Ino KIYOSHI (1 (1946-28/09/2008) ) Born Kyoto, Japan Kiyoshi Ino was born into a family that has been involved in the production of pottery for some 160 years. He working towards a Diploma of Ceramic Arta at the Kyoto School of Arts and Crafts, which he completed in 1969. He then attended the Kyoto Technical School for a post-graduate course in glazing, and was laer appointed lecturer in Ceramics at the Kyoto Technical School. After completing a study tour of China and Taiwan, Ino was one of a group of Japanese potters that travelled to Australia from the 1970s onwards following in the footsteps of the famous Japanese potter, Shoji Hamada who Kyoshi visited in 1965. Kiyoshi Ino visited Sydney in 1973, where he worked with Japanese potter Shigeo Shiga. Between 1974 and 1976 Kyoshi took up an appointment as Visiting Lecturer in Ceramics at the Gippsland Institute of Technical Education, returning there as Assistant to the Senior Lecturer in Ceramics in 1979. He left Gippsland Institute in 1988. Ino was involved in the establishment of a space for artists in the old butter factory at the nearby township of Yinnar and in 1982 the Yinnar Art Resource Collective, commonly known as Yinnar ARC, was established.Glazed vesseljan feder memorial ceramics collection, staffmember, ceramics, yinnar art resource collective, ino kiyoshi

Graeme DRENDEL (1953- ) Born Ouyen, Victoria Graeme Drendel is a key Australian figurative painter and printmaker who believes you should paint what you know. He studied Art Teaching at the Ballarat Teacher' College and Ballarat School of Mines in 1971 and 1972 before completing a Diploma of Teaching Art and Craft at Melbourne State College in 1974. While studying in Ballarat Graeme lived in the student hostel 'Beaufort House'. After teaching for several years, Graeme undertook a life changing and extensive travelling tour throughout Italy, United Kingdom and United States at which time he decided he would always depict the human figure. Recognised for his intelligent observations of the human condition, Graeme’s art invites contemplation and reveals the humour of everyday life. The isolation he portrays through his characters may relate back to the isolation he felt on the wheat farm he grew up on. As a prolific user of sketchbooks Graeme Drendel records close observations, which can inform his paintings. Graeme Drendel is regularly a finalist in the Archibald Portrait Prize, Sulman Prize, Paul Guest Prize and in 2022 he won the prestigious Doug Moran National Portrait Prize with his portrait of fellow artist Lewis Miller. In 2021 he received a Federation University Distinguished Alumni Award. Two objects hang from a timber structure.graeme drendel, printmaking, silkscreen

Graeme DRENDEL (1953- ) Born Ouyen, Victoria Graeme Drendel is a key Australian figurative painter and printmaker who believes you should paint what you know. He studied Art Teaching at the Ballarat Teacher' College and Ballarat School of Mines in 1971 and 1972 before completing a Diploma of Teaching Art and Craft at Melbourne State College in 1974. While studying in Ballarat Graeme lived in the student hostel 'Beaufort House'. After teaching for several years, Graeme undertook a life changing and extensive travelling tour throughout Italy, United Kingdom and United States at which time he decided he would always depict the human figure. Recognised for his intelligent observations of the human condition, Graeme’s art invites contemplation and reveals the humour of everyday life. The isolation he portrays through his characters may relate back to the isolation he felt on the wheat farm he grew up on. As a prolific user of sketchbooks Graeme Drendel records close observations, which can inform his paintings. Graeme Drendel is regularly a finalist in the Archibald Portrait Prize, Sulman Prize, Paul Guest Prize and in 2022 he won the prestigious Doug Moran National Portrait Prize with his portrait of fellow artist Lewis Miller. In 2021 he received a Federation University Distinguished Alumni Award. Two objects hang from a timber structure.graeme drendel, printmaking, silkscreen

