Bendigo Advertiser "The way we were" from 1999. Retro: Banyan, a '50s-style house, had exuberant architecture for its time.newspaper, bendigo advertiser, the way we were

Handmade by Betty Taylor during the 1940s, while living at Wodonga. Subsequently worn by her daughters. It was made from a blanket during the 2nd World War as other materials were only obtainable with coupons which were scarce. Once made the coat was used by all the female family members at various times (including grand-daughters). She married Neil Clarence Ripper and moved to Airly in 1950. Airforce-blue ladies handmade overcoat, light weight tweed material, three-button front, flared style, collarless, shaped sholders.world war 1939-1945

Typed notes on the building of the Law Courts. Mentioned is the cost, laying of the foundation stone, style of buiding, description of the layout of the building, and builders and architects.document, names of bendigo pioneers, bendigo law courts, the law courts, j w taverner, public offices, r c brown, lord hopetoun, m'culloch & m'alpine, j bennett & sons, j r fisher, post office, scurry & wardrop, annals of bendigo, royal historical society of victoria bendigo branch

A framed coloured Asian style painting with boats along a river and small shacks along the enbackment. There is a signature bottom right corner but no readable.painting

Residence of Frank G Smith, Banker in 1860s and 1870s. Part of collection of photos of St kilda houses to Vienna exhibition 1873black and white photograph of original double storey large family home Italianate style gravel forecourt, people on verandah building building

Pair of dark khaki gaiters, army styles, 1 rolled up in tight ball and tied up with mustard strap. The other open.army uniform, gaiters, ww2

Gown worn by St Andrew's Uniting Church Ballarat choir member Coralie Owen.Blue choir robe with white stole. Academic gown style. Synthetic stole is attached at the centre back of the robe. There are press studs at the front.st andrew's uniting church ballarat

This item was produced to commemorate the Australian Bicentennial 1788 - 1988An 'Anjou' style traditional red wine glass with a long stem and inturned bowl and flat base. There is a gold 'Shire of Bulla' transfer on the front.Front: 'Shire of Bulla' emblem Back: "Australian Bicentennial / 1788 - 1988"wine glasses, shire of bulla, australian bicentenary, festivals and celebrations, glasses, municipal offices, sunbury, george evans collection

The mouth piece was used as a replacement part for a pipeBlack and brown two piece mouth piece made of bakelite. Used by cigarette smokers for style and also prevented nicotine stains on the fingerspersonal effects, smoking accessories

Vest knitted during WWII from darning wool which was the only wool not rationed in Britain during the war years.Maroon Fair-Isle vest with Nordic style patterns in white. Made with darning wool. Maroon metal zip on right hand shoulder.costume accessories, female

Bentwood style high chair painted green, oval Rattan cane insert for back rest, lift up tray, foot restfurniture, domestic-nursery

Following service in World War Two, Staff Sergeant M Miles enlisted in the Citizen Military Forces and served as Squadron Quartermaster Sergeant in 8/13 Victorian Mounted Rifles. Lapel style Blues jacket with Staff Sergeant rank insignia. All buttons except one pocket button have been removed.miles, wwii, cmf, reserve

An original newspaper cutting from The Illustrated London News 28 August 1852 regarding the steam-packet Great Britain leaving London for Port Phillip and Sydney.Realism, historical, etchings, artworkCard mounted etching style drawing of the "Steam Packet Wharf, Mack's Hotel, etc Geelong and features the paddle steamer PS CITIZENOn the reverse - "PS Citizen - 196 tons Built 1843 Ran Melbourne - Geelong Trade till Oct 15th 1862 when she left for New Zealand and was never seen again"geelong, steam packet wharf, ps citizen, mack's hotel

William Valentine Hill (1854-1940) journalist, was the owner of 'Eignbrook',10 Pembroke Street from 1904. His wife was Annie Boak (1865-1943); they were married in 1885. William Hill (Bill) Dempsey was his grandson. His mother Laura Constance Hill married Herbert T Dempsey in 1925.Original sepia photograph of the street view of a weatherboard in the Queen Anne style with a steep pitched iron roof; house is fronted by a picket fence. There are 2 copies of this original photo; the better copy has been scanned. The second copy is slightly mottled and the edges left and right have been cropped so that the adjacent house is not seen. Back of photo 1 is inscribed “10 Pembroke St. Donor W Dempsey”. Photo 2 has inscribed on back "Hills home, 10 Pembroke St, Surrey Hills. Donor W Dempsey" Card has written underneath the photo, “10 Pembroke St”pembroke street, hills family, 'eignbrook', house names, surrey hills, (mr) william valentine hill, journalist, (mrs) annie hill, (miss) annie boak, queen anne style

