Dunlop Maxply Fort tennis racquet. Tag attached to racquet states: To Mr Geoff Pollard...Tennis Aust...'This is an old racquet that Rod Laver used' and is signed by '????? Laver'. Name unclear and object history not verified. Materials: Metal, Wood, Leathertennis

This pair of kneeling rails was part of the original furnishings of the St Nicholas' Mission to Seamen's Church at 139 Nelson Place, Williamstown, Victoria. A kneeling rail is part of the furniture of a church and is used during religious prayer, assisting the person to be in the position of kneeling. A padded kneeling mat or cushion would also be provided for comfort. THE MISSIONS TO SEAMEN (Brief History: for more, see our Reg. No. 611, Set of Pews) The Missions to Seamen, an Anglican charity, has served seafarers of the world since 1856 in Great Britain. It symbol is a Flying Angel, inspired by a Bible verse. Today there are centr4es in over 200 ports world-wide where seamen of all backgrounds are offered a warm welcome and provided with a wide range of facilities. In Victoria the orgainsation began in Williamstown in 1857. It was as a Sailors’ Church, also known as ‘Bethel’ or the ‘Floating Church’. Its location was an old hulk floating in Hobson’s Bay, Port of Melbourne. It soon became part of the Missions to Seamen, Victoria. In the year 2000 the organisation, now named Mission to Seafarers, still operated locally in Melbourne, Portland, Geelong and Hastings. The Ladies’ Harbour Lights Guild was formed in 1906 to support the Missions to Seamen in Melbourne and other centres such as Williamstown. Two of the most significant ladies of the Guild were founder Ethel Augusta Godfrey and foundation member Alice Sibthorpe Tracy (who established a branch of the Guild in Warrnambool in 1920). The Guild continued its work until the 1960s. In 1943 a former Williamstown bank was purchased for the Missions to Seaman Club. The chapel was named St Nicholas’ Seamen’s Church and was supported by the Ladies’ Harbour Lights Guild, the Williamstown Lightkeepers’ Auxiliary and the League of Soldiers’ and Sailors’ Friends. It ceased operation in 1966. A Missions to Seamen Chapel and Recreation Room was a significant feature of ports during the late 1800s and into the 1900s. It seemed appropriate for Flagstaff Hill to include such a representation within the new Maritime Village, so the Melbourne Board of Management of Missions to Seamen Victoria gave its permission on 21st May 1979 for the entire furnishings of the Williamstown chapel to be transferred to Flagstaff Hill. The St Nicholas Seamen’s Church was officially opened on October 11, 1981 and closely resembles the Williamstown chapel. This pair of kneeling rails is significant through its association with the St Nicholas' Mission to Seamen Church in Williamstown, Melbourne, established in 1857. The items in our collection from the Missions to Seamen in Williamstown, Victoria, have historical and social significance. They show that people of the 1800s and 1900s cared about the seafarers’ religious, moral, and social welfare, no matter what the religion, social status or nationality. It had its origins in Bristol, England when a Seamen's Mission was formed in 1837. The first Australian branch was started in 1856 by the Rev. Kerr Johnston, a Church of England clergyman, and operated from a hulk moored in Hobson’s Bay; later the Mission occupied buildings in Williamstown and Port Melbourne. Rail and base; one of a pair of two kneeling rails. Three varnished wood pillars and cap rail, mounted on a rectangular box-shaped base: a kneeling rail used in religious worship. These are part of the St Nicholas Seamen's Church Williamstown Collection.-flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, rail for kneeling, rail, kneeling rail, religion, religious service, sailors rest, bethel sailors’ church, bethel floating church, ladies harbour light guild, missions to seamen victoria, mission to seafarers, st nicholas seaman’s church williamstown, st nicholas mission to seamen church williamstown, mission to seamen williamstown, st nicholas seamen’s church flagstaff hill, 139 nelson place williamstown, church furniture, religious furniture, religious worship, flying angel club, altar rail, kneeler, prayer, ceremonial furniture

.1 LITHOGRAPH PRINT COPIED ONTO BUFF PAPER OF CLUNES LANDSCAPE VIEW LOOKING SOUTH EAST MOUNTED AND FRAMED IN BLACK WOOD UNDER GLASS .2 PRINT OF LITHOGRAPH BLACK AND WHITE MOUNTED ON BUFF COLOURED BOARD. COPY OF .1.1 & .2 BELOW PRINT ON BOTTOM IN BLACK INK: CLUNES .1 CERTIFICATE OF AUTHENTICITY FROM LECKIE GALLERY MALDONclunes landscape, lithograph

