Handwritten notes, undated, on A & G Bills horse trough Main Road Research. Handwritten notes, undated, "Annie and George Bills" listing locations of other Bills horse troughs. Typed notes by Dianna Basset-Smith, July 2003, her memories of the Bills trough at Research. Letter, RSPCE to Andrew Lemon, 17 December 1993, lists other horse troughs known to the RSPCA, use of money from Bills estate managed by John Crook. Newspaper article: Legacy is set in concrete, The Weekly Times, 25 June 2003, history of Bills horse troughs from 1930s, biography of George Bills and Annis Swarm [correctly Swann], quoting Barbie Roach, Gorge Bills' great-grandneice, notes locations of other Bills troughs. Newspaper article: No drought in water troughs, Weekly Times, 9 July 2003, Response to 25 June 2003 article, readers reporting Bills troughs in their area, photograph of trough at Korong Vale. Newspaper article: The horse lover, (photocopy, no publication details), Decaying Bills horse tough in Geelong council yard proposed to be moved to RSPCA, history of George Bills, Annis Bills (nee Swann), legacy, great-grandneice Judith Crook writing Bills history. Email exchange, Eltham District Historical Society and Geraldine Sanderson 2015: enquiry re Bills trough at Research for planned history of Bills trough, and provision of EDHS-held information.Annis Elizabeth Swannmain road, research (vic.), horse troughs, annis and george bills, bills trough, audrey bills, annis bills, george bills, barbie roach, royal society for the prevention of cruelty to animals, judith crook, audrey morton, kathleen wood, acclimatisation society, john lugg, ian stacey, harry bills, annis swann, james boreas crook, william buesst, myer emporium, richard bills, buesst and bills brothers, daisy bills

The Kookaburra is a sociable bird commonly seen in small flocks. These flocks mainly consist of family members. If not in flocks, these birds are commonly seen in pairs. They have a distinct appearance with brown wings, back and brown around the eyes, with majority of the plumage being white. This species reside in woodlands and open forests, however they can be seen in parks, wetlands, farms and any other space that is open with grass. This native Australian bird can mainly be found across the eastern Australia, however they have been introduced Tasmania, South-west Western Australia and New Zealand. Although this is a taxidermy mount, it looks exactly like a Kookaburra in real life. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Kookaburra has a predominantly white body. The back, wings and tail are a light shade of brown. There is a strip of brown going across the eyes. This specimen stands upon a wooden branch and has an identification tag ties around its leg. This bird is stout in shape and has a medium length tail and a broad bill. This bill is darker on top and lighter in colour on the bottom.W8083 / taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, kookaburra, australian birds, laughing kookaburra

Bendigo Advertiser ''The way we were'' from 2000. Land Bill - The main purpose of the Bendigo Land Bill was to authorise the sale of land at the corner of Mitchell and High streets for 9000 Pounds. In 1870 the site was a gold mine on which a Bendigo councillor, Dr Boyd, had erected buildings, one of these buildings was the City Club Hotel. The clip is in a folder.newspaper, bendigo advertiser, the way we were

Schwerkolt Cottage drawn in November 1988.Black ink & water colour of Schwerkolt Cottage with trees in background. Has a cream surround with a black frame. Labelled "Around Schwerkolt "Bill Andrade. On back label Bill Andrade - phone 890-9607, 18 Perth Street, Blackburn Sth 3130 member - Mitcham Arts Old Water colour Society Ink & water. Nov 1988.As above.ink & water colour, schwerkolt, mitcham arts, schwerkolt cottage, bill andrade

B&W photo (one in a series) showing l-r Ernie Thorn, Bill Hermon and Jim Norton. Ernie and Bill are standing with arms folded, in front of a Chevrolet truck, and Jim is sitting on the hay piled on the truck tray. Similar to other photos taken that day but taken from ground level. The left side of the photo has water damage.