Uniforms for the 1992 Barcelona Olympic Games were designed by Wendy Powitt in conjunction with the AWC. Doug Pleasance, donor of these items, worked for the AWC and closely with Wendy Powitt, obtaining these uniform examples. About the Olympic Uniforms Doug wrote- 1. The Official Uniform which was used for travel and all official functions. This included: a tailored blazer and trouser/skirt (all water repellent) by Fletcher Jones, pure wool olive-green faille fabric by Foster Valley, cotton PE formal shirt by Pelaco, pure wool knitwear by Spangaro, printed wool tie by T D Noone, wool nylon socks by Holeproof and footwear by Hush Puppy. 2. Opening Ceremony Uniform a lightweight wool fabric printed with floral designs that had been inspired by the work of Australian artist Margaret Preston. This included: Lightweight W/PE shorts by Fletcher Jones in Foster Valley Fabric, socks by Holeproof and footwear by Hush Puppy. 3. Village Clothing was designed to be highly visible garments to make it easy to spot the Aussie and helped to contribute to good team spirit. This included: A pure wool shirt featuring blocks of contrasting colours, and a newly developed stretch 50:50 wool/cotton fabric by Bradmill was made into shorts and jeans by Fletcher Jones.Women's left black leather heeled shoe, manufactured by Hush Puppies. Simple and unadorned in style with a rounded toe. Only the left shoe.1992 barcelona olympics, sport, athletes, fashion, design, uniform

St John’s choir processing toward the river Blessing of the FleetBlack and white photograph St John’s choir in white robes with wide collars and mortar board style hats, wooden benches in forgroundevents, civil, ceremony, choir, st johns, blessing of the fleet, moyne river

Belonged to Alice and George Edwards, Bendigo. Aunt and Uncle of the Colling family.A carved wooden decorative pedestal for display of indoor plants or an ornament. It has barley sugar style trim on the top and the base and a fluted column.display equipment, furniture, pedestals

Stained glass window from the Principal's Residence, Burnley (demolished 1980.) Two rectangular coloured stained glass panels constructed by leadlight in a wooden frame separated by a wooden panel. Leadlight in an Art Nouveau style. stained glass window, principal, burnley, art nouveau, leadlight window, principals residence

There is very little information about this historic home .which is thought to be somewhere within the former Shire of Bulla and/or the Shire of Broadmeadows.A non-digital sepia photograph in post card format of a two storey Georgian style home with a single storey extension at the rear of the house.mansions, homesteads

The program relates to the dedication ceremony of a monument in front of the Soldiers Memorial Institute 39 Pall Mall Bendigo on 15 November 1992. The memorial is dedicated to the Ex Servicemen and Women who served in WW2, Korea, Korea, Malaya, Borneo, Vietnam and Kuwait. Introduction by Major A.J. Balsillie MBE. Address given by H.M. O'Halloran MBE President Bendigo RSL. Unveiling by E.A. Jackman RSL Memorial Committee. Wreaths were laid by The Mayor A.J. Douglas JP and President of the RSL. Refer Cat No 8245.2Program, folded in half, front is a sepia style red tone with blue surround and text, inside and rear page is all blue print.Front page in blue print, "Dedication ceremony Pall Mall Bendigo 15 November 1992"brsl, smirsl, moument, dedication,

In the early 1980s the firm of Watson, James & Rogers merged with the partnership of Every & Every and became the iconic “Rogers & Every” as known today. The firm is still located on Bull Street. https://rogersevery.com.au/about/Deed of partnership between Herbert Bennett and Frederick Taylor. Dated July 1919. Concerning a market garden at Longlea to be styled "Bennett and Taylor".Signatureswatson james & rogers, bendigo, legal documents, rogers & every, partnership, market garden, frederick taylor

The bodice is of a style from the Victorian Era and so provides a good example of women's clothing from that time. Although it appears to have been made at a later time the lace possibly came from an earlier time period. It is of historic interest as it was amongst the belongings of the donor's Great Aunts who were both dressmakers at the original Terang & District Co-Op which was established in 1908.The item is of significance socially as an example of women's clothing in the Victorian era.A short, waist-length bodice most likely made as a performance costume. It is representative of a Victorian bodice style though the lacing used indicates that it would not have been worn in those times due to its revealing design. Flexible metal stays provide shape to the bodice at the front and back. Sleeves are elbow length and lined with cream fabric. The bodice has a lace collar and the sleeves are trimmed with the same lace. Small gold coloured beads are stitched to the flower centres of the lace pattern. The burgundy coloured satin has an embossed floral pattern. The lace is of interest as it is from an older time period and being beaded would be especially sought after. Machine and hand stitched.flagstaff hill, warrnambool, maritime village, maritime museum, flagstaff hill maritime museum & village, shipwreck coast, great ocean road, satin bodice, beaded lace, victorian era, metal stays, terang & district co-op