This trophy was important in the years 1983-1988 as it recorded the winners of the prestigious Road Race run by the Geelong West Cycling Club over those years. The 1985 winner - Don Wilson was a two time Australian Open Road Race champion and also represented Australia in the 1968 Olympic Games in Mexico in the cycling road race. This trophy records the winners of a Road Race run by the Geelong West Cycling Club during the years 1983-1988.Trophy for winner of the Penn Memorial Road Race. The trophy is in the shape of a gateway with one silver representation of a cyclist on the top of the gateway and another on a pedestal in the middle of the gateway. The two inner supports to the gate have a stylised decorative pattern on them in black, gold and red. On the left hand upright winners' names have been engraved. Additional engraving is at the base of the trophy."Geelong West Cycling Club/PENN MEMORIAL - ROAD RACE/IN HONOUR OF R.L. PENN(Senior) W.J. PENN/ Donated By The - Penn Families/1983 Z. Szalinski/1984 A. McPherson/1985 Don Wilson/1986 Ken Lewins/ 1987 Peter Wood/1988 Peter Cotter"geelong cycling club; geelong west cycling club; penn memorial road race; penn family; z. szalinsk; a. mcpherson; don wilson; ken lewins; peter wood; peter cotter;

This lifebuoy is part of the lifesaving equipment that would be carried on vessels in the late 19th and early 20th century. The strips of cork wood have been joined together to make the ring shape. The broad arrow symbol indicates that it was once the property of the British or Australian defence force. A lifebuoy, or life-preserver, is used as a buoyancy device to keep a person afloat in the. It is usually connected by a rope to a person in a safe area such a nearby vessel or on shore. The lifebuoy is thrown to a person in distress in the water, allowing the rescuer to pull the person to safety. The lifebuoy is a made from a buoyant material such as cork or rubber and is usually covered with canvas for protection and to make it easy to grip. The first use of life saving devices in recent centuries was by the Nordic people, who used light weight wood or cork blocks to keep afloat. From the early 20th century Kapok fibre was used as a filling for buoys. Light weight balsa wood was used as a filler after WW1. In 1928 Peter Markus invented and patented the first inflatable life-preserver. By WW2 foam was combined with Kapok. Laws were passed over time that has required aeroplanes and water going-vessels to carry life-preservers on board. The lifebuoy is an example of equipment carried on vessels in the late 19th and early 20th century to help preserve life. There were many lives lost in Australia’s colonial period, particularly along the coast of South West Victoria. The lifebuoy was once the property of the British or Australian defence force.Lifebuoy, round cork object with canvas wrapped around it and rope attached to one side. Broad arrow mark and other red marks indecipherable. Painted white.Symbol of broad arrow. indecipherable markings.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, life rings, lifebuoy, safety ring, life-saving buoy, ring buoy, life preserver, personal floating device, floatation device, safety equipment, government lifebuoy, broad arrow

A letter sent to the Secretary of the trustees of the Bentleigh Recreation Reserve, from Lucy Wood, for the Bentleigh Soldier's Comfort League requesting the use of the Burgess Pavilion for the Leagues meetings. The Bentleigh Soldier’s Comforts League is but one example of many other organisations that made use of the pavilion. After the League’s inaugural meeting a letter was sent to the Trustees of the Recreation Preserve Bentleigh requesting the use of the pavilion to hold their meetings. The objects of the Bentleigh Soldier’s Comforts League were: 1. To provide comforts for Bentleigh boys on active duty 2. To ensure a suitable public welcome upon their return 3. To visit the sick and wounded ones at the Military hospitals A committee of local ladies formed a committee, An amount of 2s was allotted to each worker who endeavored by personal effort to increase that sum. A Gymkhana, in association with the Equestrienne Club, was held to raise funds to help the return soldiers and to send Xmas boxes to the soldiers on active duty abroad. Lucy Wood (1872 - 1956) was the wife of William Howard Wood (1868 - 1947). William and Lucy lived in Jasper Road opposite the recreational reserve. William was a poultry breeder and a local accountant, auditor, real estate, insurance and general commission agent.The efforts made by the citizens of the Shire of Morrabbin to send comforts to the troups overseas during WWI, and to welcome home the soldiers.A hand written letter wwi, city of moorabbin, lucy wood, burgess pavilion, bentleigh recretional reserve, william burgess, fundraising, xmas boxes, bentleigh soldier’s comforts league, bentleigh, moorabbin

