th Victoria Anniversary Souvenir, Sun News Pictorial, 1985
... Centre Tower with City in background.... Centre Tower with City in background. 150th Victoria Anniversary ...Coloured night view of Sydney Myer Music Bowl with City of Melbourne in background. Back cover coloured night view of Arts Centre Tower with City in background. -
Glenelg Shire Council Cultural Collection
Artwork, other - Engraving / Illustation, n.d
Illustration. Taken and cut from a book. Rectangular bordered image. Black and white. Cream coloured paper. View of Portland Victoria from Observatory Hill. A man in a waistcoat and a hat with dogs stands in the foreground on the edge of a large rising to the left of the image. a body of water snakes through the centre with a large patch of trees behind. In the distance a large cluster of dwelling of various sizes and shapes are visible to the right of the image. Printed underneath GENERAL VIEW OF PORTLAND. Front: 'GENERAL VIEW OF PORTLAND' - printed, lower frame.city of portland -
Glenelg Shire Council Cultural Collection
Painting, Robert Ulmann, Goat, c. 1974
Robert Ulmann was born in Zurich, Switzerland, where he studied sculpture and painting, exhibiting annually with the National Art Society of Switzerland and in Paris, Munich and Stockholm. He migrated to Canada in 1956 and became a Canadian citizen. After working on the restoration of sculpture on the west wing of the Parliament Buildings Ottawa, he took up a Government appointment as one of six artist advisers to the Eskimos, initiating handicraft and sculpture programs in isolated settlements across the Central Arctic. He arrived in Australia with his Australian wife, Helen, in 1969, after two adventurous years backpacking and sketching through the United States, Central and South America and the South Pacific. From 1970 to 1972 he was employed by the Northern Territory Administration as a manual arts instructor to the aboriginal people of Docker River, a remote settlement west of Ayers Rock. A series of drawings from this period was exhibited by the Department of the Interior in Canberra, Sydney and Adelaide. Robert Ulmann’s paintings and prints of wildlife from Australia and overseas fill a beautiful studio overlooking the famous Logans Beach whale nursery at Warrnambool in the Western District of Victoria. His previous studio and home, together with 13 years of field sketches and his best work collected together for two books were destroyed by the Ash Wednesday fires at Naringal in 1983. Rob exhibited in Sydney, Melbourne, Adelaide and Perth as well as in the Regional Galleries of Warrnambool, Ballarat, Portland and Horsham, and, among numerous prizes, he won the award for watercolour at six of the annual exhibitions of the Wildlife Art Society of Australasia, between 1978 and 1983. Although his principal interest was in drawing and painting, he retained a fascination with sculpture. His works range from two stone fountains with figures commissioned by the City of Zurich, while he was still a student, to a 4 ½ ton sculpture in bluestone commissioned in 1977 as a memorial to Sir Fletcher Jones., a five metre representation of whale tails in steel, and a life-size bronze of St. John of God commissioned for a private hospital.Image of a goat beginning to rise from a seated position, possible struggling out of mud. Painted in yellow and brown tones, with blue shadows. Earth colours form a rough ground area surrounding the goat. A brown wash provides a cursory background behind the goat's head. Dark cream matt surrounds image. Gold painted wooden frame, with glass.Front: Robert Ulmann (lower centre, paint) Back: (no inscriptions) -
Glenelg Shire Council Cultural Collection
Print - Print - Lawrence Rocks and Point Danger from Crumpets, Paula Tsernjavski, Lawrence Rocks and Point Danger from Crumpets, 1985
Gannet in flight over seascape. Blue and white checks form an abstract background in a little over half the top area of image.Front: 7/25 (lower left, pencil) Lawrence Rocks and Point Danger from Crumpets (lower centre, pencil) Mayor of Portland (lower left, blue stamp) Back: Portland Proclaimed a City October 28th 1985 (lower centre, blue stamp) Minister for Local Government (lower right, blue stamp) -
Greensborough Historical Society
Document collection, Banyule City Council, Watermarc, Greensborough, 2004-2012
The development of the Greensborough town centre and in particular the redevelopment of the Greensborough Pool into the Watermarc aquatic centre is documented in this collection of minutes, correspondence, plans, brochures, etc. Contents: Box 1, Correspondence, Project updates, Leaflets, Plans, Newspaper articles. Community Consultative Committee meetings - Agendas and Minutes. Box 2: Greensborough Project Presentation Package 2006; Greensborough principal activity centre plan (executive summary 2005, 2008); Consultation documents 2005; Banyule Banner (2005; 2006); Project update 2005; Newspaper article collection; Advertising leafletsThis collection is significant as it covers the development of the pool precinct from concept plan to completed complex.A collection of various documents relating to the development of the Watermarc pool complex. Includes leaflets, plans, minutes of committee meetings and letters to committee member (in black ring binder).watermarc, greensborough, greensborough pool, swimming pools, rosalie bray, banyule city council -
Greensborough Historical Society
Booklet, Banyule City Council, The History of The Centre Ivanhoe, 2005_
... of The Centre Ivanhoe Booklet Banyule City Council ...Gives the history of The Centre Ivanhoe from its beginnings as Heidelberg Town Hall and municipal offices in the 1930s. Text and photos by Robin Grow.The Centre is an example of Art Deco architecture and has retained these features. The Banyule Council is committed to maintaining this building in its present form.12 pages, illus. (some col.).heidelberg town hall, the centre ivanhoe, art deco architecture, robin grow -