An Australasian Darter is a waterbird with a distinctive long straight neck and a sharp bill. This feature has resulted in this bird sometimes being called the "snakebird" . This specimen is a slim bird with pale grey to white colouring. This colouring identifies this particular specimen as female. The Australasian Darter is commonly located around waterways in freshwater or brackish wetlands more than 0.5m deep. The Darter will perch on fallen trees and branches near the water and holds its wings out to the sides in an effort to dry them. The Noongar people of southwestern Australia called this bird "mimal". It has also been called the New Holland darter or the New Holland devil-bird. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum and the National Museum of Victoria, as well as individuals such amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.An Australasian Darter with a large, slim body and grey to white colouring. This specimen has a long snake-like neck and webbed feet. It has large powerful wings positioned flat against the rear of its body. The eyes are made of glass and are a pale yellow colour which is similar in colour to the long and sharp bill.Paper label: "154 New Holland Darter"taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, darter, bird, australasian darter

Historic summary concentrating on four moves of St Paul's Anglican Church in Ringwood from 1879 to 1979 including photographs of each location - Mount Dandenong Road, Pratt Street, Ringwood Street, and Warrandyte Road. Includes list of vicars from 1905 to 1979.Introduction by Rev. Bill Potter, Vicar. Compiled by Stella Badger Design, Charles Miller

Original coloured poster displaying a Spitfire shooting a Luftwaffe twin engined Bomber which has it’s port engine on fire. The print is mounted in a plain black wood frame.On the Poster, “On to Victory, Air crew wanted RAAF Urgently” On the rear is, “Bill Clark Esq”air crew, raaf

This is a personal description of this man's (Herb) landing on the beach at Gallipoli 25 April 1915. The casualties, the explosions and bullets everywhere. Herb was wounded. At the bottom of the letter he asks "Herb?" to take his stripper down to Tom Edwards Place.This is a one quarto page, lined. Handwritten on both sides is a letter to "Bill". The writing is in pencil. Written from Mena Hospital 7 May 1915.gallipoli landing, ww1, wia

Photograph published in the Ship to Shore 2004Colour photograph depciting Bill Romney standing next to a Sri Lankan Seaman in from of the bar of the club in teh 717 Flinders Street Mission.bill romney, bar, sri lanka

Nose bit auger. Similar to shell bit except the nose turned inwards to form a cutting lip bill has a broken shaft. 195mmLflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, nose bit auger

Small Towns With Big Hearts Lockwood South. Series of photos and information about Lockwood South. Pictures by Bill Hawking. Written by Wayne Gregson.newspaper, bendigo advertiser, lockwood south

Erected in 1888 by Robert Milburn and family, the coffee palace on the corner of Mollison and Mitchell Streets was opposite the entrance to the railway station and as such provided ready access for travellers. Built at a cost of L4000, it consisted of 40 rooms that provided retail outlets and a ballroom on the ground floor and accommodation on the upper level. In 1945 it was converted to provided hostel accommodation for 43 student teachers. The building was demolished in the 1980's.An ink and pencil drawing of the Bendigo Coffee Palace signed by Bill Klemmer in 1968. The drawing reproduces the building like it would have looked in 1875.bendigo, sandhurst coffee palace, drawing, bill klemmer

Round china serviette/napkin ring with duck head & wing on top & feet. Ring is beige, wings green and ducks bill and feet are orange.domestic items, table setting

A pair of embroidery scissors in the shape of a stork; bill being the cutting blades, feet sitting on handles. Blades are metal (silver), rest in gold metaldomestic items, sewing

Heritage Trail funded by grant to the City of Whitehorse from Commonwealth of Australia to celebrate 100 years of Federation.Coloured photograph of Cr. Bill Bowie, Mayor, City of Whitehorse, speaking at opening of Whitehorse Heritage Trail Furness Reserve, Main Road Blackburn.whitehorse heritage trail, city of whitehorse, bowie, bill, baressi, phillip

North West corner of Canterbury and Blackburn Roads Blackburn.Black & white photo of 'Bills' Horse Trough, north-west corner of Canterbury and Blackburn Roads See page 97 of Da Costa book.blackburn road blackburn, canterbury road blackburn, horse troughs

Black and white photograph of the shelter being erected at Antonio Park by Rotary, Mitcham, as a memorial to Bill Sewart, a Rotarian and City Engineer in the City of Nunawadingantonio park mitcham, sewart, bill, rotary club of mitcham, whitehorse road, mitcham

Black and white photograph of Rotary Club changeover dinner David Jennings President welcoming new member Bill Mair. Lakes Entrance Victoriarotary club, volunteering

Colour photograph of , Lisa Marsden nee Bills, Matthew, Emily and Sarah at the opening of his plumbing shop in Church Street Lakes Entrance Victoriabusiness, plumbing

With photgraph "Jerusalem, Church of All Nations" Inside - "To Jean with love from Bill" "With best Wishes for a very Happy Christmas and a Bright New Year"literature, ballarat rsl, ballarat

Archive of digital photos and book donated to Southern Sherbrooke Historical Society on 27th May 2004, when Bill & Greg Montague spoke to the society.