A draw knife is a hand tool that has a long straight blade between two handles. As implied by its name. it is drawn like a knife across the wood. It is used to prepare the timber for the next step of the process, removing loose wood and bark and giving a start to making the wood into a round or cylindrical shape. Then a finer smoother finish is given with a spokeshave, which has a shorter, curved blade. A draw knife could be used for the wooden spokes for cart, wagon and carriage wheels as well as for ladder staves and ship wheels. Features of a good draw knife include tight handles, a blade with plenty of metal to it and a blade length of 20 to 24 centimetres. This draw knife was likely made at least 150 years ago by C Johnson of Sheffield, who used the Trade Mark “C.J.” within a flag. Christopher Johnson began work as a cutler, making knives, pocket knives and tableware in his works at Howard Street in Sheffield. In the book ‘Hand-Saw Makers of Britain by Schaeffer and McConnel, Johnson is listed in 1855 as a saw maker. A later reference has the business name of Johnson & Company, Sheffield in 1879-1882. Australia was one of the company’s markets. The company continued until its closure in 1955.This draw knife is significant for being made in Sheffield, a location famous for steel and silver manufacturers. It is significant because of its age, being made no later than 1879, which is the time period of our maritime Village. It is a tool most suitable for the blacksmith's or a ship' smith's workshop for making spokes for the wheels of wagons and carts, and for making ship's wheels.. It is also significant for being made by C Johnson, who was well known for his good workmanship. Draw knife; flat cast steel fixed blade with rotating wooden handles each end. Round bulbous handles have two parallel scored lines around the end furthest from the blade and a brass collar between the handle and blade. A logo and inscription are cast into the centre front of the blade. Made by C Johnson. of Sheffield.Cast into steel blade: Sideways Image “C.J.” within {flag}, “JOHNSON / CAST STEEL”flagstaff hill, warrnambool, maritime village, maritime museum, shipwreck coast, great ocean road, spokes, wagon maker, blacksmith, cart maker, cart wheel maker, blacksmith tool, wagon wheel, c johnson, sheffield, wheelright, craftsman, woodwork, carriage wheel, ship wheels, shipwright, wooden spokes, ladder staves, draw knife

This book was part of a large group of books referred to as the Pattison Collection, which belonged to the Warrnambool Public Library, part of the Warrnambool Mechanics’ Institute. About RALPH ERIC PATTISON and the ‘PATTISON COLLECTION’ The ‘Pattison Collection’ is a collection of books and records that was originally owned by the Warrnambool Mechanics’ Institute, founded in Warrnambool in 1853. By 1886 the Warrnambool Mechanics’ Institute (WMI) had grown to have a Library, Museum and Fine Arts Gallery, with a collection of “… choice productions of art and valuable specimens in almost every branch and many wonderful national curiosities are now to be seen there, including historic relics of the town and district.” It later included a School of Design. Although it was very well patronised, the WMI was led to ask the City Council to take it over in 1911 due to lack of financial support. In 1935 Ralph Pattison was appointed as City Librarian to establish and organise the Warrnambool Public Library as it was then called. Ralph Eric Pattison was born in Rockhampton, Queensland, in 1891. He married Maude Swan from Warrnambool in 1920 and they set up home in Warrnambool. In 1935 when Pattison accepted the position as City Librarian for the Warrnambool City Council his huge challenge was to make a functional library within two rooms of the Mechanics’ Institute. He tirelessly cleaned, cleared and sorted a disarrayed collection of old books, jars of preserved specimens and other items reserved for exhibition in the city’s museum. He developed and updated the library with a wide variety of books for all tastes, including reference books for students; a difficult task to fulfil during the years following the Depression. He converted all of the lower areas of the building into a library, reference room and reading room for members and the public. The books were sorted and stored using a cataloguing and card index system that he had developed himself. He also prepared the upper floor of the building and established the Art Gallery and later the Museum, a place to exhibit the many old relics that had been stored for years for this purpose. One of the treasures he found was a beautiful ancient clock, which he repaired, restored and enjoyed using in his office during the years of his service there. Ralph Pattison was described as “a meticulous gentleman whose punctuality, floorless courtesy and distinctive neat dress were hallmarks of his character, and ‘his’ clock controlled his daily routine and his opening and closing of the library’s large heavy doors to the minute.” Pattison took leave from 1942 to 1945 to serve in the Royal Australian Navy, Volunteer Reserve as Lieutenant. A few years later he converted one of the Museum’s rooms into a Children’s Library, stocking it with suitable books for the younger generation. This was an instant success. In the 1950’s he had the honour of being appointed to the Victorian Library Board and received more inspiration from the monthly conferences in Melbourne. He was sadly retired in 1959 after over 23 years of service, due to the fact that he had gone over the working age of council officers. However, he continued to take a very keen interest in the continual development of the Library until his death in 1969. THE NEW WARRNAMBOOL LIBRARY When the WMI building was pulled down in 1963 a new civic building was erected on the site and the new Warrnambool Library, on behalf of the City Council, took over all the holdings of the WMI. At this time some of the items were separated and identified as the ‘Pattison Collection’, named after Pattison. Eventually, the components of the WMI were distributed from the Warrnambool Library to various places, including the Art Gallery, Historical Society and Flagstaff Hill. Later some were even distributed to other regional branches of Corangamite Regional Library and passed to and fro. It is difficult now to trace just where all of the items have ended up. The books at Flagstaff Hill Maritime Village generally display stamps and markings from Pattison as well as a variety of other institutions including the Mechanics’ Institute itself. The Pattison Collection, along with other items at Flagstaff Hill Maritime Village, was originally part of the Warrnambool Mechanics' Institute’s collection. The Warrnambool Mechanics’ Institute Collection is primarily significant in its totality, rather than for the individual objects it contains. Its contents are highly representative of the development of Mechanics' Institute libraries across Australia, particularly Victoria. A diversity of publications and themes has been amassed, and these provide clues to our understanding of the nature of and changes in the reading habits of Victorians from the 1850s to the middle of the 20th century. The collection also highlights the Warrnambool community’s commitment to the Mechanics’ Institute, reading, literacy and learning in the regions, and proves that access to knowledge was not impeded by distance. These items help to provide a more complete picture of our community’s ideals and aspirations. The Warrnambool Mechanics Institute book collection has historical and social significance for its strong association with the Mechanics Institute movement and the important role it played in the intellectual, cultural and social development of people throughout the latter part of the nineteenth century and the early twentieth century. The collection of books is a rare example of an early lending library and its significance is enhanced by the survival of an original collection of many volumes. The Warrnambool Mechanics' Institute’s publication collection is of both local and state significance. The Keeper of The Bees Author: Gene Stratton Porter Publisher: Hutchinson & Co Date: First published during the 1920s Further Information: Eleventh Edition. The label on the spine cover with typed text PAT FIC STR Pastedown front endpaper has sticker from Warrnambool Children’s Library Front loose endpaper has a large piece cut out of it it. The second front loose endpaper has a sticker from Corangamite Regional Library Service flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, book, pattison collection, warrnambool library, warrnambool mechanics’ institute, ralph eric pattison, corangamite regional library service, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library, the keeper of the bees, gene stratton porter