Greensborough Historical Society
Booklet, Banyule City Council, The History of The Centre Ivanhoe, 1934_
... of The Centre Ivanhoe Booklet Banyule City Council ...Gives the history of The Centre Ivanhoe from its beginnings as Heidelberg Town Hall and municipal offices in the 1930s. Text and photos by Robin Grow.The Centre is an example of Art Deco architecture and has retained these features. The Banyule Council is committed to maintaining this building in its present form.12 pages, illus. (some col.). -
Greensborough Historical Society
Folder, Banyule City Council, Civic Revitalisation: Ivanhoe and Greensborough: building a better Banyule, 2015_06
This folder contains information on the redevelopment of the Ivanhoe civic precinct and the development of One Flintoff Street Greensborough as Council's offices and service centre. The Greensborough centre will be built over the Watermarc building.Black spiral bound folder with clear cover, containing a collection of publications with text and colour images.banyule city council, ivanhoe, greensborough, one flintoff, watermarc -
Greensborough Historical Society
Invitation, Banyule City Council, 2014 Banyule Mayoral Ball, 03/10/2014
Invitation to Rosie Bray to the 2014 Banyule Mayoral Community Ball, The Centre Ivanhoe, 275 Upper Heidelberg Road Ivanhoe, 3 October 2014Card, printed both sides in colour, with postage envelopebanyule city council, rosie bray -
Greensborough Historical Society
Newspaper clipping, Asbestos removed, 18/12/2013
... at Banyule Council-run Joyce Avenue Children's Centre in October 2013 ...Reports on asbestos found at Banyule Council-run Joyce Avenue Children's Centre in October 2013. There was no risk to the public.News clipping, black and red text.asbestos, joyce avenue child care centre greensborough, banyule city council -
Greensborough Historical Society
Photograph - Digital Image, Marilyn Smith, City of Banyule Offices Flintoff Street, 01/08/2015
... centre of the Banyule City Council, The office is now closed... the Greensborough service centre of the Banyule City Council, The office ...This building was constructed as offices for the Shire of Diamond Valley (1994) and was formerly the Greensborough service centre of the Banyule City Council, The office is now closed and the building sold. New Council offices are under construction (2016) at One Flintoff Street, above Watermarc.Part of the changing landscape of Greensborough.Digital image of colour photograph.banyule city council -
Greensborough Historical Society
Photograph - Digital Image, Marilyn Smith, City of Banyule Offices Flintoff Street - Shire of Diamond Valley Plaque 1994, 13/09/1994
... the Greensborough service centre of the Banyule City Council, The office... and was formerly the Greensborough service centre of the Banyule City ...Close up of plaque. This building was constructed as offices for the Shire of Diamond Valley and was formerly the Greensborough service centre of the Banyule City Council, The office is now closed and the building sold. New Council offices are under construction (2016) at One Flintoff Street, above Watermarc.Part of the changing landscape of Greensborough.Digital image of colour photograph.banyule city council, shire of diamond valley -
Greensborough Historical Society
Newspaper clipping, Diamond Valley Leader, Residents rally for safety, 12/12/2012
The article is about pedestrian safety near the new Watermarc aquatic centre.The photograph includes the parliamentary member for Bundoora Mr Colin Brooks and a group of local residents.A small article with a colour photograph of a group of people.Biro written date and source.watermarc, colin brooks, vicroads, banyule city council, pedestrian safety -
Greensborough Historical Society
Newspaper Clipping, People power push 1999: Watsonia Shopping Centre, 02/06/1999
... to the Watsonia shopping centre watsonia watsonia shopping centre banyule ...Watsonia residents petitioned Banyule Council to allow more involvement in proposed changes to the Watsonia shopping centreNews clipping, text and black and white image.watsonia, watsonia shopping centre, banyule city council -
Greensborough Historical Society
Folder, Banyule City Council, Main Street Greensborough, 2007-2011
Folder of coloured photographs of Main Street Greensborough, plus one aerial photograph of the area bounded by Grimshaw, Flintoff, Para and Main Streets and one of Grimshaw Street between Henry and Main Streets. Greensborough Shopping Centre prior to the construction of WatermarcGreen plastic folder of coloured photographic prints of Main Street Greensborough.main street greensborough, banyule city council, watermarc -
Glenelg Shire Council Cultural Collection
Functional object - Box of sealing wax, n.d
Possibly from the Portland Town Council collection.Artefacts relating to the Portland Town Council represent the history of the Glenelg Shire and how it came to be. The Glenelg Shire Council was established by an Order-in-Council under the Local Government Act 1989, published in the Victorian Government Gazette S63 on 23 September 1994. Three councils were amalgamated, the City of Portland and the Shires of Glenelg and Heywood, to form the new Glenelg Shire.Cardboard box containing 11 full sticks and 5 partial sticks of sealing wax. Sealing wax embossed with maker detailsFront: Orange and yellow paper label on top. S. Maw, Son and Sons Fine sealing wax Crest in centre with London Englandportland town council, local government, glenelg shire, administration -
Glenelg Shire Council Cultural Collection
Certificate - Sesquicentenary Certificate, 1985
Displayed at History House. Portland's Sesquicentenary. Portland City Council.Certificate with "Victoria 150" logo at top. In a black-boxed square in lower two-thirds of paper is certificate endorsing the activities of the Town of Portland's planning committee for events of Anniversary Year November 17, 1984 - November 11, 1985.Front: Signature of Ranald Macdonald, Chairman (lower centre, faded pen).