Hat styles have sometimes changed little over the last 100 years. The 'fedora' style used for the manufacture of this 1970s hat dates from the 1890s. Originally a style favoured by women, it became primarily used for men's hats in the early 20th century, being popularised by the Prince of Wales, later Edward VIII. At one stage the fedora style became a symbol of the women's rights movement.The Kew Historical Society’s fashion and design collection is comprised of costumes, hats, shoes and personal accessories. Many of these items were purchased or handmade in Victoria; some locally in Kew. The extensive hat collection comprises items dating from the 1860s to the 1970s. Most of the hats in the collection were created by milliners for women. There are however a number of early and important men’s hats in the collection. The headwear collection is particularly significant in that it includes the work of notable Australian and international milliners.A small unadorned dark brown felt fedora, assumed to be designed for a child. The hat has an indented crown and a soft brim. It is otherwise with adornment.Nilchildren's hats, headwear, fedoras

This style of jumper has a long history in the Royal Australian Navy, descending from the uniform style of the 19th century Royal Navy.Navy blue long sleeved, heavy-weight jumper with square rig collar. On left sleeve is an embroidered patch with the word "AUSTRALIA," underneath which is an anchor insignia and three downward pointing chevrons in gold embroidery thread. On right sleeve is an embroidered patch with the word "AUSTRALIA" on the upper shoulder, underneath which is an embroidered gold wheel on a semi-circle shaped patch. The jumper has a deep neckline, tied with a cotton navy tie. Accompanying collar (0036.2) attaches to the jumper via three navy blue plastic buttons at the back of the neck, and three navy blue plastic buttons running down both left and right interior neckline. The jumper has a zip on the left hand side which runs from the hem to the waist.On patches "AUSTRALIA" Interior label at back of neck reads "ADA/2001/[broad arrow]/NSN: 8405 66 132 2508/SIZE: 111 L/NO/NAME/WOOL/POLYESTER/DRY CLEAN ONLY"royal australian navy, uniform, marine, shirt, australian defence apparel, ratings

This style of collar has a long history in the Royal Australian Navy, descending from the uniform style of the 19th century Royal Navy.Rectangular shaped collar with three white parallel lines running the border of the collar. Collar is light navy on top and striped white and blue on interior. Collar is held in place with nine buttons on the jumper, there are nine corresponding machine-stitched button holes on the collar. Handwritten on the interior at the back of the neck and on the edge of the square collar is "D. KRUEGER" On interior label on right side, "A.G.C.F./SIZE. 3/8406.66.078.0013/R.A.N./MADE IN/AUSTRALIA"royal australian navy, uniform, marine, australian defence apparel, ratings, collar

The Royal District Nursing Service (RDNS), Sister has sterilized an autoclave pack for use by the RDNS Sisters when attending their patients in their homes who are requiring specific treatments for e.g. catheterization. This photograph is taken in the sterilizing room at a RDNS Centre. The Sister is wearing the RDNS Summer uniform of a short sleeve white blouse under a royal blue V neck tunic style frock with the RDNS logo on its upper left.Royal District Nursing Service (RDNS) supplied sterilized equipment, such as ready set up catheter trays and dressing trays, as well as dressing packs for their Sisters to take to the home when attending to specific patient care. Patients bought their own future dressings, if these had not been given to them when discharged from Hospital. Following their day in the community the Sisters returned to the RDNS Centre and washed and set up the trays again ready for re-sterilization. Black and white photograph showing a Royal District Nursing Service, (RDNS), Sister who has blonde short hair; is wearing a short sleeved white blouse and dark tunic style frock, standing in the Autoclave room in an RDNS centre. She is emptying the Autoclave chamber after sterilizing a wrapped, 'gown and towel', which is written on the wrapping. Her right arm is extended with her hand on the metal wire basket which has a protective floral cloth covering the edge of the basket. The photograph shows a tall vertical Autoclave, which is made of metal. To the left above the chamber is a dark rectangular section with several switches, and to right of it are three white faced dials. royal district nursing service, rdns, rdns equipment, sterilizing

This quilt was created by Ms Shirley Critchley, c.1960. it was made in a wagga style from unpicked knitted jumpers that Shirley would repurpose. Some of these jumpers were from her daughters out growing their garments, while others were from jumpers Shirley would find at opportunity stores. One of Shirley’s daughters, Jane McGrath, followed in her mother’s footsteps and begun quilting with Shirley’s guidance. One of Jane’s first quilts, the “Tartan Fabric Sample Quilt” is located within the National Wool Museum’s collection (REG 8282). Multicoloured wagga style quilt. The quilt’s top layer is made from unpicked knitted woollen jumpers. These jumpers are in a variety of colours including yellow, blue, green, and red. Some blocks are a single colour, while others have been knitted with a different secondary colour such as grey or white to give noise. The quilt has an unknown insulating fabric. It shares its backing fabric with the material used to bind the edges together. This material is a woollen blanket in a tartan pattern of a blue background with green and red lines. The quilt is sized to suit a single bed. quilts, wagga, upcycle, shirley critchley/jane mcgrath collection, woollen jumpers