38cm x 25cm 1. Volume 1 Number 2, 16 pages 2. Volume 2 number 2, 18 pages 3. November 1981 - 12 pages1. Volume 1 Number 2 A.U.S - who is going to pay,- compulsive unionism 2. Volume 2 number 2 - the unemployment tragedy, environment Acts under threat, AUS Travel sold 3. November 1981 - Ballarat takes a stand, education cuts, the budget, A.U.S. explained

Booklet inside black hardcover holder3 Sheets of paper inside: Letter to Ms Patricia Davies from Helen Dundon at APR Corporate Public Relations apologising for not inviting Patricia to the launch of Penleigh Boyd works at Como. Two Sheets (cut out of a book?) relating to Evelyn and Doris Gough "(Later Mrs. Merric Boyd)"walsh st library

A4 page of complied print media about financial troubles and a possible closure of the QVWC. Possibly from all from Melbourne times.Marking in blue pen ink o dates and page numbers. at the bottom there is a cut out o a newspaper headline reading Yarra River fish face extinction and the inscription above reads "And now the Melb Times has the ish facing 'final days'. Seems to be the Melb Times spin on everything" correspondence, historic building, business and finance

Set of thirteen colour photographs of the repair of the broken joint in Wendouree Parade as part of the track works in the area. Photos taken on 15 and 16/3/2003, printed on AGFA paper. 2555.1 - Gary Wood, Oedf Byslma looking at the excavated area, with sleeper cutting going on in the background. 2555.2 - Gary Wood and Alan Snowball, cleaning rails and the area, shows status, which was tight to gauge. 2555.3 - Removing sleepers. 2555.4 - First sleeper installed. 2555.5 - Cutting sleepers to length - Rolf Jinks and Andrew Mitchell. 2555.6 - Installing sleepers. 2555.7 - All 4 new ones positioned. 2555.8 - Cutting bolts from old plate. 2555.9 - Bending the rail. 2555.10 - Tram 33 at the temporary terminus. 2555.11 - Rail repositioned. 2555.12 - Installing the screw spikes - Gary Wood, Alastair Reither, Andrew Mitchell and Alan Snowball. 2555.13 - Welding the plates etc - 16/3/2003 - Alan Snowball.trackwork, wendouree parade, track, tram 33