Graeme DRENDEL (1953- ) Born Ouyen, Victoria Graeme Drendel is a key Australian figurative painter and printmaker who believes you should paint what you know. He studied Art Teaching at the Ballarat Teacher' College and Ballarat School of Mines in 1971 and 1972 before completing a Diploma of Teaching Art and Craft at Melbourne State College in 1974. While studying in Ballarat Graeme lived in the student hostel 'Beaufort House'. After teaching for several years, Graeme undertook a life changing and extensive travelling tour throughout Italy, United Kingdom and United States at which time he decided he would always depict the human figure. Recognised for his intelligent observations of the human condition, Graeme’s art invites contemplation and reveals the humour of everyday life. The isolation he portrays through his characters may relate back to the isolation he felt on the wheat farm he grew up on. As a prolific user of sketchbooks Graeme Drendel records close observations, which can inform his paintings. Graeme Drendel is regularly a finalist in the Archibald Portrait Prize, Sulman Prize, Paul Guest Prize and in 2022 he won the prestigious Doug Moran National Portrait Prize with his portrait of fellow artist Lewis Miller. In 2021 he received a Federation University Distinguished Alumni Award. A etching of a man with a man size goose.graeme drendel, printmaking, goose, fauna

Graeme DRENDEL (1953- ) Born Ouyen, Victoria Graeme Drendel is a key Australian figurative painter and printmaker who believes you should paint what you know. He studied Art Teaching at the Ballarat Teacher' College and Ballarat School of Mines in 1971 and 1972 before completing a Diploma of Teaching Art and Craft at Melbourne State College in 1974. While studying in Ballarat Graeme lived in the student hostel 'Beaufort House'. After teaching for several years, Graeme undertook a life changing and extensive travelling tour throughout Italy, United Kingdom and United States at which time he decided he would always depict the human figure. Recognised for his intelligent observations of the human condition, Graeme’s art invites contemplation and reveals the humour of everyday life. The isolation he portrays through his characters may relate back to the isolation he felt on the wheat farm he grew up on. As a prolific user of sketchbooks Graeme Drendel records close observations, which can inform his paintings. Graeme Drendel is regularly a finalist in the Archibald Portrait Prize, Sulman Prize, Paul Guest Prize and in 2022 he won the prestigious Doug Moran National Portrait Prize with his portrait of fellow artist Lewis Miller. In 2021 he received a Federation University Distinguished Alumni Award. Three etchings showing aspects of a room.graeme drendel, printmaking

Graeme DRENDEL (1953- ) Born Ouyen, Victoria Graeme Drendel is a key Australian figurative painter and printmaker who believes you should paint what you know. He studied Art Teaching at the Ballarat Teacher' College and Ballarat School of Mines in 1971 and 1972 before completing a Diploma of Teaching Art and Craft at Melbourne State College in 1974. While studying in Ballarat Graeme lived in the student hostel 'Beaufort House'. After teaching for several years, Graeme undertook a life changing and extensive travelling tour throughout Italy, United Kingdom and United States at which time he decided he would always depict the human figure. Recognised for his intelligent observations of the human condition, Graeme’s art invites contemplation and reveals the humour of everyday life. The isolation he portrays through his characters may relate back to the isolation he felt on the wheat farm he grew up on. As a prolific user of sketchbooks Graeme Drendel records close observations, which can inform his paintings. Graeme Drendel is regularly a finalist in the Archibald Portrait Prize, Sulman Prize, Paul Guest Prize and in 2022 he won the prestigious Doug Moran National Portrait Prize with his portrait of fellow artist Lewis Miller. In 2021 he received a Federation University Distinguished Alumni Award. An etching with pig. This work was completed during Graeme Drendel's final year at Melbourne State College where he was studying Secondary Art and Craft Teaching and majoring in Printmaking.graeme drendel, printmaking

