Year book for the Williamstown High School 1968school year. Contains staff, student leaders, captains, prefects, sports results, camp details, student work.Black and white printed publication. White card cover printed in blue and whitewilliamstown high school, 1968, high tide, yearbook

Year book for the Williamstown High School 1971 school year. Contains staff, student leaders, captains, prefects, sports results, camp details, student work.Black and white printed publication with card cover. 44 p.; ill.williamstown high school, 1971, high tide, yearbook

A perpetual record of a students educational progress through high school. At the end of each term, marks and teacher's notes are added.Book of blue textured card, printed in black with Education Department Victoria coat of arms on cover. 14 pages.'L. Smallman' written on front cover. See attached PDF for full contents.williamstown high school, linda smallman, pupil record book

This document was a record of the student's year of work. It includes Subjects and mark received, teacher comments, principal comments and signatures.Single sheet of white paper printed with the school name and a table. Individual teachers filled out subject details, scores and personal comments and signed. Also includes principal's comments and signature and form teacher's signature.See JPG attachedwilliamstown high school, janie winter, 1973, student reports

Report book which was filled in each year documenting student results and progress.Blue woven cover printed in black with Education Dept Victoria logo. 15 p. pre-printed with marks area and room for teacher reports.See attached jpg'swilliamstown high school, janie winter, pupil record book, 1970, 1969

Contains enrolment forms of students, arranged alphabetically by surname. Some records also include marks achieved by students.Enrolment records of Charles Zwar ( writer of musicals) and William Wegener (enlisted to go to war when he was 16 years old. A prefect of 1915.)Binder with screws. Cardboard covered with buff coloured cloth and red corners.williamstown high school, student records, 1920's, charles zwar, william wegener

Copy of black and white photograph mounted on board.On back of photograph: 3 generations 1990; Martin Bowyer, Linda (Riddell) Bowyer, Mark Bowyer. (The Age).williamstown high school, 1990, 75th anniversary

Harrow Morgan's mother's square hat badgefrom the 1920's.Square metal hat badge enameled in red, yellow and black. Holes in each corner so the badge could be sewn to hat band.On back of badge: 223, WWT. Also makkers mark that is too small to read.williamstown high school, hat badge, 1920's, school uniform

The badge was presented to Peggy Booth as an award for sporting achievements in the 1940's.Metal badge with enameled decoration in black, red, gold on front. Pin with hook on back. Makers mark on back but too small to read. 'Williamstown High School Hold Fast' around edge of front of badge.williamstown high school, sports award, badge, 1940s, peggy booth

Presented to Williamstown High School students who became Prefects in the 1960s. This badge was presented to Iris Whitehurst (nee Webb).Metal badge enameled in black, red and yellow. Has a large P in the centre and Williamstown High School Hold Fast around the outside.Makers mark on back but too small to read.williamstown high school, prefects, 1960s, 1961, iris whitehurst, badges, iris webb

These badges were presented to students for sporting achievements in the 1960s. This badge was presented to Iris Whitehurst (nee Webb). in 1960.Metal badge enameled in red, black and gold. Stylised S in the centre and 'Williamstown High School Hold Fast' around the edge.Makers mark on back but too small to read.williamstown high school, sports award, 1960, badge, iris webb, iris whitehurst

Sewn to the hat band that decorated the straw hat worn by girls at Williamstown High School in the 1950s and 1960s.Metal badge enameled in black, red and gold. 'Williamstown High School Hold Fast' around the perimeter, an anchor in the centre. Three loops around the edge so the badge can be sewn to the hat band.Makers Mark on back: Swann & Hudson Frankstonwilliamstown high school, school uniform, hat, hat badge, 1950s

These badges were attached to the school hat band and adorned the straw hats worn by Williamstown High School girls in the 1950s and 1960s.Metal badge enameled in red, yellow and black. 'Hold Fast' across bottom, 'WHS' across yellow anchor. Three metal hooks around edge to allow badge to be sewn to hat band.Makers mark: Bridgland & King, Lonsdale Melbournewilliamstown high school, school uniform, hat badge, badge, 1950s, 1960s

Round metal badge with Red, yellow and black enameled decoration on the front and a hook clasp on the back, presented to form captains at Williamstown High School in the 1930s. This badge worn by Peg Bonwick (nee Clark).On front 'Form Captain' Makers mark on mark: K.C. Lunes Melbwilliamstown high school, 1930s, form captain, badge, peg bonwick, peg clark

Hard cover, blue cloth report book of 16 pages. Contains school report and marks for Robyn Tompson achieved during the period 1961-65 Hand written teacher remarks and subject marks.williamstown high school, robyn thompson, 1961, 1960's, 1962, 1963, 1964, 1965, student reports