Set of 8 photographs of the operation of the BTM during the Begonia Festival, including the loading of the Horse Tram for Melbourne on Sunday 10/3/2002 and arrival back the following day. Taken by Carolyn Dean, on Kodak paper. 2012.1 - Richard Gilbert at Depot Junction - 9/3/02 .2 - Pushing the horse tram out of the depot - 10/3/02 - Gary Wood, Stephen Butler .3 - The Tow Truck and 33 at Depot Junction - Cranbourne Heavy Haulage - Associated Towing .4 - Horse tram waiting to be loaded .5 - Working out the job - Warren Doubleday, Len Millar, Alastair Reither, Alan Snowball and Gary Wood .6 - Being hauled up the ramp .7 - "Gone to Moomba" - the vacant space where No. 1 normally is - 11/3/2002 .8 - Being pushed back across Wendouree Parade, Alastair Reither, Gary Wood and Simon GreenAll have date written on rear and "photo by Carolyn Dean" on ink in the rear.horse trams, depot junction, moomba, loading trams, tram 1, tram 33

Group of Borough and Shire Councilors and Visitors at a Back to Stawell 1922 Back Left to Right: T.D. O'Callaghan, C. Chamberlain (Town Clerk), A.E. Heal, J. Webster, J. Lysaght, W. Webster, R,. Tucker, D. Moore, J. Murray, J.G. McConachie, F.W. Bond, J. O'Connor, A. J. Wood. Middle: A.E. Tobin, W.F. Irvine, W.J. Foreshaw, G. Mitchell. A. Clarke, G. Barnes, W.A. Whitford, G.T. Holden, W.J. Nolan, G.A. Smith, E.P. Timmins, H. Henderson. Front: D.M. Mitchell, W. Simpson, J.C. Hutchings, D. Bell, Major Rough, J. Paton (Mayor), D. Williams (President) J. Williams, F.J. Derry. J. Hutchins, M. Cooper. Names in "Borough of Stawell" History. Magazine Box 1 (Mr. Sharpleys Book Page 17)Black and white photograph of a large group of men standing and seated in front of a building.1922 'Back to Stawell' Celebrations Borough & Shire Councilors & visitors (Names in "Borough of Stawell" History) Mag. Box 1. (Mr. Sharpley's Book) Page 17 Group of Borough and Shire Councilors at a luncheon given by CR. D. Williams Shire President, on the occasion of the "Back to Stawell", 1922. Back, Left to right - T.D. O'Callaghan, C. Chamberlain (Town Clark), A.E. Heal, J. Webster, J. Lysaght, W. Webster, R. Tucker, D. Moore, J. Murray, J.G. Maconachie, F.W. Bond, J. O'Connor, A.J. Wood. Middle - A.E. Tobin, W.F. Irvine, W.J. Foreshaw, G. Mitchell, A. Clarke, G. Barnes, W.A. Whitford, G.T. Holden, W.J. Nolan, G.A. Smith, E.P. Timmins, H. Henderson. Front - D. M. Mitchell, W. Simpson, J.C. Hutchings, D. Bell, D. McKay, Major Rough, J. Paton (Mayor) D. Williams, (President), J. Williams, F.J. Derry, J. Hutchins, M. Cooper. Original - Photo Chapman Stawell stawell government

Hand theatre made "trench art", utilising used artillery brass shell casings, of various calibres, hand made with such "tools" as were available at the time. They have been decoratively trimmed at the mouth of each with a "scalloped" pattern, the shallowest casing mounted on small arms casings as "feet" and the large casing inverted engraved and embossed with a depiction of the Australian Commonwealth Military Forces "Rising Sun" badge.This "Dinner Gong" and "Striker" are significant Historically and Socially, as it is believed to be the only example of a dinner gong and striker made in theatre as contemporary "trench art" by serving members of this group. Around the top of the main part of the Gong are stamped the initials of the Australian members of the Royal Flying Corps at the time, it is of possible National historical significance, as they were such a small group at best, and a highly vulnerable group, quite likely to not survive the conflict. This group and their desendants went on to be a part of the formation of the Australian Flying Corps, the beginings of the Royal Australian Air Force. It relates to the embrionic stages of a part of the now Australian Defence Force.A commemorative Dinner Gong construted from Artillery Shell Casings of various sizes. The largest cut short at the bottom, mounted on rifle or machine gun casings cut short as 'feet'. A slightly smaller diameter inverted as the 'gong' with decorative engravings depicting, a Rising Sun emblem on a decorated back ground, 'AFC' (Australian Flying Corps) crowned wings, on the same decorated back ground. The open ends of these larger casings is 'scalloped' and decorated beautifully, while the closed ends have a 'pie crust effect around the flanged edge. There is a biforcated mount at the top to hold the 'striker' made from white metal ballastered rod with a wooden eliptical knob. On the top around the striker mount are stamped the initials of those believed to be the first Australian Aviators in the then AFC.