Graeme DRENDEL (1953- ) Born Ouyen, Victoria Graeme Drendel is a key Australian figurative painter and printmaker who believes you should paint what you know. He studied Art Teaching at the Ballarat Teacher' College and Ballarat School of Mines in 1971 and 1972 before completing a Diploma of Teaching Art and Craft at Melbourne State College in 1974. While studying in Ballarat Graeme lived in the student hostel 'Beaufort House'. After teaching for several years, Graeme undertook a life changing and extensive travelling tour throughout Italy, United Kingdom and United States at which time he decided he would always depict the human figure. Recognised for his intelligent observations of the human condition, Graeme’s art invites contemplation and reveals the humour of everyday life. The isolation he portrays through his characters may relate back to the isolation he felt on the wheat farm he grew up on. As a prolific user of sketchbooks Graeme Drendel records close observations, which can inform his paintings. Graeme Drendel is regularly a finalist in the Archibald Portrait Prize, Sulman Prize, Paul Guest Prize and in 2022 he won the prestigious Doug Moran National Portrait Prize with his portrait of fellow artist Lewis Miller. In 2021 he received a Federation University Distinguished Alumni Award. An etching with a man carrying a calf. graeme drendel, printmaking, calf, cow

Graeme DRENDEL (1953- ) Born Ouyen, Victoria Graeme Drendel is a key Australian figurative painter and printmaker who believes you should paint what you know. He studied Art Teaching at the Ballarat Teacher' College and Ballarat School of Mines in 1971 and 1972 before completing a Diploma of Teaching Art and Craft at Melbourne State College in 1974. While studying in Ballarat Graeme lived in the student hostel 'Beaufort House'. After teaching for several years, Graeme undertook a life changing and extensive travelling tour throughout Italy, United Kingdom and United States at which time he decided he would always depict the human figure. Recognised for his intelligent observations of the human condition, Graeme’s art invites contemplation and reveals the humour of everyday life. The isolation he portrays through his characters may relate back to the isolation he felt on the wheat farm he grew up on. As a prolific user of sketchbooks Graeme Drendel records close observations, which can inform his paintings. Graeme Drendel is regularly a finalist in the Archibald Portrait Prize, Sulman Prize, Paul Guest Prize and in 2022 he won the prestigious Doug Moran National Portrait Prize with his portrait of fellow artist Lewis Miller. In 2021 he received a Federation University Distinguished Alumni Award. An etching with a man carrying two milk buckets.graeme drendel, printmaking, bucket, milk, farmer

Graeme DRENDEL (1953- ) Born Ouyen, Victoria Graeme Drendel is a key Australian figurative painter and printmaker who believes you should paint what you know. He studied Art Teaching at the Ballarat Teacher' College and Ballarat School of Mines in 1971 and 1972 before completing a Diploma of Teaching Art and Craft at Melbourne State College in 1974. While studying in Ballarat Graeme lived in the student hostel 'Beaufort House'. After teaching for several years, Graeme undertook a life changing and extensive travelling tour throughout Italy, United Kingdom and United States at which time he decided he would always depict the human figure. Recognised for his intelligent observations of the human condition, Graeme’s art invites contemplation and reveals the humour of everyday life. The isolation he portrays through his characters may relate back to the isolation he felt on the wheat farm he grew up on. As a prolific user of sketchbooks Graeme Drendel records close observations, which can inform his paintings. Graeme Drendel is regularly a finalist in the Archibald Portrait Prize, Sulman Prize, Paul Guest Prize and in 2022 he won the prestigious Doug Moran National Portrait Prize with his portrait of fellow artist Lewis Miller. In 2021 he received a Federation University Distinguished Alumni Award. An etching of a male doctor or surgeon. graeme drendel, printmaking, doctor, surgeon

Graeme DRENDEL (1953- ) Born Ouyen, Victoria Graeme Drendel is a key Australian figurative painter and printmaker who believes you should paint what you know. He studied Art Teaching at the Ballarat Teacher' College and Ballarat School of Mines in 1971 and 1972 before completing a Diploma of Teaching Art and Craft at Melbourne State College in 1974. While studying in Ballarat Graeme lived in the student hostel 'Beaufort House'. After teaching for several years, Graeme undertook a life changing and extensive travelling tour throughout Italy, United Kingdom and United States at which time he decided he would always depict the human figure. Recognised for his intelligent observations of the human condition, Graeme’s art invites contemplation and reveals the humour of everyday life. The isolation he portrays through his characters may relate back to the isolation he felt on the wheat farm he grew up on. As a prolific user of sketchbooks Graeme Drendel records close observations, which can inform his paintings. Graeme Drendel is regularly a finalist in the Archibald Portrait Prize, Sulman Prize, Paul Guest Prize and in 2022 he won the prestigious Doug Moran National Portrait Prize with his portrait of fellow artist Lewis Miller. In 2021 he received a Federation University Distinguished Alumni Award. graeme drendel, printmaking