Olive green cloth tie, printed in red black and white, produced by Williamstown High School to mark a school trip of 1951.williamstown high school, 1951, tie, school trips, tasmania

Black cloth tie produced by Williamstown High School to mark an Adelaide school trip. [year unknown].williamstown high school, adelaide, school trips, tie

Red cloth tie, printed in yellow and black, produced by Williamstown High School to mark a school trip to Sydney in 1951williamstown high school, 1950, sydney, school trips, tie

Black cloth tie printed in red and yellow, produced by Williamstown High School to mark a school trip to Mt Gambier in 1949.williamstown high school, 1949, mt gambier, tie, school trips

This mikiphone has an approximate manufacture date of circa 1926. It is stamped in the interior with the maker’s mark of Palliard Cie (St Croix), who partnered with the patent owners, Nicolas and Etienne Vadasz for the large scale production of the mikiphones. A Mikiphone – or Pocket Phonograph is one of the earliest versions of a portable music player. The Mikiphone was small enough to fit into a pocket for portability, and once unpacked had the ability to play 10” records. Power was supplied to the unit by a small hand crank, and sound was amplified by a small resonator. It is estimated that 100,000 to 180,000 of the units were made between 1924 and 1927. Luxury editions were also available with either a gold or silver casing. Le Corbusier is quoted as saying he could ‘see in the Mikiphone the essence of Esprit Nouveau’. The pocket gramophone is significant for historical and social reasons. It is primarily an enabler of leisure activities due to its portability and size. The design of the object is also significant as it showcases design advancements in the early part of the 20th century. The Swiss made "Mikiphone", the smallest talking machine ever placed on the market folded up to the size of a large pocket watch or small cheese case. Production stopped in 1927. A total of 180,000 were made. A few were made in a luxury version with gold or silver case for a "Pretentious clientele".Inside on dial: Mikiphone / Pocket Phonograph / Swiss made / System Vadasz. Outside: Pocket Phonograph / Mikiphone / System Vadosz / Patented in all countries.pocket phonograph, mikiphone, gramophone, pocket, music player, swiss made, switzerland

The number seven enclosed in an equilateral triangle was the General Mark of the Order. The number seven is the perfect number used in scripture. The Methodist Order of Knights was the official youth organisation of the Methodist Church of Australasia. It originated in Hurstville, NSW, on the 4th October 1914 by the then Mr and later Rev Alex Bray. Alex Bray was a Sunday School teacher and spoke to his class of the Knights of the Round Table. In 1917 the Order of Knights was officially recognised by the Sunday School Dept of the NSW Methodist Conference. Courts spread thoroughout Australia. In 1927 the High Court of NSW called for designs for a badge and in 1929 the General Conference of the Methodist Church of Australasia recognised the Order as an approved Organisation. In 1938 the Senior Section was organised into Degrees of Sincerity, Service and Sacrifice; the Junior Section into Pages' Degree with advancement to Esquire. In 1954 the Junior Section was reorganised into two groups: Pages 8 to 11 years and Esquires 12 to 15 years. The Knight's Motto: "Live Pure, Speak True, Right Wrong, Follow Christ the King, else wherefore born?" Courts of the Order: General Conference Department of the Christian Education - General Court - Provincial High Court - District Court - Local Court - Senior Court - Intermediate Court - Junior Court . Regalia: All members of the Intermediate and Senior Courts wore regalia consisting of a cloth shield superimposed by a cross of light and dark blue ribbons, and supported by a cloth collar. Esquire and Degree of Sincerity regalia: White collar and white shield. Degree of Service regalia: Green collar and shield. Degree of Sacrifice: Scarlet collar and shield. District Court regalia: Blue collar and gold shield. High Court regalia: Gold collar and purple sheild. General Court regalia: Purple collar and shield. Officers of the local courts wore their symbols as part of their regalia. Square cardboard and black ink general mark of the order symbols.On the back of MOK214.2: Sticker with the words "FRAMED BY BALLARAT GLASS COY. Glass and Glazing, etc. 54 HUMFFRAY ST. NTH. BALLARAT"methodist order of knights

Boyd proposes to apply art criticism techniques to architecture; claims architectural criticism in Australia is "all but dead" because of the 'schizophrenic nature of architecture" (i.e. building a socio-economic object as well as art). Boyd compares Kevin Borland's design of The Legend restaurant (Lonsdale St) with a recently designed residential apartment block (15 Collins St); claims that both are schizophrenic but The Legend is masterfully so whereas the apartments are aesthetically lacking.Original manuscript of an article published as ‘The schizophrenic style’ in "The Sunday Australian", 14.3.1971Typewritten (c copy), quarto, 11 pagesTop of page 1 handwritten where and when published. The last page credits photographer Mark Strizic, so images may have been attached.architectural criticism, art criticism, melbourne architecture, the legend restaurant, lonsdale st, leonard french, legend milk bar, tivoli theatre, clement meadmore, kevin borland, colonial architecture, 15 collins st, robin boyd, manuscript