This newspaper article was produced at a time when newspapers were the main source of local information. The period before the explosion of mobile communication technology and the cost effectiveness of communication by "texting" and internet "social connections, eg. facebook and other social media networkings" The newspapers were the main links between and within large regions. The Hydro Courier was first printed in 1950 as a YMCA community service publication by Mr. Albert Clarke YMCA Officer and Mr. Alex McCullough a State Electricity Commission employee. This paper was one very important publication that provided relevant community information to all and was the major contributer to the "Valley" cohesive fibre and unity. This article not only records the celebration (centenary) of the Tawonga School but also presents the history of the school and important events such as various relocations of classrooms and how the region was settled and developed from the 1870's onward. The yawonga school opened in 1880 on 8 acres of land. It consisted of one large wooden building (22 ft x 11 ft). It had two windows, one brick chimney, bare wooden floor and a shingle roof. This article also presents the time when Mount Beauty area was likened to an island and occasionally school children could not attend school because of a flooded Kiewa river. The article also covers the changes brought about by the increased employment opportunities from SEC Kiewa Works(1935), the Sawmill(1946), the Gold mine(1949) and the Tobacco Industry (largest growing area in Australia).This item is a one page (original) article of the centenary celebrations for Tawonga Primary School came from the Alpine Observer and incorporated the Hydro Courier. It covers the arrangements for the celebration of the 100 years of the school's existence. The printed layout is typical of the typeset in use in 1980's. There are seven distinctive type collumns separated by a printed line. Three photographs are published with one photograph of a demountable classromm ,circa 1980, and the other two of student class photos of 1899 and 1914. Teacher and student names are listed below each photograph. On the back of this page are "specials" for "Sam's Cut Price Stores", specifically the Myrtleford store. Of interest is the advertisement of "Cartons of Cigarettes at cut prices". The page was produced as part of a "run" with "telltale" holes at each corner for stabilising the page in the printing process."Centenary Celebrations For Tawonga Primary School" below this in an enclosed heading "ALPINE OBSERVER" underneath in smaller print "WITH WHICH IS INCORPORATED" below this in larger print "THE HYDRO COURIER" and below this from left to right, "No. 719 (Vol. 3) THURSDAY, 23rd OCTOBER, 1980" next "in smaller print Recommended Price Single Copy, 20c "(cents)rural school development, tawonga school centenary, kiewa valley development 1880 to 1980

JACK EMMETT COLLECTION Early 1900's Victoriana paper glossy scrap sheets cut-outs including 'Giant relief No. 895 - deer/rabbits -people animals and birds from around the world /angels -sign attached 'Gigantic Relief No.978 Raphael Tuck & Sons Ltd - Christmas cut-outs / 'Giant relief No. 920 / child wearing a bonnet carrying flask and a parcel titled 'Father's Dinner ' / picture of Postman titled 'The Jolly Postman / colour enhanced photo 'The Queen's Grandchildren -Child's Own magazine 1865 '- writing on back 'Prince Frederick William born …1859 , Princess Charlott .., Prince Henry / piece of paper with brown print - 'The Kings Business -Nicholson - Hemminger United Mission - Royal Princess Theatre -Evangelistic Services showing days with corresponding lecture subjects.Raphael Tuck & Sons Ltdephemera, mementoes, raphael tuck & sons ltd / -child's own magazine 1865 ' ./ nicholson - hemminger united mission

The souvenir is believed to have been made by R.E. Hyatt.Home-made souvenir of Linton. Souvenir consists of a photograph of the Shire of Grenville office building in Sussex Street, Linton . Two shops are visible further along the street, and part of a sign for a butcher's shop is visible in the lower left corner of the photograph. The photograph has been mounted on a map of Australia which has been cut from very thick cardboard. A border made of small green squares is around the photograph, and underneath the photograph are the words "Greetings from Linton" enclosed by a scroll. The edge of the map has been painted green. A picture of a Koala has been cut from card or paper and painted silver and then been glued to the cardboard map to the right of the photograph. A wire metal stand has been attached to the back of the map with two small tacks.souvenirs, shire of grenville building, r.e. hyatt