Correspondence between Mrs T. R. Mannix, Swan Hill Wolf Cub Pack master to District Scout Commissioner Mr J. I. Samson for an invitation to be included with the local scout groups in functions to welcome Queen Elizabeth and the Duke of Edinburgh to Bendigo on Friday, the 5th of March 1954. The response from the Commissioner included typed plans of the event and maps of the royal tour through the streets of Bendigo starting and finishing at the train station.Set of correspondence including typed gatefold letter, typed plans for placement of visitors and role of the military and maps of CBD Bendigo and of Upper Reserve.queen elizabeth, duke of edinburgh, boy scout association, mayor clayton, city of greater bendigo royal visits, city of greater bendigo community groups, city of greater bendigo tourism

Travelling entertainment has been one popular way that charities have been able to raise revenue over the past 170 years. The Royal Victorian Institute for the Blind toured regional Victoria regularly to help raise awareness, showcase their talents and fundraise to provide care and education for vision impaired men, women and children. Double sided printed ticket for a concert in the Bendigo Town Hall featuring blind artists and dancers from the Royal Institute of the Blind.Obverse; Under the Patronage of the Mayor and Mayoress (Cr, and Mrs J. A. Michelson) and / Councillors of the City of Bendigo / 30 Blind Artists !! / FIRST APPEARANCE IN BENDIGO of The Famous Orchestra and / Concert Party of Blind Artsits and Blind Children Dancers from the / ROYAL VISTORIAN INSTITUTE for the BLIND, / (ST KILDA ROAD MELBOURNE) / WILL GIVE THEIR / FIRST BENDIGO ENTERTAINMENT / IN THE BENDIGO TOWN HALL, / on TUESDAY, MARCH 22nd, 1927, at 8PM / His worship the Mayor will Preside / Tickets 2/- box plan at the Premier Piano Company from March 14th. / PROCEEDS IN AID OF INSTITUTE S.W Hedger, Superintendent and Secretarymayor and mayoress michelson, vision australia, city of bendigo town hall, city of greater bendigo community partnerships, city of greater bendigo events

A publication promoting visitation and automobile touring around Bendigo and surrounding districts. Suggests seven routes and contains extensive advertising for accommodation, businesses and services within Bendigo and Castlemaine.Thirty two page tourist fold out booklet containing maps and directions for half day and day routes in the district. Booklet also contains advertising promoting Bendigo and District businesses. city of greater bendigo commerce, city of greater bendigo tourism, making a nation exhibition

As tourism and touring grew in the early and mid 20th century, sending letters and postcards was one of the main forms of communications friends and family would use to share their travels and remind loved ones that they were thinking of them while away. Bendigo's geographic location in central Victoria and relatively closeness to Melbourne has meant that capturing the tourist dollar has been an important focus for promotional activities of the City. Businesses such as Nucolorvue Productions serviced the need for high quality printed souvenirs such as these.Mass produced souvenir foldout 'views' of Bendigo packaged in an envelope. Inside contains six double sided postcard sized, hand tinted photographs highlighting local popular sites. Includes text describing Bendigo's geographic location and main industries and attractions. Envelope is addressed. Nucolorvue Productions produced this style of souvenir with a generic country scene on the envelope and site specific information and images inside for such places as Adelaide Hills, Murray Valley, Shepparton and Warrnambool.Front; A Souvenir / of Beautiful / BENDIGO / 12 Specially Selected Views in Full Colour /Mrs B. S. Mc Namara / 93 Chaffey Avenue / Mildura. Verso; Have a look of (sic) Bendigo / Love / From / Your Loving / Son in Law Bill / Published by Nucolorvue Productions. Elwood. Victoriacity of greater bendigo tourism