Captions for photographs in "Living in Australia"Original manuscript for the captions for "Living in Australia", Pergamon Press, 1970Typewritten (c copy), quarto, 16 pagesmccaughey court, lyons house, mcclune house, menzies college, shelmerdine house, john batman motor inn, black dolphin, marks house, lawrence house, boyd house, walsh st, baker house, troedal house, purves house, fletcher house, handfield house, kaye house, domain park flats, robin boyd, manuscript

This painting is dedicated to Patricia Boyd, Robin Boyd's wife, on the reverse side. "Night of Love" was exhibited as a complimentary pair with "Days of Gold" at Laycock's 1965 exhibition at South Yarra Gallery, where Robin Boyd purchased it. It hangs in the living/dining room. "Three of the Players", the 1953 painting by John Brack, hung in this position in the Mark Strizic photograph in Robin Boyd's book "Living in Australia" p 80. The Brack was in the Boyd home until 2010, when it was sold.Abstract composition, predominantly in red tones but with blue tones in the bottom right hand corner.Initials and date (DL 65) in centre at the bottom. On the reverse side - "1506" ; label on rear with cutting instructions, and" To Pat".donald laycock, south yarra gallery, paricia boyd, robin boyd, walsh st artwork, ohm2022, ohm2022_18

Robin Boyd developed a close friendship with the founder of the Bauhaus in Weimar Germany, Walter Gropius, who had moved to the USA in the 1930s. Through this connection, Boyd was invited to be the Massachusetts Institute of Technology (MIT) Bemis Professor at the School in the North American academic year 1956-7. During this time, the Boyds purchased this set of Revere kitchenware, which carries the prized "Process Patent" maker's mark on the thick copper bases. Mandie Boyd recalls: "I don’t remember a lot of cooking going on in them, if any, as they were a pain to clean but looked fabulous hanging on the wall absolutely gleaming. We would all check our hair and make up in them."A set of Revere Ware Saucepans and Frying Pans. A set of four Revere Ware copper clad, stainless steel saucepans with lids and black handles and hanging rings. A set of three Revere Ware copper clad, stainless steel pans with black handles and hanging rings. The largest flat one has no lid. Saucepans: largest 175mmx140mm, smallest 120mmx180mm. Frying Pans: largest 350mmx10mm, smallest 80mmx50mm.Revere Ware company engraving. Made under process patent #2363973. 'Revere Ware 1801' 'Patent # 22726091'revere, revereware, revere ware, cookware, walsh st kitchenware, robin boyd, ohm2022, ohm2022_10

These are not original cushions in the photos by Mark Strizic in 'Living in Australia' p 83 and p129. Penleigh Boyd recalls: "the upstairs living room in the 1980s and 1990s was a much more colourful space. Arthur Boyd’s large paintings dominated the south wall and the Phillip Fox paintings as well as Tony Wood's 'In the Studio Psychologically Challenged' coloured the north wall. Patricia Boyd was experimenting with colour". These cushions were on the bed in Walsh St until around 2019.Indian cotton turquoise, rust, charcoal, mustard, beige stripe with tassels along centre. Zip on opposite side through centre square.walsh st furnishings, robin boyd

These are not original cushions in the photos by Mark Strizic in 'Living in Australia' p 83 and p129. Penleigh Boyd recalls: "the upstairs living room in the 1980s and 1990s was a much more colourful space. Arthur Boyd’s large paintings dominated the south wall and the Phillip Fox paintings as well as Tony Wood's 'In the Studio Psychologically Challenged' coloured the north wall. Patricia Boyd was experimenting with colour". These cushions were on the bed in Walsh St until around 2019.Indian cotton red, emerald green, mustard, white. Tassels and white stripes along centre. Zip on opposite side through centre square.walsh st furnishings, robin boyd

This Beco lamp was designed by Donald Brown, a pre-eminent Australian lighting designer in the '50s and '60s. Robin Boyd often specified BECO lighting, including elsewhere in his own home. This was originally a bedside reading lamp in the upper living room, as seen in the Mark Strizic 1958 photograph in Robin Boyd's book Living in Australia p129.Beco 720 lamp, with black stand base with switch and white glass shadeBrown Evans & Cowalsh st furnishings, robin boyd, ohm2022, ohm2022_25

The portrait of Robin Boyd by Marc Strizic may have originally hung in the office of Romberg and Boyd.strizic, robin boyd, walsh st furnishings