[1] Three Bears Porridge Flaked Oatmeal Bag: This textile bag originates from Canadian Cereal Mills Ltd., which marketed "Three Bears" flaked oatmeal. Popular in the early 1900s to mid-century, this product combined functional packaging with a child-friendly incentive — a cut-out cloth doll. The practice of printing toys, games, or clothing patterns on flour or oat sacks was a common marketing strategy, encouraging reuse and appealing to families during times when thrift and creativity were essential, especially during the Depression and wartime years. The Three Bears brand played off the enduring popularity of children’s nursery tales, while the doll encouraged children (and parents) to reuse packaging creatively. This object captures a unique intersection of food marketing, household resourcefulness, and early 20th-century domestic life. [2] Mammy Self-Raising Flour Bag: This item is a mid-20th-century Australian flour bag, branded “Mammy Oven Puff”, produced by A. Mammy Products Pty Ltd in West Footscray, Victoria. The use of the name "Mammy" and the caricatured illustration draws on a now widely recognised and offensive racial stereotype originating from American minstrel culture, commonly used in product branding in the early-to-mid 20th century. While the bag reflects a specific period in Australian domestic and commercial packaging history, it also exemplifies racially insensitive advertising that would be considered inappropriate and harmful by today’s standards. Such items are preserved today in museum collections to help document past social attitudes, consumer culture, and the evolution of racial representation in advertising. [3] Bandung Blue Triangle Brand Flour Bag: This bag represents a mid-20th-century Australian flour export product, particularly aimed at international markets such as Indonesia (as indicated by "Bandung"). The “Blue Triangle Brand” was likely a registered trademark used by a Melbourne-based flour mill engaged in both local and overseas trade. The use of durable cloth bags for bulk flour was common prior to the widespread adoption of paper and plastic packaging. These bags were often reused domestically for household textiles, clothing patterns, or storage. The export reference (Bandung) underscores Australia's historical agricultural trade ties with Southeast Asia, especially in wheat and flour exports. – Roy SCHMIDT resided with his siblings Mabel and Jack at ‘Parklands’ 85 Lake Avenue Natimuk home of Heinrich Friederick ‘Heiny’ & Minna Christina SUDHOLZ nee LANGE and their children Louis, Sophie, Alma, Lena (Roy's Mother), Florence 'Florrie' and Edward ‘Ted’.[1] Three Bears Porridge Flaked Oatmeal Bag: A vintage cloth oatmeal bag printed with black ink on both sides. One side is branded with "Three Bears Porridge – Flaked Oatmeal", showing an image of three bears behind a gate, referencing the well-known “Goldilocks and the Three Bears” fairytale. The opposite side features a printed cut-out doll design, showing a young girl with curly hair holding a bouquet of flowers, intended to be sewn into a stuffed toy. Instructions note that the reverse side (the doll’s back) could be obtained from a second bag. The design combines product branding with a promotional activity for children, typical of early- to mid-20th-century grocery packaging aimed at reuse. [2] Mammy Self-Raising Flour Bag: A small vintage cloth flour bag with printed branding in faded red, blue, and black inks. The front of the bag features a central image of a caricatured smiling African American woman wearing a headscarf. The text is unevenly faded but legible in parts. The bag has a rectangular shape with an open top edge and signs of previous use, including creasing and some fraying at the corners. [3] Bandung Blue Triangle Brand Flour Bag: A large, rectangular vintage cloth flour bag made of cream-coloured calico or cotton. The front of the bag is printed in bold blue ink with branding and export information. It prominently features a large triangular logo reading “Blue Triangle Brand” and numerous lines of text in block and stylised fonts. The bag is open at the top with frayed edges, suggesting it was once machine-stitched shut and later opened.[1] Three Bears Porridge Flaked Oatmeal Bag: Front side (branding side): "THREE BEARS Porridge – FLAKED OATMEAL" "7 Lbs. Net." “Packed and guaranteed by Canadian Cereal Mills Ltd., Toronto” Reverse side (doll pattern): "This is the Front for Three Bears Cut-out Doll" "In order to complete this Doll it will be necessary to obtain the Back Design from another Bag of Three Bears Rolled Oats or Oatmeal." [2] Mammy Self-Raising Flour Bag: Main product name: “MAMMY OVEN PUFF SELF-RAISING FLOUR” Additional text: “The Only Creamed Flour” “Prepared with phosphate aerator” “A. MAMMY PRODUCTS PTY. LTD., Sunshine Rd., West Footscray. Phone: FW 7321” “7 LBS. NET” (near top edge, very faded) [3] Bandung Blue Triangle Brand Flour Bag: The bag is printed with the following: “10270” “G.W.C | H.L” “BANDUNG” “BEST AUSTRALIAN” “BLUE TRIANGLE BRAND” (inside the triangle logo) “GROWER & GRINDERS” (curved around the logo) “Patent Roller” “MELBOURNE” “FLOUR” “50 LBS. GROSS WHEN PACKED” These inscriptions indicate that this flour bag was manufactured in Melbourne, Australia, and was likely exported to Bandung, Indonesia.farm equipment, flour, milling, oats

This bottle contained Condy's crystals. Condy's Crystals (potassium permanganate) was a popular domestic item for decades, its crystals usually being dissolved in water to make a purple solution for antiseptic and disinfectant purposes. It was also used for snake bite, with standard first aid texts advising that a snake bite should be cut with a knife or razor, the venom sucked out and Condy's Crystals applied to the site. (ref. Powerhouse Museum) A small rectangular four-sided brown bottle. The neck has a screw thread.On sides - POISON NOT TO BE TAKEN On bottom - F1090 Mmedical health bottle condy's-crystals