As tourism and car culture grew in the early and mid 20th century the need for street and touring directories grew. Bendigo's geographic location within central Victoria and relatively closeness to Melbourne meant that the district has long been an ideal car touring destination. A. E. Pritchard was a licensed surveyor with an office in Bull Street Bendigo and produced these handy bound directories which fit neatly into the car glovebox therefor serving both the local and state demand for high quality printed directories such as these. One hundred and thirty page printed and bound street and touring directory. Includes fold out reference and day touring maps, photographs of local 'beauty' spots and extensive advertising by local businesses. Heavy card used for front and back covers. Three colour print process.Pritchards 'Pointer' Directory Bendigo - Castlemaine.city of greater bendigo commerce, city of greater bendigo tourism, city of greater bendigo leisure, making a nation exhibition, cambridge press, mayor w cambridge

Donald Clark Collection. A colour photograph depicting cyclists participating in the Sun Tour passing through Tarnagulla. Original photograph.

Donald Clark Collection.A letter from the Shire of Bet Bet Secretary to Donald Clarke regarding proposed introduction of adventure tours by a private tour company in the Shire.

Donald Clark Collection.A flyer for a tour of gardens in Tarnagulla, Murphy's Creek, Laanecoorie and Newbridge, arranged by Tarnagulla Golf Club and held in October 1994.

Donald Clark Collection.A flyer and ticket for a tour of gardens in Tarnagulla, Murphy's Creek, Laanecoorie and Newbridge, arranged by Tarnagulla Golf Club and held in October 1993.

Donald Clark Collection.A photocopied foldable A4 brochure created to guide a walking tour. Title: Walks Around Historic Towns, No. 1, A Walk Around Tarnagulla. Features 13 places of interest around the town.tourism, local history, walking tours

Donald Clark Collection.Foldable photocopied brochure with title 'Historic Tarnagulla, Just Waiting For You'. Contains a map of the region marked with day trip places of interest. Also has a list of 'Things to Do and See' and a list of local traders in Tarnagulla.tourism, local history, walking tours

Donald Clark Collection.A photocopied foldable A4 brochure created to guide a walking tour. Title: Welcome To Tarnagulla'. Features 22 places of interest in and near the town.tourism, local history, walking tours

Donald Clark Collection.Foldable photocopied brochure with title 'Historic Tarnagulla, Just Waiting For You'. Contains a map of the region marked with day trip places of interest. Also has a list of 'Things to Do and See' and a list of local traders in Tarnagulla.tourism, local history, walking tours

Murray Comrie Collection. In June 1866, Aimé Marchand (1846-1910) made a series of fourteen photographs which were submitted to the 1866-67 Melbourne Intercolonial Exhibition, where they earned a 1st Class Honorable Mention. This is one of those fourteen images. Of French or Belgian origin and possibly formerly an assayer in California, Marchand appears to have begun his practice of photography in Tarnagulla around 1865 as an assistant to A.B. Clay. By the following year he had settled in Portland, where he opened the Royal Photographic Studio in Gawler Street. From his base in Portland he toured surrounding districts, offering portrait and view services. Little else is known about his life. He appears to have left Australia in 1878. A misprint of his name in a local directory as Annie Marchand created the misconception that he was one of only a few named women photographers in the colonies. Monochrome photograph depicting a view across Tarnagulla in June 1866.tarnagulla, views, mining, aimé marchand, photographers

Murray Comrie Collection. Booklet with title 'A Walk Around Tarnagulla'. Contains instructions and information for a self-guided history walk in Tarnagulla. Photographed and prepared by Rev. T.H. Banfield from notes prepared by Mr. D. W. Clark in April 1981. This imprint is a 1991 second edition.tarnagulla, history, walking tours, tours, tour, walking tour, banfield, clark