The outlet for the overflow was originally cut in 1926 and concreted over in 1928. This photo shows flooding into Salt Creek in 1956 and looks towards the west and Rockbank. Boards were added to raise the water level of the lake. These were put in annually, below the walkway depicted, until in 1966 the level of the concrete weir was raised. Consequently the lake did not flush through as readily and it gradually silted up and the lake became shallower.lake bolac, overflow, 1926, 1928, flood, 1966, salt creek, rockbank

Diamond House Stawell. This unique house was built by John Hearne between 1866-1868 using white quartz stone gathered on Church Hill opposite. Mr. Hearne showed considerable skill and patience in construction as the stones had to be carefully cut & fitted into uniformity which has lasted 130 years. Its is said not a nail was used. It became the Diamond house restaurant in 1932. The photo was taken in 1903.Two Black & white photograph of Diamond House including neighboring houses. There is a light post on the left hand side and what appears to be a dirt road in front of the houses. Photo taken in 1903.stawell

Came from the Station Master's house at Mitcham Railway Station. Stationmaster was Mr Tom Hutchison who with his lived in the house. Harold Bakes obtained permission to remove them . Shirley Jones had first mentioned them and helped Harold to remove them, put them on the board and fill up all the holes. Mr Eric Sunderland helped to cut them out, quite a job.Large ceiling rose -plaster mould from the Station Master's house at Mitcham Railway Station.buildings, fittings

In Tibetan Buddhism a "dorje" (also known as "vajra" in Sanskrit) symbolizes the indestructible nature of reality, spiritual power, and enlightenment, often depicted as a thunderbolt or diamond scepter, representing the ability to cut through illusion and achieve ultimate wisdom; it is a key ritual object in the Vajrayana school of Tibetan Buddhism, signifying the union of compassion and wisdom through its male principle association when used with a bell (female principle). The Double Dorje (Vishvavajra), is a powerful Buddhist symbol. It consists of two crossed vajras (dorjes) and represents the foundation of the physical world. The Double Dorje is often associated with stability and protection, symbolizing the indestructible nature of the universe. This double dorje is a cross of two dorjes, which look like a small scepter with multiple prongs at each end.tibetan buddhism, holy objects, worship devices

Annie BURNS Annie Burns attended the Victorian College of the Arts. She lives and works in Melbourne. Her works are mainly oils on canvas, wood panels and aluminium. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Artwork featuring a woman in a tutu like skirt.art, artwork, oil, oil on canvas, available, annie burns

Gold coloured plate set on to wood with the Vision Australia logo (the eye) at the top. The following is inscribed: Vision Vision Australia Foundation Abraham Centre In recognition of Gwen and Eddie Abraham's generous donation to establish the Assistive Technology Centre, Bendigo Community Services Centre Opened 25 October 2002Gold coloured sheet with black writing attached to wooden plaque.vision australia foundation, plaques

Iron and steel fireplace fender for preventing (to fender off) potential embers or burning logs from falling from fire and landing on a floor. Removed from kitchen with the removal of the wood stove in the 1980s when a gas stove was introduced and placed in former bedroom now used as a study/library room.fender, fire, ballarat, ember, kitchen

George Hathersich made wood moulding planes at 30 Shade Hill Street, Manchester, England, from 1797 to 1851. After his death, his wife, Elizabeth, carried on making planes. Moulding planes are used to create decorative edges on timber for doors, tables, cabinets and elaborate cabinetry.The maker, Hathersich, was a very early plane maker from Manchester, England. Hathersich's early 19th-century hand-operated planes are rare examples of crafted woodworking tools. Similar tools are still made today and used by specialists in cabinet and woodcraft trades.Plane; hand-operated mounding plane, round type. A narrow rectangular plane with a wooden wedge and an iron blade inserted in the bed. The wooden surface is stained and varnished. It has inscriptions. Made by George Hathersich of Manchester, UK. Also marked C S Schofield. "Hathersich" "C S Schofield"flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, wood work, builder, carpenter, wood worker, woodworking, plane, moulding plane, tool, woodworking tool, george hathersich, shudehill, manchester, england, c s schofield

Back row, from left: Peter Renshaw, Dennis Buckley, Chris Gough, Tony Woods, Ron Gale, Kevin L'Huillier Front row, from left: Steve Riley, Bernie Farrell, Steve Condron , Greg Shaw, Peter Davey, Graeme O'Brien See also SEA_01-591bernie farrell, chris gough, council staff, dennis buckley, eltham shire council, graeme o'brien, greg shaw, kevin l'huillier, parks and environment, peter davey, peter renshaw, ron gale, staff, steve condron, steve riley, tony woods